TruthArchive.ai - Related Video Feed

Speaker 1 adamantly defends Charlie’s security team, calling them an elite, lifelong ally group and stating they are “brothers with Charlie” who are “supporting Charlie at all times.” They argue that if any danger had been suspected that day in Utah, they wouldn’t have released Charlie to public life. Security at events is described as a collaboration with local police, with campus protection handled by university police; there is a delineation between personal protection for Charlie and campus protection. At Utah Valley University, the campus perimeter and rooftops were the responsibility of campus security, while outside appearances require the team to cover gaps where no police presence exists. The team is said to have performed impeccably and were among the first to try to save Charlie. They emphasize willingness to sacrifice for others and condemn online misinformation. They advocate a robust drone program and constant rooftop surveillance as standard, and note the investigation is ongoing, with the suspect in custody and going to trial.

The discussion centers on a group of notable figures surrounding the death of Charlie Kirk, a story that the speakers describe as growing increasingly crowded with unusual characters. Skyler Baird is introduced as one of the voices commenting on the event, and the conversation emphasizes a highly charged, almost surreal sequence of moments surrounding the tragedy. Skyler Baird recounts being perhaps 10 or 15 feet away when the incident occurred and suggests that viewers should watch the video for about ten seconds to catch what happened. The dialogue highlights an attempt to balance the tone by noting a focus on the positive and asking how to ensure that Charlie Kirk is remembered. The remark characterizes Skyler’s reaction to witnessing what is described as a “publicly executed” moment on September 10 as “quite a completely natural reaction,” framing it as a baseline of normality in an otherwise extraordinary and troubling narrative. The discussion then pivots to Skyler’s first contribution in the aftermath of the event. Skyler describes how he was right there and “kinda escorted” the person involved to a police officer. He clarifies that there was a cop nearby as well, but emphasizes his role in escorting the individual. The person who is escorted is described as saying, “I shot him. I shot him.” This claim becomes a focal point of the recounting, signaling a pivotal, sensational moment in the sequence of events. Attention then shifts to the figure known as old man George, identified as George Zinn. The narrative recalls that he stood up immediately after Charlie was shot and shouted, “shoot me, shoot me.” The speakers remind the audience that George Zinn had previously been characterized as a bad man with very dark proclivities, a framing that is referenced to underscore the dramatic shifts in how characters are perceived as the story unfolds. Skyler’s involvement is linked to these evolving perceptions, as he is described as having helped apprehend the decoy. The passage concludes with an admission that the sequence may be a matter of coincidence, expressed as “Coincidence, I suppose.” The speakers remark that the Internet promptly responds, with “the Internet doing its thing” and beginning to discuss and analyze the developing storyline.

I think I found the shooter. This guy with the white hat starts it by creating signals—“touches the bill of his hat, and then he touches his ear.” The guy that shot Charlie is over on this side, and he’s seen by others who move to block him, with one man “rubbing his right arm” as he steps in front. “Watch this”—the background figure shifts, and the white-shirt man is “holding the gun right there.” If I go frame by frame, the moment the black-clad man moves his arm out, the white-shirt man “lifts his right elbow” and “shoots it.” His hand goes back, and then Charlie gets hit. “Watch the gun shoot right now”—the gun fires, Charlie is hit. “It’s clear as day.” The black-shirt man shows the white-shirt arm; “pop, bang.” Oh my god.

Speaker 1 describes a man on the team who, after he was shot, runs toward the vehicles, stays outside the vehicles, and films a TikTok selfie video. They ask to identify this person, and it is confirmed to be the audio-visual (AV) team member who runs the cameras. This individual is said to have said, “Charlie just got shot,” and is the same person associated with the footage and the AV setup contracted to shoot the coverage. Speaker 0 clarifies that this person works for a company called VI, which provides contract AV/video personnel, and is not a security guy. He is the AV team member who runs the cameras. He also is described as the person who “took down the cameras” and there were questions about what happened to the footage, noting that this is a legitimate inquiry. Speaker 1 adds that after the event, someone goes to the camera behind Charlie, pulls the camera down, and it looks like they pull the SD card out; this footage is in the hands of the FBI and was not deleted or erased. The SD card was pulled by someone named Senga, and the footage ended up with the FBI. Speaker 0 reiterates that the AV person works for VI, the video contracting company, not as security. He expresses confusion about the phone usage and states that it’s not for him to understand that part; he observes that, in tragic events, people pull their phones out instead of running, and says that’s for the AV person to explain. He notes that the AV person does not work for them, but from what he has seen, this is the same person who took down the cameras, prompting legitimate questions about where that footage went. He confirms that the person was interviewed by the FBI, asked questions, and that all relevant material was turned over.

The speaker discusses Erica Kirk and a sequence of variant names connected to her. They begin by asserting familiarity with Erica Kirk and then pivot to a narrative about Erica Fransve (her birth name) and Erica Kirk (the name after marrying Charlie in 2020). The central question posed is: who is Erica Chelsvig? Key claims and sequence: - Erica Fransveig was her maiden name; Erica Kirk was her name after marrying Charlie in 2020; Erica Chelsvig is described as a name she supposedly bore at another point in time. - The speaker asserts they learned the name Erica Chelsvig only two days after Charlie Kirk’s funeral, after being awakened at 02:30 in the morning. - They claim to have been a large Erica Kirk fan prior to this discovery, and that the “truth” about Erica Chelsvig had emerged suddenly and unexpectedly. - The speaker alleges that information about Erica Chelsvig has “officially scrubbed from the Internet” the very next day, and that only the speaker’s aunt managed to discover and retain it. - They state that, despite being on vacation, the world will learn who Erica Chelsvig is, but not via a Google search. - The speaker asks, “So who is Erica Chelsvig auntie?” and then outlines a backstory: Erica Fransveig (maiden name); Erica Kirk (name after marriage); Erica Chelsvig (name in between, or at another point). - They note that the Chelsvig name is Romanian and remark on the odds of that, calling the world an evil place and suggesting not everything is what it seems. - The speaker claims that Erica Kirk, Gronzevay, Chelsbank, formerly, is “accidentally spilling the beans one by one,” and asserts that what is done in the dark will come to light. - They emphasize their belief that the truth is true when it needs to be scrubbed from the Internet, and question why it would be scrubbed if there wasn’t something to hide. - A further variation is mentioned: “Erica Kerr, formerly Chelsvig,” and with it, a prompt to “screenshot and read the rest” while on vacation. - The speaker reiterates that “what used to be on the Internet” was removed days after Charlie’s funeral, and that when the holy spirit speaks, you listen and you screenshot, and the truth will always come to life.

Speaker 0 says, "If you're celebrating the death of Charlie Kirk, you're a bad person. You're going to hell." Speaker 1 adds, "May. Fuck Charlie Kirk," and declares, "The off ramp to the high road is closed," insisting they won't feel guilty about a "bullshit hero" who spread harm. They stress, "This has nothing to do with conservative versus liberal" or with Democrats versus Republicans, and point out the alleged suspect is "an old white guy." They predict media will misframe the event as "an isolated incident by a lone shooter" and that "it's gonna end up being a white guy." They acknowledge sadness with "Abso fucking lutely," but conclude, "However, fuck that guy. God’s timing is always right." "Good day, goofies."

Safety team is on the scene. I just heard them say 'the active shooter Charlie Kirk has been shot.' 'Charlie Kirk got hit' is what the security detail just said. A message from the speaker's son said, 'My son just messaged me and says that Charlie Kirk I believe you need to leave.' Earlier, the speaker asked, 'Is this not fireworks? Sir, please sir. Hey.' The transcript depicts a security response to reported harm to Charlie Kirk, with the speaker relaying what the security detail reported and noting a directive for Charlie Kirk to leave. The tone conveys urgency and uncertainty.

Speaker 0 describes Skyler as having given about four different interviews online right after the Charlie Kirk assassination. She notes he is seen with glasses on top of his head, front row at the scene, and somehow sits on the Main Floor at the Charlie Kirk Memorial during the memorial service. She asks, “Who is this guy? How is this possible? And why are his interviews so odd?” She points out that on the day of the shooting Skyler was in the front row and near a bodyguard. Speaker 1 and Speaker 2 recount Skyler’s position: “Maybe 10 or 15 feet away when it happened. Close as he could.” They describe Skyler with sunglasses on his head, and a Charlie Kirk bodyguard in front of him, with Skyler off to the side in the corner when Charlie began taking questions. They note the bodyguard is directly in front of Charlie, Skyler to the side, matching Skyler’s own account of being “front row, Noel in front of him,” with a bodyguard to his left and one in front of him. They say Skyler was “front row and center.” Speaker 0 then says Skyler later appeared sitting on the Main Floor at the Charlie Kirk Memorial, with a floor pass for a press conference, literally “maybe 10 or so rows from the front of the stage.” They claim this is documented on Skyler’s Facebook page. They mention Skyler’s Facebook shows two, perhaps “two point, I think, k” followings, with from 2018 to 02/2025 only about seven posts and about 10 pictures, implying a sparse content profile for a “digital creator.” Speaker 3 describes Skyler’s earlier claim about getting into the stadium: “Just made it to the stadium. There is an unlimited amount of security, Secret service, military, police, empty. Steel barricades all around. … There’s been people waiting in line since 05:30 in the morning.” He says Skyler went past multiple security layers to obtain a media badge and a floor pass, and then ended up on the Main Floor “a few rows back to the Charlie Kirk Memorial.” The speakers question how he could gain access and yet appear to be late, then have a media pass and seating positions. Speaker 4 adds, “So, again, why go into detail acting as if you were late, you didn’t even know you were gonna get in, yet somehow you end up with a passing all these checkpoints to get a media pass around your deck, end up on the First, you know, Main Floor just a few rows back to the Charlie Kirk Memorial that day. It’s just like it’s a big act, a big show that this guy's putting on. It’s like he was handpicked to do all these interviews. He was handpicked to have front row that day because he was up, you know, farther up in the crowd before Charlie got there.” Speaker 4 closes with a segment featuring a clip of another person describing a mythic, imagery-laden interpretation: “An indecision night. I photoshopped in my mind. I photoshopped the blood away. I photoshopped Charlie, sat him back up, put his smile back on, and rewound the tape… I rewound the bullet going back up into the rifle. I stuck a flower inside the rifle.”

Speaker questions why a medic near Charlie when he was shot isn't seen: "there was a medic walking behind the tent, had to have been five feet from Charlie the second that he got shot? Why didn't we see a medic running around that tent to render aid to Charlie, or did we? Did I miss this? Did somebody else see a medic carrying a big bag of medical supplies and coming over and rendering aid to Charlie, or did we just see dudes jumping over a railing, grabbing some shit, doing some handoffs, and taking off?" "Pretty weird. Check this video out. Let me know what you guys think." The discussion shifts to "Do you know how many transgender Americans have been mass shooters over the last ten years? Too many." "Ten years? That. Counting or not counting gang violence. Great."

The speaker challenges the credibility of the narrative about Charlie Kirk’s incident and points to security footage to raise questions. They reference a security detail member wearing “meta AI shades” who appears to be filming. According to the speaker, when Charlie is hit, the security person turns on the shades, films, and then, as chaos unfolds with a crowd rushing the stage, carries out a handoff. The speaker describes a handoff occurring to a gentleman in a shirt. They claim that this is the moment when someone takes something off Charlie and hands it to the man in the black shirt, who then runs off. The speaker asserts that the item being handed off is the “laugh mic” that allegedly contained an explosive device, implying that the security detail’s first priority was to remove the suspicious object from Charlie and pass it to the other person rather than ensuring Charlie’s safety. The speaker emphasizes that the security detail “knew exactly what to do” and questions how the person receiving the item would know what to do in such chaotic moments, suggesting coordinated movement. They argue that the security actions undermine the official narrative about Charlie Kirk and Tyler Robinson, indicating that the FBI should be questioned and accountability demanded from the FBI and this administration. In summary, the speaker uses the footage to claim that the security team’s behavior—specifically the meta AI shades operator filming, the rapid handoff of an object from Charlie to a man in black, and the subsequent actions—casts doubt on the established story and points to potential coordination and a failure to prioritize Charlie’s immediate safety. The call is for greater scrutiny and accountability of the FBI and the administration.

Speaker 0 repeats mentions of "in-game violence" and "in-game finals," emphasizing the finals repeatedly. Speaker 1 observes that someone is on the phone while Charlie is evacuated behind him, notes that the person doesn't actually know anything yet, and adds that the person walked away without seeing what happened to Charlie, asking, "Who's he talking to?"

New footage shows Turning Point’s chief of staff Mikey McCoy immediately plugging his ears, turning around, and walking away slowly right after Charlie Kirk was shot. While others around him run for cover, Mikey appears to be on a cell phone, prompting questions about whom he was talking to. Pastor Rob McCoy, Mikey’s father, claims Mikey called him right after Charlie Kirk was shot. He says, “son, Charlie's been shot in the neck. Please call every pastor and pray,” and notes Mikey had blood on him but “had wits about him” and was directing people as he walked away. Pastor Rob McCoy also claims Mikey is covered in blood, which he says contrasts with Mikey quickly turning and walking away without looking underneath the tent to see if Charlie was okay. According to James Lee’s investigation, citing the New York Times, Mikey McCoy called Erica Kirk. The Times reports that Erica Kirk was in her mother's hospital room at 11:23 AM local time in Phoenix when she saw the number of Michael McCoy appear on her phone, and she recalled hearing the words “he's been shot” before Mister McCoy screamed them. Official records indicate Charlie Kirk was shot at 12:23 PM Mountain Time, which is 11:23 in Phoenix. If the New York Times is accurate, the only person Mikey could have been on the phone with is Erica Kirk. The transcript frames the question: Who was Mikey McCoy really talking to, and why did he walk away so calmly immediately after his friend was shot?

The clip centers on Skyler, a man seen in multiple interviews right after the Charlie Kirk assassination. The presenters highlight that Skyler appeared in about four online interviews, and he’s pictured with sunglasses on top of his head behind Charlie’s head. They note that the day Charlie Kirk was shot, Skyler was front row to witness it, and in the interviews he never claims to be press or someone important, yet he sits on the Main Floor at the Charlie Kirk Memorial. They question how this is possible and point to oddities in his interviews. In one sequence, Skyler is described as being only about 10 to 15 feet away when it happened, with security to his left and nothing else in front of him—“Close as he could.” They show Skyler and Charlie’s bodyguard moving to a different area once Charlie arrives and questions begin. Skyler is described as front row and center, with the bodyguard directly in front of Charlie and Skyler off to the side with sunglasses on his head. The footage is contrasted with his Facebook activity, which the speakers examine afterward. They state that at the memorial service Skyler was “sitting on the Main Floor” with a floor pass for a press conference, seated literally “maybe 10 or so rows from the front of the stage.” They contrast this with Skyler’s Facebook page, noting that he has “two point, I think, k followings,” and that from 2018 to 02/2025 there are “maybe seven posts and like 10 pictures.” The presenters remark that there is little material on his page, suggesting a discrepancy between his apparent access and his online footprint. Further, the speakers recount Skyler’s account of entering the stadium. He says, “There is an unlimited amount of security, Secret service, military, police, empty. Steel barricades all around. Yeah. They’re definitely protecting this place,” and adds that there had been “an overflow,” with people waiting since 05:30 in the morning. Yet Skyler ends up with a floor pass and sits just a few rows back on the Main Floor with a badge that says media, prompting the question: “How?” They describe how another person explained the process of passing through multiple layers to obtain a media badge and access the floor. The discussion turns speculative: Skyler “was handpicked to do all these interviews,” to have “front row” seating, and to be present at key moments. The dialogue then shifts to a series of unusual videos by Skyler, described as “bizarre.” One clip contains a speaker describing an “indecision night” where they say, “I photoshopped in my mind the blood away,” “I rewound the tape,” and “the shooter… goes down the stairs,” with continued vivid, fantastical editing of the event.

Two speakers discuss a report about Charlie's death. They relay the claim: They're reporting that Charlie has died, that he's dead at the age of 31, which he would have to be if that video was real. They consider implications of the video, suggesting that the age would align with the video if it were authentic. They then exchange skepticism about survival: There's no way he survived that. The only good thing is it had to have happened quickly. The first speaker concurs with uncertainty, concluding with: Right. Right. The brief exchange emphasizes belief in the reported death tied to the video's alleged authenticity and an assumption about rapid events.

Speaker 0 appears to be trying to move the conversation along, indicating a desire to shift focus and figure out what happened. The scene then shifts to a visual moment that draws attention: “Wow. Look at that. Beautiful. Look at that,” suggesting a notable or striking image or location. The core narrative centers on Mikey McCoy, identified as Charlie Kirk’s chief of staff and friend. It is stated that Mikey spent the entire morning dutifully and loyally by Charlie’s side, filming everything. The tension arises at the moment Charlie is killed: according to the speaker, Mikey abandoned Charlie in that instant. The crucial question posed is whether Charlie was actually dead and whether he needed help at that moment. The speaker then asks if Mikey rushed to Charlie’s aid or instead pulled out his phone to continue filming, implying that Mikey’s actions or inactions could be revealing of his priorities at the critical moment. The line “Anything?” echoes a probing or accusatory tone, followed by a blunt “No. Nothing.” This sequence reinforces the claim that Mikey did not intervene or assist Charlie as the situation deteriorated. The narration emphasizes the abrupt change in Mikey McCoy’s behavior, asserting that “All of a sudden, Mikey McCoy didn't care about Charlie Kirk at all and just left him behind.” This creates a stark contrast between the earlier portrayal of Mikey as a loyal companion who documented the day and the sudden implication of neglect or abandonment at Charlie’s time of need. The passage culminates with a direct, open-ended inquiry: “What is going on?” This question underscores the overall mystery and suggests that the relationship dynamics and the sequence of events surrounding Charlie’s death, as well as Mikey’s actions, are the focus of concern. In summary, the speaker contrasts Mikey McCoy’s supposed early devotion and his later alleged abandonment of Charlie Kirk at the moment of a fatal incident, raising questions about whether Charlie was dead, whether help was needed, and whether Mikey prioritized filming over aiding Charlie. The framing invites scrutiny of Mikey’s conduct and the surrounding circumstances.

The speakers recount the moments surrounding Charlie Kirk being shot and highlight the behavior of Mikey McCoy, Charlie Kelley’s chief of staff. The account begins with a father describing his son’s roles: Justin is the chief financial officer, and Mikey is the chief of staff. He recalls the instant Charlie was shot: “Charlie’s been shot in the neck. Please call every pastor and pray.” He notes that Charlie was directing at the time, with blood all over him. Speaker 1 focuses on Mikey’s actions during the incident. He notes that Mikey is still there, phone in hand, texting, talking, then putting the phone away. He points to the person Charlie is arguing with, Hunter Kozak, and emphasizes what the video shows about Mikey: he seems to see Charlie get hit and “simply walks away.” Mikey later reappears on the other side of the tent, not running but walking. The account questions whether Mikey might be on the phone, though it isn’t certain. Security guards are described as doing their part, while Mikey is shown “walking, like getting far away from everything.” The narrative suggests Mikey turned his back on the incident after it happened. Speaker 2 names Mikey McCoy, Charlie Kirk’s chief of staff and friend, describing what he did or did not do during the morning. The speaker asserts that Mikey “spent the whole morning dutifully and loyally by Charlie’s side filming everything,” but then “abandoned Charlie in the very instant Charlie was killed.” The key questions posed are whether Charlie was actually dead, whether he needed help, and whether Mikey rushed to aid him or instead got his camera out. The speaker concludes that, according to the account, “Mikey McCoy didn't care about Charlie Kirk at all and just left him behind.” In summary, the described sequence presents Mikey McCoy as being present with Charlie prior to the shooting, then engaging in texting and moving away, appearing on the far side of the tent, and ultimately turning his back on Charlie after the incident, with the claim that he abandoned him as Charlie passed. The recounting is reinforced by a second speaker who reiterates that Mikey did not assist Charlie and appeared to prioritize other actions over Charlie’s welfare.

The speaker identifies family roles: Justin is the chief CFO and Mikey is the chief of staff. He recalls a moment when Charlie was shot and immediately says, “Charlie’s been shot in the neck. Please call every pastor and pray.” He notes that Charlie was directing and had blood all over him, while Frank Turic was giving Charlie CPR and was covered in blood. The speaker then addresses online misinformation, calling it “the stupidity of the Internet” and dismissing claims that hand signals were being used. He states that it was Frank Turic, a Christian apologist, who was providing CPR, and that Frank’s children were on the phone when he was videotaping it and saw the bullet. He says, “Signals, really?” and rejects the conspiracy surrounding Dan, the security guard, who is said to be connected to the conspiracy. He emphasizes that Dan is a believer and expresses affection for him, asking why he didn’t check the roof, while acknowledging that Dan, and the team, have limited detail. The speaker then shifts to broader context, noting that President Trump was shot, Kennedy was shot, and RFK was shot, implying questions about where people were during such moments. He reflects on the challenges Turning Point faces as it grows exponentially, and the difficulty of determining “the dimensions of what to do” in evolving crises. He questions how they would have access to a roof when campus police have the keys to it, and urges people to calm down. In sum, the speaker recounts the incident involving Charlie’s shooting and Frank Turic’s CPR, rejects online conspiracy theories about hand signals and Dan’s supposed involvement, defends Dan as a believer, and references past presidential shootings to illustrate the difficulty of proactive response as Turning Point expands, concluding with a call to remain calm.

Speaker 0 and Speaker 1 discuss a conspiracy surrounding Charlie’s death, challenging the official narrative. - Speaker 0 says, “we definitely penetrated our water jugs,” and notes this won’t stop conspiracy theories. “His head fell off. I figured this is probably what would happen. I was trying to remain optimistic, but that right there is why people are skeptical on the official story.” They state, “The thirty aught six is a very hard round to stop.” - Speaker 1 adds that they want to illustrate what the federal government is selling, and asserts, “that particular bullet would have decapitated Charlie.” They describe the idea that the bullet ricocheted and went inward as “beyond ridiculous” and “insulting.” They criticize attempts to present a certain narrative with goofball public figures, saying, “they think that if they send out these, like, glee boys, like Nick Fuentes… then a bunch of hunters are gonna go, yeah. I see what you mean, man.” They declare that the scenario is never going to happen. - They foresee two possible outcomes: either the government will declare war on the American people because the public won’t accept their account, or they will have to “give us something that’s truthful.” They insist someone must come forward with something that makes sense. - Speaker 1 expresses a belief that the conspiracy is far-reaching, likening it to the JFK assassination, and claims that people close to Charlie are aware of things and “sold him out in many ways every single day.” They argue that the more the truth is avoided and the anxiety surrounding the night before Charlie died is downplayed, the guiltier those involved appear. - They state a conviction that the Deep State is involved in the assassination and that multiple states are implicated. They contend those responsible “don’t know what to do” and have “completely come undone” because they believed wealth and power would let them get away with it. However, they suggest “common sense seems to be ruling the roost.” Overall, the speakers argue that the official explanation is implausible, predict governmental evasions or manipulation, and contend that a deep-state-backed conspiracy involving multiple states may be uncovering itself as untenable under scrutiny. They emphasize the need for truthful disclosure rather than continued obfuscation.

So you know the kid who was asking Charlie Kirk a question when Charlie got shot? Remember him? Everyone's feeling bad for him? Yeah. There's video footage of him practicing his reaction before it happened. So when Charlie got shot, you know, his reaction was to put his hands on his head, look shocked, shake a little bit. Yeah. He was doing that. He was practicing that in the crowd, and here's the freaking video. How are you gonna deny what you just saw there? How? And you already know what question, you know, he was asking Charlie. Right? Remember that? This just confirms what a lot of us have been thinking and what we all think actually happened. Sick.

The speaker references a person who was removing memory cards from cameras about four minutes after what is described as the Charlie Kirk assassination, noting that something about the situation didn’t sit right. They mention Candace released a video showing how this person reacted, and that diligent investigation followed, including a campus visit to UVU to examine the events with a play-by-play analysis. The speaker says they will leave a link to that video but first shows a clip. In the clip, Speaker 1 describes the sequence: “He doesn't try to grab Charlie. He doesn't duck. His first reaction standing right here is to turn this way and start booking.” The person “starts booking back here,” and Speaker 1 notes that he sees the shot and that Charlie hasn’t even hit the ground yet. Charlie is described as being in a position where “Charlie’s like this,” and the person pivots to lean back. Security personnel respond by coming over, grabbing him, and pulling him to the ground. Meanwhile, Terrell Farnsworth “has already turned and begun running back here to climb up on that wall.” The speaker asks the audience to imagine there had just been a shooting, with chaos and people running. Charlie Kirk “was just shot,” and the wall is described as “almost as tall as I am.” The speaker asks the audience if they can see, confirming visibility. The analysis then focuses on the person’s actions: measuring “how much of a pain in the ass he climbed up right here and then threw that loose rock and just so he could get to his vantage point.” The speaker calls it out as an attempt to explain the sequence from the vantage point up the wall. The clip continues with the person producing a selfie video: “Oh, they shot Charlie. They just shot Charlie. They just shot Charlie.” They refer to him as “Agent” and note his statements like “They shot Charlie. God help him.” The speaker says this behavior is a major red flag and cites it as the most troubling aspect. The running scene is described further: as the person runs out, he looks to his left and, in the footage, is seen climbing up, then reacting to the news that Charlie was shot. The voiceover emphasizes the emotional state (or lack thereof) as the footage shows the stampede of people and chaos. The speaker underscores that, to them, the absence of emotion on the person’s face during these events is “the biggest red flag of all.”

I was about 10 feet to Charlie's left when it happened. It was one of those moments that will crystallize in your mind forever. You hear the pop, and it’s not completely clear what it is at first. I looked to my right and immediately saw what had happened. It was just one shot. The security got him immediately, got him into the car immediately, and then out again. They could not have done their job any better. Then, what do we do? I sent a message on Telegram to Turning Point, telling them to lockdown. I imagined they’d already seen it, but I said, lockdown Turning Point. I called my mom and said, I can’t say more, but mom, Charlie got shot. I love you. I have to go. Then I met with other team members, and we got to the hospital within about twenty-five minutes, and the rest of the day unfolded from there. Staff decided to address this head on because there’s so much intrigue, and I’m going to do a generous thing. The intrigue is because people care about Charlie. Blake, you were there and you interacted with Mikey. You left the scene and then reconnected with Mikey. So, explain what the video is. The video is by someone who attacked Mikey, Charlie’s friend, Charlie’s chief of staff, a guy we’ve seen on the show the last few weeks. They claim, based on a few seconds of clips, that he allegedly has a nonchalant or calm reaction to Charlie’s murder. This is an extremely disgusting attack. I was there when it happened and I was next to Mikey when it happened. When the shooting occurs, we both hear a loud crack and turn to see Charlie who has been shot. We both realize there is a shooter on the scene. We hear the crack and don’t know if it came from far or close, or if a mass shooting is unfolding. My reaction, and Mikey’s, was to get out of there before we were both shot. That is not us abandoning Charlie. Charlie had a security team; they leapt into action and got Charlie out, which was their job. My job was not to be a hero or get in the way. I remember running past the SUV we came in on, thinking, should I get in that car? Then I thought that would be stupid, and I kept going. I was ahead of Mikey as we left. We got out and ran for more than fifteen or twenty seconds. I paused, looked around, and saw Mikey. I will never forget what I saw. Mikey is usually bubbly and happy, but he was profoundly freaked out. His lip was quivering, something I’d never seen from him. He said, I think he literally said, he needs to call Erica, then he calls Erica. He also calls his dad, Rob McCoy, and says, Dad, someone shot Charlie. You need to call all of your pastor friends. We then gathered to direct actions: to get to the hospital and to relay information to Erica. After the call, Mikey regained control and stepped up, directing a battle-like flow: get to the hospital, wait here, and get information to Erica.

The conversation threads through a tangled set of relationships and alleged secrets surrounding Erika and her past marriages. Speaker 0 introduces Erika’s first husband, Derek Chelsvigg, and notes a young daughter from Erika’s earlier marriage, questioning why this history is hidden and suggesting possible trafficking concerns. They mention an apparent photoshoot with Erika’s ex-husband and speculate about whether Erika had another daughter, while observing that information about her past is being scrubbed online. The speakers reference Erika’s old Instagram and her ex-husband’s social media remaining private, implying secrecy around Erika’s past. They wonder if Erika is a time traveler and recall a past shoot with someone named Tyler, asking whether he was murdered or disappeared. They mention Cabot Phillips dating Erika after the marriage, and a timeline: seven days after that marriage, Cabot Phillips is seen playing ball with someone named Charlie. They propose theories that Erika could have harmed Charlie or that Charlie simply disappeared, and note that an ex-boyfriend may have reappeared in the scene. The possibility is raised that Erika is a honeypot moving between relationships, with “stepping stones” in her life. Speaker 0 also reveals that Erika has a sister, and asks where she is. Speaker 2 introduces a whistleblower: an insider who warns that exposing the truth would provoke retaliation against him and anyone who helps him. This person found emails, approvals, and signatures tying Erika’s wife’s charity work to the same network, and says he didn’t yell or accuse but went quiet, believing that if Erika is part of the network, everything has been a lie. For him, the matter shifted from politics to a personal crisis, and he says that if he stays quiet, he’s “one of them”; if he speaks, he’s dead, but people deserve to know. Speaker 0 asserts that Charlie discovered information about Erika and discussed filing for divorce two days before Charlie’s disappearance; there has still been no autopsy released, and Erika is the only person who could release it, labeled as “Sussy.” Speaker 1 announces a situation that is “absolutely out of control,” criticizing incompetent politicians and referencing a presidential figure, then broadens to state-level politics with John McCain mentioned. The speaker complains about campaign contributions, special interests, and lobbyists, and predicts political turnover. They vow to “make this country so great again” and describe an event where, according to the speaker, reporters who were crying were present—hard, better reporters who were once known to the speaker as not good people. The exchange ends with a more casual check-in: “How you doing back there?”

- I recognized an individual and 'have taken down the cameras minute four after Charlie was shot? The back camera of all the ones when you take the front camera.' - 'I've never seen that. He's never been behind me at an event. He's never been lingering around me at an event.' - I asked about 'his presence behind Charlie' and 'the mysterious phone call ... minute three after Charlie was assassinated.' - He told me explicitly that 'they were trying something new that day. Like, it was something new. Charlie's super ambitious. And on the AV thing, they were trying something new, and they wanted to be able to feed it back instantly to Arizona.' - 'None of it makes sense to me because these events are typically livestreamed. But again, something new. Okay?'

The speaker begins by saying they want to move on and express that they cannot yet figure out where the rescue is. They then shift to a scene they describe as beautiful, remarking on something they’re observing: “Wow. Look at that. Beautiful. Look at that.” The central claim concerns Mikey McCoy, identified as Charlie Kirk’s chief of staff and a friend who reportedly spent the entire morning dutifully and loyally by Charlie’s side, filming everything. According to the speaker, Mikey abandoned Charlie in the very instant Charlie was killed. The speaker questions the sequence of events: Was Charlie actually dead? Did he need help? The speaker then interrogates Mikey’s actions or inactions in that moment: Did Mikey rush to Charlie’s aid, or did he instead reach for his phone camera? The speaker notes that there was “Nothing. All of a sudden, Mikey McCoy didn’t care about Charlie Kirk at all and just left him behind.” The passage ends with a puzzled inquiry: “What is going on?” The overall tension centers on the abrupt shift from loyal presence and filming to abandonment at the moment of Charlie’s supposed death, prompting questions about the true sequence of events and Mikey’s priorities in that instant.

In this video, Speaker 1 confronts Dennis Gilliam about his alleged involvement in certain Signal and Telegram groups. Dennis claims to have no knowledge of these groups and suggests that he may have been added without his consent. Speaker 1 believes Dennis is not the creator of these groups and wants to collaborate in identifying the real culprits. They discuss the possibility of Dennis being transferred to these groups through links posted on Facebook. Speaker 1 emphasizes that their main focus is finding the individuals responsible for creating and participating in these groups, rather than accusing Dennis. Additionally, the video discusses how the speaker was led to various groups on Signal through provocative photos on Facebook. They mention that both boys and girls are being posted in these groups, with mainly women being posted in the videos. The age range of individuals in the groups is mostly teens and twenties. The speaker admits to clicking on links and seeing pictures and videos but claims to have quickly exited when uncomfortable. They mention that the groups are primarily in Spanish and that they have seen links with pictures and videos being posted. However, the frequency of inappropriate content being posted in the groups remains uncertain. The video also features a conversation between Speaker 1, Speaker 2, and Speaker 3. Speaker 1 confronts Speaker 2 about his alleged involvement in groups that post explicit content involving minors. Speaker 2 denies any knowledge or intent to view such content, but Speaker 1 presses for more information. Speaker 3, who is also present, shares that he has grandchildren and works in mental health. The conversation becomes tense as Speaker 1 accuses Speaker 2 of clicking on videos featuring young children. Speaker 2 admits to accidentally clicking on such videos multiple times. The conversation continues with Speaker 1 explaining their organization's work and Speaker 2's involvement. The video ends with Speaker 2 deleting evidence from his phone.