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Theo Von announces a new tour date in Edmonton, Alberta, Canada on July 14 at Kinsman Park for The Great Outdoors Comedy Festival, outdoors and curious about how that will go. Tickets go on sale Wednesday, May 3 at 10 A.M. Mountain Time with code Rat King; general on sale Friday, May 5. He also lists Gilford, New Hampshire; Windsor, Ontario; Niagara Falls, Ontario; and Toronto, Ontario dates in July and August, with all tickets at theovon.com/tour. Merch updates follow: "Be Good to Yourself" crewnecks in light blue, maroon, and cement, and a new windbreaker at theovinstore.com. Today's guest is Rainn Wilson, described as a 'buffet of talent' who is known for The Office and has a new book, Soul Boom: Why We Need a Spiritual Revolution, plus a travel show The Geography of Bliss coming to Peacock later. Theo praises Rainn's work and a long friendship, and they exchange warmth and humor. In the interview, they discuss spiritual life and Rainn's view that spirituality is internal and not just church-based. Rainn connects Kung Fu to spirituality as a metaphor for personal growth, and compares Star Trek's imagined future to a maturation of humanity toward peace and understanding. They explore whether humanity can set a collective destination beyond individual success, asking about world peace and the role of spirituality in modern life. They speak about hope versus cynicism, and Rainn mentions the Seven Pillars for a Spiritual Revolution from his book, urging poets and comedians to spread joy. He discusses Lakota spirituality, Wakantanka—the Great Mystery—and reframing God as the Great Mystery. They transition to practical observations: why restrooms in L.A. often require keys, and how an app could unlock bathrooms for responsible citizens; why grocery store deli sections look the same (potato salad, mayonnaise) and why creativity in food service feels limited; their shared nostalgia for boredom that sparked imagination and for kid-era adventures like crafting kung fu scenes rather than endless screens; the tension between fame and happiness, and how early dreams of being a movie star or TV star can still leave you chasing the next milestone. They discuss Rainn's career highs and lows, including The Rocker fiasco, and how setbacks can steer you toward new opportunities. They reflect on recovery, anxiety, and the need for tools—meditation, exercise, prayer, and community—to stay grounded. They consider the value of community-building through 12-step meetings and church or faith communities, noting both the positives and the complexities of organized religion. They also cover Iceland's happiness—trust in government, strong social safety nets, education and health care—versus the American political divide, criticize partisan media, call for independent candidates and systemic reform, and debate campaign finance changes. Rainn promotes Soul Boom; Theo champions The Geography of Bliss as a hopeful, human-centered project. They close with appreciation for friendship, art, and the idea that joy can spread through dialogue and shared purpose.

The host, Dagogo Altraide, shares his travel experiences from a two-month journey across the United States, starting from Bali to Los Angeles. He highlights the economic struggles faced by locals, including a taxi driver who lost a high-profile job due to the downturn. LA's contrasts are evident, with beautiful areas like Hollywood Hills alongside severe homelessness. He meets various locals, including musicians and artists, who share their love for the city's diversity and culture. Traveling to San Francisco, he admires the Golden Gate Bridge and enjoys the nightlife, including a chance encounter with NBA players. He notes the city's homeless situation and reflects on the vibrant culture. In New York City, he experiences extreme cold but finds the subway efficient. He visits significant sites like the 9/11 memorial and the Bronx, acknowledging the city's diversity. The journey continues through Washington DC, Savannah, Miami, and New Orleans, where he encounters local pride and culture. The trip culminates in Las Vegas, described as extravagant and overwhelming, before returning to LA, concluding an epic adventure across 19 cities.

The episode features a freewheeling conversation between Joe Rogan and Ehsan Ahmad that spirals from practical tech ideas to broad social and political critique. They discuss building an online presence, the realities of launching careers in a competitive comedy scene, and how a vibrant community around a club can foster growth for many performers. The discussion then broadens to the current political climate in the U.S., including immigration policy, ICE, census impact on representation, and the optics and consequences of enforcement actions. Throughout, they explore how audiences engage with media, the reliability of information, and how public figures are portrayed online, touching on the volatility of platforms and the power of uncensored dialogue. They also converse about aging, health, and biotech optimism, including the potential for longevity research, and reference historical and contemporary controversies in politics and media, all while weaving in personal anecdotes about performance spaces, host dynamics, and the evolving comedy ecosystem in places like Austin and Los Angeles. The exchange moves from real-world issues to lighter cultural notes, such as late-night dining in Austin, legendary comedy clubs, and the experience of following influential peers in a rapidly changing entertainment landscape. The overall tone remains exploratory and reflective, with both hosts acknowledging the influence of environment, community, and media on how information is consumed and how public discourse is shaped. The conversation ends with a nod to perseverance, the value of supportive networks, and pride in a successful new special, sharpening the sense that personal and professional growth in creative fields often stems from testing ideas aloud in collaborative spaces.

The podcast delves into a detailed analysis of several American films, using them as cultural touchstones to explore historical shifts and societal values. The discussion begins with Quentin Tarantino's "Once Upon a Time in Hollywood," which is presented as a profound lens for understanding Los Angeles as an archetypal American city and, more broadly, the pivotal cultural transformation of 1969. This year is identified as the moment the optimistic 1960s counterculture gave way to the darker, more divisive 1970s, with the Manson murders serving as a symbolic turning point. Tarantino's film is lauded for its alternative history, which offers a "love letter" to a different America where tragedy is averted, and for its insightful commentary on the evolution of Hollywood and its relevance to contemporary cultural shifts, drawing parallels between the 1960s-70s and the 2010s-2020s. The conversation then moves to "Tropic Thunder," which the hosts declare the best Vietnam War film and a brilliant satire of Hollywood. They highlight its comedic genius in lampooning method acting, the industry's obsession with awards, and the controversial portrayal of Robert Downey Jr. in blackface. The discussion emphasizes how the film, released in 2008, successfully navigated sensitive topics through satire, a feat that would be significantly more challenging in today's cultural climate. Its deep commentary on the often-fabricated nature of Vietnam War memoirs and its innovative marketing strategies are also praised. Finally, Christopher Nolan's "Oppenheimer" is examined. While acknowledging its exceptional technical execution and strong performances, the hosts offer a critical perspective on its moral framework. They argue that the film misrepresents historical figures like Lewis Strauss and Albert Einstein, portraying Oppenheimer as a moral hero while downplaying legitimate security concerns regarding communist infiltration in the Manhattan Project. Marc Andreessen contends that Strauss was, in fact, a hero, and that the film's narrative on nuclear weapons overlooks the crucial role of "mutually assured destruction" in preventing World War III. Katherine Boyle suggests the film's ending serves as an "apology" or an attempt to align with present-day moral sensibilities, rather than embracing the complex ambiguities of its subject. A brief mention of "Fight Club" concludes the discussion, noting its evolving interpretation from a left-wing anti-capitalist critique in the 1990s to a perceived ultra-right-wing commentary today, reflecting ongoing societal changes.

Theo Von sits with Howie Mandel, a friend and longtime collaborator who gave him his first TV job hosting Deal With It. The discussion touches Mandel’s expansive career—from Bobby’s World to The Voice and Gremlins, his turn as a judge on America’s Got Talent, and his current Showtime special after twenty years, along with Deal or No Deal’s return on CNBC. Mandel speaks warmly about his family life and his wife Terry, celebrating forty years of marriage and describing their dynamic, including how their grandchildren have changed the family’s everyday rhythm. He answers about his Canadian background and his connection to Just For Laughs, while noting the Philippines audience’s enthusiasm for Deal or No Deal and his occasional work in Canada. The conversation zigzags through a mosaic of topics meant to entertain: Mandel jokes about candles and styling in the studio, the quirks of hosting and filming a documentary crew, and his fascination with hamsters and guinea pigs. He recounts running a strange prehistoric menagerie with hamsters on tour, musings on the differences between hamsters and guinea pigs, and a running gag about service animals during travel. He riffs on philosophy and day-to-day life with his wife, contrasts grandchildren with children, and shares affectionate stories about Jackie, his daughter who runs Life With Jackie online. Twinned with light banter are deeper digs into the life of a performer: Mandel reflects on the pre-Instagram era of stand-up, the iconic energy of the Comedy Store, and the way the room used to hum with stars like Freddie Prinze, Robin Williams, and Whoopi Goldberg. He explains that the Comedy Store was the epicenter for launching careers and that today’s stand-up scene thrives alongside digital platforms. He discusses the tension between doing it all as a producer and staying true to the pure art of stand-up—his own “primal scream” that animates his career. Mental health recurs as a theme: Mandel and Von discuss anxiety, OCD, and the realities of being a creative person in a world of online commentary. They acknowledge that many people struggle, that coping strategies matter, and that the craft of comedy can be a refuge as well as a pressure cooker. Mandel smiles about improbable ideas—dream projects like a Where’s Waldo social stunt and a Westminster-style rodent show—and laughs at the absurdities of fame, family, and the small moments that keep a life in show business moving forward. The exchange closes with gratitude for friendship, the craft, and the ongoing work of making art in every corner of a modern entertainment landscape, including Mandel’s Showtime special and CNBC’s Deal or No Deal, both reflective of a career built on curiosity, resilience, and humor.

Mark Ronson’s Night People pulls back the curtain on a life lived at the mercy of music and myth, weaving his London childhood with a migration to New York that began when he was eight or nine. His parents, young and partying, created a home that felt both glamorous and destabilizing, a milieu that birthed a lifelong fascination with sound. From a San Remo apartment near Central Park West to befriending Sean Lennon and glimpsing a world of rock royalty, the book begins with the spark that would become a career. We voyage into the New York club scene of the late 80s and 90s, where a prepubescent Ronson starts turning knobs and dreaming big. He recalls the Milford Plaza era, late-night gigs, and the first electrifying moment when a hip-hop crowd heard him drop AC/DC, then a bridge to Biggie and Missy. The breakthrough comes at Cheetah on a Monday night, a moment when he realizes you can mix rock and rap in ways that turn a room inside out, redefining the city’s sound. Crates weighed down his back and the old gear was a talisman, a portable laboratory where a future producer learned to listen. He describes a younger self chasing the thrill with drugs and adrenaline, hoping to quiet the gnaw of neurosis from his upbringing. He recounts ecstasy and cocaine during late adolescence and twenties, followed by piercing anxiety attacks that lingered into his 20s, sometimes in club corners with friends staying by his side. He writes honestly about how addiction crept in even as success grew, about the toll on sleep, the memory of his family, and the vow to tell the truth to his children in Night People. The present epilogue follows him walking with his daughter, reflecting on parenthood and honesty. Ronson also threads in celebrity circles and the sensory overload of a city he has known since boyhood, including a memory of asking Michael Jackson for a beat, the Warhol diaries, and a lifelong obsession with how proximity to power shapes art. He explains that the book’s present-day sections track walking with his daughter through a transformed New York, a landscape where clubs fade and memory remains. The aim is to chronicle a life at the intersection of invention and impulse, honoring those who helped him and the moments that almost unraveled him.

Patricia Heaton sits with Dave Rubin in a wide‑ranging discussion about how Hollywood’s ecosystem has transformed from the multi‑camera, studio‑driven comedies of the late 90s and early 2000s to the streaming era where big sets are rarer and the economics of production have shifted dramatically. Heaton reflects on the physical and cultural shifts in Los Angeles, recounting how the Warner Brothers lot, the old soundstages, and beloved show landmarks disappeared after the pandemic and the writer’s strike, and she describes a more fragmented industry where long seasons and residuals are a thing of the past. The conversation moves from nostalgia to a sober examination of how new platforms and shorter production cycles have changed what gets made, how it’s funded, and who gets a chance to tell familiar, family‑centered stories that still connect with broad audiences. Throughout, Heaton emphasizes the deliberate choice to stay honest about her beliefs and the realities of working in a business that often expects uniformity, while stressing that professional collaboration and personal integrity should not be mutually exclusive. She then pivots to the social dynamics inside the industry, sharing experiences in writers’ rooms where new voices and sensitivities collide with traditional punchlines and character arcs. She reflects on a past project that confronted competing viewpoints and explains why she has always tried to balance candor with respect for colleagues who disagree. The discussion broadens into her public stance on political and religious issues, including her pro‑life Catholic faith, support for Israel, and the personal costs of voicing controversial opinions in a highly interconnected public arena. Heaton describes moments of solidarity from peers who share different beliefs and recalls the supportive, often unspoken norms of professionalism that help sustain a production under pressure. The interview closes on a hopeful note about resilience, faith, and the possibility of meaningful collaboration across divides, even as the industry evolves and audiences seek genuine storytelling that reflects real lives and real questions about culture, identity, and belief.

Theo Von hosts This Past Weekend with gratitude for listeners and a long stream of anecdotes, sponsorships, calls, and reflections on Halloween, recovery, identity, and community. The episode opens with a sponsor read for Charlotte Counseling and Wellness in Charlotte, North Carolina, noting licensed counselors and a psychologist and inviting listeners to start therapy. Other sponsors include Grey Block Pizza and Bronx-Born Pizza in Bend, Oregon, and Los Angeles, and a plug for BetterHelp as an accessible online therapy option. Theo then revisits Halloween, sharing vivid, often chaotic memories from childhood and the ritual of trick‑or‑treating from the back of his mother’s station wagon, the excitement of collecting Snickers and other candy, and the heavy, sometimes dangerous costumes. He recalls a time when a neighbor’s yard or hydrant became a setting for misadventure, the collective energy of kids rushing door to door, and the era’s lower sensitivity around costumes. He contrasts past and present Halloween atmospheres and reminisces about the communal nature of holidays that bring people together. The show pivots to audience engagement and announcements about King and the Sting, inviting listeners to submit artwork and to participate in a user‑driven format where viewers propose topics and battles for discussion. The host also thanks the online communities—Reddit, the Facebook group—and previews a Charlotte stop, October 4–6, with Ari Maness joining. He mentions a “hidden money in the hotel room” gag with cleaning staff and teases a format change for the show. The conversation shifts to health and self‑improvement. Theo describes his PRP hair transplant and the year‑old maintenance procedure as a form of reforestation of the scalp, likening hair to a planet with forests and rivers. He emphasizes the care he received during treatment and the social aspects of medical experiences. Calls and messages cover recovery, addiction, and sobriety. Jasmine in Calabasas celebrates ten months alcohol‑free, offering guidance about early sobriety: write thoughts down to prevent them from becoming one’s identity, acknowledge “ghosts” and intrusive thoughts, and plan constructive use of free time. Devin from Georgia reports four years of sobriety, preserving contact with his daughter and encouraging others to hold on. A caller from Georgia describes a firing over cleaning feces, urges caution in workplace boundaries, and admires a fellow caller pursuing a Master’s in Social Work. Other calls address gender transition, male identity, and race. A video caller from Kansas City (Theo) identifies as a transgender man seeking safe social advice, and Theo offers friendly, if provocative, guidance about masculinity, sports, and social norms. A Portland caller reflects on white privilege and the experience of being white in a mostly white city, while acknowledging reality of systemic bias. A California caller, Jimmy, shares a life‑altering motorcycle accident and ongoing identity challenges, along with encouragement to seek support and rebuild. The show ends with gratitude, Halloween wishes, and a reminder that conversation, community, and small steps forward can matter in difficult times. The hotline continues to accept calls at 985‑664‑9503.

Marc Andreessen and Ben Horowitz discuss the intersection of Hollywood and artificial intelligence (AI), particularly focusing on how AI could disrupt the entertainment industry. They highlight the ongoing strikes by writers and actors in Hollywood, which stem from changes in the business model due to streaming and the emergence of AI technologies. The traditional Hollywood business model has evolved through various formats, from live performances to streaming, which has significantly altered revenue streams. Streaming has consolidated revenue into a flat fee model, eliminating the multiple income sources that previously benefited creators. The hosts explore how the music industry faced similar disruptions, noting that the transition to digital distribution led to a significant shift in how artists earn revenue. They emphasize that while the product—music or film—remains fundamentally the same, the economics surrounding it have changed dramatically. The conversation touches on the concept of fungibility, where AI could produce generic content that may not match the creativity of iconic works like "The Godfather" or "The Sopranos." They ponder whether consumers would accept AI-generated content as a substitute for human creativity. The discussion also addresses the potential for AI to enhance creativity in Hollywood by providing tools that allow creators to produce content more efficiently. This could lead to a democratization of filmmaking, enabling independent creators to produce high-quality content without the traditional barriers of entry. The hosts speculate that this shift could lead to a flourishing of diverse voices and stories, similar to what has happened in the music industry. They consider the dystopian scenario where AI creates formulaic content that lacks originality and emotional depth, likening it to fast food entertainment. Conversely, the utopian vision suggests that AI could empower creators, allowing them to produce more innovative and engaging content. The hosts argue that the future of Hollywood could see a balance between AI-generated and human-created content, with audiences appreciating both for different reasons. The conversation concludes with reflections on the importance of preserving Hollywood as a cultural force, emphasizing its role in shaping narratives and providing a platform for diverse voices. They acknowledge the historical context of Hollywood's influence, particularly during the Cold War, and the need for creative expression in any society. The hosts express optimism about the potential for AI to enhance creativity and expand opportunities in the entertainment industry, ultimately leading to a richer cultural landscape.

This episode features Tim Ferriss interviewing Steve Jang, a prominent tech founder and venture capitalist, about the cultural and economic evolution of South Korea, often referred to as the "kwave." They discuss Korea's transformation from a war-torn nation to a global powerhouse in technology and entertainment, highlighting the rapid economic growth since the 1980s and the rise of K-pop and Korean cinema. Steve shares his insights on the unique aspects of Korean culture, including the concept of "Han," which represents collective suffering and resilience, and "Jung," which signifies deep emotional connections. He emphasizes the importance of understanding these cultural nuances to appreciate Korean storytelling, particularly in films that explore themes of class struggle and family dynamics, such as *Parasite*. The conversation also touches on the historical context of Korea's development, including its colonial past and the impact of the Korean War. Steve explains how the Korean diaspora has influenced cultural exports, with many returning to Korea after gaining experiences abroad. They note the significance of Korean food as a vital part of the country's soft power, with Korean barbecue and stews being particularly beloved. Tim and Steve reflect on the current vibrancy of Seoul, describing it as a city in transition, filled with energy and innovation. They discuss the challenges of upward mobility in Korea, the pressures of education, and the societal expectations surrounding family and career. The conversation concludes with a call to visit Korea, highlighting its rich culture, modern advancements, and the warmth of its people, encouraging listeners to engage with the language and local customs for a more enriching experience.

In this episode of The Joe Rogan Experience, guests Roger Avary and Quentin Tarantino discuss various topics, including their experiences with surveillance, the film industry, and personal anecdotes. Avary shares stories about meeting operators and assassins, revealing methods of killing that are untraceable, such as injecting caffeine to induce a heart attack. They touch on the insurance industry, highlighting its corrupt practices and the challenges of obtaining fire insurance in California due to wildfires. Tarantino reminisces about living in California and the frequent wildfires, emphasizing the overdevelopment that exacerbates fire risks. He recalls filming *Pulp Fiction* during a Malibu fire and discusses the inevitability of a major fire hitting Los Angeles. The conversation shifts to their experiences working at Video Archives, a video rental store, where they developed a passion for film and storytelling. They reflect on the decline of video stores and the impact of streaming services, noting how the business model changed and how larger chains like Blockbuster affected smaller stores. Avary and Tarantino discuss their early aspirations to make films, influenced by iconic directors like Stanley Kubrick and John Boorman. They emphasize the importance of genre in filmmaking and how it can elevate a story. The discussion delves into their personal journeys in filmmaking, including Avary's experience with *Killing Zoe* and Tarantino's work on *Reservoir Dogs*. They explore the creative process, the challenges of making films, and the importance of storytelling. Avary shares his experience of going to jail after a tragic accident, which profoundly changed his perspective on life and filmmaking. He discusses the emotional impact of that experience and how it shaped his understanding of compassion and human suffering. The episode also touches on the evolution of media, the rise of podcasts, and the importance of authentic conversations about film. They express their desire to create a space for genuine discussions, reminiscent of their time at Video Archives. Ultimately, the conversation highlights the complexities of filmmaking, the significance of personal experiences, and the enduring power of storytelling in cinema.