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The transcript shows an argument in which one person repeatedly tells another to “get out of here” and repeatedly orders them to put their hand behind their back and not let go. The speaker says they are “gonna put handcuffs on you” and asks if the other person understands. The other person responds with “Alright” and says they want to be taken off the queue while insisting, “I didn’t do anything.”

An officer confronts a woman on the street, insisting she show identification. The officer asks for an ID multiple times, stating, “Do you have an ID on you, ma’am?” and later, “If not, we're gonna put you in the vehicle. We're gonna ID you.” The woman responds that she doesn’t need an ID to walk around in her city, and she refuses to produce any identification, saying, “I don't need to carry around an ID in my home,” and, “Not gonna give you a ID.” The officer presses, requesting the woman’s birth information as part of what he describes as an immigration check and a citizen check. He asks, “Where were you born?” and “Ma’am, can we see an ID, please?” The woman asserts her status, declaring, “I am US citizen,” and reiterates that Minneapolis is her home. She insists that this is where she belongs and that she should be allowed to walk there without fear, replying, “This is my home,” and, “I belong here. I should be walking around here at three. I shouldn't be afraid in my life at this point.” The officer continues to demand identification, stating, “Ma’am, do you have an ID to give us? Skirt? Yes. You're correct.” The woman pushes back on the line of questioning, asserting, “I am US citizen. I am US citizen. I don't think so. You have a right to picture me while I am in my home or walking around in my home. This is not acceptable.” She accuses the officers of terrorizing people, insisting, “You guys, you terrorizing people. Ma’am.” The exchange centers on the tension between civil verification checks and the woman’s insistence on her rights and belonging. As the conversation escalates, the officer reiterates the need for a birth place, while the woman remains adamant that where she was born is irrelevant to her citizenship and right to be in her home area. She maintains that she belongs there, repeatedly stating, “This I is my belong here. I'm sorry. I belong I'm not gonna take out anything. What the fuck?” The dialogue ends with the woman’s determination to resist producing any identification and a continued assertion of her US citizenship and claim to the space as her home.

The exchange opens with Speaker 0 insisting that everything is fine and stating, “That’s fine, dude. I’m not mad at you. Show your face. I’m not mad.” Speaker 1 responds with a similar nonconfrontational stance, saying, “That’s okay. We don’t change our plates every morning, just so you know. It’ll be the same plate when you come talk to us later. That’s fine.” A fragment, “US citizen,” appears, attributed to the moment but not clearly labeled as a speaking line beyond its placement, followed by Speaker 0 challenging the others with, “You wanna come at us? You wanna come at us?” Speaker 1 counters with a calmer directive: “I said go get yourself some lunch, big boy.” Speaker 0 then says, “Go ahead.” The dynamics shift as Speaker 2 interjects with an order, “Out of the car. Get out of the fucking car.” Speaker 0 repeats the directive, “Get out of the car. I’m taking my car. Woah.”

I'm being detained and can't return to my house. What am I being detained for? What are the specific reasons? Why am I here? You're going to put handcuffs on me? No, do not touch me. Don't touch me.

A person in a car is stopped by an officer who says the tag design is not allowed. The person identifies as a third-year law student and demands the officer's documents. The officer requests the person's driver's license, which is refused. The person repeatedly asks for the officer's watch commander to come to the scene. The officer threatens to call the sheriff. The officer demands the driver's license and orders the person out of the car, while the person insists there is no lawful reason for the demands. The officer points a weapon and orders the person to unbuckle their seatbelt and exit the vehicle. The person states that the officer has a weapon pointed at them and asks someone to call an attorney. The officer orders the person to get out of the car and onto the ground, threatening to use a taser. The person says they cannot stand on their own and refuses to comply.

A speaker confronts police, calling their actions 'There’s absolutely no nobility in what you're doing. You should be fucking ashamed of yourselves. It's called fascism. It's called fucking fascism.' He asks, 'Did he commit a crime? Is he free to go? Is he being charged with anything?' and, 'Why was he pulled over? What are the charges?' He accuses profiling: 'Are you just pulling over all the brown people who drive by because you arrested another man for what? Was he charged with anything?' He demands accountability: 'What’s your name? Okay. Why don’t you show your fucking faces, you coward?' He notes unmarked cars: 'Unmarked cars. No faces.' 'Yeah. Just says police. Police is awfully generic. So you have a badge number?' The encounter ends with insults: 'Yeah. You'll fuck yourself. You're not welcome here. Get the fuck out of our neighborhood. Jesus Christ.'

The transcript describes a high-speed traffic stop and confrontation on Briley Parkway. A black SUV is eastbound on Briley Parkway at 85 mph in a 55 mph zone. A Metro Police officer pursues the SUV for several miles. At one point, the SUV flashed blue lights back at the Metro officer, and the officer eventually pulls alongside the vehicle and calls out to the driver before the SUV finally pulls over. The driver exits the SUV and identifies himself as a state trooper. The officer warns, “I’ll lock you up if you touch me again.” The trooper displays his badge, and shortly after, the interaction becomes physical again. The transcript notes that “All of this was Speaker of the House Cameron Sexton in the vehicle.” The driver insists, “Yeah. Did you not see my blue lights?” and adds, “I don’t care who you are. I’m the police.” The officer responds that the police are trying to stop him for breaking the law, stating, “You need to yield to the police.” The confrontation ends after the trooper shows the officer his ID and the two part ways. As they part, the driver questions, “What’s your problem, dude? I got business to take care of, man. We got places to go.” The other replies, “Yes. Got to tell you about it, my friend. Have a good day. We will see about it.”

A person is confronting police, asserting their rights as a citizen and demanding respect. They state, "This is a new day. We spend money here. Respect us too." The person denies stealing and accuses the police of racism, claiming to have more training than "savage ass white people." They repeatedly call someone racist and state, "I had your mother talking to him like." They request police assistance while simultaneously verbally confronting them.

An officer questions a man, Adam, about potential weapons and his attitude. The officer states he can pull Adam over if he wants, while Adam asserts his right to question the officer's presence. The officer warns Adam about approaching him. The conversation escalates, with the officer using explicit language and threatening arrest. He explains he initially intended to explain the reason for the stop but was interrupted by Adam's hostility. The officer emphasizes Adam's aggressive behavior and failure to comply with instructions. The officer, named Matthew Mercado, eventually decides to let Adam go but warns him about potential charges for obstruction and assaulting an officer. He advises Adam to allow officers to explain their actions before reacting. Mercado explains his suspicion was aroused because the officer was in an unmarked vehicle with out-of-state plates near Adam's property. Mercado emphasizes the importance of listening to instructions and warns about using a taser for non-compliance.

A person is videotaping what they claim is an active law enforcement scene and refuses to leave when asked by an officer. The officer threatens the person with arrest for interfering. The person states they are a citizen and will continue videotaping, claiming what is happening is illegal and not welcome in the community. The person states they are getting the officer's license plate number. The person claims that ICE is taking people off the street in their community.

An officer tells someone to get back, then orders them to keep their hands visible, stating they are interfering. The officer says the person will go to the back of the car. The person denies resisting. The officer tells them to stop resisting, and that they will be put on the ground if they keep fighting. The person repeats that they are not fighting.

Speaker 0 asks for an ID from Speaker 1, insisting, “Do you have an ID on you, ma'am?” Speaker 1 replies, “I don't need a ID to walk around in in my city.” Speaker 0 presses for IDs, warning, “If not, we're gonna put you in the vehicle. We're gonna ID you.” Speaker 1 refuses, saying, “I don't need to take out you take out your ID.” Speaker 0 presses again: “Hey, ma'am.” Speaker 1 asserts, “It's ma'am. Am US citizen. I am US citizen.” Speaker 0 asks, “Alright. Can we see an ID, please?” Speaker 1 repeats, “I am US citizen. I don't need to carry around an ID in my home. Well, where were born?” Speaker 0 questions, “Where were you born?” Speaker 1 responds, “This is my home,” and then, “Minneapolis is my home.” Speaker 0 clarifies, “Ma'am, that's not that's we're doing an immigration check. We're doing a citizen check. We're asking you where you were born.” Speaker 1 insists, “This is where I belong. This is my home.” Speaker 0 pushes, “Ma'am, can belong here, but where were you born? Not gonna give you a ID.” Speaker 1 repeats, “I belong here. I should be walking around here at three. I shouldn't be afraid in my life at this point.” Speaker 0 presses, “Ma'am, do you have an ID to give us? Skirt? Yes. You're correct.” Speaker 1 protests, “You're making me a skirt. You're making me a Do you have an ID?” Speaker 0 again asks for an ID, and Speaker 1 repeats, “This is my home.” Speaker 0 states, “Ma'am, where were you born?” Speaker 1 responds, “I am US citizen. I am US citizen. I don't think so. You have a right to picture me while I am in my home or walking around in my home. This is not acceptable.” Speaker 0 continues, “You guys, you terrorizing people.” Speaker 1 emphasizes, “Ma'am And it's not.” Speaker 0 asks again, “Where were you born?” Speaker 1 states, “It doesn't matter where I was born. Belong here. I am US citizen.” She adds, “What else can I say? I am citizen. This is my home.” Speaker 0 warns, “Menia realize that if… [you] lie,” and Speaker 1 reiterates, “Menia, but this is my home.” Eventually Speaker 1 declares, “I am US citizen. I am not gonna take out anything. What the fuck?”

A heated exchange unfolds between Speaker 0, who identifies as part of a community protection group, and Speaker 1, who represents ICE (Immigration and Customs Enforcement). Speaker 0 confronts the ICE team as they arrive in the neighborhood, insisting on seeing a warrant and demanding identification. The dialogue centers on whether the agents have a warrant signed by a judge and whether they should reveal badge numbers or other identifying information. Speaker 0 repeatedly presses for documentation: “Could you show me it, please?” and asks, “Do you have a warrant signed by a judge?” He questions the legitimacy of the officers’ presence, asking, “What’s your badge number, sir? Do you have a badge number? Can you identify yourself, please?” He emphasizes that “you’re coming into my city” and challenges why they would be in the area. Speaker 1 responds briefly and evasively, asserting identity as ICE and insisting that Speaker 0 has no business being present: “I’m ICE. Immigration. Immigration. Immigration. Customs enforcement. Okay. That’s all I am.” He adds, “You don’t have business when we get out of here, sir,” and later, “We’re looking for somebody,” though Speaker 0 pushes to know the name of the person they are pursuing: “Do you know his name? Do you have his name or her their name? What is their name?” Speaker 0 emphasizes community scrutiny and accountability, stating, “These are one of my neighbors, so I just wanna,” and challenges the officers’ transparency, asking for their identifications and accusing them of hiding their faces: “Why are you covering your face? Why don’t you take your mask down?” He taunts them with a threat to publish the encounter: “I’m gonna get this on the Internet. Your family is gonna be ashamed of you when they learn what you’re doing.” As the exchange escalates, Speaker 1 asserts authority and tries to disengage: “You don’t have business when we get out of here,” and “Okay. That’s all I am.” The confrontation intensifies with Speaker 0 inviting an on-the-record discussion and challenging the officers to converse “down” with him instead of remaining in their vehicle. The dialogue culminates with a physical and verbal standoff as Speaker 0 steps back and the officers retreat, while Speaker 0 continues to voice distrust, calling the actions “Gestapo”-like and insisting that the officers come talk to him in the street rather than remaining behind a door or in a car.

During the exchange, the speaker challenges the order and refuses to comply: "Kidding me? No. I don't Get on the ground. Get on mister doctor. Put your hands down." He notes that "He's supposed to step it up. I just got kicked." The scene proceeds with commands to restrain: "Okay. You need to calm down. Put your hands behind your back right now." He repeats the directive: "Put your hands behind your back and get against the wall against the wall." The dialogue includes an unusual remark: "Who You're female. Taser the porn." and ends with, "Sorry, man. Save your sorry for later."

An individual is being arrested, and officers are attempting to get him to cooperate. The individual refuses to provide his ID, driver's license, or proof of insurance, but an officer writes down the number as he holds it up. The individual does not consent to searches or seizures on his property. He asks what he is being arrested for and an officer replies that it is for a warrant. The individual demands to know what the warrant is for and accuses the officers of being crooked. He continues to resist and curse at the officers. An officer asks another if they have the individual's belongings. The individual asks an officer if he was following him.

Speaker 1 refuses to answer questions at a federal immigration checkpoint, citing their 5th and 6th amendment rights. They argue with border patrol agents, leading to a tense confrontation where they are threatened with arrest. The situation escalates as Speaker 1 refuses to comply with the agents' requests, resulting in a physical altercation. The confrontation continues as Speaker 1 asserts their rights and demands not to be touched by the agents, leading to a standoff. The situation remains unresolved as Speaker 1 continues to resist the agents' attempts to detain them.

A Black American confronts a traffic cop, declaring, 'I'm black American' and, 'I'm I'm getting arrested again, monkey.' The speaker says, 'Shut up. You don't care about police.' and adds, 'I'm a black American, you monkey.' They demand, 'Get out of my country. You're a monkey. Get out of my fucking country.' The exchange continues with, 'See you. Monkey.' and, 'You fucking piece of shit.' The speaker repeats, 'I know. I'm a monkey.' before insisting, 'I'm not a monkey.' The moment ends with, 'Okay. Thank you.' This excerpt captures a hostile confrontation marked by racial insults and dehumanizing language throughout.

Speaker 0 describes a tense encounter, asserting safety concerns and clarifying they were visiting parents in Spencer and live there. They refuse to provide a requested detail: “What’s your dad’s name?” and answer “You don’t gotta get the information.” The other party orders, “Hands where I can see them. Don’t move around. Be nice,” followed by statements that they are not detained: “We’re not detained.” The speaker notes, “I have that too on recording already, and you are not allowed to do this,” and is told to “Turn the phone off.” There are repeated directives to relax and stop moving, with insistence that they are not in a traffic stop: “You’re not in the fucking traffic stop.” The confrontation escalates with commands to come up, culminating in “Come on up. Come up. Come on up. You got the right one.”

An officer asks Autumn to step out of her car and turn around to put her hands on her back. Autumn asks what is going on and if she is under arrest, to which the officer replies that she is. Autumn asks if she can ask questions and make a phone call, and the officer says she can. Autumn asks if she can go to her house or the store. The officer asks if she has any other weapons. Autumn replies, "Thirty four o'clock," and the officer says, "That's only at thirty four o'clock. There's one thing else to go."

The speaker notices a state-run bus that resembles border patrol. They point out an emblem on the officer's sleeve and suggest looking into it. The speaker asks the officer about the people present, and the officer confirms they are illegal immigrants. The speaker then gets interrupted by someone asking for their ID. The speaker denies needing an ID, leading to an argument with the officer. The speaker insists they are not resisting and is asked to turn around.

A person is recording a video outside a building and is approached by a security guard and a police officer. The person questions who they are and why they are being surrounded. The person refuses to talk to the police officer and threatens to knock him out. They demand to know the police officer's name and badge number. The person asserts that the police officer should stick to his job inside the building and not approach members of the public on the sidewalk. The person eventually tells everyone to go back inside and leave them alone.

A police officer is recorded telling a Black person to step out of their car and provide their driver's registration. The person asks for the reason they are being asked to do so. The officer says they are dropping someone off. The officer tells the person to turn around and put their hands behind their back because they are under arrest. The person refuses to comply and resists being touched. The officer attempts to force the person onto their side and handcuff them. The person yells to be left alone and to get off of them while the officer is on top of them.

The exchange appears to be a tense traffic-stop interaction. One speaker asserts they are not detained and mentions having it on recording, while questioning the legitimacy of the stop. They indicate they were visiting parents and that they live in Spencer, and they are asked for their father’s name, though they decline giving that information. Throughout the confrontation, the other party demands that the speaker keep their hands visible and not move around, insisting they are not detained and that nothing about a detention has been said. The speaker is told to turn the phone off and to stop recording, with repeated instructions to relax and not to move excessively. There is a back-and-forth about recording and legality: the speaker states they have it on recording already and asserts a prohibition on certain actions, while the other party continues to instruct the speaker to put the phone away and to calm down. The dialogue includes commands to approach or come up, culminating in repeated insistence that the speaker "come up," with multiple repetitions of "Come up" and "You got the right one," suggesting the speaker is being asked to move toward the officer or another location. Overall, the moment captures a confrontation where one participant emphasizes not being detained and references recording, while the other enforces compliance through visible-hand and proximity directives, culminating in persistent urging to advance.

A tense confrontation unfolds as Speaker 0 challenges officers over authority and a clash centered on treason, ownership, and custody of a vehicle. "What is treason? You're gonna find out when he gets sent to arrest you." He demands accountability, shouting "Harassing private citizens" and "Your whole police department for harassment, treason, dereliction of duty." The dispute centers on the vehicle and the keys; "I cannot produce the agreement." Officer orders: "Don't touch me." and "You don't have the right to touch me." Arrest proceeds; the detainee warns, "I will break your arm." The struggle continues as he asserts ownership and again says, "I cannot produce the agreement." Cuffs become tight; "These cuffs are way too tight." The scene ends with protests that "The cuffs are hurting me" and calls to stand up.

The speaker confronts a law enforcement officer, demanding their name and badge number. They discuss the presence of illegal immigrants and whistleblowers in a facility, with the speaker threatening to obtain body cam footage. The officer warns that trespassing will result in arrest. The speaker questions if the officer is blindly following orders and accuses them of lying about a bus filled with illegal immigrants. The officer denies knowledge of the bus and the conversation ends.