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Theo Von opens with a tour update, listing dates in Wallingford, Connecticut; Portland, Maine; Bangor, Maine; Moncton, Canada; Las Vegas for the USC-LSU weekend; Oklahoma City; North Little Rock; Springfield, Missouri; Kansas City, Missouri; Sioux Falls, South Dakota; La Crosse, Wisconsin; Green Bay, Wisconsin; and Moline, Illinois, noting tickets are at theo. Today’s guest, Pauly Shore, has been in comedy since birth, born into The Comedy Store, an actor and entertainer known for his movies and the PMS podcast, and he’s on tour the rest of the year. Theo thanks Pauly for joining him and frames the conversation around a lifetime in comedy, shared histories, and the realities of fame and friendship. Pauly recalls Tommy Lee and the wild era they’ve lived through, noting that although they’re sober now, “they ran hard,” and they reflect on how those bands and crowds shaped the business. The two joke about their personas—the rat and the weasel—and Pauly praises Theo’s growth, while Theo thanks Pauly for his consistent support and encouragement. They explore the tension between image and real life, and why letting love in is difficult when people know you from television and film. Pauly nods to the idea that people often love the public figure, not the private person, and they discuss the value of shared, low-stakes time like sushi or hanging out beyond the spotlight. Pauly shares a vivid anecdote about meeting a woman who loved Son-in-Law and insisted he dress the part with chaps for sex; after the night, he ends up crying at Waffle House. They reminisce about Kid Rock’s early days, Conan O’Brien appearances with Fred and Uncle Cracker, and touring memories around Lake Michigan and Pentwater. Theo reflects on growing up around The Comedy Store, where his parents Mitzi Shore and Sammy Shore built a lasting legacy, and they relay the store’s electric, chaotic energy and star-studded history. They touch on Kennison, Vince Neil, and other figures who defined that era and the shadows that followed. The discussion shifts to Hollywood’s current climate: production in Los Angeles is down across feature films, television, and commercials; unemployment in motion pictures and television runs high; the industry increasingly leans toward streaming and independent projects. They discuss the shifts in agencies and venues for comedy, the rise of Las Vegas as a hub, and how performers adapt to new realities while preserving the craft. Pauly discusses his Richard Simmons biopic, outlining the unauthorized/authorized considerations and his plan to move forward with a producer and writer to honor Simmons’s life and impact. They touch on politics and the theater of elections, considering the idea of Pauly potentially running for vice president in a playful, hypothetical sense. The conversation ends with mutual respect, plans to keep collaborating, and plugs for Pauly’s PMS podcast and his Stick with the Dancing one-man show. They close with reflections on aging, friendship, and staying hopeful, including sleep routines, dogs, and daily discipline as constants in a volatile industry.

In this episode of Armchair Expert, Dax Shepard welcomes Kristen Bell and Adam Brody, who discuss their new Netflix show, "Nobody Wants This," premiering September 26. The conversation touches on various topics, including their experiences in the entertainment industry, their personal lives, and the dynamics of their relationship as co-stars. Kristen and Adam share insights about their careers, with Kristen expressing her desire to return to acting after focusing on motherhood and producing. Adam reflects on his journey in the industry, mentioning that he often seeks projects that resonate with him rather than just following trends. They discuss the challenges of romantic roles and how they both approached their characters in the new show. The trio delves into the concept of empathy and understanding people's motivations, with Dax emphasizing the importance of recognizing the stories behind people's actions. They also touch on the complexities of parenting, discussing their experiences with their children and the balance between work and family life. Kristen shares her thoughts on the show's title change from "Shiksa" to "Nobody Wants This," highlighting the irony and the surprise that many people were unfamiliar with the term. Adam recounts how he was convinced to take on the romantic lead role, despite his initial hesitations. The conversation shifts to their personal lives, including their experiences with jealousy and trust in relationships. Dax and Kristen discuss the dynamics of their marriage and how they navigate public perceptions of their relationship, particularly in the context of their work as actors. They also explore the concept of communication with pets, referencing dogs that can "talk" using buttons, and the humorous challenges of dog ownership. The episode concludes with reflections on their careers, the excitement surrounding their new show, and the chemistry they share as co-stars. Overall, the episode is a lighthearted yet insightful exploration of the entertainment industry, personal relationships, and the challenges of balancing work and family life, all while maintaining a sense of humor and camaraderie.

Theo Von announces from a new Los Angeles studio, taking over the Fighter and the Kid space after a year of growth and aiming for bigger goals like a title belt or GOTY recognition. He thanks his Patreon supporters, explains moving from a kitchen to a dedicated studio, and says the room will be redecorated and refined over time. He calls the move one of the bravest steps he’s taken, recalling a childhood of scarcity and fear, and describing how progress feels when you keep going. He asks listeners for studio feedback on social media, including interview format and seating, and notes he plans to host guests in a proper space. He shares a quick update about a wedding trip to New Orleans, time with family, and a memory of his mother’s house. He jokes about a dead animal in the attic and riffs on Louisiana culture, roads, and people. He recounts an experience with a friend who preserved ice from different rivers, turning ordinary treats into travel memories, and reflects on how family moments have become meaningful as his nieces and nephews grow. The episode includes listener calls about staying true to his style and about marriage in the modern world. Several voices present different angles: one argues that marriage requires skin in the game; another warns about high divorce costs and incentives; a third suggests focusing on being a good father and cooperative co-parent. There is also a long segment about Danielle the Virgin, with a candid recounting of losing virginity to a first partner, followed by Theo’s reflections on culture, advertising, and how sexuality can shape choices. The show closes with tour announcements (Spokane, Tacoma, Hasbrouck Heights, Calgary), merchandise, and sponsor mentions. He reiterates the 985-664-9503 hotline and invites listeners to share studio ideas. He ends with gratitude, thanking Stevie Starlight for the opening and declaring that he didn’t come this far to stay where he is, ready to move onward. He thanks listeners for the patience and support during the transition, promises more guests and conversations, and signs off with optimism about the future.

Dax Shepard welcomes Jay Shetty, a New York Times best-selling author and podcast host, known for his book "Think Like a Monk" and his latest release "Eight Rules of Love: How to Find It, Keep It, and Let It Go." They discuss various topics, including Shetty's background, his experiences as a monk, and the cultural differences between Indian communities in the U.S. and the U.K. Shetty shares insights about growing up in England as an Indian, facing derogatory terms, and the evolution of Indian representation in media. He reflects on the challenges of identity and acceptance, particularly in school, where he often felt out of place. Dax and Shetty explore the significance of the Bhagavad Gita, discussing its teachings on duty, righteousness, and the moral dilemmas faced by its characters. The conversation shifts to Shetty's journey to becoming a monk, his experiences in India, and the lessons he learned about devotion and service. He emphasizes the importance of understanding ancient wisdom and modern science, and how they can coexist to provide insights into personal growth and relationships. They delve into the concept of love, discussing Shetty's eight rules for love, which include the importance of self-awareness and the need for individuals to understand themselves before entering relationships. Dax and Shetty also touch on the challenges of modern relationships, communication styles, and the significance of empathy and understanding in resolving conflicts. Throughout the discussion, Shetty shares anecdotes from his life, including his aspirations to be a rapper and the influence of hip-hop culture on his upbringing. Dax expresses admiration for Shetty's ability to blend ancient teachings with contemporary issues, highlighting the relevance of these ideas in today's world. The episode concludes with a light-hearted exchange about personal experiences, including Dax's humorous anecdotes about parenting and the challenges of raising children. The conversation encapsulates themes of identity, love, and the pursuit of understanding oneself and others in a complex world.

Miss Pat, an Atlanta native who spent years in Indiana, reveals she has moved back to Atlanta to film her Miss Pat Show and to shoot a Netflix special, Y'all Want to Hear Something Crazy? She bought land, built an outdoor podcast studio, and plans a pool and basketball court. At home she has custody of four kids, plus adult children nearby; her husband recently retired from the military and from GM Allison Transmission, and the couple is adjusting to life with him home. The Miss Pat Show streams on BET Plus and Paramount Plus, and her Netflix special was directed by Robert Townsend. Townsend pushed her through weekly four-hour Zoom sessions, refining her set. The shoot was postponed by the pandemic. She defends the special, including a closing bit about her gay daughter, despite Netflix’s initial questions about the material. She emphasizes the message: learn to laugh at what you’ve endured, reclaiming power through humor. The conversation touches influences and tastes: The Wire, urged by her husband, and nostalgic calls to In the Heat of the Night and Dukes of Hazzard; the challenge of growing up in poverty in Atlanta and how that shaped her voice. She recounts milestones, including giving birth to her first child at 14 and naming her last son Junebug, and describes the big family dynamics and the pride she has in her children and in teaching them to be independent. Miss Pat discusses the comedy industry’s evolution toward greater diversity and the impact of podcasts and digital platforms, noting figures like Tiffany Haddish, Monique, and Earthquake as examples of late recognition on Netflix. She shares a memorable dinner with Bob Saget at her home, describing his warmth, humor, and the sorrow of his passing. The chat ends with reflections on mental health and resilience, including a BetterHelp sponsorship, and playful banter about dating and collaboration, with Miss Pat’s candid voice at the center.

Theo Von and guests navigate a rambling mix of humor, sports, news, and life advice. The episode opens with a sponsor plug for Gray Block Pizza, then The November/Movember bit spirals into misnamed ‘hooded’ themes, costumes, and a tour through Halloween hijinks on Sunset Boulevard, including a vivid, uncomfortable scene with a mermaid-costumed performer abandoned by friends. The tone swings from silly to dark as the host riffs on how communities celebrate November while joking about memories, opportunities, and fish, trying to land a deeper message about fresh starts and gratitude. The conversation shifts to UFC fights. Nick joins to discuss Kelvin Gastelum vs. Darren Till; the exchange centers on a largely tactical, subdued bout that some saw as not as exciting, and Till’s headspace after the fight. They also dissect the main event stoppage, noting that judges had Jorge Masvidal ahead after the first round and Nate Diaz needed a finish, while acknowledging the pace and weight-cut dynamics of Till’s move to 185 pounds. News segments cover a rash of topics: Bobby Lee allegedly hit Sam Tripoli’s car in the Comedy Store parking lot, Delhi declares a pollution emergency with choking smog affecting flights, and Santa Anita reports a 37th horse death this year, Mongolian Groom, raising concerns about safety and ethics in racing. McDonald’s CEO Steve Easterbrook resigns over a consensual relationship with an employee, a decision the host questions in his characteristic rant about corporate virtue signaling. Throughout the show, callers share personal struggles and questions about family, sexuality, addiction, forgiveness, and intergenerational patterns. A caller seeks guidance on reconciling with relatives after his child comes out; another describes moving back home to help a father, reestablishing family bonds, and choosing growth over blame. The host leans into a hopeful creed: it’s never late to change, to forgive, to mend, and to show love, even in difficult family dynamics. The program wraps with practical ads for ShipStation, Blue Chew, BetterHelp, and ZipRecruiter, then riffs on motivation, accountability, and small steps toward better living, ending with a rallying promise: we’ve got this, and it’s never too late.

This episode of This Past Weekend, titled Baby Me, opens with host Theo Von sharing Thanksgiving reflections, generosity, and gratitude as he acknowledges the complicated history of the holiday for Native Americans while pivoting to a warmer note about community. He celebrates charitable efforts—auctioned jerseys raising funds for Cumberland Heights and a donation to the Gary Sinise Foundation—and shifts toward a broader meditation on what matters during the holidays: family, friends, and tangible reality over endless noise. The mood blends humor with sincerity as Theo riffs about garlic bread, lite self-deprecating anecdotes, and the small, human joys that anchor him: staring someone in the eyes to request bread, the simple pleasure of petting a cat, and the quirky, sometimes uncomfortable, truths about life, vulnerability, and connection. Throughout, the episode interweaves calls and conversations that anchor gratitude in real, lived experiences, from personal milestones to everyday absurdities, underscoring a theme that purpose comes from relationships and service rather than fame alone. A central thread follows Riley Mau, a longtime caller and friend, who shares a major life moment: he and his partner are expecting a baby boy, with a due date near year’s end. Theo’s questions and Riley’s candid, sometimes humorous responses illuminate the roller coaster of anticipation, fear, and joy that accompanies fatherhood. Interspersed segments include audience calls about mental health, feeling seen, and surviving tough seasons, with Theo offering grounded, often spiritual guidance about meeting a higher power halfway, maintaining warmth in faith, and choosing action over despair. The show also features lighter clips—voiced introspections on plans for the future, the meaning of “player one” in life, and the delight and humor of everyday moments—while not shying away from serious topics like loneliness, family dynamics, and the power of storytelling to heal. In the closing stretch, Theo and Riley reflect on the importance of rest, therapy, and staying connected to one’s voice, as they wish the audience a meaningful Thanksgiving and invite listeners to carry gratitude and responsibility into the days ahead.

Theo Von sits down with The Rizzler, a Northeast creator, actor, and Renaissance kid who jokes that he’s both six and seven million years old. The interview covers touring, early life, and a growing media presence. Tour dates announced: Los Angeles, California, August 14; Anaheim, August 16; Oceanside, August 17; Calgary, Canada, two shows August 23. Tickets are at theon.com for The Return of the Rat. The conversation moves from gaming to family. He describes Fortnite matches interrupted by his mom’s requests to clean dishes, and how he balances mic chat with teammates. He recalls helping his mom paint a car, and praises his supportive father who helped him make his first video: “I want to make a video,” he told his dad, and the rest followed. Grandparents feature in stories about meatloaf, chicken cocktails, and a Walmart bike. He mentions Factor meals and a preferred bedtime, noting he often goes to sleep after movie watching. Talk shifts to pop culture: Marvel vs DC loyalties, 3D films like Superman, Inside Out, Avatar, and Lilo & Stitch, and rumors about film universes. He shares BMX clips, a new trick, and plans for more bike videos. Pokémon cards and LA Sports Cards visits come up, including big pulls that fetch hundreds of dollars. He discusses a potential podcast, stand-up gigs, and a personal goal to help others, while keeping his brother Baby R safe from fame. The episode touches school life as the fourth grade approaches, and ends with light jokes, a birthday shoutout, and a sense that humor, family, and community anchor this rising star.

In this episode of Armchair Expert, Dax Shepard and Monica Padman welcome Leslie Odom Jr., a Tony and Grammy Award-winning actor and singer known for his role in *Hamilton*. Dax praises *Hamilton* as one of the best musicals, highlighting Leslie's performance as Aaron Burr. Leslie discusses his journey, including his early career struggles, working at a grocery store during a union strike, and the importance of representation in Hollywood. He reflects on the challenges of being a token actor and the responsibility that comes with it. Leslie shares insights about his new album, *Mr.*, and his recent projects, including a film directed by Regina King about Cassius Clay's historic fight. He emphasizes the significance of the conversations around race and equity in the entertainment industry, particularly regarding pay disparities between Black and white actors. He recounts the negotiations for *Hamilton*, advocating for equal pay based on his white counterparts' earnings. The discussion touches on the complexities of relationships and the importance of communication, especially regarding his marriage to actress Nicolette Robinson. They explore the dynamics of trust and collaboration in their creative lives. Leslie also reflects on the nature of performance, the pressure of live shows, and the joy of returning to Broadway. The episode concludes with a light-hearted conversation about the challenges of parenting and the lessons learned from raising a daughter. Dax and Leslie share personal anecdotes, emphasizing the importance of teaching children about boundaries and agency. The episode showcases Leslie's talent, insights, and the broader themes of race, representation, and personal growth in the arts.

In this episode of Armchair Expert, Dax Shepard hosts comedian Bert Kreischer, known for his shirtless stand-up and party-loving persona. Bert discusses his early days in college, where he earned the title of the hardest partier at Florida State University, leading to unexpected fame and opportunities in comedy. He shares anecdotes about his family, including his daughters' reactions to his celebrity friends and the challenges of balancing his career with family life. Bert reflects on the evolution of his podcasting journey, emphasizing the shift from recording at home to a more professional studio environment. He talks about the creative energy he draws from collaboration and the importance of self-distribution in today’s entertainment landscape, especially for someone with ADHD like himself. The conversation touches on Bert's experiences with fame, the pressures of success, and the lessons learned from his father, who once harshly critiqued him on his birthday, pushing him to take responsibility for his life. Bert recounts how this moment motivated him to pursue stand-up seriously, leading to his eventual success. They also discuss the dynamics of parenting, with Bert sharing humorous stories about his daughters and their interactions with his comedy. He reflects on the challenges of using family stories in his stand-up, especially as his children grow older and become more aware of his material. The episode includes light-hearted discussions about alcohol, with Bert sharing his experiences with drinking and the impact of sobriety on his life. He humorously describes his attempts to balance his party lifestyle with the responsibilities of fatherhood. Towards the end, they explore the topic of sperm donation and parenting dynamics, considering the complexities of raising children in blended families. Bert expresses his views on the importance of being involved in children's lives, regardless of biological connections. Overall, the episode is a mix of comedy, personal anecdotes, and reflections on family, fame, and the challenges of modern parenting, all delivered in Bert's signature humorous style.

In this episode, Dax Shepard hosts W. Kamau Bell in front of a live audience, discussing various personal and cultural topics. They start by reflecting on the significance of the venue and the excitement of performing live. Bell shares a humorous anecdote about his father from Mobile, Alabama, and the meaning behind his shirt that reads, "I got my freedom papers in Mobile, Alabama." He explains that Mobile is known for being the birthplace of Mardi Gras and the last slave ship landing in the U.S., which he addresses in his book. The conversation shifts to Bell's experiences growing up in various cities, including Boston, Chicago, and Mobile, and the unique brand of racism he encountered in each place. He describes Boston's "muscular liberalism" and how it contrasts with the more overt racism found in other regions. Bell reflects on his childhood, discussing how moving frequently shaped his adaptability and social skills, though he admits to being shy. They delve into Bell's career, discussing his journey into comedy and political commentary, particularly during Barack Obama's presidential campaign. Bell recounts how he began to incorporate political themes into his comedy as he became more aware of societal issues. He shares the story of his big break, which involved performing for troops overseas and eventually leading to his show "Totally Biased" with Chris Rock's support. The discussion also touches on Bell's CNN show "United Shades of America," where he confronts controversial topics, including his interactions with members of the KKK. He emphasizes the importance of understanding different perspectives, even when they are uncomfortable. Bell expresses the challenges of navigating conversations about race and racism in America, advocating for a more nuanced understanding of these issues. As the conversation progresses, they discuss the complexities of raising children in today's world, particularly regarding conversations about race and safety. Bell shares his thoughts on how to prepare his daughters for the realities of life while ensuring they understand their worth and the importance of self-advocacy. The episode concludes with a light-hearted exchange about their mothers and the influence they had on their lives, highlighting the importance of strong maternal figures. Bell expresses gratitude for his mother's support in pursuing his dreams, while Dax reflects on his own relationship with his mother. The episode captures a blend of humor, personal anecdotes, and serious discussions about race, identity, and the impact of upbringing on one's perspective.

Willie and Korie Robertson, stars of Duck Dynasty, discuss their new production company, Tread Lively Productions, and their upcoming film "The Blind," which tells the story of Willie's parents, Phil and Kay. The film focuses on their struggles before achieving success, emphasizing that God uses flawed individuals who surrender to Him. They highlight the show's impact on family values, faith, and the importance of gathering around the dinner table, which resonated with viewers who saw reflections of their own families in the Robertsons. The Robertsons believe their family's relatability and humor contributed to the show's success, as it showcased genuine love and respect among family members. They ended each episode with a prayer, which viewers found meaningful, fostering a sense of nostalgia for family unity. They discuss how the show encouraged families to reconnect, with many viewers reporting changes in their own family dynamics. The conversation touches on the balance between reality and scripted elements in Duck Dynasty, with the Robertsons emphasizing their authenticity and the importance of staying true to their values. They recount how their upbringing and strong family ties helped them navigate fame without losing their identity. They attribute their success to a combination of faith, family, and a willingness to embrace opportunities, such as their early ventures into video production. The film "The Blind" is set to release on September 28th and aims to convey a message of hope and redemption, showcasing Phil's transformation from a troubled past to a life of faith. The Robertsons express excitement about the film's potential impact, noting that it reflects their family's journey and the power of faith in overcoming adversity. They believe that the film's authenticity and heartfelt storytelling will resonate with audiences, reinforcing the idea that no one is beyond redemption.

Theo Von riffs on peace, technology, and aging. He recalls the feeling of peace, laments constant recording and the ‘merry-go-round’ of modern life, jokes about paying for quiet with sleep, and imagines a future where attention spans shrink to video-brain interfaces. He complains about voicemail menus and impatience, acknowledges his own role in his reactions, and muses on slowing down, possibly retreating to nature, camping as a child, and a memory of power outages bringing family together under candlelight. He describes how those moments heightened the senses and made the family feel safer, and contrasts with today’s back-up generators and constant connectivity. He shifts to sports, the Saints’ season and their playoff loss, the controversial final play by Williams, the penalties, and a broader view of the NFL’s culture, the push-pull of safety versus freedom to play, and a comparison to flag football. He notes Vikings fans’ joy as a consolation, and comments on coach Payton’s arc and personal life, then jokes about Jacksonville and population anecdotes. The MeToo discussion with Aziz Ansari dominates a section: the gray area of consent, arousal, misread signals, and the difficulty of assessing intent; he argues that ‘no means no’ and contemplates empowerment and education of young people, especially in schools, while critiquing how media sensationalizes politicians and Hollywood, calling news ‘Hollywood.’ The show features listener calls on parenting and raising sons, emphasizes mothers as emotional anchors and confidants, with various viewpoints from callers about modeling behavior, unconditional love, and the mother–son dynamic; he underscores the need for empathy, communication, and a stable family structure. He closes with tour dates, gratitude to subscribers, and a plug for the YouTube channel, ending with a light joke about a song title.

The show meanders through a string of anecdotes and reflections. Theo Von vents a playful hunger for football, joking that he would watch football players play football with a basketball, and muses about an in-between sport until a regular ball returns on the field. He riffs on joy and fun, admitting that he often needs the fun forced out of him and that he’s afraid to admit he’s enjoying himself because sharing joy feels like exposing himself. He recalls his father, who had nine fingers, and how tickling him was a rare, mood-lifting moment that could only happen at night. He describes needing to push through resistance to fun, and a habit of judging others’ joy as a shield against being hurt. He discusses not wanting to rely on others, yet acknowledging how he craves connection while preserving independence. He notes coming home to a studio with baby-blue paint, and detours into memories of growing up in rural Louisiana, ground shrimp, and a quirky family dynamic. He returns to his dad’s tickling and the peculiar nine-finger joke, mixed with childhood reminiscences about neighbors, boats, and roast beef sandwiches. He shifts to the Toronto Raptors’ underdog victory, praising Canada’s win as inspiring for middle-of-the-pack teams, and contrasts it with Golden State’s all-star lineup. He jokes about Canada customs as a gauntlet and shares comic takes on Vancouver and Portland. The show includes fan calls from Portland about a disruptive night, backstage locker-room chatter, and grateful notes to Patreon supporters who helped fund single-dad giveaways. He reflects on Father’s Day, his own father’s absence, and how other dads helped him feel connected to fatherhood and family. Interspersed are pitches for mental health support, with BetterHelp ads detailing four communication modes and accessibility, and a reminder that help is available worldwide. He closes with gratitude for listeners, underdog stories, guests to come, and the enduring appeal of the underdog ethos.

Kevin Von Erich, a WWE Hall of Famer and member of the Von Erich wrestling dynasty, reflects on a life shaped by family, triumph, loss, and faith. He talks about being the barefoot guy in the ring, preferring to feel the mat, and about grounding energy he associates with walking barefoot in Kauai, where his family now lives on a large property after trading a Texas house for 27 acres with a waterfall. He emphasizes that family is central, that the ranch keeps them close, and that wrestling remained a family business and a team effort even after his brothers started their own careers. He describes his father Fritz as a mountain of a man who was loving and exact, a presiding business force in wrestling who commanded respect with precise, emotion-free statements. The clip also reveals the heavy toll of tragedy: Jackie’s accidental death in New York when a shorted trailer, cold water, and electrocution claimed a six-year-old, followed by the deaths of Dave, Carrie, and Mike at various points, and the impact on their mother and father. Kevin explains that the burdens and public pressure around the family produced shame and guilt, and that Carrie’s struggles with addiction and a desire sometimes to escape his skin were part of those pressures. He cautions against simplifying Fritz’s role, insisting the suicides were less about Fritz’s wrestling and more about the family’s burden under the public eye. Kevin speaks candidly about the era of steroids and weightlifting in wrestling. He recalls that doctors sometimes prescribed steroids, that Carrie was a bodybuilder who followed strict routines, and that the brothers sometimes followed a path because the show’s intensity demanded it. He recounts their grueling schedules—hundreds of matches in a year, including 1984’s heavy triple- and double-shot weekends—and the discipline that built their bodies and identities. He also shares stories of working with legends like Terry Funk, Dory Funk, Ric Flair, and Rocky Johnson, and describes the thrill of performing in Japan and the dynamic of being a heel versus a babyface. Beyond the ring, Kevin opens up about addiction and recovery. He discusses opioid use after knee surgeries, his eventual switch to kratom as a way to quit oxycodone, and how he used cannabis medicinally in Kauai to manage pain. He notes that addiction runs in his family, with Carrie’s battles and Mike’s earlier illness; he emphasizes that the goal is to help others by sharing the lessons learned from these experiences. The conversation turns to his children and grandchildren. His two daughters, Kristen and Jill, are described—Kristen as brilliant and nurturing, Jill as athletic and fearless; his sons, Ross and Marshall, have pursued wrestling and remain central to the family. He expresses pride in all of them and in the way family life anchors him, especially during losses. He also reflects on the possibility that his brothers might have changed the sport’s history if opportunities had aligned differently, and he ends with gratitude for the life he’s lived, the faith that sustains him, and the sense that he is the luckiest man in the world.

In this episode of "Armchair Expert," Dax Shepard hosts Woody Harrelson and Ted Danson, who share a lively and humorous rapport. They discuss their podcast, "Where Everybody Knows Your Name," and reminisce about their past interactions, including a memorable podcast episode with Dax. Woody and Ted reflect on their personalities, with Woody describing himself as a healthy individual and Ted discussing his codependent tendencies. They share personal anecdotes, including Woody's recent motorcycle accident and Ted's experiences with standing up for himself. The conversation touches on their childhoods, with Woody revealing a complex family history involving his father, while Ted shares his upbringing in a more stable environment. The hosts delve into their careers, discussing the challenges of fame and the pressure to succeed. Woody recounts his rise to fame with "Cheers," while Ted reflects on the show's impact on their lives. They also touch on the importance of authenticity in their work and the desire to pursue projects that resonate with them personally. The discussion shifts to their relationships, with both actors expressing admiration for their long-term partners. They highlight the significance of family and the joys of parenthood, sharing insights on raising children in today's world. Throughout the episode, the trio engages in playful banter, exploring themes of masculinity, vulnerability, and the complexities of human relationships. They conclude by emphasizing the importance of connection and the joy of sharing experiences with loved ones.

Dan Schneider's saga continues with a self-directed interview after Quiet on Set. He says watching the past two nights was very difficult, acknowledging past behaviors he regrets and that he owes people a strong apology. He calls the massages wrong and says he would never do it today, apologizing to anyone put in that position and to those who witnessed it in video village. He discusses the writer's room, insisting no writer should feel uncomfortable, and admits jokes sometimes went too far when he was an inexperienced producer. He notes there were multiple levels of scrutiny across LA and NY. He concedes some on-air dares went too far, noting Nickelodeon wanted a Fear Factor-like vibe for All That. He says safety measures existed, but some kids had problems, and if he had known at the time, he would have changed it. On salary issues, he says he never paid writers and that he doesn’t handle salaries; he describes a common TV practice where two new writers share a salary and says he’s worked with different pairings elsewhere. He references two black actors who felt overlooked and defends his commitment to diversity as central to his shows. On Amanda Bynes, he describes emancipation attempts and running away; he says he and her team supported her, that he helped with safety after a late-night call, and she was taken to the police. He states he was never banned from a set, notes the Drake case involving Drake’s mom and the judge, and mentions Peck was not hired by him; he says the Disney hire after Peck's release was a separate matter. He ends by proposing standard protocols, including a licensed therapist for child actors, and apologizes again for times he was not patient or kind, pledging to listen more and be nicer.

Megyn Kelly opens the show discussing the U.S. women's national soccer team's disappointing exit from the World Cup, marking the first time they failed to reach the quarterfinals. She expresses her satisfaction with their loss, criticizing the team's lack of patriotism and the influence of Megan Rapinoe's activism on their performance. Clay Travis joins the discussion, stating he is indifferent to the loss and believes the team's focus on "woke activism" detracted from their game. He recalls the team's previous success in 2015 and contrasts it with their current polarizing image, attributing their failure to a shift in priorities after the 2019 World Cup. Travis emphasizes that the team's activism has made them unlikable, leading to a lack of support from American fans. He argues that their performance reflects a broader cultural issue, where younger generations are taught to be ashamed of American history. Kelly and Travis agree that the team's failure is emblematic of a larger trend in American sports, where political views overshadow athletic performance. They criticize Rapinoe's focus on social issues rather than winning, with Travis suggesting that the team could have used their platform to highlight American exceptionalism instead. The conversation shifts to the media's response to the team's loss, with both hosts anticipating that criticisms will be dismissed as sexist or racist. They discuss the implications of the team's activism on women's sports and the need for athletes to focus on their performance. Kelly expresses frustration over the team's lack of pride in representing America, while Travis argues that the women's soccer team has lost its way due to its political stance. The discussion then transitions to broader topics, including the challenges of parenting and the importance of teaching children about commitment and responsibility. Kelly shares a personal story about her son’s reluctance to participate in a sailing event after a scare, emphasizing the importance of following through on commitments. Travis reflects on similar experiences with his children in sports, highlighting the character-building aspects of facing challenges and fulfilling promises. The show concludes with a light-hearted discussion about parenting styles and the generational differences in discipline, with both hosts sharing anecdotes from their childhoods. They emphasize the importance of parental presence and guidance in shaping children's character, ultimately reinforcing the idea that parenting is a journey filled with trials and lessons.