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Speaker 0 reveals disturbing experiences of child abuse and mentions plastic coils being inserted into boxes. Speaker 1 tries to identify who is responsible, but Speaker 0 only mentions various people, including friends, police, and teachers. Speaker 0 also mentions baby sacrifice and consuming the baby's flesh and blood. Speaker 1 questions the truth of these claims, but Speaker 0 confirms them. The conversation ends with Speaker 0 mentioning dancing with the stars and drinking blood.

Speaker 0: No. No. Shame. Shame. Oh my fucking god. What the fuck? What the fuck? You just fucking what the fuck did you do? You are fucking criminals. You're fucking criminals. What the fuck? What the fuck are you guys doing? What the What the actual fuck? What are you doing? You are fucking insane. What did you do? What did you do? Speaker 1: You. Shame. Shame. Speaker 0: Shame. Shame. Shame. Shame. Shame. Did that Shame. Shame. Speaker 1: Dude, you shot her. I'm trying to help. No. No. You fucking shot someone in the Speaker 0: fucking face. You fucking someone in the fucking face. Do Speaker 1: you have a conscience? Speaker 0: Do you have a conscience? Don't let the murderer leave. Don't let the murderer leave. You Speaker 1: guys are the fucking criminals. You don't get to tell us what to do. Fucking criminals. Don't let him leave. Speaker 0: Don't let him leave. Speaker 1: Yeah. It's a fucking crime. Speaker 0: We fucking knew it. We're here. Speaker 1: Yeah. Like, what the absolute fuck, man? What the absolute fuck? Do you have Speaker 0: a Speaker 1: conscience? Do you have a conscience? Do you have a conscience? This is the time, man. This is the time to have a conscience. This is not okay. This is not okay. Speaker 0: Get Speaker 1: a fucking conscience. You okay, mommy?

Speaker 1 announces formal charges against Andrew Tate, including rape, human trafficking, the trafficking of minors, and sexual intercourse with a minor. One survivor states she was raped and trafficked regularly at ages 14 and 15 during that period. Speaker 2 describes asking other friends and classmates, ages 15 and 16 at the time, who also received messages, noting it was a well-known fact that Tate had a network of young girls. Speaker 3 explains a six-year relationship with Vivian, who is now 21; they met when Vivian was 15. He describes a pattern similar to those seen in other cases, where abusers use a boyfriend model of exploitation to lure victims, a form of human trafficking also known as the lover method. He is accused of using this method, stating: “My MO was find girls, make them love me and make them work for me. And that's how I got rich.” Speaker 1 recounts that while her abusers threatened, raped, and violated her, they were also kind. Speaker 3 discusses the mechanics of exploitation, asserting that you cannot run this business through fear. He explains that manipulating fear is ineffective because if you could scare a girl and put her on the street, she would leave and never return. He emphasizes that a pimp’s power comes from the girl’s respect and love, not fear: “They have to respect you and love you.” Speaker 0 offers a summation of the day’s session: the judge stated that it is likely these girls will never recover from the abuse they suffered, and remarked that the way the perpetrator treated them defies understanding. Speaker 3 adds a chilling statement reflecting the dynamics of the abuse: “The more you didn't like it, the more I enjoyed it. I loved how much you hated it. Turn me on.”

Speaker 0 refers to someone as their "whore" and asks them to get their "pimp stick." Speaker 1 questions why Speaker 0's ass is bruised, and Speaker 2 reveals that their father hits them. Speaker 1 is shocked and asks why their father would hit them. Speaker 2 explains that their father is also worn out and hits them as well. Speaker 1 urges Speaker 2 to look at the camera and asks why they are getting hit. Speaker 0 asserts that they should do as they say.

Speaker 0 describes a violent, coercive sequence framed as self-defense and pimping instructions. He begins: “When I grab you by your neck and you start annoying me trying to resist and I just And then I grab you by your neck again. Then what you're do when your face is collapsed and your cheekbones broken. Ain't gonna do cry.” He claims: “I guarantee I changed the way you look at sex forever. You're gonna be crying. I won't cry. I bet you cry, bitch. I bet you cry.” He questions: “You're saying I I wouldn't cry. You're challenging me to a fight. You're saying I can't hurt you. You're out of your mind? I don't even know you.” He says to ignore the sex part: “Forget the sex part. That's a distraction. Stay in my pants. I'll just start beating at you. How about that?” They walk to the bedroom: “We walk in the bedroom. I start kicking your [No sex. No sex involved. But you cry then.]” He adds: “I perfected this in pimp school. When I got my PhD, we had to practice if a girl comes at you. How are you cheating? You cheating. It's bang out the machete, boom in her face, and then grip her up by the neck. Her panties get wet.” He further describes: “Machete's on the floor, her panties are all wet, You fuck her. That's how it goes. Slap, slap, grab, choke, shut up bitch, sex. These are the basic moves of of pimping.”

Speaker 0 says, “They doing too much, man, and they keep pushing people. You know?” Speaker 1 erupts, “Oh, shit. What the fuck? They killed my did they fucking kill that guy? Are you fucking kidding me, dude? Not again. Are you fucking kidding me? That guy's dead. Yo. We need people on”

The speaker engages in explicit and abusive language towards a person, commanding them to do various actions. The speaker repeatedly asks if the person will obey their commands and threatens to keep them tied up if they don't comply. The speaker also instructs the person to beg for sexual acts and demands gratitude. The transcript ends with a request for the person to perform a specific sexual act on themselves.

Speaker 0 threatens violence, including duct tape, physical beatings, and smashing teeth. Speaker 1 demands subservience, ordering someone to lick boots and threatening to urinate on them. Speaker 0 claims to have put three people in comas, while Speaker 1 declares "I rule." Speaker 0 says they get charged up when facing bigger opponents and sometimes lies in the backyard in underwear even when it's cold. Speaker 1 repeats "It's all on them." Speaker 0 describes a need for "bare knuckles, focus, and total determination" and observes that the public is "pretty much retarded now." Speaker 0 says they have things figured out and urges the listener to order the video and be shocked by their reflection, then calls the listener "scum."

Speaker 0 questions if the person is their partner and accuses them of always lying. They express frustration but also acknowledge that they find the person's lies entertaining.

Speaker 0 asks, "Did you rape the student?" and "Why? Help us understand." Speaker 0 tells Speaker 1 to grab whatever she needs, like her phone or purse. Speaker 1 asks if she is going somewhere. Speaker 0 says they will explain everything and asks her to turn around. Speaker 1 asks if her husband is coming with her. Speaker 0 confirms he is and that they are staying in touch with him, adding they are just going down the road, ten minutes away. Speaker 1 says she would prefer her husband with her and asks if she is in trouble, stating she is lost. Speaker 0 asks if she wants a tissue or a bag because she feels like she is going to throw up.

In a heated exchange, Speaker 0 confronts someone with a barrage of insults and demands. The confrontation opens with aggressive language: “What up? Hey. You’re a bitch. You look like a bitch. Back the fuck up. Back the fuck up.” The taunts continue as Speaker 0 mocks the other person’s appearance and repeats the command to back up, adding emphasis with phrases like “Nice nice pink rat tails. You’re so I could just Back the fuck up. Go, baby. Back the fuck up.” Amid this hostile exchange, Speaker 0 asserts that “No. He came up and attacked us,” positioning themselves as the victims of an unprovoked approach. The use of objective-sounding claims is reinforced by the accusation that the attack was captured on video: “It’s all on camera, you fucking idiot. He came up and attacked us.” The repetition of the allegation underscores the claim of aggression by the other party. The dialogue shifts toward documenting evidence: “It’s on Tommy’s camera.” This line functions as a reference to a recording device or footage that allegedly captures the incident, reinforcing the insistence that the events, including the attack, are verifiable through video evidence. The inclusion of a named individual, “Tommy,” suggests a second witness or participant who has a camera recording the confrontation. The interaction escalates to a direct appeal to an authority figure: “That’s his head, officer.” This line is a provocative statement directed at the officer, seemingly describing or pointing to a person involved in the incident, followed by an appeal from either party to the officer’s attention or intervention: “Yes, sir. Quit attacking us stupid.” The speaker appeals for protection or defense against the perceived aggression, using repeated imperatives and an imperative tone. Throughout the exchange, the speakers alternate between insults and defensive claims, with Speaker 0 repeatedly ordering the others to retreat and insisting that an attack occurred and was captured on camera. The overall sequence presents a chaotic confrontation characterized by verbal hostility, assertions of being attacked, claims of video evidence, and attempts to involve an officer to address the situation.

Speaker 0: God loves you. Speaker 1: I'm angry. Speaker 2: I had an abortion and I'm happy. Speaker 1: What's your name? Speaker 2: None of your business. Speaker 1: Nice to meet you. Speaker 2: You ruined everyone's lunch. Speaker 1: Can I have my mic back? Speaker 2: No. Speaker 1: God bless you. Officer, she assaulted me. Speaker 2: I did. Speaker 1: Can I get my stuff? Officer: No, you're under arrest. Speaker 1: Let go. Officer: No. We pray for you.

Speaker 0 dismisses a medical-related claim, noting they don’t change their plates every morning and that the plate will stay the same when they return for a later conversation. They taunt the other person by saying, “US citizen, former fucking country. You wanna come at us? You wanna come at us? I said go get yourself some lunch, big boy.” Speaker 1 orders, “Get out of the car. Get out of the fucking car.” Speaker 0 attempts to respond, exclaiming, “I can’t get my car. Woah.” Speaker 1 escalates, calling Speaker 0 a “fucking bitch.”

Speaker 0 talks about pretty girls not being put out, which is unfortunate. Speaker 1 mentions unreported crimes due to fear of retaliation. Speaker 0 discusses murders of redheads and a friend found in a dumpster. Speaker 1 expresses sympathy. Speaker 0 admits to never seeing a dead body and feeling mentally affected. Speaker 0 hints at trying to break Speaker 1 mentally.

Speaker 0 states that when you have a scene like this, you have to bring bosses with you. He indicates the scene is female-friendly because there is a woman present. He refers to her as "butt ball" and "raw dog." He says he is not going to turn himself in, and that once everyone leaves, it will just be him and the woman. He states he is doing what he does best. Speaker 1 exclaims, "Oh, shit," and asks if the camera caught something. They then demand the camera be cut off.

Speaker 0 states, “J 6 Insurrection is right over there. What? I'm at this fucking scene. This” as they indicate being at a scene related to January 6. The conversation shows they are physically present at the location and reacting to the surroundings. Speaker 1 describes the situation as “harassment. Stalking and harassment,” and expresses a desire to file a police report, saying, “I’d like to file a police report for stalking and harassment.” They repeat the request, asking, “Can I file a police report for stalking and harassment?” They claim, “She won’t leave leave me alone,” and state they’d like to file a police report for stalking and harassment, adding, “I’d like to follow a police report.” They ask for guidance about the legality of the behavior: “If she follows me, will she be arrested for stalking?” They further describe the immediate scenario as occurring “Across the street.” Speaker 0 interjects with further location detail, saying, “the street,” and then adds a string of hostile remarks including, “Bug pussy bitch,” and “There you go. My Rolly Pole. Back to blue. White is right. Get the fuck out of my country, Patricia.” These lines convey aggression and attempts to assert identity or affiliation. Speaker 1 continues with a distressed tone, muttering, “Oh my god. Take that stress,” before being told, “Shut up, cunt” by Speaker 0, indicating continued hostility and verbal abuse. Overall, the transcript captures a confrontation at a scene that centers on concerns about stalking and harassment, with Speaker 1 seeking a police report to document the alleged stalking; Speaker 0 responds with aggressive commentary and insults, including politically charged and profane statements. The exchange conveys an urgent emotional confrontation regarding harassment, with explicit requests to file formal complaints and questions about potential arrest for stalking.

Speaker 1 reveals that she became pregnant twice after meeting the person in February and getting pregnant in October of the same year. When she informed him about the pregnancy, he immediately suggested she get an abortion and even offered her $50,000 to do so. However, she turned down the offer because she wanted to prove that she wasn't interested in his money but genuinely cared about him. Speaker 1 describes how he was initially nice for the first few months but gradually became mean over the course of three and a half years.

Speaker 0: To get off my property right now. Holocaust tonight, bitch. I can't wait for you to come out, Andy. Out. You thought the milkshakes were bad last time. Speaker 0: We're gonna beat the fuck out of you, bitch. Y'all, Andy knows here at the Nines Hotel. Andy knows inside the hotel calling the cops on everyone saying that he's gonna get killed out here. Speaker 1: Stop. No. Speaker 0: She has Speaker 1: to be. No. She's gone. You see my face, Andy?

The exchange opens with Speaker 0 asserting aggression and a prowling return, declaring hostility and threat toward someone’s space and pursuit. Speaker 1 replies with a warning of forceful entry and a claim of having taken the other person’s girlfriend, underscoring a menacing confrontation. Speaker 0 then shifts into a personal confession and a turbulent inner state. They describe losing their mind and leaving a room behind, pursuing thrills and pain, and embracing that pain as part of their experience. A voice in their head is said to take away the pain, a mechanism they describe as healing through killing. They claim to be the truth that others fear, a mirror on the wall, and metaphorically the headlight on a car while others are the deer, establishing a self-image of danger and inevitability. The speaker proclaims insanity and asserts that the game remains the same, while riding through drained streets where faces they once trusted are now dust. They describe a mental maze and a progression from past to dawn, culminating in a sudden blaze or rise. There is a sense of relentless repetition in the world and the cycle of events. The narrative then references external pressures, including advice to take a pill and let go, which they reject by stating they are too cold to release violence. They recount being watched as they die or as something within them dies, describing a world as foolish and repeating the idea that “the same” persists. The overarching refrain centers on the notion that the game is unchanged and that their breath is a dream. Across the verses, themes of intrusion, betrayal, and domination intersect with intense internal conflict, where violence is both a response and a coping mechanism. The speaker asserts a continuing arc of mistrust, transformation, and uncompromising resolve, contextualized by a setting of street-level danger and a perception of being both observed and misunderstood. The fragment closes with a reiteration that the game remains the same, and that breath or life itself reads as a dream within this enduring cycle.

Speaker 0 launches a heated confrontation, telling Speaker 1 to “go suck another dirty dick” and insisting, “I’m not the one or the two.” They call Speaker 1 a “raggedy ass fucking bitch” and declare, “I’m not the one or the two.” Speaker 1 asks, “What you talking about?” and appears confused or surprised, while Speaker 0 repeats the insult, telling Speaker 1 to “Go suck a dick.” Speaker 0 asserts, “I said what I said, and I said what I said,” and adds, “Please text me like you want it.” They emphasize the challenge to Speaker 1, saying, “You tried me two times,” and conclude with, “I want you to do it a third.”

- Speaker 0 says: "Without you been feeling kinda strange. Well, I see that you're doing very well. You're looking very well. I miss the way your perfume smell. I miss the way that you blowed up my line." - They add: "If you don't back the fuck up off me before I do you in and still getting in this bitch and get litty on my mama."

Speaker 0 expresses extreme violent intent and distress. The speaker says: “I'm getting ready to blow this goddamn brain job right fucking now. Stop it. Stop it. Blow my brains out. You want me to?” and adds, “No. Stop it. It. It. Shoot me.” They warn, “I guarantee you, you'll go to jail for life,” and, “I'm getting ready to pull his brain down and yours. I'm tired of shit. You're gonna blow my mom. Doing it.” The speaker questions, “You're gonna blow my mom's brains out? Point that gun at me again.” They describe violence in the scene: “No. You just fucking hit him. Did he hit you?” The exchange ends with, “Oh my god. You're going to jail. I do.”

Speaker 0 repeatedly declares, “I don’t care,” and then issues violent and abusive commands: “I will kick dog,” “I kick your dog, call him fuck off 10 times,” and “Take him away.” They also order, “Take daughter. Now. Put vodka on her face.” The cycle concludes with, “The camera, I don’t care.” Speaker 1 responds by noting, “Okay. We've asked you to listen.” They say, “I've just texted the British,” and add, “trans properly, so you need to go. The camera, I don’t care.”

Speaker 0 expresses intense anger toward the Trump administration, saying: "I give a fuck about any fucking person in the Trump administration being upset with giving them oh, how dare you?" They claim others have "no fucking idea to list the bodies that we have" and suggest that if they were serial killers, it would be like "Mal or something." They urge everyone to become emotionally detached from their online personas and to create burner accounts to "unmask all of these traders" and to impose the "threat of IRL consequences" because people use anonymity to act behind privilege. They state that Twitter should no longer be a safe place for these individuals and propose that someone should interrupt leadership by saying, "yeah, boss. I I can't do this anymore." They argue the government should consider the impact on families: "My kids and my address just fucking wound up on this platform. How the fuck did they find out who I am?" They insist that every time those people log in, they need to have "second fucking thoughts" and be terrified. They assert that "Security clearances don't mean a goddamn thing to me" and declare, "I guarantee you I'm 10 times smarter than you and your fucking best bet." Speaker 1 interjects: "Back the up, juicy." Speaker 2 responds with distress: "I'm not a Spit on me again." They request to be kept away from the person and say, "This guy's intimidating me. He's pushing me." They ask, "Where's your vehicle?" and answer, "It's in the garage." They further ask, "Hey. What is your name? Are you working for the hotel?" and Speaker 0 says, "I'm working. Tell me. Are" before the scene cuts off. Overall, the excerpt presents a heated monologue urging aggressive online accountability and real-world consequences for certain individuals operating under anonymity, followed by interruptions that reveal a tense confrontation involving intimidation, personal threat concerns, and questions about a vehicle and employment.

Speaker 0 says: "Back off. You don't have to respond to them. Just don't say anything. What the fuck is this?"