reSee.it - Related Video Feed

I'm tired of the press manipulating the truth. All forms of popular music are rooted in black culture. I broke records but was portrayed negatively. It's time for change. Let's not forget what's in our hearts and make a difference with our conscious minds.

Forms are gonna be excited about this because somebody who owns it and has total control has vowed he's never going to sell. And I put my name and my face out there every single day.

They're not giving us money, just acknowledgment. I don't want that. I've been banished, exiled, canceled. My kids don't even show up to Sunday service. Celebrities like Dave Chappelle, Meek Mills, Diddy are controlled by handlers. They call and put a leash on them. The agenda is to make them do what LeBron and Drake would do. My stance on this is well known.

From Sammy Davis Jr. to James Brown, Jackie Wilson, Fred Astaire, and Gene Kelly, the tradition of great performers is usually the same. They work hard but often end up broken and sad. As an artist at Sony, I generated billions of dollars for them. Now, I own half of Sony's publishing and they're angry because I outsmarted them. They're trying to destroy my album as revenge. Tommy Mottola, the head of Sony, is a devil. Mariah Carey, who divorced Tommy, told me he follows her and taps her phones. We can't let him destroy great artistry. I appreciate everyone's support and love, and I promise the best is yet to come.

The speaker expresses frustration with various individuals and groups, including Instagram, Jewish people, trainers, Jay Z, Mike Rubin, and others. They mention feeling betrayed and sabotaged, and criticize the entertainment industry. They also discuss their political opinions, their children, and their belief in God. The speaker calls out specific individuals and brands, such as Mav Carter, Ari Emanuel, Adidas, Louis Vuitton, and Gap. They express a desire for support from Drake, Jay Z, and others. The speaker talks about their own accomplishments and challenges, including their fashion ideas and mental health. They mention the influence of powerful families, such as the Medici and the Vatican, and criticize Hollywood and the media.

My entire music catalog was sold to Scooter Braun's Ithaca Holdings without my consent. The investors behind the deal, including the Soros family, 23 Capital, and the Carlyle Group, never reached out to me or my team to discuss the sale or how I felt about it. Scooter also never contacted us. It's clear he knew I wouldn't be happy. It's frustrating when people dismiss my concerns about artists' rights by saying he's always been nice to them. Of course he is, if they have something he wants. Private equity allowed him to think he could buy me, but I won't go down without a fight. The most incredible thing is that women in the industry have supported me the most during this difficult time, and I'll never forget it.

Forms are gonna be excited about this because somebody who owns it and has total control has vowed he's never going to sell. And I put my name and my face out there every single day.

Forms are gonna be excited about this because somebody who owns it and has total control has vowed he's never going to sell. And I put my name and my face out there every single day.

Some staffers discussed my personal life with donors in the boardroom, and without my consent, these discussions were shared with donors who have no knowledge or right to ask about my past relationships with women.

I purchased my music catalog from Scooter Braun's Ithaca Holdings. The deal was funded by the Soros family, 23 Capital, and the Carlyle Group.

They can't control you. They try to suppress and categorize, but they can't control me. They can control celebrities like Shaq, Charles Barkley, LeBron James, Jay Z, and Beyonce, but not me. I took offense to something you said, so let's talk it out. I don't take disrespect from anyone. The only person I serve is God. Many people in Hollywood go missing, possibly to control and traumatize. Despite the hate, Forbes reported my net worth as $400 million. God loves me, and that's what matters. The truth will be heard. I don't have to listen to anyone because I haven't killed anyone, so I can say whatever I want without going to jail.

I have a dream, like Martin Luther King, that people will not be judged by their race or skin color. The people who have screwed artists over in the music industry are individuals who took opportunities, not Jews. My lawyer was Jewish, and my manager was Jewish, as were eight people who colluded without me. It's wrong to say that there's Jewish control of the media; that's a lie. Is it anti-Semitic for me to say "Jewish"? There is no Jewish media. Call out the individuals by name, not as Jews. People get screwed over in the music industry and the media. I grew up in the Soviet Union, I'm Jewish. The words about Jews are not the words of a samurai. Don't say "Jewish media" or "Jewish-controlled media". Is it okay for me to say that, or is that anti-Semitic?

Kendrick and other artists dislike Drake due to his ties to music industry figures like Lucian Grange and Lior Cohen. Allegations suggest Grange sponsored questionable events, while Cohen's connections to the CIA and private prisons are concerning. The link between media conglomerates like Time Warner, private prison owners, and major artists is highlighted. The control over trends, artists, and media coverage by a small group of executives raises questions about the industry's influence. The connection between music, culture, and private prisons is unsettling, shedding light on the darker side of the music industry.

Listen to this. I can't believe these numbers: $10 million for Beyoncé to support Kamala Harris, $5 million each for Megan Thee Stallion and Lizzo, and $1.8 million for Eminem. Is this how it usually works? Also, how much do you think Donald Trump paid Elon Musk? Can Trump even afford Musk? It seems like these are just fake relationships where people are paid to pretend to support each other. This is ridiculous.

The speaker discusses the control of the music industry by Universal Music Group, mentioning allegations in a lawsuit involving CEO Lucian Grange. They reveal that Universal controls 33 out of 23 top 100 songs on the Billboard chart. The speaker plans to analyze the influence of certain groups on the music industry and the content of music videos. They also mention a video linking Diddy's lawsuit to Michael Jackson's death.

The speaker claims MrBeast is not independent but owned by a web of powerful media owners and investors. They say he’s connected to the same people who own other creators and were once under a group called Scale Lab. At one million subs, the speaker says MrBeast sought more money and became involved with Reed Dusher, described as the CEO of Knight Media, who allegedly facilitated a honey sponsorship and a sponsorship with Aspirian, an entity linked to a money-lending network run by a prominent family. The narrative continues that Knight Media allegedly steered MrBeast toward major deals, including a recent NBA-related arrangement and an Amazon partnership. The speaker claims Alpha Wave Gamma invested $300 million, run by Rick Gerson, who purportedly knows high-profile figures. The closing question asks why MrBeast refused an interview and what the mentioned entities have in common.

Speaker 0: Britney Spears' name has been mentioned multiple times in the Epstein files. I'm curious why I haven't seen anything about this on my FYP. Day after day, she is being laughed at by Hollywood, laughed at by the media, laughed at by the world. But seriously, we knew there was something deeper going on with this situation. And the only question I have is, where are her friends? Aside from a few dressing up as her for Halloween and using #FreeBritney, they haven't done much. It’s starting to look to me like Britney Spears was experimented on. Why would doctor Mark Tremo, who is affiliated with UCLA, be emailing Jeffrey Epstein about Britney Spears' conservatorship or her custody battles or the neonatal ICU project? Britney Spears was treated like a literal slave by everybody around her and made her go mad. She was exploited from the time she started the Mickey Mouse Club, and don’t pay attention to what those posters behind her say, until she was a 40-year-old woman. And even though Hollywood treated her like a monkey in a circus and danced her to her own deathbed, she still to this day can’t stop performing. It’s almost like she’s programmed or something. But many people have spoken out about this. It’s just the world did not want to hear it. Speaker 1: Do you believe that Britney was trafficked, shoe, Diddy, and absolutely. All of those girls. All of those Mickey Mouse girls, including Christina Aguilera. All of them, all of these children have been trafficked. Part of the reason why they can’t tell you was because they were drugged. Yeah. But most of what was happening to them was happening. And what they have left are the memories and the nightmares. Now they think they’re just bad dreams, but they’re memories. And because they’ve been drugged, and they’ve been handled, and they’ve been shrunk to death, they don’t know what to believe, but they can feel it. Speaker 0: And I will stand by the fact that Britney Spears was failed by everybody, her family, her lovers, and especially her friends, because it took a team of people to do this to her. And anyone in the industry that claims that they protect children but don’t protect the children in the industry are just snakes to me.

The Justin Bieber situation involves a PR battle against his management and record company, who are allegedly smearing him as mentally ill, drug-addicted, and in debt for trying to break contracts. A key element that's being overlooked is the potential involvement of private equity firms, who are known to invest in conservatorships and guardianships. Bessemer Trust, the firm that managed Britney Spears' conservatorship, is a private equity firm. Currently, around $300 billion is estimated to be under the control of guardians and conservators. This serves as an enforcement mechanism to control behavior, threatening the wealth of individuals who want to leave the system by portraying them as unstable. This is allegedly a playbook to punish wealthy individuals who no longer want to participate in the system. Britney and Justin are just examples, and the goal is to manufacture public support to seize money from those deemed crazy.

The speaker discusses the control of the music industry by Universal Music Group, alleging ties to a sexual blackmail scheme involving Diddy. They reveal that Universal controls 33 out of 23 top 100 songs, raising questions about industry consolidation. The speaker plans to analyze music videos for themes and ownership ties. They encourage viewers to watch their video on the Diddy lawsuit and Michael Jackson's death.

Alex Jones claims that Israel and the powerful Jewish lobby on the left and right are heavily unified and pushing Internet ID, AI censorship, debanking, and control. He says he has been a victim of this at the hands of the ADL, the Southern Poverty Law Center, the CIA, and the DOJ, alleging “on record in court trying to destroy us and shut us down.” He mentions Sasha Barakolam at the ADL Gala saying he needs to be arrested. He discusses replacement migration and says unwise critics spread lies about him. Jones contends there is foreign EU influence through the EU, Hillary Clinton, and Barack Obama, alleging they, when out of power, asked the EU in the first administration to file false lawsuits to block the US, and that censorship worsened under Biden as Congress watched what Biden was doing. He asserts they used the EU to censor and control Americans by threatening and fining companies, and reports that Elon Musk was fined €140,000,000 and had his companies seized, describing this as criminal time. He says he defends Elon Musk because Musk is leading the way for free speech, as is Rumble. He states he is championing Musk not for money, but because they are suing Musk and attacking his advertisers, with the same law firms that sued Jones also suing Elon. He emphasizes there is no need for on-site collaboration or phone calls to align, claiming they are already aligned and “Simpatico.” Jones references media coverage and articles that describe attempts by Sandy Hook families, the Democrat Party, the Paul West law firm, DOJ, and CIA as wanting to seize his social media accounts. He cites Bloomberg and other outlets to support that the thirteenth amendment applies to everybody, but claims Jones has a special case. He discusses attempts to own his name, likeness, and all his shows and future content, and notes that public filings indicate efforts to take his name. He compares this to Prince’s three-sixty deal with Sony, saying he never signed a three-sixty contract, claiming all his work has always been “free to air, not exclusive license,” with ownership claimed by him, which he says was used in court. Jones explains that Elon Musk cannot own his name or URL on X, describing X as a target to seize accounts and operate in someone’s skin and name, to misrepresent as if they are him. He asserts this is unprecedented and that Elon’s involvement is to prevent them from taking over X, including lawsuits against the ADL and related law firms. He asserts the stakes are “big boy stuff,” criticizing those who talk about him without digging into court rulings. He argues Elon’s willingness to defend him is tied to defending free speech and preventing his platform from being taken over. He ends with personal declarations about his identity as a patriot, journalist, pundit, and other self-descriptions, and asserts his rugged, red-blooded, freedom-loving stance.

My music catalog was sold to Scooter Braun's Ithaca Holdings without my consent. The investors behind the deal, including the Soros family, 23 Capital, and the Carlyle Group, never reached out to me or my team to discuss their investment or how I felt about it. Scooter also never contacted us before the sale. It's clear he knew I wouldn't be happy. It's frustrating when people dismiss my concerns about artists' rights by saying he's always been nice to them. Of course, he's nice to those who can benefit him. Private equity allowed him to think he could buy me, but I won't go along willingly. The most incredible support I received during this difficult time came from women in the industry, and I'll never forget it.

I had control over situations, but many artists aren't genuine. They come from privileged backgrounds and lack real-life experience. When they face temptations, they don't know how to protect themselves. They might end up in compromising situations, leading to exploitation. In the industry, contracts can be deceptive. Artists may sign unfavorable deals out of fear of their secrets being exposed. This cycle keeps repeating, with many unaware of the dangers lurking in the music business. It's crucial for those entering this world to be cautious and aware of the risks involved, as many are not prepared for the harsh realities they might face.

They can't control you. They try to suppress and categorize, but they can't control you like they control Shaq, Charles Barkley, LeBron James, Jay Z, or Beyonce. They can't control me either. I don't take disrespect from anyone. Let's talk it out. The only person I serve is God. Many people in Hollywood go missing, and it feels like they want to control and traumatize to monetize. But God loves me, and that's more important. I have a net worth of $400 million. I can say whatever I want without going to jail because I've never killed anyone.

The speaker alleges that Tommy Mottola is a devil and says there is a secret being kept, asking viewers not to videotape what is about to be said because companies take advantage of artists. The speaker claims to have generated several billion dollars for Sony—the company—and asserts that Sony thought the artist’s mind would always be focused on music and dancing. The speaker states that they, as the performer, would outthink Sony, and that Sony cannot let them get away with what they’re trying to do now that the speaker is a free agent. The speaker explains they owe Sony one more album, which would basically be a box set containing two new songs the artist wrote long ago. The artist notes that for every album they record, they write at least 120 songs, making the box set feasible by selecting two songs to include. The speaker says they are leaving Sony as a free agent and claims to own half of Sony, describing it as good business that has angered Sony. The speaker then recounts that Sony’s revenge would be to try to destroy the artist’s album, but maintains a belief that art, good art, never dies. The speaker expresses love for Unbreakable and asserts admiration for the work. There is a moment where the request is made to turn something off, but the speaker says they don’t mind and that it can be taped, indicating a willingness to let the recording continue or be shared. The language shifts to a more dramatic aside: “Marco is getting gangster today.” The speaker references Mariah Carey, telling a story of an encounter after a divorce when Carey came crying to them, describing that she was crying so badly she had to be held. Carey allegedly told them that a man is evil, follows her, taps her phones, and is a very evil, horrible human being, and that they must continue their drive until he is terminated. The speaker repeats the sentiment that they cannot allow this to great artistry and expresses appreciation for those present—Diana, Waldo, and others—stating they have been amazing and that they love them. In closing, the speaker reiterates affection for the group and thanks the people present, underscoring loyalty and support.

I was denied the chance to purchase my music outright. My entire catalog was sold to Scooter Braun's Ithaca Holdings, funded by the Soros family, 23 Capital, and the Carlyle Group. None of these investors contacted me or my team to discuss their investment or how I felt about the new owner of my art. Scooter never reached out either. It's frustrating to see people dismiss my concerns about artists owning their music by saying he's always been nice. If you're in this room, he needs something from you. Private equity allowed him to think he could buy me, but that's not the case.