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Speaker 0 presents a narrative around the Giants of Monte Prama in Sardinia, arguing that mainstream history hides the truth about ancient peoples. He cites four excavation campaigns (1975–1979) that uncovered roughly 5,000 underground items, including 15 heads and 22 torsos, which were stored for thirty years in the National Archaeological Museum of Kallari. He notes that official numbers are unverified and claims that removing artifacts and suppressing them for decades prevents verification, while schools teach the official story. He contends that many important pieces were exhibited only partially, with others hidden from the public, along with the statues themselves. He mentions large models of buildings and sacred stones at the site, which he says was only recently located in the 1970s, challenging the timeline of civilization. Bobby, a “history major,” is cited as labeling the site’s timeline as abandoned in the late 4th century BC, around 2,400 years ago, a dating he says is accepted widely but disputed here. The speaker criticizes attempts to redefine dates, such as testing a local leaf near the site, and claims the timeline is manipulated to remove older histories from view. He asserts that heads were destroyed or removed, claiming the hands and feet are missing as well, arguing that the statues depict a past that differs from today and that six-fingered figures or held objects may indicate hidden details. He jokes about Apple Watches and Nike shoes to illustrate his view that contemporary artifacts are embedded in old works, insisting that the stone depictions reveal what the past looked like, not what modern scholars claim. Elaborating on the restoration, he notes a restoration project from 2007 to 2012, during which 25 statues (warriors, archers, boxers) were exhibited, while prior to this the public was blocked from the items. He argues that returning the majority of finds to a museum is a plan, not a certainty, and suggests the restoration should be livestreamed for transparency. He claims the total number of statues is higher than 25 and has recently been estimated at 44, with more likely in the back storage, unseen by the public. The speaker accuses the authorities of hiding evidence, destroying artifacts, and restricting access, framing the narrative as mass manipulation. He asserts that there were more statues and that the public should see the entire restoration process from discovery to display. He also references political influence, naming Giovanni Lillio as a Sardinian regional counselor during the discovery years (1969–1974) and questions the dating given by mainstream sources, including claims about ancient dates such as negative 5774 and ages up to 8,000 or 50,000 years. Discovery details include that the giant statues were found by a farmer in 1974, after he uncovered large stone fragments in a field, leading to site blocking and controlled access. He repeats that the heads were often removed before display, that necropolis findings included skeletal remains of individuals aged 13–15, and that Sardinia’s discoveries are connected to broader sites, including Palmyra, Syria. He closes by promising more revelations in future episodes and hints at ongoing debates about Sardinia’s ancient past.

The speaker investigates the Saqqara Necropolis in Egypt, questioning the mainstream narrative surrounding the Step Pyramid of Djoser and its extensive subterranean network. They allege that a 14-year restoration project was actually a "destruction project" led by Egypt's Supreme Council of Antiquities and Zahi Hawass, designed to remove evidence of a previous advanced civilization and preserve the official historical narrative. Hawass is accused of restricting access to archaeological sites and blocking independent research that challenges mainstream history, specifically citing the case of John Anthony West and Robert Schoch's investigation of the Sphinx. The speaker highlights the discovery of thousands of human remains and oversized coffins at Saqqara, suggesting they belonged to a race of giants, not bulls. They focus on the Serapium of Saqqara, discovered in 1851, which contains 24 massive granite sarcophagi, each weighing tens of thousands of pounds. The speaker disputes the claim that these sarcophagi were for bulls, arguing that they were for giants and that the original contents were removed by French archaeologist Auguste Mariette. They believe Mariette was sent to the site to cover up the truth about what was found there, and that the removal of the contents was "the biggest heist in human history."

Claiming to challenge mainstream history, the speaker discusses Sardinia’s Giants of Monte Prama. Four excavation campaigns (1975–1979) yielded roughly 5,000 underground items, including '15 heads and 22 torsos,' later 'stored for thirty years' in the National Archaeological Museum of Kallari. They argue that 'they can give us any number they'd like' and that most pieces were kept hidden until later exhibitions (2007–2012) and a 2011 public display, with 'the exhibition has become permanently accessible to the public' yet 'there are more' than the stated 25 statues, now claimed as up to 44. They assert deliberate head and hand removals, six fingers, and even jokes about Apple Watches and Nikes. The narrative extends to tunnels, necropolises, Cleopatra connections, and a claimed global pattern of a prior civilization beneath today’s world, including a Galveston, Texas thread about Nicholas Clayton and 'old world' buildings.

The video revisits the Hypogeum in Malta, Paola, discovered in 1902 during housing construction. The presenter reiterates controversial claims: the underground temple was excavated by a group and, according to them, 7,000 elongated skulls were found—most destroyed and the rest hidden from the public. The speaker notes that some underground chambers appear to imitate above-ground megalithic temple architecture, including false bays and “underground windows.” The ceiling allegedly features a ring of carved stone overhanging the one below to imitate a roof. The question raised is whether the structure was originally above ground and later buried in a catastrophic event, killing those inside, or if it was always subterranean. The mainstream interpretation is dismissed by the presenter, who argues that the bodies were not buried separately but piled on each other, and that the event “melted structures all over the world.” The speaker insists the original structure could have been above ground and later buried, with antler-like chisel marks visible as if the site had been melted. The claim is made that the old world is buried beneath present ground level and that a massive, undisclosed civilization existed long before current history. To support this, the video references the Hypogeum of the Volumis family in Italy, discovered in 1840, with about 200 tombs. It supposedly contains a 10-room underground complex guarded by two winged demons at the entrance and predating horses and wagons. The narration asserts that stone structures with winged demons and advanced construction lie beneath modern life, while road work in the 19th and early 20th centuries yielded only fragments of this ancient reality. The presenter then shifts to urns found in the necropolis of another tomb complex in Italy, describing scenes painted on urns, including griffins, and linking this to Tartaria and Greek mythologies. The griffin is presented as evidence that mythic depictions were not mythical after all, and that artifacts were removed during road construction, with parts of the site altered or removed. A broader claim is made that our history is missing vast amounts of information, with a global “reset” in the 19th and 20th centuries reducing advanced civilizations to a primitive state—“horses and wagons" replacing earlier technologies. The narrator asserts that angels and demons were involved with humans and that the truth about these beings is being suppressed from public knowledge. Returning to Syria, the Hypogeum topic continues with Palmyra and the Temple of Baal. The temple sits on a tell, a mound formed from centuries of settlement, and the claim is made that the Temple of Baal was constructed atop layers from prior civilizations, with the site subsequently converted into a Christian church in the 4th century and cleared of post-classical elements in the 1920s. The presenter notes extensive destruction and removal of significant features during modernization efforts in the early 20th century, including the removal of heads and other elements. Using Google Earth, the video depicts Palmyra’s expansive columns, arches, and a massive temple—measuring roughly 434,893 square feet with a perimeter about half a mile—comparing it to the Great Pyramid of Giza in size. The implication is that vast, ancient stone palaces and a once-grand old-world city lie beneath current ruins, with further evidence of artifacts relocated or hidden, including a statue later moved to Damascus in 1935. Overall, the narration argues that there is a hidden, globally distributed ancient civilization behind our current history, and that much of what happened has been concealed or altered in the modern era. The episode ends with a tease of more discoveries to come.

The speaker discusses the "dead cities" of Syria, a collection of ancient abandoned settlements, and questions the mainstream historical narrative surrounding them. They claim that archaeologists only began studying the site in the early 20th century and that the dating of the structures to the first to seventh centuries is based on flimsy evidence. The speaker alleges that the site was added to the UNESCO World Heritage list and then quickly placed on the endangered list, suggesting a deliberate attempt to control the narrative. They contrast the supposed primitive conditions of the 1800s with the advanced state of preservation of the dead cities, implying that the official timeline is inaccurate. The speaker then shifts focus to Cahokia Mounds in Illinois and the Moundville archaeological site in Alabama, arguing that these are also ancient burial sites being misrepresented by mainstream history. They claim that excavations at these sites were poorly documented or halted prematurely to preserve a false narrative, and that valuable artifacts and technology have been looted or hidden. The speaker concludes that these sites are evidence of a powerful, advanced civilization that existed in the distant past, and that the truth is being deliberately suppressed.

In 02/2022, a tunnel was found beneath the Great Tomb Of Osiris in Egypt, mirroring the Tunnel Of Eupalinus in Greece. Despite being presented as a water transportation system, the speaker questions this explanation, suggesting it's part of a larger, hidden underground network from a more advanced, pre-reset civilization. The speaker highlights the delayed public reveal of the tunnel and the removal/destruction of statue heads at the site, alleging a cover-up of true history and the appearance of ancient beings. They believe the site, potentially Cleopatra's burial, conceals advanced technology. The speaker connects the Egyptian tunnels to catacombs and geometric tunnel networks globally, often found beneath churches, suggesting they are ancient burial sites (necropolises). They cite the discovery of 7,000 skulls in Alexandria, some with abnormal cranial elongation, as evidence of a hidden past. The speaker concludes that these necropolises represent the remains of a previous civilization across multiple timelines.

The speaker tours multiple sites to challenge mainstream historical narratives, arguing that the presented histories are deliberately misleading and that evidence points to a technologically advanced, previously dominant civilization that left underground and above-ground monuments around the world. Gonzales County Courthouse, Gonzales, Texas: - The contract for the current Gonzales County Courthouse was awarded to Furman Moran on 06/26/1894. The speaker notes a sequence claim: the first courthouse on the site burned on 12/03/1893, followed by the completion of the second courthouse in April 1896. They question why the first building’s builders are never described and why the fire story is presented so abruptly. - The narration is criticized for implying that the second courthouse was finished quickly after the fire, with a timeline that seems to minimize the complexity of rebuilding. - The speaker finds it implausible that a quarry owner who “had limestone in it” could suddenly serve as construction superintendent and oversee a major Romanesque revival courthouse in roughly two years, given needs for vast materials, workers, equipment, planning, permits, housing, and logistics. - They reference a ChatGPT-derived breakdown: design and planning could take about a year; permitting “a couple months”; materials (red brick, white limestone trim, wood, steel, glass) in large quantities; hundreds of laborers; and a realistic overall timespan of four-and-a-half to seven-and-a-half years. They emphasize that a one-year construction claim ignores essential logistics (housing, water, feeding workers, transportation, cranes, skilled labor). - Specific logistical critiques include the need for 20–30 horses for transportation, milling, site work, water, and power, with water requirements (300 gallons per day for 30 horses) casting doubt on a one-year timeline. The speaker argues such a project would require extensive planning, workforce, and infrastructure that a single quarry owner could not supply in a year. - The speaker uses this to argue that the mainstream narrative for the courthouse is fabricated or at least severely misleading, suggesting a hidden history behind the structure. Vienna, Austria: Saint Charles Church and related palaces - The speaker shifts to Vienna, asserting that the Saint Charles Church and nearby palaces show a global pattern of narratives that don’t align with the on-site evidence, including complex underground connections and extensive architectural features. - They describe an architectural competition for a palace in 1713, a winner in 1716, and widespread, often-globally echoed claims about construction during plague conditions. They question how a 18th-century duke and his son could complete multiple palaces under such conditions, suggesting the narratives are unrealistic. - The claim is made that the underground and above-ground complexes around Vienna, with angels depicted in ceilings and statues, reflect an “old world” civilization that guided or influenced architectural motifs. They point to symbols—angels, skulls, and hidden chambers—as evidence of a deliberate, hidden past. - The speaker highlights that the Saint Stephen’s Basilica in Vienna is located 0.68 miles from Saint Charles Church and asserts underground tunnels connect these structures, implying a coordinated, ancient underground network. - They reference the Kluczynski/Chicago comparison and argue that the Vienna city hall and other structures show discrepancies between the claimed construction dates and known restoration timelines, suggesting hidden or revised history. Malta: Hypogeum - The Hypogeum in Malta is presented as further evidence of a suppressed past. Discovered by accident in 1902, excavation revealed a vast underground temple with thousands of remains. The speaker claims that excavation records show bones destroyed or not fully cataloged, and that only a small percentage of the 7,000 remains had elongated cranial shapes typical of certain ancient peoples. - They argue that bones were removed from public view and stored in basements, with public access restricted to about 80 people per day since 2020, and that skulls have been displayed only intermittently since 1995. - The narrative suggests the skulls show elongated cranial deformation, but the speaker contends the secrecy and destruction of many remains imply the true history is being hidden. They note that the Hypogeum and other underground sites around the world imply a widespread, advanced past civilization that built extensive subterranean architectures. - The Hypogeum of Volumnus in Central Italy is mentioned as another example of an underground complex dating back to antiquity, with similar claims about careful design and hidden or contested histories. Overall thesis - The speaker argues that a highly advanced previous civilization built monumental structures worldwide—underground and above-ground—equipped with sophisticated geometry, symbolism (including angels and elongated skulls), and global networks. - They assert that mainstream narratives about construction dates, workers, and timelines are deliberately eroded, misrepresented, or hidden, and that artifacts and bones have been suppressed or destroyed to maintain a controlled history. - The overarching claim is that the “old world” remains beneath our feet, and that questions about these sites reveal deliberate obfuscation by authorities and historians. The narrative ties together courthouse archaeology, European palatial construction, and Maltese hypogeum findings as parts of a broader pattern of suppressed truth about human history.

The narrator discusses the Lost City in Colombia, claimed to have been discovered in 1972 by a small family of looters while hunting, who reportedly found 1,200 stone steps leading up a jungle hillside to a city with 169 terraces, a network of tiled roads, and several circular plazas. They assert the site predates Machu Picchu by 650 years, with a precise dating to August, and describe it as evidence of an advanced ancient civilization with undisclosed technology, contrasting it with the mainstream narrative of eight-hundred-year-old, “donkey-and-tools” construction. They say items from the site—gold figures, ceramic urns—appeared on the black market, and claim a murder and a fight among the looters occurred, which supposedly alerted archaeologists who arrived by 1976 and reconstructed the site for six years (1982), destroying or hiding portions of the original evidence. The piece then shifts to discuss modern archaeology and surveillance techniques. It asserts that the Worldwide Media Foundation (WMF) mapping of the site using LIDAR in 2019 revealed more than 200 structures, including dwellings, terraces, stone paths, plazas, ceremonial sites, storehouses, and canals; WMF reportedly took the site into its project portfolio in 2023 and will continue work there, implying more remains beneath the jungle. The narrator questions why remnants are not fully shown or explained, proposing that some elements were left intentionally to let the public “figure it out,” or to be revealed later, and suggests underground tunnels connect different areas and possibly link to other settlements. The narrative broadens to claim widespread global suppression of ancient histories, asserting that farmers-turned-looters found sites independently of archaeologists in the 1970s, only to have their discoveries dismissed as illegal looting by mainstream narratives. The speaker contends that old-world items were taken to museums (e.g., Leptis Magna in Libya and its theater) and moved during the 19th–20th centuries, including a specific claim that part of Leptis Magna was transported to the British Museum in 1816, with the rest of the city allegedly buried or melted by a “mudflood” event, leaving only fragments visible today. They allege that many discoveries are blocked from public view or studies for ethical, conservation, or political reasons, and that 5,000 artifacts from Puqqara, De Tilqara (typo in transcript) have been cataloged but only a single body remains displayed, with the rest hidden. The speaker cites other sites—Leptis Magna, Palmyra in Syria, a theater at Sabrathah (Sabrathah), and the temple at Libya—as examples of renovations or rediscoveries in the 19th and 20th centuries, implying that much of what is seen today is reconstruction or misrepresented. They point to detailed stonework, heads removed from statues, depictions of angels, griffins, and centaurs, and argue that such depictions indicate an advanced old-world civilization that was suppressed and replaced by a fabricated timeline. Throughout, the narrator emphasizes the belief that a previous, highly advanced civilization existed and that its remnants are hidden, misrepresented, or misdated in modern history, urging continued investigation and exposing patterns in the narrative, including fires, catacombs, tunnels, and the suppression of evidence. They conclude with gratitude for the growing audience and promise further exploration of “patterns within the narrative.”

The transcript presents a sprawling conspiracy-tinged exploration of hidden underground histories, focusing on Chicago and expanding to other ancient-site claims around the world. The central thread is that vast networks of tunnels, bases, and underground structures exist beneath major cities, built or left by a “previous civilization” and largely hidden from public view. - Chicago tunnels and underground real estate - The Chicago Public Library archives allegedly document thousands of miles of underground structures beneath the city, including tunnels that connect to numerous buildings and even to City Hall (constructed in 1911). The narrator asserts these tunnels were designed for rail transport and for connecting underground spaces, not just for utilities. - Photos circulating on the internet supposedly show a railway on the tunnel floor, with tracks running throughout the tunnel system to serve transportation under the city. The narrator claims the tunnels extend under thousands of miles and link to major buildings such as City Hall, Merchandise Mart, the Federal Reserve Bank, the Chicago Tribune building, the Civic Opera House, and the Field Museum among others. - The Chicago Tunnel Company is cited as having built these tunnels, with a history that includes initial tunnels and later plans to fill tunnels with telephone cables. The narrator argues that the dates and narratives about cables and utilities collide with earlier claims of thousands of miles of tunnels existing long before telephone expansion. - An incident known as the Chicago flood (April 13, 1992) is described as a breach in the tunnel system near the Chicago River, involving hundreds of millions of gallons of water and affecting multiple buildings. The narrator questions whether this was an accident or a deliberate act, and links it to figures like “Bruce,” alleged to have been a publicized expert on the tunnels. - A firsthand account from the late 1970s at the Field Museum of Natural History describes a Field Museum freight tunnel connected to the Chicago Tunnel Company, including an elevator and a train car that remained in a sub-basement before being moved to a museum. This anecdote is used to claim the tunnels are larger and more integrated than publicly acknowledged. - Public maps from 1910 show a 60-mile section of tunnels, implying far more exists than is disclosed. The speaker notes that many private connections (switches, shafts, elevators) linked warehouses and stores to the tunnels, suggesting that the tunnel system was integrated into building construction and commercial activity. - The narrator asserts that, since 2001, public access to the old tunnel system has been restricted or closed off for security or other reasons, implying ongoing suppression of information about the underground network. - Mount Nemrut and other “hidden pasts” - The speaker shifts to Mount Nemrut in Turkey, arguing that the mound of crushed stone and the headless statues on a 7,000-foot-high summit were built by a previous, highly advanced civilization. They challenge mainstream explanations of earthquakes, earthquakes removing heads, and the dating of construction to periods like 62 BC or 2086 years ago, insisting the dates are misrepresented. - Ground-penetrating radar (September 2012) reportedly found a pyramidal chamber beneath the apex of the site, suggesting there are buried chambers or a sarcophagus beneath the mound. Turkish authorities are said to be restricting excavation, leaving questions about what lies beneath. - Similarities are drawn to other global sites (Syria, Egypt) where heads have been removed from statues and where modern renovations are described as destroying evidence of the past. The speaker uses these examples to argue that a hidden, advanced past has been suppressed worldwide. - Interwoven claims about reconstruction and misrepresentation - The narrative repeatedly asserts that mainstream histories are manipulated or inverted to hide the existence of a previous civilization and its architectural feats. The speaker alleges that cornerstones in major buildings contain containers with items from prior civilizations, and cites alleged investigations into cornerstone contents (e.g., the Capitol) to support the claim that previous civilizations actively preserved knowledge inside cornerstone artifacts. - Alfred B. Mullet is criticized as a possibly fictitious figure used to explain grand constructions; the speaker accuses the architectural histories of being AI-generated narratives with fabricated biographies, while asserting that many grand early U.S. buildings were constructed far earlier and more rapidly than publicly acknowledged. - The presenter teases that future exposés will cover more sites (including a Syria location with griffins and blasted heads) and invites viewers to discuss and verify these ideas, claiming a worldwide pattern of destruction of evidence by powerful groups. - Overall stance - The speaker contends that “there was a previous civilization here” and that “these tunnel systems, structures, and underground real estate” were long-hidden and are much larger than publicly admitted. The claims hinge on alleged archival evidence, decontextualized photos, disputed dates, and contested readings of historical events, all presented as part of ongoing investigations that challenge conventional history.

In 02/2022, a tunnel was found beneath the Temple of Osiris in Egypt, similar to the Tunnel of Eupalinus in Greece, both supposedly for water transportation. The speaker questions this explanation, suggesting a more advanced, hidden civilization existed. They believe the tunnels are part of a larger underground network, possibly catacombs, and that the discovery of a headless statue at the site is evidence of a cover-up regarding the appearance of people from the old world. The speaker believes the site may contain the burial of Cleopatra and technology from the old world, including secrets to immortality. They note FOIAs requesting documents relevant to the resurrection chamber of Gilgamesh, the current location of his body, and the location of buried Nephilim. The speaker highlights the geometric patterns of the tunnels, their resemblance to catacombs, and the presence of a church built over a similar tunnel network in Greece. They point out the proximity of the Egyptian temple to the Catacombs of Kom El Shakafa in Alexandria, where thousands of skeletons with elongated skulls were found and many bones were removed. The speaker concludes that these tunnels are part of a worldwide network of necropolises, ancient cities of the dead.

The speaker tours a series of chapels, crypts, and ossuaries around Europe, arguing that beneath many churches lie vast networks of catacombs and thousands of human remains deliberately arranged as ritualistic decorations. In Naples, Italy, the chapel sits in the historic center with an alchemist’s chamber beneath, where two human skulls are exposed, and a drywall barrier hints at hidden rooms and passages. The speaker contends the plan for bone placement is unknown and that the bones and skulls symbolize hidden depths, asserting the relics and backstories (including a “prince”) are likely fictional narratives used to justify underground interments. Moving to Rome, the Our Lady of the Conception of the Capuchins is described as the first Roman church dedicated to the Immaculate Conception, with a crypt beneath the church holding thousands of remains, divided into five chapels and illuminated by dim natural light. The walls are decorated with bones, described as a work of art, and the speaker suggests this is a common, ritualistic practice in churches worldwide, not an exception. The discussion then shifts to the Czech Republic’s Sedlik Ossuary, claimed to contain skeletons of 40,000–70,000 people, with bones artistically arranged to form decorations and furnishings for the chapel. The speaker questions the motivation and accuses the display of normalizing a practice that uses human remains as art under holy spaces, implying a broader pattern of concealed skeletal networks beneath public buildings. Portugal’s Chapel of Bones in Evora is described as a major site where interior walls are lined with skulls and bones, a popular yet controversial attraction. The narrator criticizes the barriers keeping visitors from touching the bones and questions the normalization of bone displays inside places of worship. The narrator then references Hallstatt in Austria, describing an “house of bones” with hundreds of painted skulls. It is claimed that in the 1700s the church exhumed corpses to make space, bleaching and painting the skulls, decorating them with symbols; this practice is said to have continued into recent decades, including a case in 1983 and an ossuary entry in 1995. Across episodes, the speaker asserts that thousands of bones and entire networks of subterranean passages connect to these central chapels, implying a hidden, previous civilization with advanced capabilities and underground megastructures worldwide. References to other sites (Paris Catacombs, Odessa catacombs, and further unnamed locations) are used to support the claim that such bone-laden chambers and tunnels are extensive, interconnected, and concealed from public view. The overarching message is that what is visible as religious architecture conceals deliberate burial patterns and architectural geographies that reveal a past civilization “under our feet,” with bones used for ritualistic displays, meditation symbols, and artistic chandeliers, while public awareness remains limited.

Speaker 0 argues that the Temple Of Baal in Syria is more than crumbled stone; it is a haunting reminder of a dark side of a previous civilization. He notes a castle on a cliff next to the site, claiming it has been melted into sand and suggesting both structures were built by the same group in the same period. He asserts that the Temple Of Baal was found in 32 AD, and that the site is inaccessible today due to war, which he views as a tactic to hide history. He contends the Temple and the castle were constructed around the same time, framing the location as an old world city or palace city, not thousands of years ago but closer to our timeline, largely destroyed to look older. Speaker 0 mentions Tadmer Castle, listed as a world heritage site in danger in 2013 because of the Syrian civil war. He states the castle was captured by ISIS in 2015 and recaptured in 2016. He describes ISIS retreating and blowing up parts of the castle, including the stairway, causing extensive damage. He claims the arch near the site was demolished in 2015 and asserts it was an attack on true history to obscure what happened there. He notes Palmyra and the Damascus Gate in the vicinity and argues the history presented by mainstream sources is a lie, pointing to an “advanced group” that left behind technology and construction that mainstream narratives hide. Speaker 0 rejects the idea that the Temple Of Baal and surrounding structures were built thousands of years ago. He speculates that a higher level of civilization was present in the last few hundred years and that their work remains visible today, with attempts to destroy or blur the past. He cites the Temple Of Baal as one of the most important temples in the ancient Near East and references Baal worship in modern Syria, clay tablets, and biblical mentions. He presents archaeological excavations at ancient Baal worship sites, including Palmyra, as evidence that sacrificial activity occurred, challenging the notion that such myths are purely mythical. He notes bones and texts confirming ritual activity and questions why such evidence would be hidden if myths were the whole story. Speaker 0 discusses a location about 200 miles from the Temple Of Baal where tablets and artifacts were unearthed in 1929, including the Ball Cycle, a collection of epic poems related to Baal worship. He emphasizes the discovery of 1,000 tablets and suggests there may be more, with many stories hidden beneath the surface. He claims the site has been affected by conflict, making the extent of damage to tablets unclear, and asserts that authorities downplay or conceal information to maintain the mainstream narrative. He contrasts the focus on pottery with reports of royal palaces, high priests’ libraries, and temples, arguing that more significant finds were suppressed or underreported. Speaker 0 invites viewers to consider what other stories might be found beneath the surface, pointing to the Ball Cycle and the alleged opposite practices under churches. He stresses that the past, including the old world, is not Mythical in his view, and he promises to continue the investigation in future episodes. He closes by urging viewers to remember the pottery as a possible distraction from more substantial discoveries, and he signs off with anticipation for further exploration.

The video revisits the Hypogeum in Malta, Paola, discovered in 1902 during construction work, which uncovered an enormous underground temple cut from limestone. The host notes that the site was initially buried and that the presence of 7,000 elongated skulls was documented, with many destroyed and the remainder hidden from public view. He highlights features suggesting the underground chambers imitate the architecture of above-ground megalithic temples, including false bays and windows, and a ceiling design where a ring of carved stone overhangs the one below to imitate a roof. The host posits that the structure may have originally been above ground and that a catastrophe buried it, with the previous civilization possibly buried beneath current ground level worldwide, inferred from multiple global examples of melted or chiseled structures. To support his argument, he references the Hypogeum of the Volumis family in Italy, discovered in 1840 during road works, containing about 200 tombs and dating to the second and third centuries BCE, possibly used until the first century BCE. This site allegedly features ten rooms and two winged demons guarding the entrance. He notes that many artifacts were removed or relocated when road construction occurred, illustrating what he claims is widespread suppression or erasure of ancient history. He also points to urns in an Italian necropolis painted with scenes including griffins, linking these to Tartaria his broader narrative about hidden ancient cultures. The host asserts that evidence from various sites indicates a “previous civilization” with advanced capabilities that predates known history, and he argues that much has been removed or hidden from public view. Shifting to Syria, the video discusses the Hypogeum of Yarhei in Palmyra, claimed to be an underground tomb whose dating is disputed (allegedly moved or restored), and which the host says was moved to Damascus in 1935 after being found in 1933. He critiques official timelines, suggesting the narrative was altered to place artifacts in Damascus for easier access by scholars, and he questions why the site required relocation so soon. He presents images of Palmyra showing a vast temple complex, including the Temple of Baal, with the claim that it lies atop a tell (a mound formed by centuries of settlement) and that the site contained extensive ancient structures, many of which were melted or destroyed in the early 20th century. He compares the Temple of Baal’s size to the Great Pyramid of Giza to emphasize the scale of the ancient complex and argues that many monuments and statues were removed or altered during modernization. Throughout, the host ties these observations to a broader thesis: that an advanced, old-world civilization once existed globally, constructing monumental architecture and palaces that current narratives deliberately obscure or erase. He suggests that angels and demons are depicted within stone and iconography at multiple sites, and that a modern “reset” rooted in the 19th and early 20th centuries replaced or concealed much of humanity’s true history. He ends by inviting viewers to question established histories and to anticipate further revelations in future episodes.

Norsentepi is described as a tell, a mound formed from centuries of human settlement, with excavation beginning in 1968 and ending in 1974. The speaker argues that what was found implies a multilevel structure with a singular purpose, suggesting a 40-layer, 40-level construction rather than multiple civilizations building independent layers. They claim the site would have shown a previous civilization with an organized economy, advanced tools beyond chisels and hammers, and fortified walls and multi-room stone houses, indicating a highly developed society. The transcript asserts that human burials were uncovered, including tombs richly furnished with grave goods, and that there was advanced technology and evidence of fires or natural disasters tied to a cataclysmic event that reset history to a point comparable to the 1700s. It is stated that the general public were never allowed to explore Norsentepi during its excavation or research phases, with all excavation projects kept off-limits to the public, a situation the speaker says needs to change. The narrative claims that after the findings, authorities hid the structure because it did not fit the mainstream history, and that the site was submerged by breaking the Caban Dam and creating an artificial lake, making Norsentepi inaccessible today at a depth of 98 to 131 feet. The speaker notes the dam’s construction occurred between 1966 and 1974, and, after its completion, the site was submerged, with no public diving access and no independent verification of the finds. A broader pattern is alleged: 28 sites in Turkey excavated in 1968 that remain underwater today due to the dam, with the claim that multiple structures—beyond Norsentepi—were hidden, erased, and submerged. The speaker contrasts this with Cahokia, suggesting excavation was halted to avoid exposing bodies and a temple beneath the dirt, which would have required further exposure and disclosure. Karuku Tepe is cited as another multilayered site impacted by the Kaban Dam, with excavations by the University of Chicago’s Oriental Institute and the University of Amsterdam showing residential buildings, human burials, pottery, and other artifacts, all reportedly wiped out by the 1974 dam submersion, and “public images” of the site said to be scarce. The speaker emphasizes that 28 sites are underwater in Turkey, with evidence submerged and evidence dispersed to Turkish museums and institutions, complicating attempts to locate and verify findings. The overarching claim is that there is a worldwide operation to mold the historical narrative, with dams used to flood and erase the past, and that truth will eventually surface despite water barriers. The episode frames this as not just about Norsentepi or Turkey, but about a larger pattern of hidden pasts and controlled history, insisting that further discoveries await beneath future dams.

The Sumerian king's list is described as a list that documents the reign of kings who lived for tens of thousands of years and ruled before the flood, a text so important it “couldn't be left in public view” and had to be stolen and likely lost forever. It sat in the Iraqi National Museum until 2003, when 15,000 artifacts were looted during the war, including the tablets of the king's list. The speaker asserts that the Sumerian king's list was a road map to our true history, telling of a place nobody got sick and nobody died, called Dilmun—the land of the living, the land of the gods, a place of pure brilliance, a place free from death, sickness, and aging. Dilmun is described as a land of purity and paradise, a UNESCO World Heritage Site as of 2005, and the timeline is said to require UNESCO to protect sites from weathering. Excavations began in 1954. The timeline notes that the Portuguese fort was once the capital of the Dilmun civilization, uncovering antiquities from an artificial mound 39 feet high containing seven stratified layers. The question is posed: what did they find in 1954 on a small island off the coast of Qatar, and what else is in that location today that they are still finding? The area is described as being near Dubai and Abu Dhabi, prompting speculation about why this location is so significant and how it relates to immortality, life, and death. If the 1954 discovery is connected to immortality and the land of the living, the population growth in Dubai is highlighted: from about 1,200 to roughly 20,000 in 150 years, and then to 3,000,000 by 2025, with investments rising from 50,000,000 in 1940 to over 500,000,000,000 in 2025. The speaker asks why Dubai emerged so dramatically and whether this coincidence ties to discovering Dilmun. References are made to the Epic of Gilgamesh and Dilmun as the land of immortality, the ancestral place of the Sumerians, and a meeting point of gods. The speaker mentions a map section with massive necropolises and declares episodes titled Under the Necropolis parts 1–6. The claim is that Bahrain’s Dilmun burial mounds were found in 1889 by Mr. and Mrs. Bent, with speculation that the site contained the old world beyond a few ivory bits, charcoal, and ostrich eggshells. The British Museum is criticized for allegedly holding 7,920,000 items that are off limits to the public, including the Epic of Gilgamesh, 30,000 tablets, and 350,000 ancient grave mounds in Bahrain. The speaker insists there was more found than pottery and asserts that pottery stories are used to mislead about the site’s significance. The narrative asserts that in 1954, the same year as the Portuguese fort, there was a major discovery related to Dilmun, with Dilmun seals found at the Barbar Temple, a religious site associated with Enki, and a seal depicting two griffins. Nearly 400 Dilmun seals were discovered across Bahrain and the Gulf, with many housed in Bahrain National Museum and many taken to the British Museum. The kasha (cassia) tree is introduced as a key element: described in Sumerian tablets as the herb of healing par excellence and as a plant of immortality; it is linked to the Bible (Exodus 30:24; Ezekiel 27:19; Psalm 45:8) and is associated with the tree of life. The speaker ties together the Dilmun seals, the Sumerian king's list, the kasha tree, and the mythic immortality of Dilmun as part of a larger blueprint of the old world, suggesting that these elements are hidden in museums and underground. The conclusion invites the audience to decide whether this is coincidence or truth, asserting that the old world never left and is now becoming visible.

The video centers on a set of extraordinary claims about underground tunnels, hidden pyramids, and supposed concealment by authorities in order to maintain a controlled narrative of ancient history. Key points raised: - Puebla Tunnels: Tunnels found in 2015 under a Mexican city, described as high enough to ride through on horseback and extending more than 10 kilometers (6.21 miles). These tunnels were reportedly blocked off from the public during a two-year renovation (2015–2017) so the city could renovate the system before opening it again, with the presenter suggesting the blocks were to protect a mainstream narrative. - The presenter asserts that the tunnels and mud deposits imply a worldwide event and an advanced premodern civilization that was wiped out, resetting history to the 17th–18th centuries, arguing that a more advanced group lived here earlier than commonly taught. - Connection to churches and other structures: Four entrances to the tunnels were said to connect directly to the Los Romedios Church, with implications that churches were built atop or over tunnel networks and possibly atop a much older subterranean layer. - Catacombs and pyramids: The presenter speculates that the tunnels may be catacombs and argues that beneath certain sites, including the church, there is a massive pyramid. They claim the pyramid beneath the church—referred to as the Great Pyramid of Chulula—has a greater volume than the Great Pyramid of Giza and is the largest pyramid by volume discovered so far. They describe a network of tunnels beneath the grass covering the pyramid and question why the grass has not been removed, arguing that preservation excuses are used to keep the site concealed from public view. - Dating controversy: The presenter disputes official timelines, asserting the tunnels were built earlier than the claimed 1531 date tied to local lore and suggesting the church was built atop the tunnels, implying the builders knew of what lay underneath from the start. - Turkey site and Myra: A separate site in Myra (southern Turkey) is described as a melted palace carved into rock, resembling a mountain. The narrative references Charles Fellows’ 1840s exploration, noting claims of color decor in the eighteenth century but alleging color has since disappeared, and proposing a large necropolis with hundreds of tombs, many damaged or looted since the eighteenth century. - Ground-penetrating radar discovery: In 2009, archaeologists detected an ancient city using ground-penetrating radar, revealing anomalies and hidden structures, which the presenter uses to bolster the claim that there is much more beneath the surface than mainstream accounts acknowledge. - Refrains on transparency: The host repeatedly argues that the mainstream narrative withholds information about these sites and that restoration or preservation explanations are used to keep discoveries from the public, asserting that “the mainstream narrative is not transparent at all.” Throughout, the speaker emphasizes that these discoveries challenge established history, suggesting that the “old world” left behind a hidden, sophisticated network of tunnels and pyramids, and that public access and official explanations are tightly controlled. The video also teases an upcoming series and next week’s episode about a necropolis in Southern Turkey.

The speaker discusses necropolises around the world, describing them as large burial sites or ancient city cemeteries connected to a prior, highly advanced global population. The Ming Tombs near Beijing, China are cited as the burial place for 13 Ming dynasty emperors, with several hundred individuals buried across the tombs. The exact count is said to be unknown due to limited excavations and unexcavated tombs, which the speaker attributes to preserving the site, though they question this narrative and imply hidden past civilizations. The Dingling Tomb, a component of the Ming Tombs Complex, yielded not only treasures but “old world technology.” Among the finds were golden crowns, jewelry, silk robes, plates, cups, jade items, and handwritten scrolls and ancient books containing Taoist texts intended to guide and protect the emperor’s spirit in the afterlife. The speaker notes that the National Museum of China preserved some texts, while others deteriorated or disappeared, and questions why most found texts are gone. Local accounts are cited claiming that many involved in the excavation suffered misfortunes or died, and that subsequent excavations were halted with government restrictions intended to protect the tombs. According to the speaker, the site is part of a broader pattern: underground tunnel networks and underground “palaces” concealed beneath the surface, with multiple layers of history. Photos from the 1920s–1940s allegedly show massive statues and underground pathways leading to underground palaces, suggesting a high level of design and scale that contradicts the simplistic histories of ancient life. The narrator argues that the old world possessed technologies and structures far beyond common depictions, and that a recent reset or distortion of history in the last few centuries has hidden these truths. The Beijing section of China’s south-to-north water diversion project, begun in 2002, is cited as evidence that underground relic sites and burial grounds extend beneath major cities. Excavations uncovered ancient burial sites and relics, including human remains, reinforcing the claim that a previous global civilization left behind extensive underground infrastructure. The speaker asserts that under our feet lie evidence of a past civilization, with bones and tombs distributed across continents and buried beneath layers of mud. The Saqqara Necropolis in Egypt is presented as another example of massive underground burial networks, near the Pyramid of Giza. In 2020, more than 100 sealed wooden coffins were found in a single shaft, with tens of thousands of individuals estimated to be buried there. The speaker emphasizes that discoveries are ongoing and that a “previous civilization” is being uncovered progressively through multiple excavations since the 19th and early 20th centuries, with new findings continuing into recent years. Across continents, the speaker maintains that multilayered tunnel systems indicate multiple timelines and groups of people whose histories are being deliberately hidden. The overarching message is that the old world’s presence and technology are far more extensive than public narratives suggest, and that ongoing discoveries will ultimately challenge conventional histories.

The video centers on the Hypogeum in Paola, Malta, claiming that “the old world is everywhere” and that its evidence has been hidden from the public. It asserts that the Hypogeum was discovered by accident in 1902 when workers cutting cisterns for new housing development broke through its roof; during excavations, “the previous civilization was found in 1903.” It alleges that human remains were emptied out and discarded “without being properly cataloged,” that the site was not allowed for public viewing until 1908, and that six years were needed “to remove the old world and anything that would give the mainstream history away,” with statements that this was “hiding the truth from all of us.” The speaker contends further excavations occurred between 1990 and 1993, after which the Hypogeum was closed to the public for “destruction work” from 1991 to 2000, and since reopening, access is limited to “80 people per day” under strict regulation. It is asserted that the site was found in 1902 and dated to 6,000 years ago, a dating the video calls nonsense, arguing the date is based on tests of local vegetation and that settlers abandoned underground palaces “four thousand five hundred years” earlier than claimed. The video questions whether there was a surface shrine marking the entrance that may have been removed during the years of restricted access, and argues that archaeologists “knew that it was there because they removed it.” Construction claims are presented satirically, alleging that the underground temple was cut “directly into the rock with antlers,” with retorts about using “chert” and “obsidian” as tools and mocking the idea of glass formed from lava as a tool to strike rock. The narrator dismisses mainstream history as fabricated, insisting the site was part of a world-spanning, ancient, underground civilization that built structures under major cities and mountains, with “master designs” and precise architectural features, including a chamber arranged so that “the light from the winter solstice illuminated its facade from the original opening above.” The video notes that a broad range of objects were discovered—pottery, beads, shell buttons, and carved figures of humans and animals—but claims that, after the site was blocked off, “7,000 individuals” were believed to be found, though “many of the bones were lost early in the excavation process,” and that the skulls were deposited at the National Museum. It reports political and cultural controversy around skulls with elongated crania, mentioning that “the most widely accepted explanation” is cranial deformation, but arguing this is contradicted by secrecy and destruction of many bones. It asserts that skulls were available to the public until 1985 at the National Museum of Archaeology, then removed “around thirty years ago” and made available to researchers only by special permission, implying a cover-up to prevent the narrative from collapsing. The speaker links elongated skulls to a “previous civilization” and claims they are depicted in art, on coins, and in cathedrals; they reference episodes about statues with elongated heads and “heads removed” to conceal certain features. They describe a three-level underground structure, an oracle room with acoustic resonance, and a central structure with no bones recovered from a particular room, while the lower level allegedly contained “no bones or offerings.” The video ends by emphasizing ongoing discovery and urging viewers to question established narratives, claiming that true history has been destroyed and hidden, and promising more revelations as the research continues.

Speaker 0: The Hypogeum in Paola, Malta, is described as an enormous subterranean structure excavated 4,524 years ago, with huge limestone blocks removed. It was discovered in 1902 during house construction, which blocked the public for nearly a decade. It reportedly contained about 7,000 elongated skulls, many destroyed and the rest hidden from the public. The speaker notes that some underground chambers appear to imitate above-ground megalithic temple architecture, with false bays and underground windows. A ceiling features one ring of carved stone overhanging the one below, allegedly to imitate a roof. The speaker questions whether the structure was originally underground or came from above ground and was buried during an event, possibly killing thousands inside. He asserts the mainstream view is that it was a burial site, while the speaker posits that people were killed on the spot or trapped underground, with bodies piled rather than buried separately, suggesting a catastrophic event that melted structures globally and reshaped civilizations. Speaker 0 then states they revisited the Hypogeum of the Valle dei Famili (Valumnus) in Italy, noting about 200 tombs and a 1840 discovery. The excavation uncovered a site used into the first century BC, with 10 rooms and two winged demons guarding the entrance. He points out urns with painted scenes, including griffins, and argues that the griffin imagery links to Tartaria and Greek mythology, asserting that much of this history has been removed or hidden. A photo shows items behind a wall prior to modern changes; he claims that items were removed from the site between 1839 and today, suggesting ongoing suppression of evidence. Speaker 0 highlights an underground complex near Palmyra, Syria, the Temple of Baal, and a castle on a cliff—arguing that the area contains massive stone structures, hundreds of columns, and a temple the size of the Great Pyramid, with a perimeter roughly half a mile. He notes a mosque or palace-like complex nearby, and references the destruction and removal of the arch and other structures by modern groups, claiming that these actions suppress true history. He mentions the Baal Temple was allegedly found in 32 AD, though war zones have prevented access and exploration. He cites the Temple of Baal as being built on a tell, layering past civilizations, with the nth-century destruction of the post-classical elements—they allege the site had advanced construction and technology. Speaker 0 asserts that Palmyra’s temple complex was judged by mainstream narratives as centuries old, while the speaker believes it is much younger and part of an extensive old-world city evidence. He points to the Temple of Baal, the Temple of Baal Shemin, and the Taimer (Tadmur) Castle on UNESCO’s danger list in 2013 due to the Syrian civil war; ISIS captured it in 2015, recaptured in 2016, and the stairway was blown up in 2015, with plans to rebuild the arch denied by the speaker. He repeats the view that the old world had advanced technology and that the public has been misled, with the pottery focus being a deliberate decoy. He also references the Baal Cycle tablets—the ball cycle—found in 1929, claiming thousands of tablets reveal more than pottery, including royal palaces, high priests’ libraries, and texts about Baal’s rituals and offerings. Speaker 0 closes by suggesting that the true history lies beneath our feet, with a hidden past shaped by an advanced civilization violently erased or relocated, and that the current timeline is a fabrication designed to obscure what truly happened in the last few hundred years. Speaker 1 comments on the beauty of the cities and the impossibility of rebuilding them as they were, reinforcing the notion of lost grandeur.

The speaker claims this episode marks the "end of the mainstream narrative" regarding history. They allege that AI confirmed archaeological finds are being hidden to suppress evidence of advanced pre-existing civilizations. The speaker says artifacts challenging established historical narratives are kept from public display to avoid controversy. They cite findings in the Americas suggesting advanced civilizations existed before European contact, which mainstream archaeology dismisses. They believe access to these artifacts is essential for a fuller understanding of history. The speaker highlights instances where access to artifacts is restricted under the guise of preservation, but claims this is to maintain a false narrative. They point to the AFCP, funded by US tax dollars, as an organization that preserves and protects its own narrative, not necessarily the artifacts themselves. Examples include Jebel Barkal in Sudan, where the AFCP has funded conservation efforts, and Kerma, also in Sudan, where artifacts are conserved in vaults, limiting public access. The speaker also discusses the Terracotta Army in China, a 38-square-mile necropolis, and suggests that the unopened tomb of the First Emperor of China contains artifacts that would expose the mainstream history as a lie.

The video launches with a provocative premise: the history we’ve been taught may hide the truth about who we are and what was here before us, using Sardinia, Italy, and the Giants of Monte Prama as a case study. After four excavations from 1975 to 1979, roughly 5,000 underground items were found at the site, including 15 heads and 22 torsos, among others. The claim is that many pieces were moved and stored for thirty years in the National Archaeological Museum of Cagliari, with the number of items and their condition allegedly undisclosed or unverifiable, and that only a subset has been exhibited while the rest remain hidden from the public view along with the statues. The speaker argues that archaeologists’ work would be illegal to perform today, yet the authorities publish numbers that are easily questioned. The video asserts that what is taught in schools is based on select pieces shown to the public, while the majority of finds were kept in basements or backrooms for decades. It is claimed that the restoration and subsequent display have been selective, with many pieces not accessible to the public and a broader narrative being pushed about the site’s significance, timeline, and origins. A central accusation is that Monte Prama’s timelines are manipulated. There’s criticism of dating, such as a late fourth-century BC abandonment versus other proposed centuries, asserting that the dates are “made up,” and that local or regional authorities have altered timelines to fit a narrative. The video references the use of local leaf tests to assert ages between the eleventh and eighth centuries BC, and claims these are debatable and not definitive proof of the site’s history. It contends that limestone preservation would require destructive testing or ancient processes, and argues that the heads have been damaged or removed, obscuring what the past looked like and what people held or wore. The narrator speculates about six fingers, watches, and other artifacts possibly hidden in the stonework, joking about Apple Watches, then insists that hands, feet, and other parts have been removed to conceal information. The Giants are described as over eight feet tall, with elongated heads and horns, and the video maintains that the depictions reveal a different history than the conventional narrative. It claims more than 25 statues existed, with the total later estimated to be 44, and asserts that more are stored in back rooms. The restoration project, the video asserts, should be transparent and livestreamed so the public can see the process. It accuses the group behind the official exhibition of manipulating information, destroying or hiding evidence, and restricting access to the site for decades. Beyond Sardinia, the discussion expands to the broader region, linking Sardinia to Syria (episode references Palmyra and the Temple of Baal) and touching on Georgia (the Lord’s Fortress), Turkey, Azerbaijan, and Tartaria. The narrator asserts that these regions contain melted rock-town structures and extensive tunnel networks, sometimes described as multi-level, ancient urban settlements connected by underground passages. Carbon dating is criticized as being unreliable for proving human presence at these sites, and there is a persistent assertion that mainstream archaeology fabricates or withholds the truth. In Georgia and adjacent regions, tunnels, staircases, and hidden halls are described as evidence of advanced subterranean civilizations, with claims that earthquakes or other disasters are misrepresented by mainstream accounts. The speaker references political figures and questionable provenance for dates, and ends by urging continued exploration and public scrutiny, implying a global pattern of hidden or manipulated premodern advanced knowledge. The closing note teases more content next Saturday, inviting viewers to weigh in on what is truly below the sand and what ancient civilizations might have built beneath the surface of the world.

The speaker discusses the underground city in Turkey, which could accommodate 20,000 people and contained amenities. Mainstream historians claim rooms were used for studies based on generational knowledge, which the speaker disputes as guesswork. The speaker believes the old world had advanced technology and was possibly hiding from something, referencing a large ventilation shaft that provided water. The speaker questions the mainstream narrative about the caves' origins, noting the BBC reported 18 levels of tunnels and over 200 interconnected underground cities. They highlight the closure of tunnels worldwide, suggesting a hidden purpose or contents. The speaker points out the rediscovery of the Turkish site in 1963 by someone whose chickens kept disappearing into it. The speaker argues that the mainstream narrative, which claims these tunnels were easily built with simple tools, is false. They question how humans could survive and construct in the dark without a light source, suggesting advanced technology existed. They also entertain the possibility of another species thriving underground, referencing Native American stories of "ant people." The speaker connects these tunnels to Iraq, mentioning the looting of the Iraq Museum in Baghdad in 2003 and the destruction of artifacts and manuscripts, including the Sumerian king's list. They believe this was a deliberate act to hide the true past. The speaker highlights US military interest in Iraqi tunnels and the discovery of a long tunnel on the US-Mexico border with advanced features. They also discuss the Sumerian king's list and its parallels to Genesis, suggesting a cataclysmic event and a golden age.

The tombs of the kings in Cyprus, discovered in 1783 and first excavated in 1870, are part of a large necropolis designated as a UNESCO site. This necropolis, belonging to an ancient civilization, raises questions about where this advanced civilization disappeared to. The speaker believes they are right underneath our feet. Much information about the tombs was reportedly lost, attributed to grave robbers, but the speaker suggests this is a cover-up. The speaker claims that thousands of bodies were buried there, but most have been removed. Catacombs next to the tombs are repurposed as a Christian worship site, similar to churches built on catacombs worldwide. These sites are interconnected, forming a massive necropolis. Ninety miles away, the Salamis Necropolis contains thousands of tombs, but access is restricted to the public under the guise of preservation and ongoing excavations. The speaker alleges that remains have been removed for study, with the number of bodies now minimal. Following the Turkish invasion in 1974, looting increased, and artifacts were smuggled out. Cyprus and its necropolises are near Syria, Lebanon, and Palmyra, where the Temple Of Baal is located. The speaker believes a massive event wiped out the previous civilization, leading to a reset. The Palmyra Necropolis also features elaborate tombs that have been looted and damaged, with thousands of individuals originally buried there.

In February 2022, a tunnel was found beneath the Temple of Osiris in Egypt, similar to Greece's Tunnel of Eupalinus, raising questions about its purpose beyond water transportation. This find, along with a headless granite statue discovered in 2010, suggests hidden truths about our history. The heads are removed to conceal the true appearance of past civilizations. I believe the Temple of Osiris may hold Cleopatra's burial site, disturbed in the 1930s under the guise of restoration. The old world's technology might be buried with significant figures like Cleopatra, sought after for power. Identical tunnels and geometric catacombs point to something much deeper, with churches often built on top. These may connect to necropolises, ancient cities of the dead, found worldwide containing remains from different timelines.

Speaker 0 describes the Temple Of Baal in Syria as more than crumbled stone, a haunting reminder of a dark side of a previous civilization. He notes a castle on a nearby cliff that has been melted down to sand and believes both structures were built by the same group during the same period. He states the Temple Of Baal was found in 32 AD, not 31 or 33, and adds it is inaccessible today due to being in a war zone. He argues that war zones are used to block public access to lost history, suggesting that destroying the main entrance is a method to erase true history and credit war instead. He asserts the Temple Of Baal was built two thousand years ago and that the castle was built 1,200 years later, next to hundreds of columns and a temple the size of the Pyramid Of Giza. He claims the Tadmer Castle was placed on the World Heritage in Danger list in 2013 because of the Syrian civil war, was captured by ISIS in 2015, and recaptured in 2016. He mentions ISIS retreating fighters blew up parts of the castle, including the stairway to the entrance, causing extensive damage. He states the site has not been highlighted in mainstream history, with captures occurring yearly in 2016 and 2017. He questions the claim that the castle was built by the Mamluks, arguing that Mamluks translates to “one who is owned,” and contends the idea that enslaved workers built a palace using no training is ridiculous. He notes the proximity of the castle to a temple and a pyramid-sized structure and calls it more than a coincidence. He suggests that the area’s destruction is a targeted effort to erase true history, referencing the 2015 demolition of the arch and the destruction of the Tower Of Elable, and questions plans to rebuild, calling rebuilding impossible and inappropriate. Speaker 0 argues that the timeline is fabricated and questions why the site wasn’t destroyed in 1650 or 1420, implying that dates are not real. He asserts an advanced civilization built the sites within the last few hundred years, and that myths about the past are false, citing Baal’s dwelling as described in myth as a magnificent palace, with silver and gold, and defended like a fortress, which he claims is no longer mythical. He points to archaeological excavations at Palmyra showing sacrificial activity linked to Baal worship, including bones found at the site and texts confirming worship practices. He mentions the Ball Cycle, a collection of texts that provide evidence of ritual offerings to Baal, performed by priests, and notes a catacomb under churches with ritualistic practices. He discusses a location about 200 miles from the Temple Of Baal where tablets and artifacts were found in 1929, including the Ball Cycle and texts about Baal, Danil, and Baal’s death. He claims 1,000 tablets were found and suggests numerous other stories were uncovered beyond pottery, including royal palaces and high priests’ libraries with Grand Palaces, libraries in the Acropolis, and texts about Baal worship. He contends that the public was misled about the discoveries and that access to artifacts has been restricted to preserve them, while pottery is used to distract from the broader finds. He ends by inviting viewers to continue the exploration, emphasizing that the past is not as Mythical as claimed and promising more discoveries in future episodes.