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Someone yelled, "Have a nice round." Another person responded, "We will. Definitely will. Certainly. Have a nice round." Then, someone yelled, "Enjoy the couch."

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The exchange centers on accusations of hyperbolic statements and the accuracy of quoted posts. Speaker 0 challenges Speaker 1's credibility, citing a series of posts and asking whether the statements were read correctly. - On 02/11/2026, Speaker 0 cites a Blueski post: “my words or your words, not mine. The democrats video telling service members to ignore illegal orders didn't go far enough. They should have also urged them to refuse unethical orders, whether illegal or not. There are many things deemed legal that are still obviously unethical, and everyone should hold themselves to this higher law,” and asks, “Did I read that correctly?” Speaker 1 confirms reading it and asks if Speaker 0 disagrees with it, questioning whether people should do unethical things in their capacity of [unknown context]. - On 12/31/2025, Speaker 0 references a post reading, “in front of god and country. … They referring to Republicans think they control their way into us accepting ethnic cleansing,” and asks, “Did I read that correctly?” Speaker 1 responds that it related to a DHS security post advocating a 100,000,000 deportations, stating that “A 100,000,000 deportations would be ethnic cleansing,” adding, “You would be True. One third of the country. So, yes, there are people within the Department of Homeland security.” Speaker 0 asks whether this is hyperbolic and requests more time. - On 02/05 (implied), Speaker 1 notes, “advocating a 100,000,000” but the sentence is cut off in the transcript. Speaker 0 comments, “reputations is … cleansing,” while continuing to engage in the discussion with the chair and audience; Speaker 0 asks for thirty more seconds. - On 03/02, Speaker 0 quotes Speaker 1: “if you rule against Trump's population purge agenda, no hyper permanently there, the nativists will name you, threaten you, and come after you. These judges are much braver than the ICE agents who hide behind masks while violating the constitution. They are much braver.” Speaker 1 clarifies, “They put their names on their rulings, and they stand behind their constitutional rulings. When I talk about population purge, I'm talking about the fact that they're trying to deport US born citizens, people born here. They are trying to deport them as well. So it's not a mass deportation agenda. It is also an agenda intended to reduce the population of The United States, including US born people.” - Speaker 0 responds, “Thank you.” Speaker 1 adds, “These are not hyperbolic statements. I appreciate you reading my account. Here's the good news.” The conversation escalates in tone as Speaker 0 interjects with disbelief, asking, “What planet … parachute him from?” Speaker 1 replies, “No. No.” Speaker 0 comments, “Hey, guys. You're you you You trigger my gag reflex,” and Speaker 1 closes with, “Mr. Bieber.”

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The speaker encourages the audience to bounce with them and then asks them to slide.

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First speaker: The discussion centers on “democracy hubs” and how their effectiveness can be enhanced by existing, community-based networks. The speaker explains that those hubs would be fortunate to have a chapter of Mormon women in their community because such a chapter would provide a natural, built-in partner. The idea is that these local hubs benefit from a ready-made “passing gear” or supportive infrastructure. The speaker lists examples of potential partnerships or coalitions: libraries with a transforming communities project, museums created by women voters, and community mediation centers. The overarching point is about aggregation and collaboration across community institutions to advance democratic engagement and civic participation. The speaker emphasizes that having a Mormon women’s chapter in a community would supply a ready-to-use set of collaborative resources, effectively accelerating the work of democracy hubs. Second speaker: Responds with a brief interjection that shifts the tone. They remark, “You’re a little bit horny. Little engine that could. I hope that doesn’t diminish you. I hope that's a compliment. Nope.” The remark suggests a provocative, informal reaction to the first speaker’s assertion, followed by a clarification that the speaker does not intend to diminish or insult, and then a negation of the compliment being taken. The exchange highlights a tension between earnest civic talk about strategic partnerships and a candid, personal aside that introduces a more informal, idiosyncratic tone to the dialogue.

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Speaker 0 and Speaker 1 share an emotional moment after a perceived success. Speaker 0 exclaims, “Give me a hug now. We did it. You were right. You did it.” Speaker 1 acknowledges the effort to convey the message, saying, “Dude, I was trying to tell you. I I couldn't say much.” In a celebratory tone, Speaker 0 repeats, “You were right.” Speaker 1 reinforces the sentiment and adds that they “just have to watch my channel,” followed by a provocative remark about the quality of the film, wondering aloud, “Is this not gonna be the best film you've ever made in your life? No. You gotta give me a real kiss for that shit.” Speaker 0 confirms with a short, affirmative, “That's it.” Speaker 1 amplifies the excitement with, “Hell yeah.” Speaker 0 echoes, “Hell yeah.” Then a practical concern arises: “Wait. You weren't recording, Grace.” Speaker 1 responds with a plan to mitigate the situation, saying, “I'll delete that shit. But I didn't record you or me. It was just voices.”

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Nice semen. Let's go. You can see the guy there. It seems like they might have hit him because he is burning. What's that?

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A person is heard making sexually suggestive comments, inviting someone to "bring that juicy ass over here and hop in daddy's new whip." They then ask if the person wants to "rip off that top and hop on in here." Another person responds that this behavior is "not okay" and that "you don't talk to people" like that. The first person states, "I've never been more ready."

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Speaker 0: Look at what happened. If you want to see something good, take a look. Speaker 1: What do you know about Rolando? When it rains, you can climb and freeze when people talk. Translation (if needed): Speaker 0 is encouraging the audience to pay attention to something that happened, while Speaker 1 mentions Rolando and the effects of rain on climbing and freezing.

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We were standing right there, and it's catching up fast. This is intense; it's moving quickly.

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Speaker 1 saw something shoot across behind Speaker 0. Speaker 1 exclaimed "Insane" and asked if anyone else saw it. Speaker 0 stated, "I have it."

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The scene centers on a tense, improvisational act that mixes technical danger with the formation of a rebellious mission. Speaker 0 is shown building a closed circuit, insisting on keeping a cap shunted “so you don’t accidentally detonate your charge,” and pressing to “create a show,” framing the moment as “an announcement of revolution. The message is clear.” Speaker 1 responds with a chilling promise: “I’ll be seeing you very soon.” The conversation then pivots to a ceremonial claim: “for bringing justice to the vigilante group known as the French seventy five, we are here to award Steven Lockjaw with the medal of honor.” The dialogue hints at love and loyalty with the line “You have to understand who will love you.” A personal vignette emerges: Speaker 0 recalls, “Me and mom used to run around and do some real bad / They got hurt. Now they're coming after us. I'm sorry.” The exchange reveals a sense of fatalism, as Speaker 0 asserts, “I didn't ask for this. That's just how the cards were rolled out for me,” only to be corrected by the other voice: “It's not cards. You don't roll cards. It's dice.” A moment of familial friction follows: “Dad, what is wrong with you? You're right.” They prepare to move on with “Let's go.” The scene shifts to a tunnel-like tension: “Tunnel. What? What's going on?” and a practical but desperate plea for weaponry: “I need a weapon, man. All you got is goddamn nunchucks here. You know where I can get a gun?” The dialogue then reflects a concern to protect “you from all your mom's stuff, from all my stuff, even though I know that's impossible.” A stark line marks a turning point: “This is the end of the line.” “Not for you.” A new character arrives: “Woah. Who's this?” They explain, “Oh, they're just my friends,” and dialogue turns to pronouns: “Now is that a he or a she or a they? It's not that hard. They, them. Okay.” A brief courtesy follows: “I just wanna be polite.” Then an intimate moment: “Yo. Say it. Say it, baby.” Endearments are exchanged: “Love you, Bob. Love you too.” The closing vibe asserts a philosophy of freedom: “You know what freedom is? No fear. Just like Tom Cruise.”

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The speaker confirms the task: to make a video. After clarifying, they emphasize the instruction with repeated affirmations: “Make a video? Good. Good. Good. Good. Good.” They count steps—“One. One. Two. Position. Precision.” Then they ask, “Two. What are you celebrating? Are you beginning? Show us what you got.”

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The speaker describes the moment when someone walked out of Madison Square Garden to a cheering crowd. The atmosphere was electric, with the crowd going wild as Kid Rock's "American Badass" played and Tucker Carlson joined in. The cheers were overwhelming and lasted for over a minute, with the crowd showing strong support. It was an intense experience, with people screaming at the top of their lungs.

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A rider on a bike is described as leading the charge, with an emphasis on his single-minded push forward. The narration mixes rough slang and breathless excitement as the speaker focuses on a person who is “on a bike” and “pedaling” in what appears to be a competitive or high-intensity scenario. The phrase “leading clean type on a bicycle leads a BMW” signals that a cyclist is at the forefront, while a BMW is implied to be involved in the action as well. The speaker is urging forward movement, repeatedly shouting encouragements like “Davai-davai-davai, пошел- пошел,” signaling a sprint or aggressive advance. There is a sense of urgency and surprise in the audio, with the speaker asking “север прием, как меня слышу?” and reporting, “Я в ахуе,” indicating a state of heightened emotion or alarm. The term “Штурмовой Штурмовик” frames the cyclist as a rampaging or assault-style rider, prompting the speaker to call attention to the rider with emphasis: “велосипедист ты посмотри внатуре.” The speaker contemplates whether the rider might be using an unconventional vehicle, wondering “а может вообще на самокате,” and speculates about his speed by saying “газу, газу, север, родной, давай газу, давай, давай, иди ты куда надо!” The dialogue conveys a perception of chaos or confusion among others involved. The speaker notes that “Это пизда,” a blunt exclamation signaling something extreme or problematic, and then comments on the others’ state with “Какие кохлы как в ахуе сейчас, они даже не знают что делать.” This last line underscores that the others are overwhelmed and unsure how to respond to the situation. Overall, the transcript captures a rapid, exclamatory moment centered on a cyclist who is advancing aggressively, with onlookers or teammates reacting with shock, uncertainty, and a flurry of commands to accelerate or reposition. The language conveys adrenaline, surprise, and a sense that the scene is unfolding quickly, with the possibility that the rider’s method of transport or the dynamic of the pursuit is unconventional or startling to those watching.

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Two speakers share a celebratory moment as they acknowledge the outcome. "I'll give you your hug now. We did it. You were right. We did it." "Dude, I was trying to tell you. I I couldn't say much." "You were right." Then one asks, "Just have to wash my chin. Is this not gonna be the best film you've ever made in your life?" The exchange continues with "That's it." "Hell yeah." "Hell yeah." A note of caution arrives: "Wait. You are recording. Were you?" The other responds, "I'll delete that shit. But I didn't record you or" "me." "It was just voices."

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Anxious or quick-moving activity was observed on the other side of the vehicle. The speaker exclaims, "Oh my gosh. He's completely alive."

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The speaker acknowledges the topic “with children,” then says “they're hotter,” follows with “Let's fucking go,” and asserts, “That's why we love them. That's why we love this guy.”

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Speaker 0 urges the crowd to keep marching and not stop. Speaker 1 expresses support. Speaker 0 continues to encourage the march and thanks the participants. They emphasize the need to keep going and express gratitude for the quick response.

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Someone exclaimed, "They didn't expect it," followed by shouts of "Get down." The speaker then said, "Oh, I took it too." Following this, someone stated, "Oh, he got fucked," and repeated "He got fucked" multiple times, along with "Fuck you." The speaker then exclaimed, "Oh my god. He got fucked. Oh, he's fucked," and concluded with "Doctor, bitch."

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Excuse me, who does your makeup? Would you consider playing us? We are four of the Ultras. We're at a pretty high level. Are you sure you want to play us? Okay, that was fun. Playing for those Ultras is really hard. You know we're professional athletes, right? What sport do you play? I smell Ultra. Want to play for an Ultra?

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This is awesome, this went to a whole new level of entertainment. We got front-row seats for this! I've been seeing these physical altercations and I'm wondering what the point of security is. There's no reason for anyone to say anything. This just escalated, this guy's gonna go away in cuffs. Are your feet numb? Mine are molded to the boot, so they feel good.

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"Cristiano Ronaldo isn't just a soccer legend. He's the biggest name on the biggest stage in the entire world." "Over a billion followers across social platforms, more than any musician, actor, or influencer." "To millions, he's not just a player. He's a symbol of greatness, and Speed built his entire persona Zoe." "First, it was just clips." "Then it became hit songs, music videos, and even CR seven tattoos." "Speed went from a fan to a fanatic." "His obsession with Ronaldo consumed him, turning a dream into a mission." "From the FA Cup in London to the World Cup in Qatar, he flew across continents, screaming from the stands desperate for Ronaldo to notice him." "Following a three nil win over Bosnia, a stadium of Portugal fans buzzing with energy, and deep in a parking garage after months of chasing, screaming, Speed's dream finally became reality."

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Chaos unfolds in a rapid, disjointed exchange. A frantic speaker curses and questions what is happening: 'Fuck.' 'Oh, it's it.' 'Sorry. You're good. What?' 'What's higher? I white mist.' They ask 'Sora, can you see them?' but there is no sight: 'No. No.' The speaker explains that 'Sora's tried hip. I cannot move.' He adds that 'And but he was able to get to some conventist's plate. I don't know.' 'Shortly after that. Oh god.' They call to Josh: 'Josh. Yeah. Get in.' 'Come on. I need help.' The moment ends with the command 'Fuck. Get down.' The exchange conveys urgency, confusion, and a plea for assistance.

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Celebration and relief as the speakers declare "We did it." and "You were right. We did it." "Dude, I was trying to tell you. I I couldn't say much." They repeat "You were right." and mutter "Just have to wash my tongue. Chair." Then the mood shifts to speculation about a project: "Oh my god. Is this not gonna be the best film you've ever made in your life? That's it." "Hell yeah." "Hell yeah?" "Hell yeah." The exchange ends with privacy concerns: "Wait. You weren't recording, were you? I'll delete that shit. But I didn't record you or me." "It was just voices."

This Past Weekend

Chris Distefano 2 | This Past Weekend w/ Theo Von #265
Guests: Chris Distefano
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The episode features Theo Von hosting Chris Distefano on History Hyenas, mixing memories from their Opie and Anthony days with current careers, live shows, and a steady stream of jokes. They open with the Carl Ruiz story—the Mad Cuban—recounting rumors that his wife left him for a busboy, that he moved to the woods, lived on Big Macs drenched in syrup, and that he died while opening a Midtown restaurant; they note his generous heart, his role as a stepfather, and the bittersweet tragedy of Greek-like storytelling. They joke about his notorious breath and Zen dip packs while paying tribute, and they recall the big Cuban’s warmth and the family he left behind. They shift to Chris’s recent shows in Cleveland, where Theo recounts the surge in followers after their cross-pollination, and where Chris explains that his weekend gate grew from 99,000 to 139,000 followers in a single week, turning those fans into ongoing History Hyenas listeners. They discuss how podcasts now drive growth more than television, and how Chris’s Instagram and Theo’s platform helped expand both careers, with fans often discovering them via the podcast and sticking around for live shows and the Hyenas brand. They riff about fashion and body bits—fingers, bangs, thong toe sandals—and then anchor on the road team: Ari Mantis, Don DePeda, and Sergio Chico, highlighting Sergio’s ten-year sobriety, his boxing coaching, Don’s drinking, and the importance of a steady crew for mental health on tour. They describe the pressure in larger venues, the fear of fainting during a set, and how honesty with the crowd—together with nets and a loyal crew—helps them navigate anxiety while preserving spontaneity. A fan asks for an authentic New York experience; Theo and Chris suggest walking through Brooklyn, hitting Joe’s Pizza, strolling the Brooklyn Bridge, and visiting family in Staten Island, while also acknowledging safety and the city’s rough edges, all delivered with their signature blend of warmth and bravura. They cover Brad Williams’s Kaiden GoFundMe, its initial $10,000 goal, the flood of donations to about $460,000 after celebrity attention, and Kaiden’s family’s decision to donate excess to charity rather than take a Disneyland trip; they describe GoFundMe’s vetting and the distribution of funds to six charities in the US and Australia, with the remainder going to Kaiden’s family. They note currency, share the charities, and applaud the generosity that will support anti-bullying and anti-racism work across two countries, then close with Chris’s touring schedule and a plug for History Hyenas’ live dates and Gramercy Theatre shows, plus a nod to future Vancouver, Boston, Raleigh, Philadelphia, Seattle, Portland dates and more. They wrap with playful, candid banter about sexuality, the show’s hustle, and their affection for each other, ending on a warm, real note about their friendship and the work ahead.
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