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I still have my male anatomy, but I embrace femininity on my own terms. I don't desire to have a vagina or be like other women. I simply want to express myself in a feminine way.

Slow down and pay attention to not bump into people. A man claiming to be Marcus Garvey's grandson, Skabooky, talks to a woman with a unique style. Another person questions their outfits, calling them "hoish." Skabooky mentions running for governor and criticizes the woman's hair. He warns her not to trust a girl wearing a do-rag. The conversation shifts to the woman's outfit, asking if she designed it. Skabooky mentions being a Democrat voter.

Speaker 0: Normalized guys wearing nail polish, crop tops, honestly, any clothes they want, dresses, skirts, whatever. Speaker 1: Life's too short to exercise. I'm just gonna be honest. There are so many better things to do than exercise. And this way of thinking is known as fatphobia. Speaker 2: A fat fucking den. Speaker 1: Men are not meant to be dominant. Men are meant to be submissive. Speaker 2: At nighttime, that hurt. You know? Speaker 1: And I think that just that flipped the switch in me where I was like, okay, fuck you. Watch this.

Speaker 0 states a personal stance toward people and principle. They begin, 'In my views, I like people, and I just feel that way.' They then reject performing a narrative about their wife's heritage, saying, 'And I'm not gonna play the game where I have to be like, oh, actually, my wife is part Jewish or whatever.' They reference a 'Final question. Play. I'm not gonna do that.' The remark concludes with, 'I think we should stand on principle.' The speaker emphasizes not altering a stance for perceived group identity, choosing to adhere to a stated set of beliefs instead of altering responses for appearances.

Speaker 0: It's a lie, but once I said that, I didn't say anything else. Speaker 1: Integration happens smoothly on an individual level. Speaker 2: I didn't say anything, but at first, I looked at it from a distance. We quickly get overwhelmed. There is no transformation because the psyche is already feminine, and the individual, in this case, me, has already prepared for this kind of imitation, in this case, me. Speaker 0: They remove the content. In this case, they won't be able to get out of it. In this case, they won't be able to get out of it. Speaker 1: In this case, me, me, me, in this case, me. Speaker 2: So, in an ideal world, I would like us to be who we fundamentally are. Speaker 1: That is to say... Speaker 2: I can confirm that these are two identical paths, even though Brigitte and Véronique's samples have different pitch levels, their fundamentals and partials are well demonstrated. I work in audio voice processing, and it would be the same person without even further research. I never post or leave traces, but I will share the photo. Thank you. Speaker 0: Well.

In ancient Greek tragedies, women were portrayed by men. Today, individuals can choose their gender. You can never be a woman if you were born a man, and vice versa. Embrace who you are. Be proud of your gender. The world needs people to act like themselves, not pretend to be something they're not. You will never be a woman or a man, just be true to yourself.

Speaker 0: There's more than one person I'm dating. Sarah is the one. They are the one. Speaker 1: Are you joking? I thought it was just one person. Speaker 0: No, it's just Sarah. They don't identify as male or female. They are queer.

One speaker is getting his disguise ready and considering what to wear, including wearing a mask under another mask and choosing a hat. The other urges blending in and having a visual identifier, insisting, “you gotta blend in,” and adds, “you can't you have to have a visual identif ier.” They debate whether to wear this mask or that hat, with the America hat being a possible move, and say they will bring both in a backpack. They mention bringing boxers and note CNN, signaling readiness. The first speaker wonders aloud about committing crimes, saying, “I work I don't know if we're committing crimes doing this,” while the second questions whether the first speaker thinks they don’t work for all three companies simultaneously, saying, “Are you insinuating that I don't work for all of them.” The second asserts that trust requires a visual cue, “There’s something visual,” and the first confirms they won’t be allowed to proceed without a visual identifier. The exchange centers on blending in, possessing a visual identifier, and the logistical details of their disguises (hats, masks) and preparations (backpack, boxers).

The transcript centers on self-expression, identity, and life at a colorful school and wedding setting. "When you're trying to decide, think about all the things you like to do. Just be you. Just be me." "He's the undisputed champion of my heart." "I can't wait for my mom to feast her eyes on this." "I'm trans, Norma. And everyone at school knows and everyone at home knows. And being here, it's like a whole new place. I can just be Barney, and I can choose if and when I tell people. I've never been happier." "I'm Frankie. Pronouns, they them." "My full name is Frankie Stein." "As a transberry, I love living out loud as my most authentic self, and I wanted to dress as bold and unique as I am, which, let's face it, is a tall order."

Speaker 0 describes a youth with experiences around fashion, travel, and media attention: “Junk kids in Tokyo, fashion shoots in Milan, and me with phone books so that I wouldn't bruise,” and expresses exhaustion with privileged celebrations and indulgences, including “rich kids bar mitzvahs or pigs leftovers with Saudi princess,” a reference to West and Morse code, and a past incident at the VMAs where they were sprayed with a hose for three days. They also say that when their sails drop off, they’ll be taken to a resort and “let rich businessmen hunt me down for sport.” Speaker 1 interjects to introduce themselves, saying, “Hold up. I’m just coming in on the song to check on what y’all talking about,” and adds, “Don’t think of me as a record exec, but I’m Bubba, Big Yell, and Powell. This kid's a real prankster.”

Speaker 0 asks their mother to keep a secret and tells her they find themselves attractive. They emphasize the importance of not sharing this with anyone else.

Speaker 0 stated that someone "trained me to have to be perfect." Speaker 1 then mentioned "working for Diddy," to which Speaker 0 responded, "Absolutely." Speaker 1 expressed affection for Diddy, calling him a "good friend" and "good guy." Speaker 0 stated that "he expects—" before Speaker 1 interjected, asking, "Is he a good guy?" Speaker 0 responded, "I don't wanna answer that question." Speaker 1 concluded by saying, "I think he's a good guy. I'm a stick up for—"

The discussion centers on the idea that his shtick hinges on the perception that he is the character he plays—“every man” who isn’t right wing but a populist fighting for the people against the powers that be. This is illustrated with a personal anecdote: “This is the truck that I drove this morning. This is the truck I drive. It's a 1987 Chevrolet Silverado. There are no electronics in this. There's no air conditioning. There's no radio, and there's no way for the government to turn off my engine if I'm disobedient.” The speaker cautions that “the moment that it's revealed not to be true, it's over. It's like you're worth 50,000,000 not worth $50,000,000. 30 to 50. Get off the fucking Internet, son. Don't stop believing that stuff.” Speaker 1 pushes back, claiming, “No. No. I'm a but see, I'm not out of the closet to leave this. I don't run around pretending to be a man of the people. I'm absolutely not a man of the people at all.” The conversation touches on money and upbringing: “I had the privilege of not being interested in money because I and I grew up in a family where we're worried about money, so I just never really thought about money.” Speaker 2 contributes background on Tucker’s lineage, noting, “Tucker's great, great… great grandfather was known as the cattle king of California, the largest, landowner in The United States in the nineteenth century. Just to give you an idea of the enormous wealth.” The discussion continues with Tucker’s financial succession, “Tucker and his brother did end up with a part of the oil and gas, minerals that she owned in her estate. So even that went well for Tucker.” There is a mention of apparent wealth and inheritance: “Well, I'm, like, extraordinarily loaded just from, like, money I, you know, inherited from my number of trust funds. From a Swanson deal.” The dialogue clarifies family ties: “She wasn't your mother. How I felt. That's I had a mother. I mean That's right. My dad got remarried to someone I think of as my mother.” There is a note on the father’s marriage to Patricia Caroline Swanson in 1979, described as “the heir to the Swanson billion dollar fortune. They're frozen food family. Serve Swanson dinner soon.” The exchange reiterates inherited wealth and the question of authenticity: “You're a trust fund baby, are you not? No. Completely. I've never needed to work.” The closing reflection suggests a critique of the shtick: “I think there's kind of a deep phoniness at the center of his shtick.” The final line cites a concrete memory: “I worked in a kitchen in 1985. Everybody in the kitchen had a criminal record. Every single one. But, of course, every dishwasher has been to prison for something. Right?”

The speaker states that despite a doctor saying they were a boy, they knew they were a girl. They acknowledge having male body parts but assert that this is acceptable.

Speaker 0 asks Speaker 1 about rumors of them being a hermaphrodite, which Speaker 1 jokes about. Speaker 0 finds it interesting that Speaker 1 doesn't deny the rumors like most artists would. Speaker 1 responds by questioning why they should waste time addressing such rumors, as their fans and they themselves don't care about it. They believe that music is more important and recall a memorable festival experience with Lady Starlight.

In this video, the speaker talks about their different versions of themselves. They mention a "glam she" version and explain that it can be difficult to explain gender confusion to others. They describe feeling like there are two levels inside them, with the "she" version at about 60 and the "he" version at 40. Sometimes the "she" version is more dominant and their pronouns and attitude change. They also mention that there is something inherently soft about them when they express themselves in this way.

In this video, the speaker asks how to differentiate between boys and girls. They mention that boys have short hair, but what if both individuals have short hair? The speaker suggests another way to determine gender is by removing their clothes. They also mention being asked explicit and sexual questions that made them uncomfortable, comparing it to how they would feel talking that way to their own child.

Speaker 0 describes that their father still messes up pronouns, and they occasionally misgender themselves, then asks what to do if you happen to get someone's pronouns. Speaker 1 responds with a hostile assertion: "Funny you would ask because, you know, I rail on this a lot. Just because you have a mental illness and you think your penis is a vagina, you like to wear lipstick and eyeliner and a dress. Well, that's a mental illness. You're a man and there is not a damn thing you can do to convince me to call you a girl. You are a classic example of a mentally ill perverted man." End of comment. End of statement.

Speaker 0 contemplates asserting themselves toward men, noting they are bigger and could "body you." They admit a fear of the police and a reluctance to get in trouble, but as they get older, they wonder, "do you know what? I could catch a charge."

Speaker 0 challenges claims that something is fake, saying, "If you will say like this this this is fake, I'm like, I'm like, let's look at, Let's go forward in the air." They express a stance of moving forward and not worrying about "this one," stating, "I wouldn't worry too much about this one." They then say, "He that I'm back," followed by, "I wouldn't worry too much about him," and conclude with, "He better die."

I'm a biological male in a dress. Should I be punished for what I wear? You should act like a man because you are one. Those affirming your belief you're a woman are lying and disrespectful. It won't help you. Masquerading as a woman infringes on women's rights to their own spaces. You don't have that right, no matter how sincerely you believe you're a woman. Translation: I am a man in a dress. Should I be punished for what I wear? You should act like a man because you are one. Those who support your belief that you are a woman are lying and disrespectful. It will not help you. Pretending to be a woman violates women's rights to their own spaces. You do not have that right, no matter how sincerely you believe you are a woman.

Michelle discusses gender norms and fashion choices, referencing Kevin who initially resisted wearing a dress but later claimed it was his decision. Conversations shift to celebrities like Hayden Smith and Brad Pitt, highlighting their fashion statements. There's a humorous exchange about the pressure on Black male actors to wear dresses in films, with Dave recounting his experience on set when asked to wear a dress for a comedic scene. He expresses discomfort and insists on being funny without resorting to that trope. Ultimately, he stands firm, leading to a quick rewrite of the scene that maintains humor without compromising his values.

The speaker talks about a stage where they noticed changes in their body. They mention that some people might perceive them as a 9 or 10-year-old going through a tomboy phase.

The speaker states they designed something and do their own makeup. An unidentified person responds that it is unbelievable and the speaker is very talented.

There were rumors that the speaker was a hermaphrodite, but they didn't see the need to address it with a press release. The speaker's fans don't care about their gender. The interviewer mentioned a song where the speaker talks about bluffing with their muffin, which may have led to the rumor that they are well endowed. The speaker joked about having a big "donkey deck" and said that underneath their feminine appearance, they are all man. The interviewer asked what the speaker wants the world to know about them, and they replied that they want people to know they are real.