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A couple of years later in 02/2005, Myspace was acquired by Rupert Murdoch's News Corporation for an enormous amount of $580,000,000. 'Now today, people are finally realizing that it makes sense to advertise in social networks or communities.' 'Back then, no one believed that advertisers would ever come.' 'The users generate their own content, so you have no content costs.' 'The, users invite their friends, so you have no distribution or customer acquisition costs, and all you need to do is sell the ads.' 'This signaled the first time that traditional media recognized the power of social networking.' 'Things were looking good for Myspace.'

Ian Carroll investigates claims about Michael Jackson's will. Allegations suggest he called Jews in the music industry leeches, but his family disputes the will's authenticity. John Branca, in charge of Jackson's estate, had a history with Sony. Branca and Sony Music CEO, Tommy Mottola, were accused of financial misconduct. This conflict emerged towards the end of Jackson's life, revealing a complex web of relationships and accusations.

Michael Jackson blind item alleges that Ozempera and David Geffen funded the documentary "Leaving Neverland" to tarnish Jackson's memory. The blind item suggests that Geffen, Ozempera's friend, assaulted Jackson, leading to Ozempera's hatred towards him. Speculation arises that Ozempera may be stalking Paris Jackson. Paris Jackson's recent Instagram live sparked rumors, with some pointing fingers at the Smiths, but others suspect Ozempera and his tunnels.

The blind item suggests that Ozembra and David Geffen funded the documentary "Leaving Neverland" to tarnish Michael Jackson's memory. It alleges that Geffen, Ozembra's close associate, assaulted Jackson, leading to Ozembra's animosity towards him. The blind item hints that Ozembra may be behind the recent stalking of Paris Jackson. Paris Jackson's recent Instagram live sparked speculation, with some pointing fingers at the Smiths, but the blind item suggests Ozembra and his tunnels may be involved.

The speaker considered leaving strategy consulting to work in the music industry. A friend of the speaker's went to work for Sony and then became the number two executive at Bad Boy Entertainment, Sean Combs' private business, where he worked for twenty years. The speaker almost followed his friend into the music business.

Michael Jackson, disguised as Spider Jack, went to the movies with his kids. His friend didn't recognize him and kept calling him "Mike" instead of his disguised name, so he started calling him "Dave Dave." They thanked everyone for their support and expressed gratitude for the knowledge and experience gained. They mentioned going to Michael's house in Encino. When asked to say a few words, Michael greeted his fans and was asked how it felt to be leaving royalty tonight.

My entire music catalog was sold to Scooter Braun's Ithaca Holdings without my consent. The investors behind the deal, including the Soros family, 23 Capital, and the Carlyle Group, never reached out to me or my team to discuss the sale or how I felt about it. Scooter also never contacted us. It's clear he knew I wouldn't be happy. It's frustrating when people dismiss my concerns about artists' rights by saying he's always been nice to them. Of course he is, if they have something he wants. Private equity allowed him to think he could buy me, but I won't go down without a fight. The most incredible thing is that women in the industry have supported me the most during this difficult time, and I'll never forget it.

I purchased my music catalog from Scooter Braun's Ithaca Holdings. The deal was funded by the Soros family, 23 Capital, and the Carlyle Group.

The history books are a lie, and it's time for a change. Don't forget what has been said here; put it into your heart and subconscious mind, and let's do something about it. Speaker 1 met Michael Jackson in South Africa, where Jackson had a collection of books including the autobiography of Malcolm X, Eat to Live, Shreed, Ararabindo, and Krishna Murti. They discussed metaphysics, psychology, and how the black man is treated for three hours. Michael Jackson had a consciousness that could blow your mind and was trying to heal the world in his own way. Michael Jackson healed Speaker 1.

The discussion centers on the Epstein files’ implications for Michael Jackson, Hollywood power, and international intelligence networks. The speakers present a narrative in which Jackson is portrayed as a target of a smear campaign by those who themselves were implicated in abusive behavior, and where financial and institutional interests—labels like John Branca, Sony, and broader music-industry power structures—played a decisive role in shaping public misperceptions and legal outcomes. Key points raised: - Michael Jackson faced multiple accusations in the 1990s: one civil settlement for sexual abuse claims and a criminal trial in which he was acquitted. Jackson maintained his innocence, asserting that he had only tried to help children and that the accusations were a nightmare used to condemn him. - Macaulay Culkin and Corey Feldman provided counter-narratives about Jackson’s character, with Culkin stating that Jackson protected him from going to Epstein’s island. Aaron Carter recounted how FBI agents and his mother pressured him for statements about Jackson, which he resisted, arguing that Jackson was hospitable and kind. - Ian Carroll, an independent journalist, argues that the smear campaign against Jackson was sustained by media and industry interests, and that the FBI’s decade-long investigation found no credible evidence, despite persistent public narratives. He suggests the timing of accusations aligned with Jackson’s challenges to industry power. - Cui bono (who benefits) framing is used to trace Jackson’s fortunes to John Branca, Sony, and the broader record industry. Jackson’s contested revised will, signed while the family claimed he was not in Los Angeles, is cited as evidence of manipulated assets and power dynamics after his death. Carroll and others propose that Jackson’s death may have involved murder or entrapment tied to financial and industry interests. - The group discusses how Epstein’s network intersects with major power players, including Ehud Barak and Leslie Wexner, and how Epstein fostered a web of influence spanning entertainment, finance, and intelligence communities. They propose that blackmail—often leveraging sexual proclivities or drug use—was a tool used to control powerful figures, with Bill (Jackson’s long-time head of security) and Faheem Muhammad (who later joined Diddy’s security) highlighted as examples of how security teams can serve as leverage points. - The conversation connects Epstein’s trafficking network to Hollywood and music executives, arguing that the industry routinely uses celebrities and talent-disposition toward manipulation, entrapment, and blackmail to protect vested interests. - The panel raises questions about the role of media silence and biased reporting. They critique headlines and coverage (such as claims of Jackson being a pedophile) as sensationalist, arguing that some outlets published prosecutors’ opinions as facts and that this feeds broader misinformation. - They discuss the broader Epstein ecosystem—its links to Israel’s intelligence circles, transhumanist funding, Palantir and other surveillance technologies, and the potential for a global intelligence-driven “blackmail economy” that intersects with corporate and political power. They emphasize that Epstein’s network extended beyond celebrity abuse to technological and geopolitical frontiers, including genetics, cybersecurity, and digital governance. - The conversation also touches on how some public narratives attempt to shift blame or reframe individuals (for example, via racial framing or antisemitism accusations) to obscure the underlying structural abuses and blackmail networks. They caution against easy judgments based on identity politics, urging careful examination of the documented connections and the evidence. - Towards the end, they debate who might still benefit from reviving allegations about Jackson, noting that the Epstein materials resurfaced in late 2020s-era reporting and that some outlets used salacious Epstein-Jackson linkages to repackage old stories. They stress the difficulty of disentangling truth from manipulation when powerful actors have incentives to suppress or distort information. Additionally, the speakers highlight: - The existence of a broader, ongoing intelligence and corporate machinery behind Epstein’s operations, suggesting that the real story lies not only in salacious accusations but in how such networks influence media, politics, science funding, and technological development. - The importance of transparency and deeper investigation into the layers beneath public celebrity scandals, including the roles of security personnel, gatekeepers, and financial controllers who may shield or advance these criminal networks. Overall, the dialogue emphasizes a pattern: prominent figures in entertainment and business become targets of complex, multifaceted suppression and manipulation by powerful interest groups, with Epstein’s and Jackson’s cases presented as illustrative of a wider system of control and blackmail rooted in money, media influence, and intelligence contacts.

Michael Jackson speaks about his frustrations with Sony and Tomy Mottola, describing Mottola as a devil and alleging Sony exploits artists. He claims to have generated several billion dollars for Sony and says they believed his focus would always be on music and dancing, but he asserts that he’s outsmarted them as a free agent. He describes leaving Sony after one more album, a box set containing two new songs he wrote long ago, and explains that he writes at least 120 songs per album. He says he can complete the box set and give Sony the two songs, thereby leaving Sony as a free agent while claiming to own half of Sony. He notes that Sony is very angry about this move but maintains he did good business. He adds that the way Sony seeks revenge is by trying to destroy his album, but he believes that “art good art never dies” and expresses affection for his work on Unbreakable. Michael references Diana and Waldo and thanks them, stating his love for them and others present, and mentions turning off or taping something, with an aside that he doesn’t mind and to tape it. In a separate recounting, he says Mariah Carey came to him crying after a divorce, describing her distress and saying that “this is an evil man” who taps her phones and is “very, very evil,” and that they must continue their drive until he is terminated. Overall, the statements portray allegations of exploitation by Sony and Tomy Mottola, a plan to leave Sony while claiming ownership of half the company, a claim about an intent to destroy his album as retaliation, strong feelings about Mariah Carey’s claims of harassment, and appreciation for Diana and Waldo.

Michael Jackson's legacy is being reexamined in light of new allegations against P Diddy, who is accused of running a sexual blackmail operation in the music industry. Notably, Fahim Mohammed, who was Michael's security chief, later worked for Diddy. The lawsuit suggests that top record executives were aware of Diddy's activities. Jackson faced numerous accusations of misconduct, but investigations found no evidence against him. The media has often portrayed him negatively, overshadowing his charitable acts and personal struggles. Additionally, Jackson's controversial remarks about the music industry and his estate's management raise questions about his treatment and the power dynamics within the industry. His later security connections and the circumstances surrounding his death invite further scrutiny of the events leading up to it.

Mark Keriglass, usually Michael Jackson's attorney, was dropped because they wanted the music royalties. Michael Jackson alone made $860,000,000 in 2017, and the music companies keep that royalty. Mercedes Stars represents most of the media entertainment in the United States and has been promoting a hate agenda against Trump because they know he is very alpha. He likes money and women. They want to be famous and want out of the government.

Michael Jackson had a list of enemies in the industry, all of whom were Jewish. There was controversy over his will, signed in LA while he was in New York, leaving his estate to those he distrusted. He accused his former manager and Sony of financial misconduct. Rabbi Shmueli threatened the speaker, who was warned not to "mess with Jews."

Michael Jackson states that Tommy Mottola is a devil. Jackson claims that as an artist at Sony, he generated several billion dollars for them. Sony underestimated him, thinking his mind was only on music and dancing. Jackson says he is leaving Sony as a free agent, owing them only one more album, a box set with two new songs he wrote long ago. He writes at least 120 songs per album. Jackson claims he owns half of Sony, which angers them. He believes Sony's revenge is to try and destroy his album, but "good art never dies." Jackson recounts that Mariah Carey, after her divorce, came to him crying, saying Mottola is an evil man who follows her, taps her phones, and is untrustworthy. Jackson asserts that they must continue until Mottola is terminated, as they cannot allow him to harm great artistry.

My music catalog was sold to Scooter Braun's Ithaca Holdings without my consent. The investors behind the deal, including the Soros family, 23 Capital, and the Carlyle Group, never reached out to me or my team to discuss their investment or how I felt about it. Scooter also never contacted us before the sale. It's clear he knew I wouldn't be happy. It's frustrating when people dismiss my concerns about artists' rights by saying he's always been nice to them. Of course, he's nice to those who can benefit him. Private equity allowed him to think he could buy me, but I won't go along willingly. The most incredible support I received during this difficult time came from women in the industry, and I'll never forget it.

Michael Jackson conspiracy theories resurface due to P. Diddy's sexual blackmailing scandal. Evidence suggests Diddy ran a similar operation in the music industry for 30 years. Despite accusations, FBI found no evidence of Jackson's wrongdoing. Media smear campaigns against Jackson are highlighted. Allegations of anti-Semitic remarks and financial disputes with Jewish music executives are mentioned. Connections between Jackson's security team and Diddy's illegal activities are raised. Revisiting Jackson's life story in light of new information is encouraged. The parallels between Jackson and Kanye West are briefly noted.

My music catalog was sold to Scooter Braun's Ithaca Holdings without my consent. The deal was reportedly funded by the Soros family, 23 Capital, and the Carlyle Group. Surprisingly, none of these investors have reached out to me or my team to discuss their investment or inquire about my feelings regarding the new owner of my art. This includes the music I wrote, the videos I created, and even personal photos of me.

People on TV claim to be experts on me, even though they don't know me. I knew Michael Jackson well, and he lived in Trump Tower. I've seen him perform and he was an incredible entertainer. He was a friend of mine, a perfect gentleman, and we never had any problems. He's gone through a lot, and I will defend him because nobody else is. He lived in Trump Tower for a long time and we had many great times together at Mar-a-Lago in Palm Beach.

Michael Jackson conspiracy theories resurface due to P. Diddy's sexual blackmailing lawsuit. Evidence suggests Diddy ran a similar operation to Epstein in the music industry for 30 years. The media and record executives were aware of Diddy's actions. Despite FBI investigations, no evidence of criminal conduct was found on Jackson. Jackson's odd behavior was influenced by his troubled upbringing. Allegations of anti-Semitic remarks were linked to his disputes with Jewish figures in the music industry. Jackson's security connection to Diddy raises questions about his death. Reevaluate Jackson's story and lyrics in light of industry corruption. The parallels to Kanye West are intriguing.

I was denied the chance to purchase my music outright. My entire catalog was sold to Scooter Braun's Ithaca Holdings, funded by the Soros family, 23 Capital, and the Carlyle Group. None of these investors contacted me or my team to discuss their investment or how I felt about the new owner of my art. Scooter never reached out either. It's frustrating to see people dismiss my concerns about artists owning their music by saying he's always been nice. If you're in this room, he needs something from you. Private equity allowed him to think he could buy me, but that's not the case.

Ian Carroll discusses the connection between Fahim Mohammed and Michael Jackson. A lawsuit alleges P Diddy ran a sexual blackmail operation with Fahim as head of security. Record executives were reportedly aware of the operation. Fahim, a recent college graduate in business and real estate, was Michael Jackson's head of security when he died in 2009. This raises questions about his qualifications for such a high-profile job.