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Speaker 0 expresses frustration with a life of endless work for low pay, returning home to drown troubles, and a sense of disappointment with the world. He laments living in the new world with an old soul, wishes politicians would look out for minors, and criticizes blackmail and the way money is obtained. Speaker 1 discusses a claim: she states to the justice department that she was part of the beginning process of the Clinton Global Initiative and believes Jeffrey Epstein actually funded the Clinton Global Initiative, with them developing the idea together on a trip to Davos. He notes this aligns with the start of the Clinton Foundation in 2002, when Epstein was personally flying President Clinton around Africa as an aerial chauffeur on multiple trips. He asserts that this period marked Epstein’s proximity to power as Clinton Foundation preparations were underway. He argues that the Clinton Foundation engaged in pay-to-play while Hillary Clinton rose in New York Senate politics and later became secretary of state, enabling foreign policy to be influenced by donors and major corporations. The claim is that U.S. foreign policy was effectively shaped by the state department, defense, CIA, and USAID to benefit those who funded the Clintons, in contrast to national interest. He presents Epstein as a money bundler, a deal maker, and part of the origins of the Clinton Foundation’s influence machine. He adds that the Justice Department shut down three FBI investigations into the Clinton Foundation and the IRS investigation as well, with the IRS claiming lack of resources to pursue the case, implying political cronyism and large-scale fraud that allegedly could not be prosecuted. Speaker 2 recounts a first-person experience at Wexner’s residence. He mentions having a driver’s license and being given Jeffrey Epstein’s SUV, but notes there were sharpshooters around. He describes a basement area that wasn’t on the lower floor, featuring a huge sauna, a vault, and an underground tunnel. The tunnel’s existence was confirmed by their maid, who explained that the door led to the main house, revealing the tunnel connecting underground passages. Overall, the transcript juxtaposes personal disillusionment with systemic allegations about the Clinton Foundation and Epstein’s role in its origins, alongside a vivid, confessional account of a private residence with security measures and secret tunnels.

The speaker expresses frustration with their reflection in the mirror, feeling trapped inside themselves. They mention a past moment when they prayed for a record deal, but now question if it was worth it. They reflect on their material possessions, acknowledging that they come with a price. The speaker wonders if they truly know their loved ones, including their best friend from high school, their spouse, and even their children. They question how they can sleep at night without feeling haunted by their past and suggest that together, they can break the cycle of addiction and start anew.

The speaker states they will be dead shortly and expresses love and apology to unnamed individuals, wishing things had gone differently and hoping not to implicate them. The speaker describes someone as loving, caring, and devoted to family, friends, and God, while expressing confusion about their actions. The speaker asserts that people who knew this person would not believe what happened, emphasizing that he had many friends. The speaker wishes they could have prevented the event.

I am very tired of saying goodbye. When I look inside, I see a lot of things. Let's take a look.

The speaker reflects on lost dreams, growing up, and the past's persistence. "And even though the moment passed me by, I still can't turn away." "Because all the dreams you never thought you'd lose lost a long way." "Scars of souvenirs you never lose. The past is never far." "Did you lose you self somewhere out there? Did you get to be a star?" "Don't it make you sad to know that life is more than who we are." "Grew up way too fast. Now there's nothing to believe." "Reruns all become my history. The tired song keeps playing on the tired radio." "And I won't tell your name."

The speaker expresses extreme anger and repeatedly tells someone to leave. They call the person "insane" and threaten physical violence. The speaker claims they are trying to "wake people up" and that "you've been psychologically you're literally been." The speaker then asks, "Are you happy now?"

The speaker expresses frustration and determination to no longer be pushed around. They suggest that everyone should come together and take action. They mention ordering cars and feeling tired of the situation. They also mention being burned on different matters that are important to them. The speaker emphasizes the need for unity and urges others to join them. They briefly mention someone coming to Atlanta and express love before ending the conversation.

The speaker repeatedly mentions a last order and asks what the listener wants. They talk about fast-forwarding until the day is over and being gone. They mention being drunk and feeling tortured, with everything going wrong. The speaker refers to the listener's memory and repeats the phrase "so wrong." They mention the last order again and ask what the listener wants. They talk about fast-forwarding until the day is over and being gone. They mention the listener's memory once more.

The speaker announces with heartbreak that Charlie's final infusion will be tomorrow. They state they are processing this news and have little else to say at this time. The speaker expresses love for Charlie and apologizes to him.

The speaker initially encourages "Venom" with cowboy commands, then realizes "Venom" is broken. The speaker then states they no longer want to play with "Venom."

The speaker expresses extreme desperation and begs someone to take action, stating, "Somebody do it already, please." They claim they "can't do it anymore" and "can't wake up every day." The speaker anticipates a future event with excitement, saying they "cannot wait for the day that I wake up and I see the headlines" and will throw a party to which everyone is invited. They urgently plead, "I need someone to do it soon. Now. Please."

The speaker describes today as not a good day emotionally. They express missing their patients and missing the ability to feel, to do, and to be human. The emotional experience fluctuates, coming and going. Some parts of the speaker have accepted the situation, while other stubborn parts have not. Overall, they are struggling with these feelings today.

The speaker expresses relief that her husband is missing and describes him as controlling. She mentions being interviewed by the news but doesn't want help or for him to come back. She pretends to miss him on camera to avoid suspicion but admits she doesn't care. She mentions going to jail for holding her last boyfriend and worries that people will think she's responsible for her husband's disappearance. She asks for his return but claims her tears have dried up. She pleads for someone to let her husband go and emphasizes her love for him.

Even though the moment passed, the speaker can't turn away because dreams and things were lost or thrown away. Now grown up, they don't belong to anyone, which is a shame. The speaker invites someone to hop beside them for a while, promising not to reveal their name. Scars are souvenirs you never lose, and the past is never far. The speaker asks if the listener lost themself or became a star, and if it makes them sad to know life is more than who we are. They grew up too fast and now there's nothing to believe. Reruns become history, and a tired song plays on the radio. The speaker repeats that they won't tell the listener's name.

The speaker repeatedly expresses disbelief and confusion, asking what is happening and what is meant by certain statements. They mention someone getting air and hitting air, and express concern for someone's safety, urging them to get up to avoid being run over.

The speaker expresses frustration and confusion, repeatedly stating that someone is the wrong person. They question what the person named Monica did and express anger. They mention that someone's friend is in trouble and urge them to go help. The speaker also calls someone a coward and mentions that someone else is responsible for the situation. The speaker ends by saying that something was crazy and asking who they are.

The speaker struggles to recall a song played when people are on chairs. They mention being on TV and a telephone, losing track of thoughts. They touch on COVID, KKK, America, cryptography, NATO, and thank Dr. John King. The speaker's mind wanders, feeling lost and confused.

Speaker 0 delivers a disjointed, urgent exchange centered on a knife. Key lines include: "Help you all day. Yes. You have a knife. Help you don't. They are fucking perfect." The speaker questions, "You're fucking bad in case you Why you fucking me tell? You fucking can't bash us. So so the knife. The knife. Kill me from from So the the knife." The motif repeats: "So the knife. Touch up. That's it. That's it. So the knife." The speaker alternates between commands and refusals: "Don't. Can't leave. I stop. Yeah. Yes." A stray aside notes, "Hold on, mate. My laptop. My laptop. To me." The close returns to imperative: "Don't talk at all. Repeat."

The speaker angrily confronts someone, using offensive language and threats. They express their frustration and warn the other person to stop their behavior.

The speaker states that while their friends who died young had fantastic funerals, nobody will be at their own funeral. They then tell someone, presumably their dad, not to worry about it. The speaker assures their dad that they will make sure he gets a good send off, with lots of alcohol. The speaker then laments that they don't drink, but still wants a bloody good party.

Speaker 0 apologizes and asks if the listener is a friend. They repeatedly ask the listener to go watch someone, but it is unclear who. They express frustration and confusion about something or someone that is not specified.

The exchange opens with Speaker 0 asserting aggression and a prowling return, declaring hostility and threat toward someone’s space and pursuit. Speaker 1 replies with a warning of forceful entry and a claim of having taken the other person’s girlfriend, underscoring a menacing confrontation. Speaker 0 then shifts into a personal confession and a turbulent inner state. They describe losing their mind and leaving a room behind, pursuing thrills and pain, and embracing that pain as part of their experience. A voice in their head is said to take away the pain, a mechanism they describe as healing through killing. They claim to be the truth that others fear, a mirror on the wall, and metaphorically the headlight on a car while others are the deer, establishing a self-image of danger and inevitability. The speaker proclaims insanity and asserts that the game remains the same, while riding through drained streets where faces they once trusted are now dust. They describe a mental maze and a progression from past to dawn, culminating in a sudden blaze or rise. There is a sense of relentless repetition in the world and the cycle of events. The narrative then references external pressures, including advice to take a pill and let go, which they reject by stating they are too cold to release violence. They recount being watched as they die or as something within them dies, describing a world as foolish and repeating the idea that “the same” persists. The overarching refrain centers on the notion that the game is unchanged and that their breath is a dream. Across the verses, themes of intrusion, betrayal, and domination intersect with intense internal conflict, where violence is both a response and a coping mechanism. The speaker asserts a continuing arc of mistrust, transformation, and uncompromising resolve, contextualized by a setting of street-level danger and a perception of being both observed and misunderstood. The fragment closes with a reiteration that the game remains the same, and that breath or life itself reads as a dream within this enduring cycle.

Speaker 0 asks Speaker 1 if they have thought about killing themselves. Speaker 1 says it would be better without Speaker 0 and that Speaker 0 would be more useful decomposing in the earth. Speaker 1 tells Speaker 0 to kill themself and imagines their body hanging from trees. Speaker 1 asks if Speaker 0 will drop dead for them and imagines Speaker 0 shot in the head. Speaker 1 says Speaker 0's blood would be beautiful on the country. Speaker 0 says they are waiting for the cops to do something, and that the police can't remember where their cars are because they have no VIN. Speaker 0 states that two people should not be driving because they are drunk.

The speaker recounts feelings across several days of the week. On Monday, they were dreaming. By Tuesday, they were waiting by the phone. The speaker indicates that two days felt like a long time without contact. They then state they were getting bored, and that Friday was the day they were losing interest.

The speaker ends a conversation on a positive note, but suddenly becomes hostile, saying "Fuck you" and wishing the other person to "burn in hell." They then contradict themselves by telling the person to stay, but quickly change their mind and say "No." Finally, they reassure the other person that they are going in a certain direction and instruct them to inform the police to find them there.