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The speaker expresses shock and frustration, stating, "Holy fuck, bro. Wow. This is nuts." They are overwhelmed by a situation involving someone named Casey, saying they don't know if they have the energy to deal with it. The speaker indicates that Casey deleted something, emphasizing that even with the deletions, there is still a significant amount of material to address. They question whether further explanation is even necessary, given the apparent severity of the situation.

Speaker 0 expresses shock and disbelief, exclaiming about "big bonuses" and questioning who was asked about something. Speaker 0 then states, "He's out there, ma'am," followed by further expressions of confusion and disbelief. Speaker 1 echoes the shock. Speaker 0 then states that "they've just killed he should killed a few people, you know."

Original: Speaker 0: My god. Look. They got inside Arnold. What the fuck? What the fuck? What? Guys, I don't know once. Summary: Speaker 0 exclaims in disbelief, stating "They got inside Arnold," and repeatedly asking "What the fuck?" The speaker then says, "What? Guys, I don't know once."

Speaker 0: I am so angry. I am so angry. What are we doing? What are we doing? They killed another person. None of us was just safe. And anyone who is still telling us that we're being manic right now is not fucking paying attention. I am walking around with a gas mask in my fucking purse just in case I run into ice. I am walking around with goggles just be in case they gas us. I don't know what to do with any of this. I'm so angry.

I am literally telling you that they're murdering these people, and nobody will listen to me. These people aren't dying from COVID. They don't care what is happening to these people. They don't. I'm literally coming here every day and watching them kill them. It's like going in the fucking twilight zone. Like, everyone here is okay with this. The only way I can kind of put this into context for everybody is an extreme example: He's like, if we were in Nazi Germany and they were taking the Jews to go put them in a gas chamber, I'm the one like, they're saying, hey. This is not good. This is bad. We should not be doing this. And then everyone tells me, hang in there. You're doing a great job. You can't save everybody. But these people aren't dying from COVID. Let me give you several examples here. An anesthesiologist intubated the patient’s right bronchus and of a patient, and they couldn't get the stats up. For about five hours, we were waiting on a chest x-ray to confirm that the placement was wrong. In the meantime, while we're waiting for that, and we've told the anesthesiologist that it was placed wrong because, like, literally only one side of his fucking chest is inflating, he dies. A patient had a heart rate of 40, and the resident starts doing chest compressions on him, which is not what you do. You just externally pace them or you give him some atropine. Then I run in there to stop him from doing chest compressions on somebody with the fucking pulse. And then he decides to push epi. He throws some pads on him to defibrillate the guy in bradycardia. Okay? He has a heart rate of 40 and a stable, you know, bradycardic rhythm. We just need to give him, like, somatropine and pace him. He fucking defibrillates him and kills him. I ran out of the patient’s room to get the director of nursing who was standing out there. And I’m like, can you stop him? He’s going to kill that patient. He’s going to kill that patient if he defibrillates him with bradycardia and a heart rate of 40. The director of nursing just shook his head, and I turned around, and he killed the dude. There was a nurse who placed an NG tube into some guy’s lungs and filled his lungs with tube feeding. There was a nurse who confused a long-acting insulin with a short-acting insulin and gave thirty units of a fast-acting insulin and killed the guy. It’s just here they’re just gonna let them rot on the vent. They’re medically mismanaging these patients. And, like, I’m not a doctor, but there’s basic standards of care. When somebody’s low on blood, literally on the brink of a critical low blood level, we should replace the blood. I asked the residents, and they’re like, does he have internal bleeding? And I said, no. Then they’re like, well, we’re not replacing the blood. In these COVID patients, they all eventually need a blood transfusion. Their blood—if you don’t have enough blood to oxygenate your body, the vent settings don’t fucking matter because you have no oxygen carrying capacity of your blood. We have a nurse who fell asleep at the nurses’ station while we were all in rooms, and her norepinephrine ran out. And the guy had no fucking blood pressure and didn’t perfuse his brain, and I’m pretty sure his brain dead. That same nurse is now running a CRRT machine, a dialysis-like machine, that she has never done before. She said she’ll figure it out. I’m pretty fucking smart, and I figure a lot of shit out, but I would never attempt to try and figure out a CRRT machine on the fly. We are adequately staffed. There’s a shit ton of staff in there, like, and we have a nurse who does CRRT in there. She has a different patient load. We told them, swap these nurses so the one that knows how to work this machine can work this machine, but they didn’t wanna do that. So I’m pretty sure that patient will be dead here in a couple hours. Nobody is listening. They don’t care what is happening to these people. They don’t. I’m literally coming here every day and watching them kill them. I mean, we’re not gonna save everybody. That’s fine. Like, come on, guys. We’re not God. Some of these people are just on sedation to keep them on the vents. Nothing else. I have a lady on a tracheostomy on a vent, and she’s not even fucking cognizant. She’s not even on sedation. You know what we give her every day? I give her breathing treatments, albuterol, and she gets insulin. And that’s it. We’re not treating the COVID, guys. For real, we’re not treating the COVID. You know, every day, we try and get these guys off the vents. Right? Because there’s criteria for weaning. Every day, the day shift nurse will wean them down to minimum sedation. Every night, we come in and we get the same two residents and they fucking max out all the sedation again and undo all the work from the day shift. Then the day shift attending will come in, and they’ll all do rounds. And they’ll be like, he wasn’t synchronizing with the vent. So we had to turn all the sedation on. And I’m like, he wasn’t synchronizing with the vent because it’s in the wrong vent mode. I even tried getting a hold of Black advocacy groups here. They just put me on hold or hang up on me. Tried talking to management. Now I got new units. And someone come up with some type of a solution for me because I’m kind of out of ideas. You know, I try and talk with some of the other nurses here, and they’re like, well, you can’t save everybody. And they all know what’s happening. They all agree with me and they all just shake their heads and I’m like, am I the only one who is not a sociopath to think that this is okay? I mean, guys, they literally don’t even know when they’re dead. Like, how many times have I told you they’ve assigned me a dead person? Like, how long have they been dead? Nobody knows. Like, how is anybody assessing anything without a stethoscope? Normally, we have disposable stethoscopes, but I brought my old chunky one. Nobody has listened to anybody’s lungs as long as I’ve been here. Even with disposable stethoscopes. I keep telling them that, you know, the guys are like, my patient’s going acidosis. We need to do something about this before his kidneys shut down. Then they run five liters of bicarb into a person who’s gained 20 pounds of water weight and completely throw him into heart failure, and he dies several hours later. That was one of my patients. So I let them know. They had me start the bicarb before I left one night. And by the time I came back the next shift, he was dead. And they assigned him to me, and he was already in a body bag. Like, guys, they’re not dying of COVID. I am literally telling you that they’re murdering these people, and nobody will listen to me. My lead at the other hospital warned me I’d have a problem and advocate for the patients too. They moved him to a completely different hospital. I tried reaching out, but he hasn’t texted me. I’m going to the unit. Let’s see how they kill him there. Okay? Stay safe. Stay out of NYC for your health care.

Speaker 0 expresses surprise and confusion about something, using strong language. They question what it is and express disbelief. The speaker's tone suggests frustration and shock.

The speaker expresses their concerns about the UFO story, acknowledging that there are fanciful ideas without evidence, but also mentioning dark and unexplained aspects. They believe that the public can't handle the truth due to its profound implications. Another speaker agrees, describing the information as deeply disturbing and too dark to share with their loved ones, including their children. They both acknowledge that the US government has known about non-human entities for a long time, but the justification for secrecy is debated. They understand the impulse to hide such information, despite believing in truth and disclosure. The government's involvement adds to the heaviness of the situation. They conclude by affirming their agreement and acknowledging that they used to discuss these topics during commercial breaks.

The speaker expresses intense shock and anger, repeatedly asking, “The fuck is wrong with you,” and “What the fuck did you just do?” They urge, “Somebody call the ambulance,” and insist, “Somebody needs to call 911.” They state, “I can’t believe they just did that” and exclaim, “Holy shit,” wondering, “Why would you do that?” They react with disbelief, “I can’t believe I’m seeing it,” and direct someone named Jamaica to come over: “Come on, Jamaica. Come here.” The speaker describes the scene as “so fucked up,” repeating that it is “fucked up,” and concludes with the claim, “He was only helping.”

The dialogue centers on casualties in Gaza and the broader human impact of the conflict. One participant states that the government has admitted 70,000 people were killed, a figure they had not previously disclosed. From their perspective, there are 70,000 killed, with many of the victims described as children and women, explicitly noting that they are labeled as terrorists according to Israeli categories. When asked what percentage of the dead are women and children, the speaker confirms that there are statistics out there, but asserts that the vast majority are women and children. The discussion then turns to access and movement: is it possible to know who can go to Gaza? Over the last couple of years in Gaza, the question is raised about what happened and whether there will ever be a clear answer. The speaker believes that people will ultimately know in one way or another, but emphasizes that the catastrophe there is unparalleled and cannot be healed. The sheer scale of destruction and death is described as heartbreak, with the speaker stating that there are no words to convey the impact. They anticipate that at some point, people will understand who did what, why it happened, and how it came to be, but for now the bottom line is that there are people who are suffering and dying as a direct result of violence, which they describe as devastating. The exchange concludes with a question about the speaker’s treatment in Israel, to which no explicit answer is provided in the transcript. Throughout, the emphasis remains on the human toll of the violence in Gaza, the stated casualty figures and demographic composition, the ongoing questions about accountability and causation, and the lasting, devastating impact on civilians. The dialogue underscores a sense of unresolved inquiry about access and movement into Gaza in the context of a catastrophe, while foregrounding the personal experience of suffering and loss wrought by the conflict.

Oh my god. This is exciting. Oh my god. And how fuck did all that come from? Everything is ruined. Everything. Everything.

The speaker expresses shock and frustration, stating, "Holy fuck, bro. Wow. This is nuts." They are overwhelmed and question their ability to handle a situation involving "Casey." The speaker indicates that Casey deleted something, emphasizing that even with the deletions, a significant amount of material remains. They question whether further explanation is even necessary, given the apparent extremity of the situation.

It's hard to convey the true meaning of horror to those who haven't experienced it. People are calling for help, questioning the role of law enforcement and social services. There's a sense of urgency and a plea for support, as expressed in the song "Stand by Me," emphasizing resilience in the face of adversity. The conversation shifts to the challenges of investigating crime, with some expressing doubt about others' experiences in this area. Overall, there's a mix of emotional expression and skepticism regarding the effectiveness of those in charge and the support systems in place.

Speaker 0: No. No. Shame. Shame. Oh my fucking god. What the fuck? What the fuck? You just fucking what the fuck did you do? You are fucking criminals. You're fucking criminals. What the fuck? What the fuck are you guys doing? What the What the actual fuck? What are you doing? You are fucking insane. What did you do? What did you do? Speaker 1: You. Shame. Shame. Speaker 0: Shame. Shame. Shame. Shame. Shame. Did that Shame. Shame. Speaker 1: Dude, you shot her. I'm trying to help. No. No. You fucking shot someone in the Speaker 0: fucking face. You fucking someone in the fucking face. Do Speaker 1: you have a conscience? Speaker 0: Do you have a conscience? Don't let the murderer leave. Don't let the murderer leave. You Speaker 1: guys are the fucking criminals. You don't get to tell us what to do. Fucking criminals. Don't let him leave. Speaker 0: Don't let him leave. Speaker 1: Yeah. It's a fucking crime. Speaker 0: We fucking knew it. We're here. Speaker 1: Yeah. Like, what the absolute fuck, man? What the absolute fuck? Do you have Speaker 0: a Speaker 1: conscience? Do you have a conscience? Do you have a conscience? This is the time, man. This is the time to have a conscience. This is not okay. This is not okay. Speaker 0: Get Speaker 1: a fucking conscience. You okay, mommy?

The speaker states they have never called out behavior like this before and acknowledges the courage of those who have, expressing that it is terrifying to do so. They are unsure how to word the video but will proceed. The speaker asks how others cope with the anxiety of speaking out.

The speaker expresses extreme surprise and disbelief at an unspecified event. They use strong language to convey their shock and question what is happening.

Speaker 0: The time game is over. Justice with General Flynn. They criticize the Department of Just Us and recall a past moment when they would have been brought into the DOJ in handcuffs. Speaker 1: Delivers a stream of violent, braggadocious lyrics about weapons, killings, and dominance, including references to shooting, trafficking, and threatening rivals. The content emphasizes keeping enemies in check, physical violence, and material wealth, with repeated lines about not losing sleep over killers, firing weapons, and "run it up" for money and power. Speaker 2: Argues that many people gaining sudden large followings on Twitter or talking about topics like low taxes or transgender pronouns may be pedophiles, suggesting conservative media uses people with criminal pasts as influencers. States that such individuals say things to align with a broader agenda and mentions Israel in the context of a broader critique of conservative priorities. Concludes with a tip to contact Charlie Cook for those seeking a "second act" in public life. Speaker 3: Kyle Clifton discusses an after-party associated with TPUSA’s America Fest in Phoenix on December 19, called the Grand Young Party. The party reportedly featured girls dancing half-naked on stage, girls locked in cages, underage drinking, stripper poles, sex on the dance floor, and mentions “strange ritual Zionist extremism.” He notes promo footage from Florida and Phoenix, blurred faces of attendees, and that age did not matter if the attendee knew the organizer, Joe Bazrawi. Background is provided on Maverick events as the organizers. He reports a security guard tackled an 18-year-old patron, causing injuries; police encouraged filing a report for assault. Parents of other female patrons are considering lawsuits for supplying minors with alcohol. The event was advertised as a TPUSA America Fest after party, hosted by TPUSA ambassador/employee Joe Bazrawi, whose travel and lodging were paid for by TPUSA. He claims TPUSA was aware of and encouraged the party, and that Bazrawi maintains a private dossier on conservatives who oppose his party or beliefs to blacklist them from TPUSA events. Bazrawi allegedly attends other events to photograph attendees for his dossier and share with TPUSA executives. Attendees allegedly included Matt Gaetz, with rumors that James O’Keefe and Madison Cawthorn were present; photos are mentioned. Questions are raised about TPUSA’s responsibility for hosting unsanctioned events with high-profile guests and potential legal consequences or PR damage. The after-party reportedly had about 30–40 attendees leave early; refunds were issued to some in response to public comments, while others did not receive refunds. Some attendees were admitted as late as 1:45 AM; the event ended at 2 AM. Ticketing was disorganized, with staff not knowing who attended. Local Antifa chapters reportedly planned to submit stories to CNN to harm Matt Gaetz’s career. The speaker expresses concern about the conservatism movement’s image and the potential implications for Gaetz and Cawthorn. Speaker 4: The Vault claims to possess extensive material—video, pictures, emails, audio, text messages, phone calls—on everyone and to be willing to drop it all. The speaker has “a lot of crap on Richard Spencer and everybody else” and suggests signing up for Telegram to access this material. Speaker 5–6: Expressions of fear or alarm from the audience, with a call to “Dale” and a plea for help or relief, indicating tension or distress in the room.

There are two things that scare the speakers: the 2020 election and the UFO story. The UFO story is particularly dark and has a spiritual component that they don't fully understand. They haven't shared this information with their wives or families because it is deeply disturbing. The implications of the UFO story are profound and the public may not be able to handle it. The speakers agree that it is too disturbing to share with their children.

The speaker is in extreme distress, alternating between shock and urgency. They immediately exclaim, “What the fuck is wrong with you? Oh my god. My Oh my god,” expressing disbelief and anger. They repeat with: “What the fuck did you just do? The fuck did you just do?” signaling they believe an action was taken by someone that is unacceptable or shocking. The speaker then directs another person named Liz to take action, saying, “Liz, somebody call the ambulance.” They repeat the urgent instruction, adding, “Somebody call the ambulance. Somebody needs to call 911,” emphasizing the need for emergency assistance. Continuing to express disbelief, the speaker says, “I can't believe they just did that. Holy shit.” They struggle with their emotions, saying, “Just can't get come on. Come on. Oh my god. Oh my god.” There is a moment of heightened attention to the scene as the speaker states, “I can't believe I'm seeing it. Can't believe I'm seeing it. Oh my god. Come on. Come on, Samantha.” They direct Samantha to come closer, insisting, “Come here. Come on. Come here. It is.” The final fragment, “It is,” remains incomplete but underscores the sense of something unfolded or observed that the speaker wants to highlight. Overall, the transcript captures a rapid sequence of shock, blame, and urgent calls for medical help, with the speaker addressing Liz and Samantha and repeatedly expressing disbelief at what they are witnessing.

The speaker expresses extreme shock and distress. They repeatedly exclaim "Oh my god" and "What the fuck?" The speaker then demands someone be killed, chanting "Kill him" multiple times.

The speaker feels disgust at what's going on in the world around genocides, the loss of rights, the loss of health care, and the just general fear that everyone has surrounding affordability, their lives, their livelihood, like everything. "It just it feels so big." They say environmental issues are getting to them, experiencing climate anxiety that "a lot of us do," and note "it's not funny"—sometimes a nervous laugh because it's scary. They acknowledge these crises are happening together and ask what, besides the small things, they can do, mentioning "pushing for change and fighting and protesting." They admit it's hard not to sit in moments where it "feels so heavy."

Speaker 0 and Speaker 1 discuss the idea that people use coded language, noting that the code is "glaringly obvious when they say pizza and when they say jerky." They describe how such terms stand out as obvious codes. They question the practicality of other coded comments, asking, "Why do I need a chilled container to," followed by "Right. You know, a chilled bag or whatever they say," indicating confusion about the packaging or handling of something being coded. Speaker 1 adds a rhetorical rejection of the behavior, saying, "Jesus Christ," and questions, "And so you think they're eating babies?" The conversation moves from skepticism about ordinary explanations to a stronger, more sensational hypothesis, with Speaker 0 affirming, "Oh, yeah. I absolutely believe that." This leads Speaker 1 to suggest an association with Kurt Metzger, saying, "You should get together with Kurt Metzger You'd crazy," implying a link to similar views or discussions. Speaker 0 reflects on the belief system as dating "back, like, you know, a long long time. Dates this is Moloch worship." The term "Moloch worship" is invoked to describe the perceived ancient or ritualistic undertones behind the coded language and alleged practices. The exchange mentions an "other email" that contained the sentence, "thank you for the torture video. I enjoyed the torture video," indicating that there are communications expressing enthusiasm for violent content. This line is highlighted as part of the broader pattern they are observing. Speaker 0 reiterates their conviction that people who hold these beliefs "don't want to accept it. Like, don't wanna believe it. They don't wanna accept it," emphasizing a reluctance among others to acknowledge these supposedly hidden realities. Overall, the dialogue centers on the idea that coded language (with examples like "pizza" and "jerky") is obvious, that the contents or activities behind the codes might involve extreme or violent practices, and that there is a long-standing, possibly ritualistic framework (Moloch worship) underpinning these beliefs. The speakers acknowledge an element of denial among others who refuse to accept these interpretations, and they reference provocative associations (such as the torture video email) to illustrate the pervasiveness of these beliefs and communications.

The speaker expresses disbelief and confusion, questioning the reality of the person they are speaking to. They believe that the person is part of a simulated reality, but acknowledge that they did nothing wrong. The speaker urges others to share what they are witnessing. They express frustration and fear that the person will call security on them.

Speaker 0 describes an overwhelming personal realization after reviewing files last night. He couldn't sleep and began with documents, then moved on to video, and says, “my god. My god. Bloody hell. We're living in bloody hell.” He states he had to stop because he cannot unsee what he saw. He reports witnessing horror far beyond any horror movie, noting “Blood curdling screams of young kids, the fear in these children.” He asserts that “these people are the devil walking earth,” declaring that “The devil is on earth.” He calls the experiences horrible and uses strong language to convey the intensity of the content. He explicitly references acts described as “Unaliving of children,” and details that he observed claims of “they've been unaliving children, cutting up intestines and eating them, unaliving babies, violating, essaying these children.” He emphasizes the impact of these revelations on his perception, stating he has never in his life, and questions whether he is naïve, asking himself, “Am I naive?” He adds that, if told in his wildest dreams that this kind of thing was happening in this country, he would be surprised. Throughout, Speaker 0 conveys a sense of shock, horror, and disbelief upon discovering alleged crimes against children, expressing that the content is beyond ordinary fear and horror, and that the severity of the acts described has left a lasting, distressing impression.

The speaker describes a belief that a group they call the “elites” belong to a satanic kingdom and use the all seeing eye as a symbol. They say they themselves had to become one of them to return and expose them, and that satan is a liar who wants them silent. They claim that in today’s world there is no justice, and they reference Hollywood as a place where the alleged activities occur, though they state they do not want to accuse anyone specifically. The speaker asserts that the elites run sex trafficking rings and possess their own satanic churches, where abominations occur. They describe sexual depravity as increasing with power and fame, stating that the more power you have, the more depraved things you must do. They state they pray for repentance and for exposure of these practices if they continue, asking that swift justice be brought to the children whose lives were sacrificed and molested. They recount horrifying details, saying that witnesses know of the widespread activities, including molestation of three-year-olds and inquiries about whether they could go even lower, implying abuse of babies. The speaker emphasizes the traumatizing nature of these experiences, noting how difficult it is to talk about them due to their intensity. The speaker mentions “the Illuminati world, Hollywood” and asserts that individuals in those circles molest children and sacrifice them. They extend the claim to government officials within the government realm as well. They acknowledge uncertainty about the current state in “the land of the living” but insist they will testify about what they saw. Ultimately, the speaker asks for heavenly intervention, praying that the Lord Jesus Christ and the heavenly Father apprehend the criminals and bring them to justice. They reiterate the intention to testify to reveal truth and seek justice in the land, referencing a “huge massive worldwide elites” who claim to be occultly involved, molest children, and perform sacrifices.

The transcript captures a moment of intense shock and confusion. The speaker repeatedly exclaims with strong profanity, asking, “What the fuck is wrong with you? Did just do? The fuck did you just do? What the fuck? What the fuck?” and follows with multiple cries of “Oh my god” and “Holy shit,” conveying disbelief at what just happened. The speaker asks for someone to call for help, saying, “Liz, somebody call the ambulance. Somebody call the ambulance. Somebody needs to call 911.” The urgency is clear as they insist, “I can't believe they just did that. Holy shit. Holy shit.” The speaker continues to express incredulity, saying, “Just can't get come on. Come on.” There is a directive or plea directed at “Jamaica,” with the speaker saying, “Come here. Come on, Jamaica. Come here. It is.” The tone throughout emphasizes immediate distress and the need for assistance.