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Speaker 0 presents a narrative around the Giants of Monte Prama in Sardinia, arguing that mainstream history hides the truth about ancient peoples. He cites four excavation campaigns (1975–1979) that uncovered roughly 5,000 underground items, including 15 heads and 22 torsos, which were stored for thirty years in the National Archaeological Museum of Kallari. He notes that official numbers are unverified and claims that removing artifacts and suppressing them for decades prevents verification, while schools teach the official story. He contends that many important pieces were exhibited only partially, with others hidden from the public, along with the statues themselves. He mentions large models of buildings and sacred stones at the site, which he says was only recently located in the 1970s, challenging the timeline of civilization. Bobby, a “history major,” is cited as labeling the site’s timeline as abandoned in the late 4th century BC, around 2,400 years ago, a dating he says is accepted widely but disputed here. The speaker criticizes attempts to redefine dates, such as testing a local leaf near the site, and claims the timeline is manipulated to remove older histories from view. He asserts that heads were destroyed or removed, claiming the hands and feet are missing as well, arguing that the statues depict a past that differs from today and that six-fingered figures or held objects may indicate hidden details. He jokes about Apple Watches and Nike shoes to illustrate his view that contemporary artifacts are embedded in old works, insisting that the stone depictions reveal what the past looked like, not what modern scholars claim. Elaborating on the restoration, he notes a restoration project from 2007 to 2012, during which 25 statues (warriors, archers, boxers) were exhibited, while prior to this the public was blocked from the items. He argues that returning the majority of finds to a museum is a plan, not a certainty, and suggests the restoration should be livestreamed for transparency. He claims the total number of statues is higher than 25 and has recently been estimated at 44, with more likely in the back storage, unseen by the public. The speaker accuses the authorities of hiding evidence, destroying artifacts, and restricting access, framing the narrative as mass manipulation. He asserts that there were more statues and that the public should see the entire restoration process from discovery to display. He also references political influence, naming Giovanni Lillio as a Sardinian regional counselor during the discovery years (1969–1974) and questions the dating given by mainstream sources, including claims about ancient dates such as negative 5774 and ages up to 8,000 or 50,000 years. Discovery details include that the giant statues were found by a farmer in 1974, after he uncovered large stone fragments in a field, leading to site blocking and controlled access. He repeats that the heads were often removed before display, that necropolis findings included skeletal remains of individuals aged 13–15, and that Sardinia’s discoveries are connected to broader sites, including Palmyra, Syria. He closes by promising more revelations in future episodes and hints at ongoing debates about Sardinia’s ancient past.

The speaker investigates the Saqqara Necropolis in Egypt, questioning the mainstream narrative surrounding the Step Pyramid of Djoser and its extensive subterranean network. They allege that a 14-year restoration project was actually a "destruction project" led by Egypt's Supreme Council of Antiquities and Zahi Hawass, designed to remove evidence of a previous advanced civilization and preserve the official historical narrative. Hawass is accused of restricting access to archaeological sites and blocking independent research that challenges mainstream history, specifically citing the case of John Anthony West and Robert Schoch's investigation of the Sphinx. The speaker highlights the discovery of thousands of human remains and oversized coffins at Saqqara, suggesting they belonged to a race of giants, not bulls. They focus on the Serapium of Saqqara, discovered in 1851, which contains 24 massive granite sarcophagi, each weighing tens of thousands of pounds. The speaker disputes the claim that these sarcophagi were for bulls, arguing that they were for giants and that the original contents were removed by French archaeologist Auguste Mariette. They believe Mariette was sent to the site to cover up the truth about what was found there, and that the removal of the contents was "the biggest heist in human history."

Claiming to challenge mainstream history, the speaker discusses Sardinia’s Giants of Monte Prama. Four excavation campaigns (1975–1979) yielded roughly 5,000 underground items, including '15 heads and 22 torsos,' later 'stored for thirty years' in the National Archaeological Museum of Kallari. They argue that 'they can give us any number they'd like' and that most pieces were kept hidden until later exhibitions (2007–2012) and a 2011 public display, with 'the exhibition has become permanently accessible to the public' yet 'there are more' than the stated 25 statues, now claimed as up to 44. They assert deliberate head and hand removals, six fingers, and even jokes about Apple Watches and Nikes. The narrative extends to tunnels, necropolises, Cleopatra connections, and a claimed global pattern of a prior civilization beneath today’s world, including a Galveston, Texas thread about Nicholas Clayton and 'old world' buildings.

The video revisits the Hypogeum in Malta, Paola, discovered in 1902 during housing construction. The presenter reiterates controversial claims: the underground temple was excavated by a group and, according to them, 7,000 elongated skulls were found—most destroyed and the rest hidden from the public. The speaker notes that some underground chambers appear to imitate above-ground megalithic temple architecture, including false bays and “underground windows.” The ceiling allegedly features a ring of carved stone overhanging the one below to imitate a roof. The question raised is whether the structure was originally above ground and later buried in a catastrophic event, killing those inside, or if it was always subterranean. The mainstream interpretation is dismissed by the presenter, who argues that the bodies were not buried separately but piled on each other, and that the event “melted structures all over the world.” The speaker insists the original structure could have been above ground and later buried, with antler-like chisel marks visible as if the site had been melted. The claim is made that the old world is buried beneath present ground level and that a massive, undisclosed civilization existed long before current history. To support this, the video references the Hypogeum of the Volumis family in Italy, discovered in 1840, with about 200 tombs. It supposedly contains a 10-room underground complex guarded by two winged demons at the entrance and predating horses and wagons. The narration asserts that stone structures with winged demons and advanced construction lie beneath modern life, while road work in the 19th and early 20th centuries yielded only fragments of this ancient reality. The presenter then shifts to urns found in the necropolis of another tomb complex in Italy, describing scenes painted on urns, including griffins, and linking this to Tartaria and Greek mythologies. The griffin is presented as evidence that mythic depictions were not mythical after all, and that artifacts were removed during road construction, with parts of the site altered or removed. A broader claim is made that our history is missing vast amounts of information, with a global “reset” in the 19th and 20th centuries reducing advanced civilizations to a primitive state—“horses and wagons" replacing earlier technologies. The narrator asserts that angels and demons were involved with humans and that the truth about these beings is being suppressed from public knowledge. Returning to Syria, the Hypogeum topic continues with Palmyra and the Temple of Baal. The temple sits on a tell, a mound formed from centuries of settlement, and the claim is made that the Temple of Baal was constructed atop layers from prior civilizations, with the site subsequently converted into a Christian church in the 4th century and cleared of post-classical elements in the 1920s. The presenter notes extensive destruction and removal of significant features during modernization efforts in the early 20th century, including the removal of heads and other elements. Using Google Earth, the video depicts Palmyra’s expansive columns, arches, and a massive temple—measuring roughly 434,893 square feet with a perimeter about half a mile—comparing it to the Great Pyramid of Giza in size. The implication is that vast, ancient stone palaces and a once-grand old-world city lie beneath current ruins, with further evidence of artifacts relocated or hidden, including a statue later moved to Damascus in 1935. Overall, the narration argues that there is a hidden, globally distributed ancient civilization behind our current history, and that much of what happened has been concealed or altered in the modern era. The episode ends with a tease of more discoveries to come.

The speaker connects ancient statues missing hands and feet to stories of giants with six fingers and six toes, referencing the Bible and other mythologies. They believe these "myths" are factual and that the statues are deliberately damaged to hide the truth about a past civilization. The speaker cites examples of mummies found in Egypt and burial mounds in North America with remains exhibiting polydactyly (extra digits), specifically hexadactyly (six fingers and six toes on each hand and foot). They claim these individuals were leaders and that this information is being suppressed. The speaker suggests the Cherokee's "Moon People" and biblical "Watchers" are connected to the Nephilim, giants with six fingers and six toes. They believe the Nephilim's existence explains the construction of ancient structures and challenges the accepted historical narrative. The speaker concludes that the removal of hands and feet from statues is an attempt to erase the lineage and capabilities of those who once ruled.

The speaker discusses the "dead cities" of Syria, a collection of ancient abandoned settlements, and questions the mainstream historical narrative surrounding them. They claim that archaeologists only began studying the site in the early 20th century and that the dating of the structures to the first to seventh centuries is based on flimsy evidence. The speaker alleges that the site was added to the UNESCO World Heritage list and then quickly placed on the endangered list, suggesting a deliberate attempt to control the narrative. They contrast the supposed primitive conditions of the 1800s with the advanced state of preservation of the dead cities, implying that the official timeline is inaccurate. The speaker then shifts focus to Cahokia Mounds in Illinois and the Moundville archaeological site in Alabama, arguing that these are also ancient burial sites being misrepresented by mainstream history. They claim that excavations at these sites were poorly documented or halted prematurely to preserve a false narrative, and that valuable artifacts and technology have been looted or hidden. The speaker concludes that these sites are evidence of a powerful, advanced civilization that existed in the distant past, and that the truth is being deliberately suppressed.

In 02/2022, a tunnel was found beneath the Great Tomb Of Osiris in Egypt, mirroring the Tunnel Of Eupalinus in Greece. Despite being presented as a water transportation system, the speaker questions this explanation, suggesting it's part of a larger, hidden underground network from a more advanced, pre-reset civilization. The speaker highlights the delayed public reveal of the tunnel and the removal/destruction of statue heads at the site, alleging a cover-up of true history and the appearance of ancient beings. They believe the site, potentially Cleopatra's burial, conceals advanced technology. The speaker connects the Egyptian tunnels to catacombs and geometric tunnel networks globally, often found beneath churches, suggesting they are ancient burial sites (necropolises). They cite the discovery of 7,000 skulls in Alexandria, some with abnormal cranial elongation, as evidence of a hidden past. The speaker concludes that these necropolises represent the remains of a previous civilization across multiple timelines.

The transcript traces a broad, interwoven set of claims about hidden history, underground structures, and manipulated timelines, centering on Iran but weaving in examples from around the world. - Iran and Tehran: The host questions whether Iran is “not going along with the mainstream story” about control of the population and asks what in Tehran “they want destroyed and erased forever?” A Truth Social post from Donald J. Trump allegedly urged an evacuation of Tehran, prompting a mass evacuation that night. The host contends a “post-World” element is evacuated, focusing on the Golisthan Palace as a symbol of an old-world architecture that supposedly does not belong in the timeline and that its photos are extraordinary. - Golisthan Palace and underground expectations: The host describes the palace as featuring griffins at the entrance and asserts it is a “palace from the old world” connected to others underground, with a subterranean storage area beneath Salem Hall that is said to be larger than visible and labeled for storage. - National Museum of Iran: A half-mile away lies the National Museum of Iran, described as a massive box of land housing artifacts that supposedly reveal “something else happened here” than the mainstream narrative. The host notes that hands are removed from some items and points to a supposed basement level of the museum as evidence of hidden, off-limits artifacts that predate Islam or feature iconography tied to Zoroastrianism, female rulers, or alternative power structures. - Basements and “off-limits” artifacts: The program reiterates that basements of museums often hold millions of artifacts not on display, and claims this is a pattern consistent with a broader attempt to conceal the true past. The host suggests that the basement storage of the National Museum of Iran contains pivotal, undisclosed artifacts, perhaps including tablets and human remains. - Censorship and tech platforms: The host repeats that censorship is returning and platforms control narratives. A promotional pivot introduces Rumble and its Wallet as a tool to resist big-tech and big-bank influence, claiming it allows users to store digital assets (Bitcoin, Tether Gold, and USAT), tip creators without middlemen, and avoid bank censorship. The host urges viewers to open an account at wallet.rumble.com. - Repetition of “truth” and pattern: A recurring theme is that the true history is hidden in basements and underground spaces, and that many museums’ basements house millions of artifacts that are not accessible to the public. The host cites prior episodes (episode 113, 109, 108, 52, 41, 43) to support the claim of a deliberate cover-up and to illustrate “patterns and repetition” across locations. - Underground cities, tunnels, and old-world technology: The host asserts Tehran sits atop an old-world tunnel network and that Iran announced a tunnel project in November 2024; by January 2025, locals reportedly uncovered an underground city beneath five old-world homes. The host posits that many underground networks and tunnels exist worldwide and have been modernized while the public remains unaware, suggesting old-world technology persists under modern cities. - The old-world, older-than-addressed timelines: The speaker asks what under the feet of cities, what tunnels, vaults, chambers, and artifacts lie under the old world. They reference giant beings, tablets, and elongated-skull findings (as discussed in prior episodes) and argue that the artifacts in Iran’s basement could expose a story divergent from the widely told history. - Architecture and timeline inconsistencies: The host explores multiple examples to argue that the mainstream narrative about construction timelines is inconsistent. They discuss the National Museum of Iran’s basement, and then move to global cases, including: - Saint Peter and Paul Church in San Francisco and 666 Filbert Street, noting allegations that the second church on the site was completed in 1924 and bombed in 1926-27, implying a recurring “fire narrative.” - Saint Anne Shrine in Fall River, Massachusetts, where a postcard allegedly shows a founding date (1869) earlier than construction dates claimed (1891), used to claim the building was “founded,” not constructed, by a previous civilization. - The Greene County Courthouse (Ohio) and a comparable courthouse in Illinois, both claimed to have been constructed in under a year in the late 19th/early 20th centuries, with multiple earlier courthouses said to exist on the same sites, all accompanying a “fire narrative.” - The Manitowoc County Courthouse (Wisconsin) and a Benton County Courthouse (Iowa), each said to have been built rapidly in the early 1900s, cited as evidence that a single builder and sons complete grand palaces in short periods, then disappear from future projects. - AI-generated names and patterns: The host highlights recurring AI-generated names (e.g., Richard Blackhead, Peter Desroaches, John Warner, Mary, Alice) as evidence of scripted or constructed narratives, arguing that the same names and characters recur across locations and episodes. - Overall claim and call to action: The host asserts that the timeline is dramatically misrepresented, that many old-world buildings and underground systems are older and more advanced than the story told, and that artifacts and subterranean networks under cities reveal a truth that is being suppressed. They urge viewers to continue digging into locations being illuminated, to question evacuations and the reasons behind them, and to consider that “the truth about what was once here before us is all under attack right now.”

Beneath churches in Naples, Italy and elsewhere lie catacombs filled with human remains, arranged artistically. The speaker questions the official explanations for these ossuaries, suggesting a hidden history involving a previous civilization. Examples include the Our Lady of the Conception of the Capuchins in Rome, Skull Chapel in Poland, Sedlik Ossuary in the Czech Republic (containing 40,000-70,000 skeletons), and the Chapel of Bones in Portugal, decorated with thousands of corpses. The Hallstatt ossuary in Austria features painted skulls. The speaker highlights the disturbing nature of these sites, the geometric patterns of the bones, and the plaques hinting at a plan involving past and future civilizations. They question why such displays are normalized under churches, while the same would be considered shocking elsewhere. The speaker believes these sites point to a wiped-out, advanced civilization and ongoing ritualistic practices.

The speaker tours multiple sites to challenge mainstream historical narratives, arguing that the presented histories are deliberately misleading and that evidence points to a technologically advanced, previously dominant civilization that left underground and above-ground monuments around the world. Gonzales County Courthouse, Gonzales, Texas: - The contract for the current Gonzales County Courthouse was awarded to Furman Moran on 06/26/1894. The speaker notes a sequence claim: the first courthouse on the site burned on 12/03/1893, followed by the completion of the second courthouse in April 1896. They question why the first building’s builders are never described and why the fire story is presented so abruptly. - The narration is criticized for implying that the second courthouse was finished quickly after the fire, with a timeline that seems to minimize the complexity of rebuilding. - The speaker finds it implausible that a quarry owner who “had limestone in it” could suddenly serve as construction superintendent and oversee a major Romanesque revival courthouse in roughly two years, given needs for vast materials, workers, equipment, planning, permits, housing, and logistics. - They reference a ChatGPT-derived breakdown: design and planning could take about a year; permitting “a couple months”; materials (red brick, white limestone trim, wood, steel, glass) in large quantities; hundreds of laborers; and a realistic overall timespan of four-and-a-half to seven-and-a-half years. They emphasize that a one-year construction claim ignores essential logistics (housing, water, feeding workers, transportation, cranes, skilled labor). - Specific logistical critiques include the need for 20–30 horses for transportation, milling, site work, water, and power, with water requirements (300 gallons per day for 30 horses) casting doubt on a one-year timeline. The speaker argues such a project would require extensive planning, workforce, and infrastructure that a single quarry owner could not supply in a year. - The speaker uses this to argue that the mainstream narrative for the courthouse is fabricated or at least severely misleading, suggesting a hidden history behind the structure. Vienna, Austria: Saint Charles Church and related palaces - The speaker shifts to Vienna, asserting that the Saint Charles Church and nearby palaces show a global pattern of narratives that don’t align with the on-site evidence, including complex underground connections and extensive architectural features. - They describe an architectural competition for a palace in 1713, a winner in 1716, and widespread, often-globally echoed claims about construction during plague conditions. They question how a 18th-century duke and his son could complete multiple palaces under such conditions, suggesting the narratives are unrealistic. - The claim is made that the underground and above-ground complexes around Vienna, with angels depicted in ceilings and statues, reflect an “old world” civilization that guided or influenced architectural motifs. They point to symbols—angels, skulls, and hidden chambers—as evidence of a deliberate, hidden past. - The speaker highlights that the Saint Stephen’s Basilica in Vienna is located 0.68 miles from Saint Charles Church and asserts underground tunnels connect these structures, implying a coordinated, ancient underground network. - They reference the Kluczynski/Chicago comparison and argue that the Vienna city hall and other structures show discrepancies between the claimed construction dates and known restoration timelines, suggesting hidden or revised history. Malta: Hypogeum - The Hypogeum in Malta is presented as further evidence of a suppressed past. Discovered by accident in 1902, excavation revealed a vast underground temple with thousands of remains. The speaker claims that excavation records show bones destroyed or not fully cataloged, and that only a small percentage of the 7,000 remains had elongated cranial shapes typical of certain ancient peoples. - They argue that bones were removed from public view and stored in basements, with public access restricted to about 80 people per day since 2020, and that skulls have been displayed only intermittently since 1995. - The narrative suggests the skulls show elongated cranial deformation, but the speaker contends the secrecy and destruction of many remains imply the true history is being hidden. They note that the Hypogeum and other underground sites around the world imply a widespread, advanced past civilization that built extensive subterranean architectures. - The Hypogeum of Volumnus in Central Italy is mentioned as another example of an underground complex dating back to antiquity, with similar claims about careful design and hidden or contested histories. Overall thesis - The speaker argues that a highly advanced previous civilization built monumental structures worldwide—underground and above-ground—equipped with sophisticated geometry, symbolism (including angels and elongated skulls), and global networks. - They assert that mainstream narratives about construction dates, workers, and timelines are deliberately eroded, misrepresented, or hidden, and that artifacts and bones have been suppressed or destroyed to maintain a controlled history. - The overarching claim is that the “old world” remains beneath our feet, and that questions about these sites reveal deliberate obfuscation by authorities and historians. The narrative ties together courthouse archaeology, European palatial construction, and Maltese hypogeum findings as parts of a broader pattern of suppressed truth about human history.

The narrator discusses the Lost City in Colombia, claimed to have been discovered in 1972 by a small family of looters while hunting, who reportedly found 1,200 stone steps leading up a jungle hillside to a city with 169 terraces, a network of tiled roads, and several circular plazas. They assert the site predates Machu Picchu by 650 years, with a precise dating to August, and describe it as evidence of an advanced ancient civilization with undisclosed technology, contrasting it with the mainstream narrative of eight-hundred-year-old, “donkey-and-tools” construction. They say items from the site—gold figures, ceramic urns—appeared on the black market, and claim a murder and a fight among the looters occurred, which supposedly alerted archaeologists who arrived by 1976 and reconstructed the site for six years (1982), destroying or hiding portions of the original evidence. The piece then shifts to discuss modern archaeology and surveillance techniques. It asserts that the Worldwide Media Foundation (WMF) mapping of the site using LIDAR in 2019 revealed more than 200 structures, including dwellings, terraces, stone paths, plazas, ceremonial sites, storehouses, and canals; WMF reportedly took the site into its project portfolio in 2023 and will continue work there, implying more remains beneath the jungle. The narrator questions why remnants are not fully shown or explained, proposing that some elements were left intentionally to let the public “figure it out,” or to be revealed later, and suggests underground tunnels connect different areas and possibly link to other settlements. The narrative broadens to claim widespread global suppression of ancient histories, asserting that farmers-turned-looters found sites independently of archaeologists in the 1970s, only to have their discoveries dismissed as illegal looting by mainstream narratives. The speaker contends that old-world items were taken to museums (e.g., Leptis Magna in Libya and its theater) and moved during the 19th–20th centuries, including a specific claim that part of Leptis Magna was transported to the British Museum in 1816, with the rest of the city allegedly buried or melted by a “mudflood” event, leaving only fragments visible today. They allege that many discoveries are blocked from public view or studies for ethical, conservation, or political reasons, and that 5,000 artifacts from Puqqara, De Tilqara (typo in transcript) have been cataloged but only a single body remains displayed, with the rest hidden. The speaker cites other sites—Leptis Magna, Palmyra in Syria, a theater at Sabrathah (Sabrathah), and the temple at Libya—as examples of renovations or rediscoveries in the 19th and 20th centuries, implying that much of what is seen today is reconstruction or misrepresented. They point to detailed stonework, heads removed from statues, depictions of angels, griffins, and centaurs, and argue that such depictions indicate an advanced old-world civilization that was suppressed and replaced by a fabricated timeline. Throughout, the narrator emphasizes the belief that a previous, highly advanced civilization existed and that its remnants are hidden, misrepresented, or misdated in modern history, urging continued investigation and exposing patterns in the narrative, including fires, catacombs, tunnels, and the suppression of evidence. They conclude with gratitude for the growing audience and promise further exploration of “patterns within the narrative.”

The Hypogeum in Malta was discovered in 1902 and excavated in 1903, during which human remains were discarded without cataloging. The site was closed to the public until 1908, and again from 1991-1993, purportedly for "destruction work." Currently, only 80 visitors are allowed per day. Mainstream history claims the site is 6,000 years old and was abandoned 4,500 years ago, with construction done using antlers and obsidian. However, the speaker believes this is false, suggesting the site is evidence of a recent, advanced civilization that built underground structures worldwide. The Hypogeum features intricate designs, including light patterns aligned with the winter solstice and an oracle room with acoustic resonance. An estimated 7,000 individuals' remains were found, but many bones were lost during excavation. A small percentage of the remaining skulls exhibit abnormal cranial elongation, similar to those found in ancient Egypt. These skulls were removed from public display around thirty years ago. The speaker believes these skulls are evidence of a past civilization with beings that did not look like modern humans, and that the official explanation of intentional cranial deformation is a cover-up.

The Hypogeum in Malta, discovered in 1902, contained 7,000 elongated skulls, most of which were destroyed and hidden. Some chambers imitate above-ground megalithic temples with false bays and windows, suggesting the temple may have been above ground before a cataclysmic event buried it, trapping and killing those inside. The speaker believes this event melted structures worldwide and that the Hypogeum was not a burial site, but a place where people were trapped. The Hypogeum of the Volumis family in Italy, found in 1840, has 10 rooms guarded by winged demons. Urns painted with griffins, linking to Tartaria, were found near the entrance. The speaker suggests a reset occurred within the last few hundred years, removing technology and knowledge. The Hypogeum of Yarhei in Syria was found in 1933 and moved to Damascus in 1935. The Temple of Baal was built on a tell, indicating previous civilizations. The speaker believes the site was destroyed and cleared in the 1920s, with significant artifacts removed and hidden. The Temple of Baal is the same size as the Great Pyramid of Giza. The speaker concludes that a massive amount of true history is missing.

The transcript presents a sprawling conspiracy-tinged exploration of hidden underground histories, focusing on Chicago and expanding to other ancient-site claims around the world. The central thread is that vast networks of tunnels, bases, and underground structures exist beneath major cities, built or left by a “previous civilization” and largely hidden from public view. - Chicago tunnels and underground real estate - The Chicago Public Library archives allegedly document thousands of miles of underground structures beneath the city, including tunnels that connect to numerous buildings and even to City Hall (constructed in 1911). The narrator asserts these tunnels were designed for rail transport and for connecting underground spaces, not just for utilities. - Photos circulating on the internet supposedly show a railway on the tunnel floor, with tracks running throughout the tunnel system to serve transportation under the city. The narrator claims the tunnels extend under thousands of miles and link to major buildings such as City Hall, Merchandise Mart, the Federal Reserve Bank, the Chicago Tribune building, the Civic Opera House, and the Field Museum among others. - The Chicago Tunnel Company is cited as having built these tunnels, with a history that includes initial tunnels and later plans to fill tunnels with telephone cables. The narrator argues that the dates and narratives about cables and utilities collide with earlier claims of thousands of miles of tunnels existing long before telephone expansion. - An incident known as the Chicago flood (April 13, 1992) is described as a breach in the tunnel system near the Chicago River, involving hundreds of millions of gallons of water and affecting multiple buildings. The narrator questions whether this was an accident or a deliberate act, and links it to figures like “Bruce,” alleged to have been a publicized expert on the tunnels. - A firsthand account from the late 1970s at the Field Museum of Natural History describes a Field Museum freight tunnel connected to the Chicago Tunnel Company, including an elevator and a train car that remained in a sub-basement before being moved to a museum. This anecdote is used to claim the tunnels are larger and more integrated than publicly acknowledged. - Public maps from 1910 show a 60-mile section of tunnels, implying far more exists than is disclosed. The speaker notes that many private connections (switches, shafts, elevators) linked warehouses and stores to the tunnels, suggesting that the tunnel system was integrated into building construction and commercial activity. - The narrator asserts that, since 2001, public access to the old tunnel system has been restricted or closed off for security or other reasons, implying ongoing suppression of information about the underground network. - Mount Nemrut and other “hidden pasts” - The speaker shifts to Mount Nemrut in Turkey, arguing that the mound of crushed stone and the headless statues on a 7,000-foot-high summit were built by a previous, highly advanced civilization. They challenge mainstream explanations of earthquakes, earthquakes removing heads, and the dating of construction to periods like 62 BC or 2086 years ago, insisting the dates are misrepresented. - Ground-penetrating radar (September 2012) reportedly found a pyramidal chamber beneath the apex of the site, suggesting there are buried chambers or a sarcophagus beneath the mound. Turkish authorities are said to be restricting excavation, leaving questions about what lies beneath. - Similarities are drawn to other global sites (Syria, Egypt) where heads have been removed from statues and where modern renovations are described as destroying evidence of the past. The speaker uses these examples to argue that a hidden, advanced past has been suppressed worldwide. - Interwoven claims about reconstruction and misrepresentation - The narrative repeatedly asserts that mainstream histories are manipulated or inverted to hide the existence of a previous civilization and its architectural feats. The speaker alleges that cornerstones in major buildings contain containers with items from prior civilizations, and cites alleged investigations into cornerstone contents (e.g., the Capitol) to support the claim that previous civilizations actively preserved knowledge inside cornerstone artifacts. - Alfred B. Mullet is criticized as a possibly fictitious figure used to explain grand constructions; the speaker accuses the architectural histories of being AI-generated narratives with fabricated biographies, while asserting that many grand early U.S. buildings were constructed far earlier and more rapidly than publicly acknowledged. - The presenter teases that future exposés will cover more sites (including a Syria location with griffins and blasted heads) and invites viewers to discuss and verify these ideas, claiming a worldwide pattern of destruction of evidence by powerful groups. - Overall stance - The speaker contends that “there was a previous civilization here” and that “these tunnel systems, structures, and underground real estate” were long-hidden and are much larger than publicly admitted. The claims hinge on alleged archival evidence, decontextualized photos, disputed dates, and contested readings of historical events, all presented as part of ongoing investigations that challenge conventional history.

The speaker tours a series of chapels, crypts, and ossuaries around Europe, arguing that beneath many churches lie vast networks of catacombs and thousands of human remains deliberately arranged as ritualistic decorations. In Naples, Italy, the chapel sits in the historic center with an alchemist’s chamber beneath, where two human skulls are exposed, and a drywall barrier hints at hidden rooms and passages. The speaker contends the plan for bone placement is unknown and that the bones and skulls symbolize hidden depths, asserting the relics and backstories (including a “prince”) are likely fictional narratives used to justify underground interments. Moving to Rome, the Our Lady of the Conception of the Capuchins is described as the first Roman church dedicated to the Immaculate Conception, with a crypt beneath the church holding thousands of remains, divided into five chapels and illuminated by dim natural light. The walls are decorated with bones, described as a work of art, and the speaker suggests this is a common, ritualistic practice in churches worldwide, not an exception. The discussion then shifts to the Czech Republic’s Sedlik Ossuary, claimed to contain skeletons of 40,000–70,000 people, with bones artistically arranged to form decorations and furnishings for the chapel. The speaker questions the motivation and accuses the display of normalizing a practice that uses human remains as art under holy spaces, implying a broader pattern of concealed skeletal networks beneath public buildings. Portugal’s Chapel of Bones in Evora is described as a major site where interior walls are lined with skulls and bones, a popular yet controversial attraction. The narrator criticizes the barriers keeping visitors from touching the bones and questions the normalization of bone displays inside places of worship. The narrator then references Hallstatt in Austria, describing an “house of bones” with hundreds of painted skulls. It is claimed that in the 1700s the church exhumed corpses to make space, bleaching and painting the skulls, decorating them with symbols; this practice is said to have continued into recent decades, including a case in 1983 and an ossuary entry in 1995. Across episodes, the speaker asserts that thousands of bones and entire networks of subterranean passages connect to these central chapels, implying a hidden, previous civilization with advanced capabilities and underground megastructures worldwide. References to other sites (Paris Catacombs, Odessa catacombs, and further unnamed locations) are used to support the claim that such bone-laden chambers and tunnels are extensive, interconnected, and concealed from public view. The overarching message is that what is visible as religious architecture conceals deliberate burial patterns and architectural geographies that reveal a past civilization “under our feet,” with bones used for ritualistic displays, meditation symbols, and artistic chandeliers, while public awareness remains limited.

The video revisits the Hypogeum in Malta, Paola, discovered in 1902 during construction work, which uncovered an enormous underground temple cut from limestone. The host notes that the site was initially buried and that the presence of 7,000 elongated skulls was documented, with many destroyed and the remainder hidden from public view. He highlights features suggesting the underground chambers imitate the architecture of above-ground megalithic temples, including false bays and windows, and a ceiling design where a ring of carved stone overhangs the one below to imitate a roof. The host posits that the structure may have originally been above ground and that a catastrophe buried it, with the previous civilization possibly buried beneath current ground level worldwide, inferred from multiple global examples of melted or chiseled structures. To support his argument, he references the Hypogeum of the Volumis family in Italy, discovered in 1840 during road works, containing about 200 tombs and dating to the second and third centuries BCE, possibly used until the first century BCE. This site allegedly features ten rooms and two winged demons guarding the entrance. He notes that many artifacts were removed or relocated when road construction occurred, illustrating what he claims is widespread suppression or erasure of ancient history. He also points to urns in an Italian necropolis painted with scenes including griffins, linking these to Tartaria his broader narrative about hidden ancient cultures. The host asserts that evidence from various sites indicates a “previous civilization” with advanced capabilities that predates known history, and he argues that much has been removed or hidden from public view. Shifting to Syria, the video discusses the Hypogeum of Yarhei in Palmyra, claimed to be an underground tomb whose dating is disputed (allegedly moved or restored), and which the host says was moved to Damascus in 1935 after being found in 1933. He critiques official timelines, suggesting the narrative was altered to place artifacts in Damascus for easier access by scholars, and he questions why the site required relocation so soon. He presents images of Palmyra showing a vast temple complex, including the Temple of Baal, with the claim that it lies atop a tell (a mound formed by centuries of settlement) and that the site contained extensive ancient structures, many of which were melted or destroyed in the early 20th century. He compares the Temple of Baal’s size to the Great Pyramid of Giza to emphasize the scale of the ancient complex and argues that many monuments and statues were removed or altered during modernization. Throughout, the host ties these observations to a broader thesis: that an advanced, old-world civilization once existed globally, constructing monumental architecture and palaces that current narratives deliberately obscure or erase. He suggests that angels and demons are depicted within stone and iconography at multiple sites, and that a modern “reset” rooted in the 19th and early 20th centuries replaced or concealed much of humanity’s true history. He ends by inviting viewers to question established histories and to anticipate further revelations in future episodes.

The speaker discusses catacombs worldwide, questioning the mainstream narrative surrounding them. They highlight the Odessa catacombs in Ukraine, a 1,500-mile man-made tunnel system, and the Paris catacombs, holding an estimated 6 million remains. The speaker questions why these sites are tourist attractions and suggests a deeper meaning behind the artistic bone arrangements. The speaker references catacombs in Vienna, Austria, and Lima, Peru, noting the geometric bone patterns and the fact that many were unknown to the public until recently. They speculate about catacombs beneath Saint Patrick's Cathedral in New York and explore the Brno Ossuary in the Czech Republic, rediscovered in 2001, containing 50,000 people under a church. The speaker suggests the bone arrangements weren't random but deliberate, possibly by a previous civilization. They explore the piezoelectric effect of bone and vibration, suggesting churches might be used to connect with the bones below. The speaker connects catacombs to fires in church narratives and highlights catacombs in Jerusalem, Rome, and Naples, Italy, questioning the presented explanations and suggesting a hidden, darker truth. They present examples from the Czech Republic, Portugal, and Austria, emphasizing the artistic arrangement of bones and the normalization of these sites as tourist attractions.

The speaker explores the idea that many ancient and religious structures around the world may contain or reflect a hidden history in which angels or a previous advanced civilization played a direct role in their construction. They frame this as a pattern seen across continents and cultures, not as isolated myths, and urge viewers to consider information that challenges mainstream histories. Key points and examples: - The Basilica of the Holy House in Loreto, Italy is described as a Marian shrine said to enshrine the house Mary lived in, with a claim that angels flew the house from Nazareth. The host asks what happened to civilization’s know-how and suggests a hidden elite construction capability that predates current narratives. - The episode proposes that angels are repeatedly depicted or implied in construction narratives worldwide, implying a global, ancient, advanced knowledge that was later erased or suppressed. - Mecca’s Kaaba is cited as another example where the initial structure is said to have been built by angels, with angels revolving around it after its construction, reinforcing the theme of divine or otherworldly involvement in architecture. - Chartres Cathedral is highlighted as one of the world’s most incredible structures, with references to multiple cathedrals on the same site and a recurring pattern of rebuilding after fires, wars, or collapses. The narrator notes episodes about catacombs and basements beneath churches (catacombs under churches referenced in prior episodes) as evidence of hidden, extensive underground networks. - The narrator asserts that many cathedrals and churches sit atop or connect to vast underground catacombs and secret passages, containing bones and skulls arranged in patterns, suggesting ritual uses and a “previous civilization” beneath modern structures. - Specific examples of bone-related sites are described to illustrate ritualistic or ceremonial uses of skulls and bones: - The Ossuary in the Czech Republic, claimed to hold 40,000 to 70,000 skeletons artistically arranged as chandeliers and garlands, implying a deliberate, symbolic architectural practice. - The Chapel of Bones in Evora, Portugal, where interior walls are decorated with human bones, with a plaque declaring, “What you are now, we once were. What we are now, you shall be,” and the basement described as containing corpses used to decorate the chapel. - The Capuchin crypt in Rome, beneath Our Lady of the Conception, described as containing thousands of bones arranged in elaborate displays, suggesting ritual use rather than merely burial. - The Saint Peter and Paul Cathedral in Kazan, Russia, discussed as another example in the Tartaria hypothesis, with claims of previous cathedral sites, destruction narratives, and new narratives replacing older ones. - The narrator asserts that these bone-and-crypt installations indicate a regular, worldwide pattern rather than isolated events, and that there is a deliberate effort to obscure the true past. - Tartaria is introduced as a purported global civilization or culture, with maps, seals, griffins, and griffin imagery associated with Tartarian influence. The speaker discusses Tatarstan (Tataria) and Kazan as potential remnants of Tartarian activity, arguing that modern seals, coats of arms, and architectural styles reflect a “replacement narrative” by later populations. - The Kazan Kremlin and Epiphany Tower are presented as examples of “old world palaces” that appear in modern times, with claims that their actual construction predates current histories and may have involved a sophisticated, worldwide civilization. - The host critiques the conventional dating of structures and suggests widespread underground networks, interconnected palaces, and a hidden global history. They invite viewers to question dates, authorship, and the origins of architectural achievements, proposing that a powerful, ancient civilization left markers of its presence across the world. - The episode closes with a provocative suggestion that Tartaria may still be present in modern locations, prompting viewers to explore further and comment on whether this hidden history is real and where else such evidence might be found.

The speaker revisits Sardinia, Italy, focusing on a necropolis site and the Cagliari Cathedral. They believe the necropolis shows evidence of historical manipulation, with giant remains removed and the site disturbed by industrial quarrying. Skeletal remains were reportedly found in the 1880s but later lost. The speaker questions the official narrative surrounding the Cagliari Cathedral, claiming the stated construction date of December is fabricated. They suggest the cathedral is built atop a larger necropolis, referencing previous episodes about bodies buried under churches. They highlight the proximity of the Chapel of Saint Lucifer and the cathedral, noting the depiction of Saint Lucifer with a skull head and crown atop the cathedral. The speaker cites inscriptions indicating Saint Lucifer's remains were discovered and placed in the church. They state the Church of Saint Lucifer was used as a necropolis, with Saints Saturninus and Lucifer buried together. The speaker suggests further investigation into the site's history and its connection to Roman mythology.

Speaker 0 discusses Cypress’s Tombs of the Kings as part of a large necropolis on the island, describing it as a UNESCO site and a discovery first reported in 1783 with archaeology beginning in 1870. The speaker notes that this is not just “tombs of the kings” but a vast necropolis from the old world, with the implication that it reveals an advanced previous civilization still located beneath modern life. They claim that through extensive research and exposure, people can conclude that these sites are "right underneath our feet" and connected to many other necropolises across Cyprus. The narration emphasizes a pattern: excavations in the 19th century, with skepticism about earlier historical accounts, and asserts that many details about the tombs were lost over time. The speaker contends that the tombs were rich in expensive goods and old-world technology, and accuses mainstream narratives of grave robbers and cover-ups, claiming that bodies have been removed or lost due to looting or destructive restoration practices of the 19th century. They allege that remains have been taken for study or looting, leaving only a few intact burials today, and that the sites are often left inaccessible or destroyed to protect a narrative. The speaker highlights that adjacent to the Tombs of the Kings are catacombs and other necropolises, including a Western Necropolis, and argues they are interconnected. They point out that many catacombs repurposed as Christian places of worship undermine the notion that these were solely ancient burial sites. The claim is made that access is restricted next to the Salamis Necropolis and that information and mapping of the underground network are not provided to the public, suggesting that the network is much larger than publicly acknowledged. There is a repeated assertion that the “old world” civilization existed and that the pottery explanation for finds is a front to conceal what was discovered. The Turkish invasion of Cyprus in 1974 is cited as having led to greater looting of the Salamis Necropolis, with artifacts allegedly smuggled out during and after the conflict. The speaker connects Cyprus’s necropolises with other regional sites, including Palmyra in Syria, claiming proximity and interconnected significance and asserting that these sites reveal a true history that contradicts standard education. The episode repeatedly argues for full transparency and public access to excavations from start to finish, accusing authorities of protecting or preserving a narrative rather than the actual past. The speaker mentions that the necropolis excavations began in the 1950s for some sites and ties ongoing looting and restricted access to broader patterns observed in other “old world” sites. They conclude by noting that thousands of individuals were originally buried there and indicate anticipation for episode 111 next Saturday, promising further revelations about the ancient network and its looted heritage.

The video centers on the Hypogeum in Paola, Malta, claiming that “the old world is everywhere” and that its evidence has been hidden from the public. It asserts that the Hypogeum was discovered by accident in 1902 when workers cutting cisterns for new housing development broke through its roof; during excavations, “the previous civilization was found in 1903.” It alleges that human remains were emptied out and discarded “without being properly cataloged,” that the site was not allowed for public viewing until 1908, and that six years were needed “to remove the old world and anything that would give the mainstream history away,” with statements that this was “hiding the truth from all of us.” The speaker contends further excavations occurred between 1990 and 1993, after which the Hypogeum was closed to the public for “destruction work” from 1991 to 2000, and since reopening, access is limited to “80 people per day” under strict regulation. It is asserted that the site was found in 1902 and dated to 6,000 years ago, a dating the video calls nonsense, arguing the date is based on tests of local vegetation and that settlers abandoned underground palaces “four thousand five hundred years” earlier than claimed. The video questions whether there was a surface shrine marking the entrance that may have been removed during the years of restricted access, and argues that archaeologists “knew that it was there because they removed it.” Construction claims are presented satirically, alleging that the underground temple was cut “directly into the rock with antlers,” with retorts about using “chert” and “obsidian” as tools and mocking the idea of glass formed from lava as a tool to strike rock. The narrator dismisses mainstream history as fabricated, insisting the site was part of a world-spanning, ancient, underground civilization that built structures under major cities and mountains, with “master designs” and precise architectural features, including a chamber arranged so that “the light from the winter solstice illuminated its facade from the original opening above.” The video notes that a broad range of objects were discovered—pottery, beads, shell buttons, and carved figures of humans and animals—but claims that, after the site was blocked off, “7,000 individuals” were believed to be found, though “many of the bones were lost early in the excavation process,” and that the skulls were deposited at the National Museum. It reports political and cultural controversy around skulls with elongated crania, mentioning that “the most widely accepted explanation” is cranial deformation, but arguing this is contradicted by secrecy and destruction of many bones. It asserts that skulls were available to the public until 1985 at the National Museum of Archaeology, then removed “around thirty years ago” and made available to researchers only by special permission, implying a cover-up to prevent the narrative from collapsing. The speaker links elongated skulls to a “previous civilization” and claims they are depicted in art, on coins, and in cathedrals; they reference episodes about statues with elongated heads and “heads removed” to conceal certain features. They describe a three-level underground structure, an oracle room with acoustic resonance, and a central structure with no bones recovered from a particular room, while the lower level allegedly contained “no bones or offerings.” The video ends by emphasizing ongoing discovery and urging viewers to question established narratives, claiming that true history has been destroyed and hidden, and promising more revelations as the research continues.

Speaker 0: The Hypogeum in Paola, Malta, is described as an enormous subterranean structure excavated 4,524 years ago, with huge limestone blocks removed. It was discovered in 1902 during house construction, which blocked the public for nearly a decade. It reportedly contained about 7,000 elongated skulls, many destroyed and the rest hidden from the public. The speaker notes that some underground chambers appear to imitate above-ground megalithic temple architecture, with false bays and underground windows. A ceiling features one ring of carved stone overhanging the one below, allegedly to imitate a roof. The speaker questions whether the structure was originally underground or came from above ground and was buried during an event, possibly killing thousands inside. He asserts the mainstream view is that it was a burial site, while the speaker posits that people were killed on the spot or trapped underground, with bodies piled rather than buried separately, suggesting a catastrophic event that melted structures globally and reshaped civilizations. Speaker 0 then states they revisited the Hypogeum of the Valle dei Famili (Valumnus) in Italy, noting about 200 tombs and a 1840 discovery. The excavation uncovered a site used into the first century BC, with 10 rooms and two winged demons guarding the entrance. He points out urns with painted scenes, including griffins, and argues that the griffin imagery links to Tartaria and Greek mythology, asserting that much of this history has been removed or hidden. A photo shows items behind a wall prior to modern changes; he claims that items were removed from the site between 1839 and today, suggesting ongoing suppression of evidence. Speaker 0 highlights an underground complex near Palmyra, Syria, the Temple of Baal, and a castle on a cliff—arguing that the area contains massive stone structures, hundreds of columns, and a temple the size of the Great Pyramid, with a perimeter roughly half a mile. He notes a mosque or palace-like complex nearby, and references the destruction and removal of the arch and other structures by modern groups, claiming that these actions suppress true history. He mentions the Baal Temple was allegedly found in 32 AD, though war zones have prevented access and exploration. He cites the Temple of Baal as being built on a tell, layering past civilizations, with the nth-century destruction of the post-classical elements—they allege the site had advanced construction and technology. Speaker 0 asserts that Palmyra’s temple complex was judged by mainstream narratives as centuries old, while the speaker believes it is much younger and part of an extensive old-world city evidence. He points to the Temple of Baal, the Temple of Baal Shemin, and the Taimer (Tadmur) Castle on UNESCO’s danger list in 2013 due to the Syrian civil war; ISIS captured it in 2015, recaptured in 2016, and the stairway was blown up in 2015, with plans to rebuild the arch denied by the speaker. He repeats the view that the old world had advanced technology and that the public has been misled, with the pottery focus being a deliberate decoy. He also references the Baal Cycle tablets—the ball cycle—found in 1929, claiming thousands of tablets reveal more than pottery, including royal palaces, high priests’ libraries, and texts about Baal’s rituals and offerings. Speaker 0 closes by suggesting that the true history lies beneath our feet, with a hidden past shaped by an advanced civilization violently erased or relocated, and that the current timeline is a fabrication designed to obscure what truly happened in the last few hundred years. Speaker 1 comments on the beauty of the cities and the impossibility of rebuilding them as they were, reinforcing the notion of lost grandeur.

The video launches with a provocative premise: the history we’ve been taught may hide the truth about who we are and what was here before us, using Sardinia, Italy, and the Giants of Monte Prama as a case study. After four excavations from 1975 to 1979, roughly 5,000 underground items were found at the site, including 15 heads and 22 torsos, among others. The claim is that many pieces were moved and stored for thirty years in the National Archaeological Museum of Cagliari, with the number of items and their condition allegedly undisclosed or unverifiable, and that only a subset has been exhibited while the rest remain hidden from the public view along with the statues. The speaker argues that archaeologists’ work would be illegal to perform today, yet the authorities publish numbers that are easily questioned. The video asserts that what is taught in schools is based on select pieces shown to the public, while the majority of finds were kept in basements or backrooms for decades. It is claimed that the restoration and subsequent display have been selective, with many pieces not accessible to the public and a broader narrative being pushed about the site’s significance, timeline, and origins. A central accusation is that Monte Prama’s timelines are manipulated. There’s criticism of dating, such as a late fourth-century BC abandonment versus other proposed centuries, asserting that the dates are “made up,” and that local or regional authorities have altered timelines to fit a narrative. The video references the use of local leaf tests to assert ages between the eleventh and eighth centuries BC, and claims these are debatable and not definitive proof of the site’s history. It contends that limestone preservation would require destructive testing or ancient processes, and argues that the heads have been damaged or removed, obscuring what the past looked like and what people held or wore. The narrator speculates about six fingers, watches, and other artifacts possibly hidden in the stonework, joking about Apple Watches, then insists that hands, feet, and other parts have been removed to conceal information. The Giants are described as over eight feet tall, with elongated heads and horns, and the video maintains that the depictions reveal a different history than the conventional narrative. It claims more than 25 statues existed, with the total later estimated to be 44, and asserts that more are stored in back rooms. The restoration project, the video asserts, should be transparent and livestreamed so the public can see the process. It accuses the group behind the official exhibition of manipulating information, destroying or hiding evidence, and restricting access to the site for decades. Beyond Sardinia, the discussion expands to the broader region, linking Sardinia to Syria (episode references Palmyra and the Temple of Baal) and touching on Georgia (the Lord’s Fortress), Turkey, Azerbaijan, and Tartaria. The narrator asserts that these regions contain melted rock-town structures and extensive tunnel networks, sometimes described as multi-level, ancient urban settlements connected by underground passages. Carbon dating is criticized as being unreliable for proving human presence at these sites, and there is a persistent assertion that mainstream archaeology fabricates or withholds the truth. In Georgia and adjacent regions, tunnels, staircases, and hidden halls are described as evidence of advanced subterranean civilizations, with claims that earthquakes or other disasters are misrepresented by mainstream accounts. The speaker references political figures and questionable provenance for dates, and ends by urging continued exploration and public scrutiny, implying a global pattern of hidden or manipulated premodern advanced knowledge. The closing note teases more content next Saturday, inviting viewers to weigh in on what is truly below the sand and what ancient civilizations might have built beneath the surface of the world.

The Hypogeum in Malta, an underground temple discovered in 1902, was initially hidden, and access is now strictly regulated with only 80 visitors allowed per day. The speaker disputes the mainstream historical narrative that dates the site to 6,000 years ago, claiming this is based on fabricated evidence. They allege a surface shrine marking the entrance was removed during the years the site was closed to the public. The speaker questions the mainstream explanation of the construction methods, which suggests antlers and flint tools were used. They propose that the site is evidence of a previous, advanced civilization capable of constructing underground structures worldwide. The speaker notes that the remains of 7,000 individuals were found in the Hypogeum, but many bones were lost during excavation. A small percentage of the remaining skulls exhibit abnormal cranial elongation, similar to those found in ancient Egypt. The speaker believes these skulls were intentionally hidden or destroyed to suppress the truth about a past civilization with beings that looked different from modern humans. Similar elongated skulls and depictions of angels are found in other underground sites, suggesting a global phenomenon.

The tombs of the kings in Cyprus, discovered in 1783 and first excavated in 1870, are part of a large necropolis designated as a UNESCO site. This necropolis, belonging to an ancient civilization, raises questions about where this advanced civilization disappeared to. The speaker believes they are right underneath our feet. Much information about the tombs was reportedly lost, attributed to grave robbers, but the speaker suggests this is a cover-up. The speaker claims that thousands of bodies were buried there, but most have been removed. Catacombs next to the tombs are repurposed as a Christian worship site, similar to churches built on catacombs worldwide. These sites are interconnected, forming a massive necropolis. Ninety miles away, the Salamis Necropolis contains thousands of tombs, but access is restricted to the public under the guise of preservation and ongoing excavations. The speaker alleges that remains have been removed for study, with the number of bodies now minimal. Following the Turkish invasion in 1974, looting increased, and artifacts were smuggled out. Cyprus and its necropolises are near Syria, Lebanon, and Palmyra, where the Temple Of Baal is located. The speaker believes a massive event wiped out the previous civilization, leading to a reset. The Palmyra Necropolis also features elaborate tombs that have been looted and damaged, with thousands of individuals originally buried there.