reSee.it Podcast Summary
Theo Von announces new tour dates: a third London show on June 16th at the Eventim Apollo; New York City on May 31st; Belfast in the UK on June 6th (an added show; June 7th is sold out); Idaho Falls on June 27th (added); Salt Lake City on June 30th; and Las Vegas, Nevada on July 5th and 6th at Resorts World Las Vegas. Tickets are available at theoVon.com. If tickets are too expensive, “just wait, we’ll come back around.” They urge buying through the official link, not a secondary site. Thank you for the support. Today’s guest is a comedian, Theo’s friend, one of the roasters from the Tom Brady roast on Netflix, “one of the best roasters of all time.” Her new HBO special is Someday You’ll Die. Nikki Glazer.
Nikki Glazer jokes about talking to women, saying, “the biggest fear inside of a man, I think, is talking to a woman.” She explains how comedy helped her feel like “one of the boys,” or at least not be treated differently, and notes she sometimes enjoys pulling out a feminine energy from men by letting them vent to her female friends. She imagines a devout lesbian who could shoulder some of a man’s burden, and she jokes about public reactions, relationships, and energy dynamics, riffing on concepts of masculine and feminine energy, sexuality, and charm. The discussion swerves into playful mockery of attractiveness standards, surgery, and the idea that money can buy near-perfect appearances, with Nikki saying she might reach a 9.2 with enough help and a right person, then acknowledging she already gets injections herself and enjoys the thrill of risk.
Theo jokes about lips and fillers, posture, height, and how people notice posture and sexual confidence. They discuss body image and how women might project sexuality through posture, while acknowledging the physical toll of maintaining certain looks. A extended tangent about Toronto, civic attitudes, and global perceptions leads to broader reflections on consumer culture, borders, and national attitudes toward fame and wealth, intercut with jokes about vaccines, air travel, and border control.
The conversation veers to sexuality and period talk, with Nikki answering questions about vaginal health and sex life: “pretty good,” with honest admission that her sex life has had ebbs and flows, including occasional insecurity about her appearance and the impact of cosmetic work. They discuss masturbation habits, dopamine cycles, and the psychology of sexual behavior, including how mood can affect desire and how some people engage in spirals of activity driven by dopamine.
They pivot to mental health topics and even lobotomy in a frank, historical detour. Nikki explains what a lobotomy is—“a type of brain surgery that involves severing the connection between the frontal lobe and the other parts of the brain”—and they reference a 2018 study noting many lobotomized individuals were women, along with historical motivations like lack of initiative or restraint, and the role of hospital logic in those procedures. The back-and-forth touches on trauma, memory, dissociation, and the legacy of such practices, ending in a broader reflection about the ethics and evolution of treatments.
The pair discuss social media life, online hate, filming in public, and how exposure changes personal interactions. They compare Comedy Central roasts and Netflix’s live format, noting the live element heightens risk and spontaneity, and discuss how clips and social media shape public perception. Nikki recalls the logistics of the Tom Brady roast, including Ben Affleck’s abrupt exit and the high-stakes premise of a single-bomb premise affecting the entire set.
They reflect on the afterparty, fame, and the pressure to sustain momentum, then shift to creative work outside stand-up: Nikki’s new song, Someday You’ll Die, written the night before recording with a Chicago producer, and described as a pop song she believes could be a hit. She invites Theo to hear it, explains the songwriting process, and jokes about wanting to explore other skills like guitar and possibly DJing or violin.
The episode closes with gratitude, admiration for Tom Brady’s presence, and mutual respect about what it means to rise to a new level of recognition, along with playful talk about future relationships, parenting, and the enduring thrill of creative risk.