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Behind the MRI machine, our troops have discovered a Hamas combatant with a grab bag of military equipment. Among the items are an AK-47, cartridges, and ammo. There are also flashing codes from Russia.

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A report reveals that individuals targeted military bases, government facilities, and the homes of law enforcement and intelligence personnel, selling cheap art and handiwork. Many of those questioned claimed to have served in military intelligence and surveillance units. The investigation also led to the detention of Israelis and Americans selling toys called puzzle car and Zoom copter, suspected to be a front. The Israeli government denies any spying allegations. However, a US intelligence agency referred to Israel as conducting the most aggressive espionage operation against the US among its allies. Israel's strong survival instincts and appetite for information make the US a high priority target. Concerns are raised about the US phone system and law enforcement's wiretapping methods potentially being compromised. Investigators are also looking into claims of advanced knowledge of the 9/11 attacks.

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An Israeli art group called Gelatin worked on a project to add a balcony to the 91st floor of the World Trade Center. They had access to multiple floors, including where the first plane hit. They published a book with sketches that seemed suspicious, like a building crumbling and someone jumping off the towers. The sketches hinted at something ominous, with phrases like "depression inside, amazement outside" and "god, bring airplane."

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While reviewing a long video, the speaker points to the moment: "it shoots right down at a very downward angle at the back right side of his head." He identifies the device: "This part right here would be the handle, and this part right here ejects the casing after the shot is fired. Alright? And this part right here is the barrel." He adds, "the middle part I believe is a video camera." He notes, "the only gun that swivels and does the tip like that, it is called an Israeli corner shot. You should look them up." He also says, "The remote triggered, and they had video attached to them. And it could be set off from a phone and a detonator. The signal from the phone and the detonator."

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This is Gabriel, not his real name or voice. In 2022, he and his team started developing the second phase of the operation, the booby trapped pagers. He found out that Hezbollah was buying pagers from this company in Taiwan called Gold Apollo. This is the pager that Hezbollah was using. So it's very sleek, it's very shiny, and it certainly can fit in a pocket. So what did you do to change this to make it into a bomb?

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This is the Israeli company that went and grabbed the device or whatever it is allegedly. Watch the lavalier lapel mic. Do you see it explode? That is the explosion from Charlie Kirk's lavalier lapel mic. Remember when we told you that that was absolutely an exit wound? Yeah, it is. First, we had exploding pagers. Now we have exploding mics. That proves that all of the activity came from the mic that Charlie Kirk was wearing. Remember the palm gun guy in the brown shirt, that shadowy looking guy with the sunglasses? He pushes the detonator. This guy, brown shirt guy, he's the assassin.

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The transcript weaves together a compilation of statements and reporting surrounding the 9/11 attacks, Israeli involvement rumors, and related investigations. - Benjamin Netanyahu reportedly said September has been good for Israel, claiming, “we're benefiting from one thing, and that is the attack on the Twin Towers and Pentagon and the American struggle in Iraq.” - CNN reported (and later acknowledged as false) a tape in which Osama bin Laden told his mother that something big was about to happen; bin Laden had consistently denied involvement in 9/11 and claimed Zionists were behind the attacks. Reports from Japanese, Chinese, and Indian outlets claimed bin Laden was killed in Afghanistan in 2001 and buried in an unmarked grave by his own men. There are claims from the Muslim world and some European figures that Zionist extremists staged the 9/11 attacks to ignite terrorism. - A commentator asserted that the war has targeted Israel’s Muslim enemies and is being fought and paid for with American blood, lives, and tax dollars. - A speaker argued that bin Laden, regardless of who committed the attacks, comes back to the Middle East, and urged the United States to dismantle the entire “evil empire of terrorism,” warning that without doing so, the terror network could develop nuclear capabilities and threaten the United States and its allies. - Observers described a lack of apparent shock among certain people in connection with the events, noting unusual behavior or reactions. - Five men arrested in a van were later identified as Israeli, with some connections to Israeli intelligence; they were turned over to the FBI. National security databases showed some of the men had prior Israeli intelligence or counterterrorism experience, and one admitted serving in an Israeli army anti-terrorist unit and refused a lie detector test for an extended period. A speaker emphasized loyalty to country when discussing military service. - Fox News and others reported that up to 140 Israelis had been detained prior to September 11 in an ongoing, broad investigation into suspected espionage by Israelis in the United States. Government documents described hundreds of incidents across U.S. cities that investigators said could indicate organized intelligence gathering. The “country A” in a General Accounting Office document was said to be Israel, described as conducting aggressive espionage against the U.S. despite being an ally, with Israel possessing substantial resources to achieve its collection objectives. - Investigators questioned the possibility that some Israeli agents had advanced knowledge of the attacks, suggesting there is explosive but not necessarily conclusive evidence when aggregated. A recurring theme was the question of how such agents could have known, given the events. - Allegations of foreknowledge included claims that Israeli agents were forewarned and filmed the event on Israeli television. Some individuals detained or questioned described their presence in Israel as journalists or documenters. The broader question centered on whether Israelis gathered intelligence in advance and whether it was shared or withheld. - The transcript also recounts the failure to account for certain details (e.g., passport survivals, disappearance of voice recorders) as well as assertions that anthrax letters, later linked to a U.S. Army lab, were used to deflect blame toward Muslims. - Two accounts describe a white Chevy van linked to Urban Moving Systems, a moving company whose employees were alleged to have connections to Israeli intelligence. The FBI issued a nationwide alert about the van, and two suspects were reported in custody after explosives were found in a vehicle near the George Washington Bridge. CBS reported that two suspects were in FBI custody and that the truck contained enough explosives to damage the bridge, with some accounts noting a prior alert about a van on the way to destroy the bridge. - Overall, the material presents a network of claims and investigations involving alleged Israeli espionage, foreknowledge of 9/11, intelligence operations in the United States, and specific incidents surrounding the George Washington Bridge and related arrests.

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This is a summary of a video discussing the connection between Israeli art students and potential bomb experts. The art students, known as the gelatin group, were involved in a project called the Bee Thing. They lived on the 91st floor of the Lower Manhattan Cultural Center and were connected to other art students traveling around the country. Suspicion arose when they were found selling art door-to-door and had thousands of fuse holders, which could be used for remote control demolition. The fuse holders were traced back to a company called Littell Fuse in Chicago. Some of the artists were believed to be Mossad bomb experts. The video also mentions the connection between the Kellogg's Corporation and the Manhattan Project, as well as the involvement of Halliburton, Dick Cheney's former company.

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The speakers recount a visit to sites in Iran connected to Israeli airstrikes on civilian residential areas. They describe finding tangible remnants of the destruction and narrate specific fatalities and damages as evidence of the impact on civilians. - Speaker 0 explains that they visited locations where Israel bombed civilian residential buildings and claims that often an entire neighborhood was bombed to kill a single civilian scientist. They mention uncovering children’s shoes and a toddler’s car seat among the rubble, and warn that “another war is coming.” - Speaker 1 describes a residence where an air hostess lived and was killed, noting that she is pictured with her mother and father. They report three children were killed in the bombing by Israel against Iran. They point to a little lamp from a child’s room, children’s shoes, and children’s clothing, and mention a toy that had been in the room; they state that more toys existed but were removed. They display wall paintings and a teacup described as part of a little girl’s room. They label the situation and the presence of these objects as representative of “Zionism” and say, “This is what it means for the people of the Middle East. They transplanted this foreign entity, this cancer on our borders, and it ends lives of hundreds of thousands, if not millions.” - Speaker 2 discusses Mister Bakui’s house, noting that he and his wife and two children were killed in the Israeli missile attack. They describe the site as having once been a five-story building, and acknowledge that some neighbors were killed as well. They indicate uncertainty about the exact number of people who died and invite questions and photo opportunities. They confirm the name “Mister Bakui” (also spelled “Bob Kui” in discussion) and state that the only remaining part of the five-story building is this section. They describe extensive damage to the building and the neighboring structure, including many windows and the upper portion behind them. They note that, compared to a month earlier, when the area was a mess with rubble and debris, it has now been cleaned. - Speaker 1 asks if they can go inside, and Speaker 2 agrees, with the caveat to be careful with footwear due to debris and cleanliness.

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Go to methodicaldeception.com, Resources -> about the Israeli art students at the World Trade Center. This is the elephant in the room that nobody wanted to talk about, a sixty sixty one page DEA document connecting Israeli Mossad bomb experts to an art group that were traveling around The United States and to an art group that gave themselves the name of Gelatin. The Lower Manhattan Cultural Center rented the 90 First Floor to foreign art students; the DEA found out about a traveling art group that were going door to door to some of their agents' homes and their offices. The pink-shirted man with rappelling gear; they removed a window; a wooden balcony; photographs via a helicopter rented by their sponsor from the LMCC; a champagne party on top floors of the Millennium Hotel with a Bush relative. Behind the pink shirt are fuse holders; BB18; thousands of boxes for remote control demolition. Fuse holders from Lytel Fuse, a subsidiary of TRACOR; TRACOR Aviation, Lytel Fuse, TRACOR Defense Holdings. Westmark Systems; Bobby Ray Inman; Vetro; Kellex; Woolworth Building; Halliburton; Cheney's old company.

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In the basement, we found a motorcycle used in the October 7th massacre, with bullets still in it. We also discovered a chair, women's clothes, and a rope nearby. Above these items, there was a baby bottle next to a World Health Organization sign, suggesting a possible area where hostages were held. The basement had infrastructure like toilets, showers, and a small kitchen, indicating it was used as a hideout for terrorists. We found a room with curtains, seemingly used to film hostages. Additionally, there was a list in Arabic stating that the operation against Israel began on October 7th, with each terrorist having their own shift to guard the people held there.

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In this video, the speaker directs viewers to a website called methodicaldeception.com to explore the topic of Israeli art students at the World Trade Center. They discuss a DEA document connecting an Israeli bomb expert to an art group called gelatin. The gelatin group's art project involved taking photographs from a wooden balcony on the 91st floor of the World Trade Center. The speaker questions why these art students had thousands of fuse holders and investigates the Lyttel Fuse company, which is connected to Tracor and Westmark Systems. They mention the Kellogg company's involvement in the Manhattan Project and its connection to Halliburton, Dick Cheney's former company.

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The speaker directs the audience to a website about Israeli art students at the World Trade Center. They discuss the connection between the art group called gelatin and Israeli Mossad bomb experts. The speaker mentions that the art students were renting the 91st floor of the World Trade Center and were connected to a group of traveling art students. They highlight a photo of a man in a pink shirt repelling from a window, which was part of their art project. The speaker also mentions the presence of fuse holders from a company called Littell Fuse and their connection to Mossad bomb experts. They discuss the corporate history of Traycor and its subsidiaries, including Westmark Systems and Kellex Company, which is now known as Halliburton.

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Mossad agents are not permitted in CIA headquarters because every time they would come, they would give us gifts, and the gifts always had listening devices embedded in them. And we're like, you guys have to stop doing this. They're like, oh, we brought you a seal of the CIA. You should hang it in the director's office. It's all full of listening devices. So we're like, you guys can't come here anymore. So we had to rent a safe house, and we meet with the Israelis in this safe house. The Israelis are not our friends, period.

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Methodicaldeception.com directs readers to 'Resources' and to 'about the Israeli art students at the World Trade Center.' A '61 page DEA document' allegedly connects 'Israeli Mossad bomb experts' to an art group that called itself 'gelatin,' later 'Bee Thing.' The 'Lower Manhattan Cultural Center' rented the '90 First Floor' to art students traveling the United States, whose activities the DEA tracked. A pink-shirted man with 'repelling gear' and a helicopter-shot balcony sponsored by LMCC; a Millennium Hotel champagne party attended by a 'Bush relative.' The images show 'BB 18' fuse holders from 'Lyttel Fuse Company,' a TRACOR subsidiary; TRACOR Aviation and Defense Holdings were later tied to Westmark Systems and Bobby Ray Inman. 'Kellex'—a Kellogg subsidiary—designed a gaseous diffusion uranium enrichment facility; its original HQ was in the Woolworth Building, later Oak Ridge; a 'missile launch' claim ties to the Woolworth Building. 'Dick Cheney' and Halliburton are invoked.

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The speaker issues an urgent message to the Iranian government, identifying specific Israeli targets to eliminate Israel’s nuclear capability. The proposed targets are: - Sorek Nuclear Facility - Palamehoshin Airfield, described as housing Israel’s only fighter jet nuclear-capable aircraft - The airbase’s aircraft that allegedly fire Popeye cruise missiles and are nuclear-equipped, with jets currently flying out of the airbase The speaker asserts that striking these sites would prevent Israel from using nuclear capabilities against Iran, stating, “If you can take those out, Israel cannot nuke you.” Additionally, the speaker claims there is a focus on the nuclear abilities at another location, noting: “If you wanna take out their nuclear abilities, you need to do so right here.” They point to an air-defense system “located right here” intended to intercept missiles, emphasizing a specific interception path over Jerusalem via exact coordinates to target “the nuclear center.” Other elements mentioned include: - A pink area described as their ammunition - A green box described as “the fun one,” identified as an underground bunker or facility where “the good stuff is gonna be” - Allegations of an underground Israeli digging company that warns against digging due to wires and restricted areas, used to imply the location of a protected underground facility The speaker concludes by urging viewers to share the information so the Iranian government can see it.

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Terrorists use a paint-by-number scheme to pretend they know how to paint. They have a map of a hospital they plan to bomb, along with a motor by Nikola Tesla. Hamas celebrates their actions and a game they play involving a river and the sea. They also have a garbage bin that lifts up like an uprising, found in a residential house. Another tool found in a condominium increases the heat of a bomb. The speaker expresses concern about the danger and mentions plans to bomb an apartment.

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Prior to September 11th, investigations revealed that around 140 Israelis were detained in a broad espionage inquiry in the U.S. Various government agencies have been compiling evidence since the mid-nineties, indicating organized intelligence activities. The investigation initially focused on Israelis claiming to be art students, who allegedly infiltrated military bases and government facilities. Many questioned indicated backgrounds in military intelligence and surveillance. A U.S. intelligence report suggested that Israel conducts aggressive espionage against the U.S. Despite the evidence, it remains unclear how much Israeli agents knew about the events of 9/11, raising questions about their awareness of the impending attacks.

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This is an MRI machine that was recently discovered by our troops. Behind it, we found military equipment including an AK 47, cartridges, grenades, uniforms, and a backpack with important intelligence. The cameras were obstructed and inside a closet in the clinic, we found a full military kit for a Hamas terrorist, including a live grenade, ammunition, fighting vest, boots, and an AK 47. We also found military insignia, a knife with Arabic writing, and a laptop that is being analyzed for evidence.

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Visit methodicaldeception.com, Resources, about the Israeli art students at the World Trade Center. A 61-page DEA document links Israeli Mossad bomb experts to an art group traveling the United States and to an art group that gave themselves the name of gelatin, with the Bee Thing project. The Lower Manhattan Cultural Center rented the 90 First Floor to foreign art students traveling the country; the DEA found they were going door to door to agents' homes. A pink-shirted man with repelling gear removed a window; photographs were taken via a helicopter rented by their sponsor from the Lower Manhattan Cultural Center. A party on the Millennium Hotel Top Floors watched by a Bush relative. Behind the pink shirt, fuse holders labeled B b 18—boxes of plastic fuse holders for remote control demolition. Lytel Fuse, TRACOR, KELEX, MW Kellogg; Woolworth Building, Kellex, Halliburton; Dick Cheney.

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Behind a man in a pink shirt are fuse holders labeled "bb 18." The speaker asks why art students from Israel and Austria would possess thousands of plastic fuse holders that can be used for remote control demolition. The speaker notes the building was built in the early 1970s, and the individuals in question were not electricians redoing the building's electricity. The speaker claims some of these artists are guaranteed Mossad bomb experts, citing a DEA document.

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Speaker introduces more evidence: In this room there is a list. "This list in Arabic, in Arabic, this list says we are in an operation." "The operation against Israel started in the October 7." "This is a guardian list where every terrorist writes his name and every terrorist has his own shift, guarding the people that were here." These remarks frame the list as Arabic and as a guardian roster, suggesting organization among the individuals labeled as terrorists and their shifts guarding those present. These remarks emphasize that the list is described as "in Arabic" and linked to a broader operation against Israel, portraying the room as a place where combatants' names and shifts are recorded to "guard" people.

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The speaker shows a picture of IDF bombs with names of guests from the show inscribed on them. The other speaker suggests that IDF soldiers might be watching the show. The first speaker questions the sensibility of putting names on bombs. The second speaker acknowledges that soldiers have a history of drawing on shells, but clarifies that they are not justifying it. The first speaker accuses the second speaker of justifying it, but they claim to be providing historical context.

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Go to methodicaldeception.com and, under Resources, read 'about the Israeli art students at the World Trade Center,' described as 'the elephant in the room that nobody wanted to talk about.' A '61 page DEA document' allegedly connected 'Israeli Mossad bomb experts to an art group that gave themselves the name of gelatin' traveling the United States, and to a group called 'gelatin' or 'Bee Thing.' The 'Lower Manhattan Cultural Center' rented the '90 First Floor,' with foreign art students touring the country. A pink-shirted man in repelling gear 'removed a window,' a 'wooden balcony' photographed by a helicopter rented by their sponsor. A champagne party on the Millennium Hotel top floors with a 'Bush relative.' Behind the pink shirt: 'B b 18' fuse holders—'boxes of plastic fuse holders' for remote control demolition. 'Littell Fuse' (Chicago), a subsidiary of 'TRACOR' (Aviation, Lytel Fuse, TRACOR Defense Holdings), Westmark Systems, Bobby Ray Inman. Kellex/KELEX, MW Kellogg, gaseous diffusion uranium enrichment; Woolworth Building rumor; Kellex HQ there; later Oak Ridge; now Halliburton. 'Dick Cheney's old company.'

Unlimited Hangout

20 Years After Anthrax with Robbie Martin
Guests: Robbie Martin
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Whitney Webb and Robbie Martin convene on October 15 to mark the twentieth anniversary of the anthrax letters, noting public announcements with October’s spread of events and the role of the letters in pressuring lawmakers during debates over the Patriot Act. They outline their focus for the discussion: Robbie will present new material on Florida’s overlap with a wider network that may link the September 11 events to the anthrax attacks, expanding on Graham McQueen’s thesis that the same network was involved; Whitney will emphasize Battelle Memorial Institute and the criticisms of the Ivins narrative, including suggestions that prosecutors and DOJ lawyers argued that Patel—Battelle’s counterpart—was a more likely source than Bruce Ivins. Robbie opens with Florida as a nexus for intelligence operations, organized crime, and private flying schools connected to 9/11, drawing on Daniel Hopsicker’s Florida-focused research and a Finnish investigative list of nine/eleven suspects’ addresses. He explains how he mapped addresses from the FIN list onto a resource map, then broadened the pool to five times that size to include related figures and locations. He cites Sarasota and Longboat Key, where George W. Bush’s activities the night before September 11 included a stop at Emmett T. Booker School and a mysterious van visit, and notes Muhammad Atta’s reported presence nearby, including socializing in bars with other hijackers. He argues the Florida scene raises questions about whether attackers were operating within a larger, clandestine web of intelligence, mob, and private sector players active in the state. Whitney interjects with background on the Israeli art student espionage narrative tied to the DEA’s investigations in Florida, noting that the DEA memorandum and subsequent leaks linked to “team leaders” in the Israeli art student network suggest a broader pattern of espionage against U.S. agencies. Robbie demonstrates that a known Battelle VP, Russell P. Austin, is unusually close to one of the Israeli art student figures on the map, hinting at a possible overlap between Battelle labs in Florida and the Israeli art student operation. They discuss how the DEA memo was kept alive by later leaks and how Don Foster’s Vanity Fair pieces, Barbara Hatch Rosenberg’s timeline, and the Hatfield-Bill Patrick circle factor into broader questions about who controlled or influenced the investigation. The group points to the fact that the Israeli operations allegedly targeted DEA labs and technicians, suggesting a shared motive or operational pattern. They pivot to the anthrax-specific core: the AMI Building in Boca Raton (home to Robert Stevens’ employer, The Sun) and Gloria Irish, a real estate agent who brokered apartments that housed hijackers, with FBI interest early on that faded or was sidelined. Robbie highlights how the FBI may have observed a chain of proximity between Gloria Irish’s properties and hijacker activity, raising questions about what the FBI studied and why certain lines of inquiry were dropped. They discuss the connection to Battelle’s work on anthrax, the presence of Battelle labs in Florida, and how this intersects with Battelle’s relationship with vaccine programs and with the United States’ broader bioterror preparedness apparatus in the early 2000s. A major thread concerns the St. Petersburg hoax letters, postmarked September 20 and October 5, which appeared soon after real letters were sent from New Jersey on September 18. The handwriting similarities between the hoax and real letters, and the claim that the Brokaw letter included Cyrillic characters, are presented as evidence that hoax letters were not mere diversions but part of a connected campaign, possibly used to trigger investigations and shape public perception. They reference Barbara Hatch Rosenberg’s timeline, Judith Miller’s experience with a hoax letter, and the suggestion that Stephen Hatfield’s circle (and Bill Patrick’s) formed the core of a network with a propensity for dramatizing bioterror scenarios. Whitney then surveys the broader ecosystem: Bill Patrick’s controversial patents on biodust, his gain-of-function work with Ken Alabek at Battelle and the Pentagon, the Gulf War vaccine program and its adverse effects, Emergent BioSolutions and BioPort, and the policy machinery surrounding DHS, the National War College, and the Answer Institute for Homeland Security. They stress that Kadlik, Patrick, Alabek, Hatfill, and their associates continued to influence public health and security policy long after the anthrax events, with Kadlik moving into high-level roles in preparedness and response and later intersecting with vaccine manufacturing and countermeasures. The conversation closes with a call for open-source collaboration to trace these threads, archive documents, and continue the investigation, acknowledging that Florida’s network and the anthrax case remain deeply intertwined with U.S. national security policy and bioterror preparedness to this day.
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