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Theo Von closes a tour announcement with dates for Return of the Rat across January to June, noting added shows as they sell out and offering Rat King pricing before Friday, November 18th, with tickets via theovan.com thereafter. Today's guest is Ari Shaffir, who talks about a long, winding path as a content creator and a renewed focus after burnout. He describes a period so fatigued that he could barely talk, then recovery through peptides, vitamins, and an Ayahuasca retreat, followed by a gradual improvement over weeks. Theo relates his own recent push to take time off and listen to advice from friends who urged rest. They reminisce on early hustle, including jokes about Continental breakfasts and quirky hotel experiences, and pivot to Ari’s latest project, a special titled Jew, released on YouTube. Ari explains the journey: five and a half years in the making, cancellations along the way, and a decision to post on YouTube to retain ownership and avoid Netflix’s producer-credit politics. He shares shooting costs—“a couple hundred grand, about two hundred thirty”—and the editing process after a Paris trip that helped tighten setups and remove repetition. He notes that the project’s tone remains reverent and self‑mocking, and he discusses the risks and realities of making Jewish humor in a climate sensitive to anti‑Semitism. The conversation shifts to how culture treats satire, including a cautionary pancake‑logo incident about a Black‑owned business and a broader discussion of anti‑Semitic narratives, identity and comedy. They reflect on Hollywood’s diversity dynamics, the media’s framing of Trump and Trumpian rhetoric, and how platformed voices sometimes collide with audience expectations, from SNL’s move to keep or replace guests to Elon Musk’s Twitter leadership decisions. Ari shares deep, provocative stories from his experiences at shows, including a memorable orgasm‑meditation workshop and the wild, sometimes risky terrain of comedy and sex. He also riffs on trolling, online persona, and the ethics of pushing boundaries with respect to audiences who push back. He suggests a bold future for creators: a subscription platform where comedians own their content, fund a cooperative slate of specials, and share proceeds more directly than on current ad‑driven models; the math imagines millions of subscribers and substantial payer commitments. They discuss travel, future projects, and a desire to take the podcast on the road—You Be Tripping—testing formats in studios and on location. Ari promotes Jew and invites listeners to watch, donate to support freedom of comedy, and follow touring updates on AriShaffir.com and Ari’s YouTube channel. The conversation blends humor, risk, and the practicalities of building a career in modern comedy.

Dave Rubin discusses the ongoing threats to free speech, highlighting three key incidents. First, Brett Weinstein at Evergreen University faces backlash for opposing a racially segregated event, leading to accusations of racism against him. Despite being a lifelong progressive, Weinstein's stance has drawn hostility from the campus community and a lack of support from the administration, with mainstream media largely ignoring the story. Next, Kathy Griffin's controversial photos holding a decapitated Trump head sparked debate over free speech. Rubin supports her right to create such art but acknowledges CNN's decision to fire her as valid. He notes a reversal in typical political alignments, with the right calling for her firing and the left defending her. Lastly, Bill Maher faced outrage for using the n-word during a joke on his show, prompting calls for his firing. Rubin points out that Maher’s humor, while provocative, was not meant to be racist, yet it illustrates the chilling effect on free expression. Rubin concludes that these incidents reflect a broader chilling effect on free speech, questioning whether individuals in academia, art, or comedy would feel comfortable expressing controversial ideas given the current climate. He emphasizes the importance of maintaining free expression and invites viewers to continue engaging with his content. Jason Whitlock joins Rubin to discuss the pressures of free speech in media and sports, noting the shift in liberal values from New York to San Francisco and the impact of social media on public discourse.

The podcast begins with a light-hearted discussion about a conversation between the host and Ludacris regarding a hip-hop app they developed. The main topics of the episode include the U.S. military's support for Ukraine, particularly the supply of Javelin missiles, and the implications of this support on U.S. military readiness. The hosts discuss the significant increase in contractors over the past decades, noting that the U.S. military now relies on only a handful of defense contractors, which raises concerns about supply shortages and military preparedness. The conversation shifts to the housing market, with predictions from Goldman Sachs indicating declines in home prices in cities like Austin, Seattle, Phoenix, and San Francisco due to increased inventory and rising mortgage rates. The hosts discuss the implications of these trends for buyers and sellers, emphasizing the importance of timing in real estate transactions. The podcast also touches on the recent Wall Street Journal article suggesting that the COVID-19 pandemic likely originated from a lab leak, with the Energy Department's low-confidence conclusion joining the FBI's previous assessment. The hosts express frustration over the lack of accountability and transparency regarding the origins of the virus. In a segment about the entertainment industry, Woody Harrelson's controversial SNL monologue is discussed, where he made comments about the pandemic and big pharma, leading to backlash from media outlets. The hosts commend Harrelson for his boldness and discuss the broader implications of censorship and the importance of open discourse. The podcast then addresses the political landscape, focusing on Ron DeSantis's actions against Disney regarding the "Don't Say Gay" bill and the implications of placing Disney's district under state control. The hosts analyze the potential backlash against DeSantis for government overreach while acknowledging his popularity among conservative voters. The discussion shifts to the state of the economy, particularly the rising costs of living and the impact of inflation on car payments and housing affordability. The hosts highlight the disconnect between rising car prices and stagnant wages, suggesting that this could lead to a downturn in the housing market. Finally, the podcast concludes with a discussion on El Salvador's crackdown on gang violence, which has reportedly led to a significant decrease in murder rates. The hosts debate the ethics of such measures and the balance between public safety and civil liberties. They emphasize the need for a strong military and the importance of standing up to authoritarian regimes while questioning the U.S.'s current military strategy and spending. The episode ends with a preview of upcoming guests and topics for future discussions.

Andrew Doyle, also known as Titania McGrath, discusses the rapid rise of his satirical character on social media, which critiques extreme woke culture. He notes that Titania is a composite character designed to mock the absurdities of modern social justice movements, and he finds it amusing that many people still believe she is real. Doyle argues that the woke movement has become a cult-like ideology that punishes mistakes and demands absolute compliance, drawing parallels between it and radical religions. He expresses concern about cancel culture and the inability to redeem oneself after making a mistake, emphasizing that human beings should be allowed to err. Doyle shares anecdotes about how satire can expose the ridiculousness of both the far-left and far-right, highlighting the dangers of ideological rigidity. He critiques the idea of representation in media, arguing that artistic vision should not be compromised for the sake of inclusivity. Doyle also discusses the impact of social media on public discourse, noting that it often amplifies outrage and encourages people to police each other's speech. He believes that the conflation of words with violence is a significant issue, as it stifles genuine conversation and debate. He argues that the woke movement's approach to language and identity politics is counterproductive and alienates potential allies. The conversation touches on the challenges faced by comedians in today's climate, where self-censorship is prevalent due to fear of backlash. Doyle reflects on the importance of comedy as a space for free expression and the need to push back against the idea that certain topics are off-limits. He emphasizes that humor should not be constrained by ideological boundaries. Doyle critiques the media's role in perpetuating woke narratives, suggesting that sensationalism and clickbait have taken precedence over journalistic integrity. He shares an experiment where he submitted a satirical article to a major publication, which was published without scrutiny, illustrating the media's willingness to promote woke ideas uncritically. The discussion also delves into the education system, with Doyle expressing concern over the lack of critical thinking being taught in schools. He believes that restoring these principles is essential for fostering open-mindedness and healthy debate. Doyle concludes by expressing hope that younger generations will challenge the prevailing ideologies and embrace a more nuanced understanding of social issues, ultimately advocating for a return to classical liberal values that prioritize individual freedom and open discourse.

In Keeping It Real, Jillian Michaels sits with Rob Riggle for a candid conversation about duty, fear, and the messy realities behind political culture and modern warfare. Riggle, a former Marine with three deployments, shares vivid memories from Liberia in 1996, Kosovo, and Afghanistan, describing the emotional and physical toll of war, the chaos of peacekeeping, and the grind of long recoveries after 9/11. The exchange moves through the moral weight of service, the pulsing adrenaline of danger, and how humor becomes a lifeline for soldiers and civilians alike when faced with unimaginable loss. The conversation pivots to contemporary issues: vaccines, mandates, and the pressure of preserving personal choice in crisis time. Riggle recalls his own vaccine decision under duress to protect his family, while Michaels emphasizes the fear and coercion that can come with public health measures. They critique what they see as “ woke culture” and censorship, arguing that fear and social pressure threaten open dialogue, especially for comedians who rely on risk-taking and punchlines to navigate pain and history. They also tackle the arc of American strength and vulnerability. Discussions span recruiting realities, the thin line between duty and protest, and whether a draft could ever reemerge. Riggle reflects on 9/11’s impact, the courage of first responders, and how the nation’s self-image has evolved since that day. They reference 1984 as a cultural touchstone for thought-policing and call out the tension between freedom and social protection. Throughout, the guests stress discipline, perseverance, and the stubborn optimism that the United States remains a place where people fight for a freer, safer future—even as they acknowledge the country’s flaws and the hard lessons of history. booksMentionedDominationAndControl Irreversible Damage 1984

In this podcast episode, Jordan Peterson speaks with comedian Tyler Fischer, who is currently on a multi-city tour with over a hundred venues scheduled until 2025. Fischer discusses his journey through cancel culture, his childhood experiences, and how he used comedy as a coping mechanism. He reflects on his tumultuous upbringing, including his father's coming out as gay and the impact of his parents' divorce, which led him to seek attention through extreme behavior and humor. Fischer shares his views on the politicization of comedy, noting that he was labeled conservative after refusing the COVID vaccine, despite previously identifying as left-leaning. He emphasizes the importance of comedians not attaching political labels to their work, advocating for freedom of expression in comedy. Fischer recounts his experiences with the entertainment industry, including the challenges he faced as a white male comedian in a changing landscape that increasingly prioritizes diversity over merit. The conversation also touches on Fischer's personal struggles, including a significant moment when he found his mother attempting suicide, which prompted a shift in his approach to life and comedy. He stresses the necessity of telling the truth in his work and the importance of authenticity in performance. Fischer's tour has evolved from small venues to larger audiences, and he expresses gratitude for his dedicated fan base. The episode concludes with a discussion on the significance of daily habits and personal responsibility in shaping one's life.

Erin introduces the show, mentioning that Dave Rubin is back and discussing his family's health after a bout with COVID. The main focus is on Woody Harrelson's recent appearance on Saturday Night Live, where he criticized COVID policies, vaccines, and corporate influence, which Rubin finds surprising for a corporate platform. Harrelson's monologue suggests that drug cartels control media and government, prompting Rubin to question why such views were allowed on NBC. He believes it indicates a shift in public awareness and media acceptance of previously dismissed ideas. Rubin highlights the media's immediate backlash against Harrelson, labeling him as spreading conspiracy theories, which he interprets as evidence of a coordinated effort to silence dissenting voices. He discusses the lab leak theory, which was once ridiculed but is now gaining traction, citing a Wall Street Journal report supporting the theory. Rubin critiques Dr. Fauci's statements regarding NIH funding for gain-of-function research, suggesting he has misled Congress. The conversation shifts to the Ukraine-Russia conflict, with Rubin expressing skepticism about U.S. involvement and criticizing President Biden for prioritizing foreign aid over domestic issues, particularly in light of the East Palestine train derailment. He contrasts Trump's visit to East Palestine with Biden's absence, emphasizing the need for accountability in government spending. Rubin concludes by discussing the importance of building new platforms for free speech and the need to challenge the existing bureaucratic system, expressing pride in the growth of Rumble and its commitment to free speech.

Ben Shapiro criticized Bill Burr for becoming "woke," claiming Burr cheered the murder of a healthcare CEO and suggested CEOs should live in fear. Burr responded, stating Shapiro exploits the term "woke" for profit. Burr emphasized public anger towards the healthcare system, arguing his critique is not about wokeness but a genuine response to corporate greed.

Mark Changizi discusses Woody Harrelson's remarks on Saturday Night Live, highlighting a perceived shift in public sentiment regarding vaccines and the pandemic. He emphasizes that the pressure for vaccination came not just from authorities but also from individuals in society. Changizi warns against forgetting the societal forces that fueled division and hostility during this period.

An offhand joke about a political controversy becomes a test of power when a network pulls a beloved host and the White House weighs in. Jimmy Kimmel was pulled from most Disney ABC broadcasts after pressure tied to remarks about a death linked to Trump, and affiliates Nextar and Sinclair chose not to air his program. Public backlash, including Disney subscriptions cancellations, pushed Disney to bring him back. Kimmel addressed the moment with emotion, stating he never intended to minimize the killing and that his aim was not to blame a group, while acknowledging some found the remarks ill-timed. The panel notes skepticism about the sincerity of a pseudo-apology, and discusses whether the move was a principled stand or a business decision, given the risk to bottom lines. During the segment, Joe Rogan urged that government should not dictate a comedian’s monologue, while noting pressure from networks and the possibility of government influence. The conversation expands to media consolidation, platform influence, and the risk of a chilling effect on journalists and comics who fear government retaliation. They point to Fox News, Nextar, Sinclair, and talk of a CBS free-press merger as signs of a shifting landscape.