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Their house looks good. I love podcasts. Oh, I'm so sorry! I wasn't looking. Gravity's Rainbow is my favorite book. I'm Charlie. I'm Ben. Would you ever watch where you're going? You charged into me like a rhino! It's November; shouldn't you be with the Halloween decorations? What are you listening to? A podcast on how to be less of a coward? You have something in your hair—oh, it's a rat. I thought I was unlucky in love. Hi, I had to draw you; I call it "getting hit by a garbage truck." Most lesbians are fans. You can say my music sucks. At least you know who I am. We're on SNL! You're like 6'7" with the confidence of a 52-year-old. We're way more brat than you—brat stands for being really awesome together. Good day!

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I call this place the mouse house because distinguished mice live here. I have a shed with books that influenced me, and a list of my dogs on the door. I painted rocks blue to show where rivers once flowed. I started painting trees and ended up creating a whole forest. The best advice I've given is to eat, drink, and be merry.

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I write greeting cards. I thought, why build something disposable like a building when you can create something lasting like a greeting card?

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At 34 years old, I find it interesting to experience a second puberty with the advantages of wisdom, experience, and freedom from parental control. I can indulge in my love for horses without any restrictions. There's this guy named Carmine who was turned into a horse by an evil witch. He's waiting for true love's first kiss to break the spell. I have filled a book with other horse characters, but I have to hurry to my clarinet lessons, so I can't show them to you now.

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"I call it the Miles House because some very distinguished mice live here." "Conneman lives in the kitchen." "Tversky lives in the bedroom." "This is my shed." "And on that side are the books that most influenced me growing up." "On the door are the list of my dogs, Markey, Fortuna de la Spunky, Heidi, Tits, Bloody, and Hepburn." "The streams and the rivers were dry, and I it so horrified me that I came out and started painting the rocks blue to indicate that there was once a river here." "And then after I got done painting the rocks, I just sort of walked over here and then did that tree and then did that tree." "And then pretty soon I'd done this whole forest."

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'I knew that I want to be a writer Mhmm. Since I was young and have these megalomaniac things about being the most famous writer in the world.' 'But it's not enough to know what you want. You have to do what you want, to be what you want.' 'A writer implies in writing books. A gardener implies in gardens, you know.' 'Your father say, oh my son, please go to the university.' 'Get a diploma and you can do your gardening during the weekend, know, but you love plants, You love the soil.' 'but at the end of the day you are convinced. And this is not good for the person who is being convinced and for the person who is trying to convince. You are creating this aura of frustration around them.'

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I was happy when I was poor, before Myspace, and now. Work wasn't a job, it was fun. I don't do things I don't like, established at age 12. I'm laid back but tough if pushed. My parents let me be me, and I've continued that way.

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I enjoy staying up late and waking up around noon, appreciating my child-free life. My mornings are spent reading letters from readers, and I often reflect on my long-standing obsession with my college ex. I worry about those who write in, feeling the weight of my words. Living in New York would overwhelm me with dating, so I retreat to the woods to find clarity. I call my home The Mouse House, where I share space with distinguished mice. My childhood books and a list of my dogs adorn my shed. Inspired by a dry riverbed, I began painting the rocks blue, eventually transforming the entire forest around me. When asked for advice, I simply say: eat, drink, and be merry.

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I teach economics in Pittsburgh, PA. Financial well-being means freedom to do what I love. I want to be remembered for making school special and helping the community.

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Some distinguished mice live here. Kahneman is in the kitchen, and Taborski is in the bedroom. This is my shed, and on the door is a list of my dogs: Marky, Fortuna De Las Funky, Heidi, Tits, Bloody, and Hepburn. I was horrified to see the dry streams and rivers, which inspired me to paint the rocks blue to show where the water once flowed. After painting the rocks, I moved on to paint the trees, and soon I had painted the entire forest.

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I was always interested in reading as a kid, devouring everything I could find, even the encyclopedia out of boredom. I read thousands of books, including classics like "The Lord of the Rings" and works by philosophers like Nietzsche and Dostoevsky during my early teens. While some philosophical ideas were intriguing, much of it felt depressing and nonsensical. I struggled to find meaning in the universe, realizing that the questions were often harder than the answers. It seemed that understanding required more than just human contemplation; it needed a much greater intellect.

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I went with my dad on a cello tour and we saw a film. Then I came back and talked about it. I believe in myths and still watch online programs. I have a friend and we go for walks. I'm happy that I can do things and I have a good life. Sometimes I feel blessed. I've done things and I'm proud of it. I don't want to be a chauffeur anymore. I forgot about my spaghetti. It's cool and fun. I don't want to go to school. I've done things and I'm going to keep doing them. I'm excited about what's to come.

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I call it the Miles House because some very distinguished mice live here. Conneman lives in the kitchen. Tversky lives in the bedroom. This is my shed. And on that side are the books that most influenced me growing up. On the door are the list of my dogs, Markey, Fortuna de la Spunky, Heidi, Tits, Bloody, and Hepburn. The streams and the rivers were dry, and it so horrified me that I came out and started painting the rocks blue to indicate that there was once a river here. And then after I got done painting the rocks, I just sort of walked over here and then did that tree and then did that tree and then I did this tree.

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Since March 1996, my workdays have been mostly empty. It's not that I don't want to work; they won't let me. Taxpayers are covering my generous paycheck of about a hundred thousand a year to do nothing. So, what do I do all day? I've managed to publish a couple of books, some short story fiction, and a little non-fiction writing. With all that free time, I've become a successful mystery writer. I even joined a health club near the office just to break up the day. Oddly enough, I've been getting good job reviews. I guess I'm good at doing nothing.

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Speaker 0: I call it the Miles House because some very distinguished mice live here. Conneman lives in the kitchen. Tversky lives in the bedroom. This is my shed. And on that side are the books that most influenced me growing up. On the door are the list of my dogs, Markey, Fortuna de la Spunky, Heidi, Tits, Bloody, and Hepburn. The streams and the rivers were dry, and I it so horrified me that I came out and started painting the rocks blue to indicate that there was once a river here. And then after I got done painting the rocks, I just sort of walked over here and then did that tree and then did that tree. And then pretty soon, I'd done this whole forest.

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In this video, the speaker introduces their home and the mice that live there. They mention their shed and the books that influenced them. The speaker also lists the names of their dogs on the door. They talk about how the streams and rivers were dry, which horrified them. To indicate the presence of a river, they painted the rocks blue. They then started painting trees and eventually painted the entire forest.

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People read advice columns to feel relieved that they don't have the same problems. The speaker enjoys staying up late and sleeping in, and doesn't have children. They've been writing an advice column for 25 years, learning from the people who write to them. The speaker has stacks of letters and believes the answer to people's questions is in their own desires. They worry about the people who write in and feel responsible for the impact their advice may have. They have a shed filled with books and a forest they painted blue. The best advice they've given is to "eat, drink, and be married."

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I call it the Miles House because some very distinguished mice live here. Conneman lives in the kitchen. Tuberski lives in the bedroom. This is my shed. And on that side are the books that most influenced me growing up. On the door are the list of my dogs, Markey, Fortuna de la Spunky, Heidi, Tits, Bloody, and Hepburn. The streams and the rivers were dry, and it so horrified me that I came out and started painting the rocks blue to indicate that there was once a river here. And then after I got done painting the rocks, I just sort of walked over here and then did that tree and then did that tree and then I did this tree and then

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I enjoy staying up late and waking up around noon, avoiding the morning routines that others follow. I've been writing an advice column for 25 years, inspired by Anne Landers and Dear Abby. My role is to support people through their struggles, learning from their letters more than any literature. The questions remain consistent: people seek love, success, and purpose. I worry about the impact of my advice, as it can change lives. I find clarity away from the chaos of New York City, often retreating to my shed, where I reflect on my influences and experiences. My best advice? Simply, "Eat, drink, and be merry."

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I call this place the Mouse House where distinguished mice like Kahneman and Taburski live. My shed holds books that influenced me. The door lists my dogs' names. I painted rocks blue to show where rivers once flowed. I painted trees and a forest. The best advice I've given is to eat, drink, and be merry.

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I had a lot of freedom growing up and dropped out of school at 12. I convinced my mom to let me stay home, and I was self-directed. By high school, I was in a program for troubled kids. I wasn't a good student and focused on my interests. I was philosophical and read existentialism. I don't see myself as just an entrepreneur. I had a successful company but it's not my identity. I had the biggest website and sold it for a lot of money.

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I'm a government worker, and since March 1996, my workdays have been empty. It's not that I don't want to work, but they won't let me. Taxpayers are covering my generous paycheck of about a hundred thousand a year to do nothing. So what do I do all day? I've managed to publish a couple of books, some short story fiction, and a bit of non-fiction writing. With all that free time, I've become a successful mystery writer and more. I even joined a health club near the office just to break up the day. I guess I'm good at doing nothing.

The Tim Ferriss Show

The Future of AI, Bioelectric Medicine, Surviving Modern Dating — The Random Show
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Tim and Kev riff on how rapid advances in AI are underappreciated if assessed only over a short window, stressing that frontier models and tools like Gemini, Nvidia GPUs, and cloud compute are evolving so fast that yesterday’s limitations become today’s possibilities. They compare the current AI moment to the early iPhone era, arguing that the real impact unfolds not in a single breakthrough but in continual, compound improvements that unlock new workflows for coding, research, and product development. The conversation then pivots to Kev’s experiments with bioelectric medicine, accelerated TMS, and D-cycloserine augmentation for anxiety, highlighting how a single day of targeted stimulation, sometimes paired with cognitive enhancers, can yield months of relief and how such approaches could broaden access by reducing time off work. Tim’s own experience with brain stimulation discussions, his tracking of biomarkers, and the potential for neuroplasticity-based therapies illustrate a broader theme: medical tech is increasingly about precision, timing, and cost efficiency, not just novelty. They also cover a shift in how patients and researchers might approach neuromodulation, combining devices with pharmacology and lifestyle interventions to form repeatable treatment paradigms rather than one-off cures. The show threads through personal development and human factors: Tim and Kev debate the social architectures of dating in a digital age, share stories of sobriety and accountability, and reflect on how mental models—like nonviolent communication, the subjective nature of reality, and the value of ongoing practice—shape resilience. Interwoven are discussions on memory, aphantasia, synesthesia, and the difference between seeing and feeling ideas, plus literary and cognitive touchpoints including Anthony De Mello’s Awareness, the Mnemonist, and other books that illuminate how we think, learn, and relate to ourselves. The closing segments merge practical tech tips with intimate life updates, gifting ideas, and a candid look at personal choices, investment moves, and the tremors of a rapidly changing world where AI, neuroscience, and human connection collide in striking ways. topics otherTopics booksMentioned Accountability and AI evolution, Bioelectric medicine and neuromodulation, Neuroscience, Mental health and sleep, Personal relationships and dating, Learning and memory, Books and ideas, Technology and entrepreneurship Dating & Relationships; Sleep Medicine; Dementia Risk & Testing; AI Infrastructure & Compute; Personal Finance & Investing; Book List & Reading Recommendations Awareness; Stop Fixing Yourself, Wake Up All is Well; Tomorrow, and Tomorrow, and Tomorrow; The Mind of a Mnemonist; The End of Alzheimer's; Excellent Advice for Living; Gold by Rumi

This Past Weekend

1-29-18 Great Uncle Issues | This Past Weekend w/ Theo Von #70
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The episode weaves personal stories, riffs, and audience calls around a string of loosely connected obsessions. Theo opens with a music submission from Jamison Flood, describing Every Night in playful, hyperbolic terms, then shifts to a stream-of-consciousness monologue about reality and imagination, video-game bravado, and a desire for fireballs to settle scores. He shares a weekend arc: buying a heavy wooden Blake Avenue bed to replace an ill-fitting old wrought-iron one, recounting chaotic living arrangements, including sleeping under a friend's bed years earlier and enduring whooping cough. He recalls volunteering ambitions at the Special Olympics, misreads the event as Friday rather than Saturday, shows up at a Long Beach high school soaked and furious, and ends up parking by the water to cool off. He bounces from anecdotes about a skeleton course at Utah’s Olympic facilities to casual encounters with a beekeeper, a film about bees, and rude, surreal tangents about beekeeping and marijuana smoke. The monologue pivots to reflections on ego, American welfare, and Hollywood’s politics, admitting frustration with getting opportunities in a world of accent and stereotype while recognizing the broader entertainment landscape has room for improvement. He recalls a convoluted family memory about a great-uncle allegedly trying to hook up with his girlfriend, a misunderstanding that becomes a cautionary tale about memory and identity. He ties this into a broader meditation on ego, self-worth, and sobriety, noting the Tonight Show audition setback and asking for support via the show’s hotline. Interspersed are calls including: a detailed explanation of how a government shutdown affects pay for service members and teachers; advice to Jose Ochoa about finishing college for a backup and networking value; a Boston fan’s tribute to sports as a family thread; questions about Latin heritage and learning Spanish; and Andrea’s inquiry about marriage, kids, and fears of commitment. The episode closes with promo plugs and a reminder to subscribe and call the hotline.

This Past Weekend

Katt Williams | This Past Weekend w/ Theo Von #558
Guests: Katt Williams
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Theo Von and Kat Williams discuss the Heaven on Earth Tour, Williams’ career, and big ideas beyond stand-up. Williams explains the Heaven on Earth tour is less a job and more a conversation with his fans, a continuing exchange with friends he hasn’t seen since the last show, with a hope that laughter can teach something new. He notes he has always tried to include a message, but the main aim is connection and celebration rather than sermonizing. Williams also recounts a humorous bit about a statue collaboration, saying Michael’s store allegedly “robbed my image and likeness” for religious purposes, which he allowed. He jokes about having a black Christmas and enjoying the year-round statue. The conversation moves to Williams’ motivation, aging, and ambition. He believes in heaven and Earth, and he reflects on time as a mechanism that can limit thinking but also enables planned accomplishments. He emphasizes staying motivated, writing a book someday, and not letting wealth erase purpose. He compares modern success myths to a sports metaphor: if you’ve achieved everything you wanted, happiness becomes harder; but for people with new goals, life remains meaningful. He discusses how time can be managed as a resource, and how fear or nerves can be navigated to keep moving forward. Williams discusses the craft of choosing openers by their unique point of view and personal storytelling, rather than chasing the room’s mood. He distinguishes a true comedian from a mere performer, and notes his early desire to be remembered for who he is rather than a single joke. He also comments on the ups and downs of fame, past peers, and the influence of mentors like Prince, Shaquille O’Neal, and Bernie Mac, while acknowledging losses in the comedy world. In a major move, Williams reveals he bought Fort McClellan, a decommissioned base, and plans to develop a film studio campus in the Alabama/Mississippi foothills. He describes 30 buildings, miles of roads, and a mission to create spaces for film, TV, and comedy that avoid some Hollywood friction while producing quality work at a reasonable budget. He hopes the project will empower other creators and keep the humor alive in cinema. The talk drifts into personal territory: he jokes about dating Black women, contemplates reincarnation, and shares musings on God, prayer, and a hopeful 2025. He reflects on the value of experiences, family, and animals at his ranch—ducks, goats, and mini cows—that populate Heaven on Earth for him. The conversation ends with gratitude for the moment and appreciation for the chance to share wisdom and humor.
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