reSee.it - Related Video Feed

The speaker repeats the word "babies" and asks, "What babies?" The speaker states, "Maybe I kill a girl who was 12, but I'm looking for a baby." The speaker also says, "We were looking for babies, but there is no babies left."

The speaker discusses the importance of shot length in basketball and how it affects the game. They mention a player making their first basket of the night and highlight their ability to find a way to score despite being closely guarded. Another speaker emphasizes the need to increase the energy in the game during the first quarter.

Excavation Pro announces “Cipher of the Nine” and says they are about to step into the cipher. The lyrics reference “Shadow of the Cove” and repeat the numbers “three, six, nine,” including “Reverse” and “Reloads.” The speaker repeatedly frames the idea that “Streets don’t lie,” associating “Cove” with the phrase. They mention missing a beat and “catch death or die,” and describe being “burning in the heat” while “we die turning up the beat.” The cipher is described as “shadow speaks in code 369,” with “universe reloads.” The phrase “Step into the cipher” is repeated alongside the idea of code and reloading. The lyrics also connect “Streets don’t lie” with a “code Pyramid,” and describe “math and coding.” More imagery follows: “Darkness, heartless rhymes, it’s unfolding,” and “Moon shining in the distance.” The text then shifts to “Matrix reloaded.” The speaker asserts “Fucker, we’re ready,” says “I’m backwards,” and emphasizes “Feel my kicks.” The sequence ends by listing “Seven scars, seven dates, seven tricks.”

The speaker repeatedly says "Hold on" and emphasizes that the person they are referring to is not going anywhere. They also mention that the person just ran.

Speaker 0 delivers a rapid-fire set of bragging lines about wealth, fashion, and success: “Go see my eyes red on my demons,” “My postie racks up just to motivate my niggas,” “Rappers need a stylist bad, but I ain't use a stylist yet,” “I signed a million dollar contracts in my box to steal a text,” “Wake up, check my bank account, phone numbers in there, bitch. I'm blessed,” and references to private jets, being fresh off the press, sipping drinks with lines, a tinted eye, a moving piece, and owning a new bulletproof Cadillac. He notes money, private flights, and the ability to charge for Instagram content, while cutting off a girl who didn’t pick up. The tone centers on opulent lifestyle, independence, and status. Speaker 1 shifts to a hostile, accusatory monologue: “All over the place, guys. Jack Kosoviak, Gabe Hoffman, Mike Cernovich, Laura Loomer.” He claims Gabe Hoffman “is running humps on people” and calls him a “bad guy.” He says he looks like he’s seen a ghost and that someone close to him was there to infiltrate him, describing these people as “really fucking bad” and stating they are “evil,” including claims of them being “unregistered foreign agents.” He asserts he will be watching everything they do and declares ongoing surveillance and vigilance: “I will be watching. Everything you do, I’m gonna be watching.” Speaker 2 notes a logistical detail: “Hell yeah. On my way back to the site to get my burner phone so I can use my ghost accounts…” indicating plans to obtain a burner phone for anonymous or modified online activity. Speaker 3 adds a blunt, explicit line about using “ghost accounts” for actions, saying, “can use my ghost accounts to fuck,” reinforcing the theme of covert or deceptive online activity. Overall, the transcript juxtaposes an ostentatious wealth/aspirational rap persona (Speaker 0) with a conspiratorial, accusatory stance toward specific public figures (Speaker 1), and mentions of circumventing scrutiny or anonymity online (Speaker 2 and Speaker 3). The named individuals identified by Speaker 1 are Jack Kosoviak, Gabe Hoffman, Mike Cernovich, and Laura Loomer.

Speaker 0 says: “Free little Justin fussing you. He been trying to knock you off. He was scared. He said, look, money tried to take my car.” They warn that you might think you got away, but you ain’t getting far. “I rode a wooden pole to four jets to see how I feel.” “You want to smoke, Jay, let me know you know I’m quick to drill. Slam the shit out there. Slam.”

The speaker repeats lines about others “stealing the sauce,” cutting off someone who isn’t loyal, and not lingering on being thought special, emphasizing a fresh energy or cueing that comes through like Andretti. They describe jumping on the beat, neglecting it, and potentially spending big on a necklace, while going at whoever is reckless, and asserting “Ain’t no one better you said it.” They claim admiration and loyalty to figures and ideals: “Jim Kavieso's a man of faith. He's a man of America.” They mention being with “a peach from Atlanta” who treats them like a king and call her “She my Coretta.” There is a bold line about testing intimacy with a humorous autocorrection misreference: “Test it like I'm trying to fuck, but instead of said chill, that's autocorrection.” The speaker references general inspiration from “General Floyd” and states, “I don't get hot off of mentions. Oh, he gave his life. Shies like that inspire me. I already told it's nothing.” They note a contrast to media, commenting “Must be a bull how you run it. To Not the media,” and add, “Hey. Yes, there's good media like Lara Logan.” The chorus repeats: “Niggas been stealing the sauce. Thought you ran off when I let you. Cut a bitch off in a second. Right when you thought you were special. This that new cueing you get me. We coming through like Andretti. Jump on the beat and neglected. Might blow a check on the necklace. Go at whoever we reckless. Ain't no one better you said it.” They close with a personal update: “My new one just settled in Texas. They still ain't caught up. It's pathetic.”

Speaker 0 states, "I'm running. You're blocking. Clapping, bitch. Fuck it. I'm wop." Speaker 0 also says, "I had enough of this. Deal in with your shit. Chicken fucking little bit. I'm wild," and "It just hit the fuck you up. Just sold out little tricks." Speaker 1 says, "I hate your guts. Fuck this bitch. Fuck. I'm coming for you. Wait." Speaker 0 claims, "Nations will destroy you with hate. Fuck you. Clap it, bitch," and "There's no coming back." Speaker 1 says, "Fucking rap. Fucking rap. You got jack. Cheese in the trap." Speaker 0 retorts, "You're fat. You can't run. You got smack." Speaker 1 repeats, "You got jack." Speaker 1 states, "Me and the trendsetter. I've been all that getting cheese." Speaker 0 repeats, "Clapping, bitch. Fuck it. I'm locked. I'm running. I'm running. You're blocked. Clapping, bitch. Fuck ass. I'm wild."

The speaker urges someone to freeze up and repeatedly says "bloody" and "your buddy." They tell the person to go in the freezer and repeatedly say "just get in."

“Cipher of the nine” is repeated as the speaker invites listeners to “step into the cipher,” framing the message as “shadow speaking code.” The refrain centers on “three, six, nine,” described as tied to the “universe” and “universe reloads.” The speaker references “streets don’t lie” and presents a personal “code,” repeating “miss a beat,” with lines about catching “death” or “die,” and imagery of turning up the beat while “we die turning up the beat.” The lyrics expand the theme with “pyramid, math, and coding,” “darkness, heartless rhymes,” and “matrix reloaded.” The speaker describes themselves as “backwards,” emphasizing “kicks” alongside “seven scars, seven gates, seven tricks.” Additional imagery includes “moon shining in the distance,” “third eye,” and “night’s my ally,” while “shadows speak in the cold.” The phrase “the universe unfolds” appears multiple times, reinforcing the idea of unfolding after the “three six nine universe reloads” refrain. The speaker then adds a series of numerically structured and symbolic lines: “Learning in my kicks,” “seven scars, seven gates, seven tricks,” and “got the gas nice my witness speak too much.” They mention seeing “numbers” and “dead presidents,” and assert: “fuck it i rewrote the evidence,” repeated twice. The speaker continues with “blind man’s palm hold the steel grip strong,” “cypher got it cracked,” and “smoking on the bomb,” followed by “seven days a week tagged with blood.” Further name and group references appear: “Shadows haunting, my name is Slug.” There are calls using repeated “Flock, Flock, Flock, Flock strikes,” and the number “13, 13.” The speaker says “Bulldog, I don’t flinch,” then ties wealth and timing to numbers: “I been rich since the 12 was a six,” repeated multiple times. The later verses emphasize controlled action and conflict: “I move in silence,” “guards playing dice, loading violence,” leading to “So I gotta clap. Clap back. Clap back.” The ending returns to the cipher framing: “Tonight’s my witness,” “Part of my business,” “Cipher. Split it down the middle. Three six nine,” and “Try six six six” with “a rhythm,” ending on “Six six six. With a rhythm.”

The speaker announces they are about to “step into the cipher,” repeating “Cipher of the nine,” and frames the performance around “Shadow of the Cove” and “Shadow speaking Cove,” with the numbers “Three, six, nine” connected to “Universe” and “Reloads.” They repeatedly reference “The universe reloads,” “The universe unfolds,” and variations of “Shadow speaks in code 369,” emphasizing “369” as the central code and rhythm throughout the piece. The lyrics tie the code to streets and personal identity: “Streets don’t lie,” paired with “That’s my Cove,” and additional imagery involving “Mississippi.” The speaker delivers lines about catching death and murder and “die,” including “You don’t fly burning in the air,” and “We die turning up the beat,” while continuing the “Shadow speaks in code 369” refrain. Mathematical and pattern-based themes appear through “Pyramid math and coding,” “Darkness, heartless rhymes,” and “it’s unfolding.” The lyrics also reference “Moon shining in the distance” and “Matrix reloaded,” aligning the “reloads” motif with a sense of cyclical return. The speaker describes being “backwards” and “feel my kicks,” then lists “7 scars, 7 dates, 7 tricks,” repeating “7 scars, 7 dates, 7 tricks” and extending the number symbolism with “cars, seven gates, seven tricks.” The piece includes symbolic and historical references: “I see numbers,” “I see dead presidents,” and “Since the 12 was a 6.” This “12” to “6” transformation is repeated multiple times, connected to the speaker claiming, “I been rich,” and moving “in silence.” The speaker also brings in religious and fate imagery: “God's playing dice loading violence,” continuing the “Since the 12 was a 6” thread and linking it to action: “So I gotta clap. Clap back.” Toward the end, the speaker mentions “Unite my witness” and “Part of my business,” then returns to the central concept of the cipher: “Cipher. Put it down in the middle. Three, six, nine.” They end by calling out rhythmic number sequences: “Try six, six, six with a rhythm,” “Six, six, six with a rhythm,” while restating “Streets, don’t lie,” and reinforcing “Try”/patterning as part of the cipher’s flow.

Speaker 0: Describes being “free as a bird,” moving “in the air,” and feeling “heavy,” with lyrics about diamonds and tattoos covering his scars. Mentions “Cut that bitch off,” not picking up when he calls, and hitting “another city” without needing to look around for others, saying he brought “the vibes” and “fresh off the press of cool.” References drinking, tinted eyes, and “Sprite” and “post some lines in it.” Claims the “shit here gonna sell itself,” with “weighted” motion and “one of my hoes shop in Chanel,” plus others “can’t stay off chain.” Repeats themes of “motion involved,” being “heavy,” “Diamonds and tattoos cover my scars,” “bulletproof” and “300 love,” and says “Make a killing,” “Got too many.” Speaker 1: Says “All over the place, guys,” and names Jack Kosoviak, Gabe Hoffman, Mike Cernovich, and Laura Loomer. Says Gabe Hoffman is “running humps on people” and calls him “a bad guy.” Says “I look like I’ve seen a ghost,” and claims someone very close to them was there “to infiltrate me.” Says “These are really fucking bad people,” “I’m beyond pissed,” and “It’s bad.” Claims “They tried to set someone up that you know and love.” Repeats “They’re fucking evil. These people are evil.” Says they are “unregistered foreign agents,” and claims “We’ll be watching,” saying “I will be watching,” including “everything they … everything you do.” Speaker 3: Responds “Hell yeah,” saying they are on their way back to the site to get a “burner phone” to use “ghost accounts” to “fuck Breva.” Speaker 5: States “We conduct riots and color revolutions,” “steal elections,” and “overthrow governments we don’t like,” and says “I was part of that.” Speaker 4: Says “IIA, which is social media psychological warfare,” and claims “We began that really in 2007.” Speaker 6: Says “They’re all being punished because they thought that what those important people told them was gonna happen.” Claims “I was there,” says people were “pumped that they were gonna fucking trash the capital,” and says, “And I was like, no. This is not good.” Speaker 7: Says the people “weren’t very prepared.” Speaker 0 replies that they’re not “come in to rush the building,” but asks whether “just having a little bit of security knowledge” meant they weren’t prepared. Speaker 1 says what “pisses me off” is that people say “I’m being handled.” Speaker 3 says “I’ve heard that before.” Speaker 7 warns it’s “very dangerous that people are out there giving people hope.” Speaker 4 concludes: “There is a storm coming like nothing you have ever seen, and not a one of you is prepared for it.”

It's cool to have jersey sales and followers, but the main thing is basketball, winning games, and sticking up for teammates. When playing in front of the Aces' house, the energy was great. When playing on the Las Vegas Strip, the speaker plans to just be themself and focus on hitting shots and executing schemes, not extracurricular activities. Regarding a past incident, the speaker says the refs didn't protect the WNBA star player, and the speaker is going to protect their teammates because they are a team player.

Speaker 0 opens with the line, "Bang bang, skit skit, nigga." The exchange then continues with Speaker 1 repeating, "Bang bang, skit, nigga. Bang bang, skit, nigga." The dialogue progresses to a self-description that appears in the same exchange: "We're just a couple of campsites, no hoes." This line is immediately followed by a continuation that mirrors the structure of the previous statement, adding variation: "We're just a couple of campsites, With just a couple of pimps, no holes." In this brief back-and-forth, Speaker 0 initiates with a terse, rhythmic cue—"Bang bang, skit skit, nigga"—which sets a cadence that Speaker 1 echoes and expands upon. The repeated refrain underscores a minimalist, repetitive pattern, creating a compact call-and-response dynamic between the two voices. The content then shifts from the repeated auditory motif to descriptive self-identification, using paired phrases that contrast two seemingly disparate self-images: first as "a couple of campsites" and second as "a couple of pimps," with the former paired with "no hoes" and the latter with "no holes." Overall, the exchange consists of four lines, two from each speaker, and centers on a rhythmic insistence of the initial phrase followed by a concise, parallel self-description. The structure emphasizes repetition and mirroring between the speakers, producing a terse, chant-like exchange that relies on cadence and compact pairing of statements rather than narrative development or elaboration. The dialogue remains self-contained, with no external context or modifiers beyond the immediate lines.

The speaker describes riding through the streets as someone “survivin’” and repeatedly references others “gettin’ clapped,” with “brains wrapped” and warnings not to “flap.” They say their song is “watered wraps,” and repeat the idea that people are “gettin’ clapped” and “brains wrapped.” They then claim to be an “excavation pro,” saying they “dig a ditch.” The speaker targets someone as “a bitch,” accusing them of being “money lovin’” and “sold all pricks,” while focusing on receiving money “to my tips.” The speaker repeats that the person is “a bitch” and “money lovin’,” and continues calling out “sold-out” behavior. The lyrics emphasize lack of character: “No soul havin’ little dicks.” The speaker also mentions law enforcement being present and getting “hit” (“cops around me gettin’ hit”). They describe their own “drip” as “Godlike water type of drip,” likening it to “matrix” and “movie type of drip.” They urge listeners: “Don’t trust him, that’s my only tips,” adding that “He’ll get you clipped.” The speaker also uses violent imagery and insists on giving advice that others didn’t follow (“didn’t listen to my tips”), repeating the accusations: “a bitch,” “money-loving,” “sold-out prick,” and “No soul havin’ little dicks,” alongside the refrain about “cops around me gettin’ hit.”

The transcript intercuts a lyrical unreality with a sprawling, confessional denunciation of others and alleged political manipulation. - In a music-like segment, Speaker 0 raps about luxury, danger, and motion: “A thud right now. In the air. I'm free as a bird. Plus, I'm flat right now. Drip talking slur.” He describes being heavily adorned with diamonds and tattoos, a bulletproof Cadillac, and a life of constant movement, with lines like “Diamonds and tattoos cover my scars,” “One of my hoes shop in Chanel,” and “This shit here gonna sell itself.” He references multiple cities, vibes, drinks, and fashion, claiming “a whole lot of motion involved” and that his presence will “sell itself.” He mentions being in possession of “too many” cars and a lifestyle marked by luxury and risk. - Speaker 1 names public figures—“Jack Kosoviak, Gabe Hoffman, Mike Cernovich, Laura Loomer”—and accuses Gabe Hoffman of “running humps on people” and being “a bad guy, dude.” They express intense anger and fear, saying, “I look like I’ve seen a ghost,” and claim that someone very close to Speaker 1 was likely sent to infiltrate them. They insist, “These are really fucking bad people,” and state, “They tried to set someone up that you know and love.” - The repeated assertion appears: “They’re fucking evil. These people are evil.” The speakers claim these individuals are “unregistered foreign agents” and announce plans to “be watching everything they everything you do.” The commitment to surveillance is explicit: “I will be watching. Everything they everything you do.” - Speaker 3 talks about returning to a site to get a burner phone to use “my ghost accounts to fuck Breva,” indicating plans to operate anonymously online. - Speaker 5 references participation in broader political actions: “We conduct riots and color revolutions and, you know, steal elections, and we overthrow governments we don’t like. And I was part of that.” - Speaker 4 cites the IIA, describing it as “social media psychological warfare” that began in 2007. - Speaker 6 recalls being present at events around the attempted assault on the Capitol, saying, “They were all pumped that they were gonna fucking trash the capital. I was there,” followed by a realization that “This is not good.” - Speaker 7 notes a lack of preparation among those involved and alludes to a looming, unprecedented storm: “There is a storm coming like nothing you have ever seen, and not a one of you is prepared for it.” Overall, the transcript juxtaposes opulent self-presentation with allegations of corruption, infiltration, and active participation in political manipulation and destabilization, punctuated by threats of surveillance, retaliation, and an impending large-scale upheaval.

"That ain't no better, nigga. Put it on my butter. We do it. Don't play my slime. When folks break, it will guess like that." "No top. No cap. No top. Switchy. 3 switches right here. And I put the That that's just enough right there. That's enough. 1, 2, 3. That's enough." "They won't go get that shit all. I know. We got"

The speaker alerts someone, referred to as "Holmes," that their "crack is out." The speaker then addresses "Ma," urging her to look away from something. The speaker questions someone's actions, stating there are kids and the speaker's mother present. The speaker calls someone "sickos."

Speaker 0 is excited about going to a club in outer space and partying. They use phrases like "galaxy's at the club" and "intergalactic" to express their enthusiasm. They also mention spraining an ankle, possibly referring to dancing. Speaker 0 appreciates the attention they are getting from others and describes it as making them blush. They use the word "fire" to express their approval. Lastly, they mention someone named Jake and compliment his sweet melons.

"She's shit right now. We don't play with no rhythm. We do it. Don't play my slide on post grade. We'll guess like that. No cap. Three switches right here. And I put the That's just enough right there. One, two, three. That's enough. We don't get our shit, though. We don't even get"

The speaker briefly mentions the Holy Spirit and repeats the phrase "Nah, Nah, Nah" multiple times.

In the video, the speaker mentions a basketball play where Struww makes a wide-open shot. The speaker explains that Struww is able to get open because Jimmy Butler has been drawing attention from Jokic. Then, the speaker briefly mentions Murray driving and drawing contact.

- Speaker 0 says: "Without you been feeling kinda strange. Well, I see that you're doing very well. You're looking very well. I miss the way your perfume smell. I miss the way that you blowed up my line." - They add: "If you don't back the fuck up off me before I do you in and still getting in this bitch and get litty on my mama."

The speaker repeatedly says "Put in the trash" multiple times.

Speaker 0 delivers a rap verse with dense, aggressive metaphors: “Excavation Pro” and “spitting viper,” calling themselves “hyperfang” and “light blur.” They describe each word as a “strike,” each bar as “dynamiter,” and “building prisons.” They portray society as “climbing through the ceiling,” set against “lies they’ve been dealing” and “stealing they’ve been sealing.”