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Here, I just heard them say the active shooter, Charlie Kirk, has been shot. Charlie Kirk got hit is what the what the security detail just said. Here. I just heard them say the active shooter Here, I just heard them say the active shooter, Charlie Kirk, has been shot. Charlie Kirk got hit is what the what the security detail just said. Here. I just heard them say the active shooter Here, I just heard them say the active shooter, Charlie Kirk, has been shot. Charlie Kirk got hit is what the what the security detail just said. Here. I just heard them say the active shooter

Safety team is here. I just heard them say the active shooter, Charlie Kirk, has been shot. Charlie Kirk got hit is what the what the security detail just said. My son just messaged me and says that Charlie Kirk You have to leave. You need to leave. The curb.

Where's the third assassin? Show yourself. Third time's the charm, right? Not me, FBI. It’s someone else. I believe in you.

They want us dead. That's what they want.

I think I found the shooter. This guy with the white hat starts it by creating signals—“touches the bill of his hat, and then he touches his ear.” The guy that shot Charlie is over on this side, and he’s seen by others who move to block him, with one man “rubbing his right arm” as he steps in front. “Watch this”—the background figure shifts, and the white-shirt man is “holding the gun right there.” If I go frame by frame, the moment the black-clad man moves his arm out, the white-shirt man “lifts his right elbow” and “shoots it.” His hand goes back, and then Charlie gets hit. “Watch the gun shoot right now”—the gun fires, Charlie is hit. “It’s clear as day.” The black-shirt man shows the white-shirt arm; “pop, bang.” Oh my god.

The person shot yells for a medic, but you don't help and leave quickly.

"Two bullets lodged in his chest, but he stood still, expressionless." "This is not a story about a man who is bulletproof." "This is the magic of cinema." "blood that has been prepared by your body for your brain to go in through those capillaries." "It would be it would be a death sentence to have that blood in chunks, and that's what it is here." "This is this is definitely some trickery going on, and that's this looks exactly like it does in the movies when they need somebody shot in the chest." "But now I'm I'm believing he's still alive." "Freemasons, Charlie, he's a Freemason. These guys have a habit of staging their own deaths." "And then they reappear as somebody else." "To my friend Charlie Kirk, rest now, brother. We have the watch, and I'll see you in Valhalla."

Speaker 0: I just watched the close-up video of Charlie Kirk getting pewed in the neck. No fucking way he survives. So you know what time it is.

I just heard them say the active shooter, Charlie Kirk, has been shot. Charlie Kirk got hit is what the what the security detail just said.

Something out fireworks. Safety team is here. I just heard them say the active shooter, Charlie Kirk has been shot. Charlie Kirk got hit is what the what the security detail just said. My son just messaged me and says that Charlie Kirk Athletes, you need to leave. In the scene, the speaker conveys that a safety team is present and references an active shooter situation involving Charlie Kirk. They report that Charlie Kirk has been shot, and that Charlie Kirk got hit is cited as what the security detail said. A family member's message adds urgency, noting that Charlie Kirk Athletes, you need to leave.

Where's the third assassin? Show yourself! Third time's the charm, babe. Not me, FBI. It has to be someone else. I believe in you!

Look, they just keep coming! Get inside! Light them up! Get in the hole! Hurry, get in! Are you okay? That hurt! Are you okay? You got hit? I'm good. They're booked for that dude. What?

Speaker 0: Somebody's shooting over here. How are the people running? There he is right there. That guy. He's the guy.

Hey, do you feel that? Where's your gun? They said you lost it in battle. Are you going to take out Moskoviev?

He shot the man in the water tower on the left.

Do not take prisoners, shoot them all! Good job, they got one down! Yes!

Safety team is here. I just heard them say the active shooter Charlie Kirk is in shock. Charlie Kirk got hit. Looking at what the security detail just said. Push one, sir.

It's okay, Shirley. Just relax. We'll bring her back.

Safety team is here. I just heard them say the active shooter, Charlie Kirk, has been shot. Charlie Kirk got hit is what the what the security detail just said. My son just messaged me and says that Charlie Kirk You need to leave. Yes, sir. Now quit. Get him out. Hey. You go right now. Get out of here.

Speaker 0: Oh, no. Someone shot Charlie Kirk. Look. I don't know who needs to hear this today, but that's how you pick up a woman. Oh, no.

"Yes. Yes. Yes. Yes. Oh, please don't hurt me." "Oh my Right? You little Shoot it off. You little die."

"Ready? Good. Go. Nice job. I see him die." "Bravo, bugger. Yeah. Yeah. Yeah. What do you love, man?"

What's insurance, Charlie?

The footage describes a sequence where a man in a white shirt raises his right elbow while holding a gun. He fires, and his hand snaps back into place as Charlie is hit. The man in the black shirt identifies the white-shirt shooter and his arm in the background. The shooter then re-raises the gun and elbow, producing a pop and bang as Charlie is hit again. The scene is punctuated with exclamations such as “Watch this” and “Oh my god” as the events unfold. The speaker repeatedly emphasizes the clear sequence of actions: elbow movement, gun discharge, impact on Charlie, and the visual focus on the arm in the background.

They shoot at us in the room with angels. This crime is happening, as you can see, with my colleague.