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The Sumerian King's List, documenting incredibly long king reigns, disappeared from Iraq after the 2003 war. The most complete version is supposedly in Oxford, but I believe the Iraqi version was more extensive and is now being withheld, along with photographs. This aligns with a pattern of suppressing information to control the narrative. The "looting" in Iraq may have been a targeted removal of artifacts, including undocumented items. Samuel Noah Kramer's 1963 book offers insights from the Iraq version, which discusses Gilgamesh and a land of immortality called Dilmun. The Oxford version was acquired in the 1800s, and the Iraq version was discovered later, only to vanish. This raises questions about who benefited and what they sought. The King's List and Genesis share striking similarities, both describing a pre-flood golden age, a cataclysmic reset, and figures like Noah and Utnapishtim. This "looted" tablet wasn't random; it held vital truths about our history.

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Speaker 0 presents a narrative around the Giants of Monte Prama in Sardinia, arguing that mainstream history hides the truth about ancient peoples. He cites four excavation campaigns (1975–1979) that uncovered roughly 5,000 underground items, including 15 heads and 22 torsos, which were stored for thirty years in the National Archaeological Museum of Kallari. He notes that official numbers are unverified and claims that removing artifacts and suppressing them for decades prevents verification, while schools teach the official story. He contends that many important pieces were exhibited only partially, with others hidden from the public, along with the statues themselves. He mentions large models of buildings and sacred stones at the site, which he says was only recently located in the 1970s, challenging the timeline of civilization. Bobby, a “history major,” is cited as labeling the site’s timeline as abandoned in the late 4th century BC, around 2,400 years ago, a dating he says is accepted widely but disputed here. The speaker criticizes attempts to redefine dates, such as testing a local leaf near the site, and claims the timeline is manipulated to remove older histories from view. He asserts that heads were destroyed or removed, claiming the hands and feet are missing as well, arguing that the statues depict a past that differs from today and that six-fingered figures or held objects may indicate hidden details. He jokes about Apple Watches and Nike shoes to illustrate his view that contemporary artifacts are embedded in old works, insisting that the stone depictions reveal what the past looked like, not what modern scholars claim. Elaborating on the restoration, he notes a restoration project from 2007 to 2012, during which 25 statues (warriors, archers, boxers) were exhibited, while prior to this the public was blocked from the items. He argues that returning the majority of finds to a museum is a plan, not a certainty, and suggests the restoration should be livestreamed for transparency. He claims the total number of statues is higher than 25 and has recently been estimated at 44, with more likely in the back storage, unseen by the public. The speaker accuses the authorities of hiding evidence, destroying artifacts, and restricting access, framing the narrative as mass manipulation. He asserts that there were more statues and that the public should see the entire restoration process from discovery to display. He also references political influence, naming Giovanni Lillio as a Sardinian regional counselor during the discovery years (1969–1974) and questions the dating given by mainstream sources, including claims about ancient dates such as negative 5774 and ages up to 8,000 or 50,000 years. Discovery details include that the giant statues were found by a farmer in 1974, after he uncovered large stone fragments in a field, leading to site blocking and controlled access. He repeats that the heads were often removed before display, that necropolis findings included skeletal remains of individuals aged 13–15, and that Sardinia’s discoveries are connected to broader sites, including Palmyra, Syria. He closes by promising more revelations in future episodes and hints at ongoing debates about Sardinia’s ancient past.

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We're starting a series exposing hidden archaeological sites and artifacts that challenge the mainstream narrative of our history. AI confirms numerous instances of suppressed finds, particularly those suggesting advanced civilizations predating current timelines. These discoveries are often dismissed or hidden to avoid controversy and maintain established academic and societal power structures. Preservation efforts are often a guise to control access and safeguard a false narrative. Examples include sites in Sudan, where evidence of advanced beings and destroyed palaces are downplayed, and the Terracotta Army in China, part of a vast, unopened necropolis, potentially holding truths that could rewrite history. The goal is to reveal the truth about our past, which has been actively concealed from the public.

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The speaker discusses the "dead cities" of Syria, a collection of ancient abandoned settlements, and questions the mainstream historical narrative surrounding them. They claim that archaeologists only began studying the site in the early 20th century and that the dating of the structures to the first to seventh centuries is based on flimsy evidence. The speaker alleges that the site was added to the UNESCO World Heritage list and then quickly placed on the endangered list, suggesting a deliberate attempt to control the narrative. They contrast the supposed primitive conditions of the 1800s with the advanced state of preservation of the dead cities, implying that the official timeline is inaccurate. The speaker then shifts focus to Cahokia Mounds in Illinois and the Moundville archaeological site in Alabama, arguing that these are also ancient burial sites being misrepresented by mainstream history. They claim that excavations at these sites were poorly documented or halted prematurely to preserve a false narrative, and that valuable artifacts and technology have been looted or hidden. The speaker concludes that these sites are evidence of a powerful, advanced civilization that existed in the distant past, and that the truth is being deliberately suppressed.

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The transcript traces a broad, interwoven set of claims about hidden history, underground structures, and manipulated timelines, centering on Iran but weaving in examples from around the world. - Iran and Tehran: The host questions whether Iran is “not going along with the mainstream story” about control of the population and asks what in Tehran “they want destroyed and erased forever?” A Truth Social post from Donald J. Trump allegedly urged an evacuation of Tehran, prompting a mass evacuation that night. The host contends a “post-World” element is evacuated, focusing on the Golisthan Palace as a symbol of an old-world architecture that supposedly does not belong in the timeline and that its photos are extraordinary. - Golisthan Palace and underground expectations: The host describes the palace as featuring griffins at the entrance and asserts it is a “palace from the old world” connected to others underground, with a subterranean storage area beneath Salem Hall that is said to be larger than visible and labeled for storage. - National Museum of Iran: A half-mile away lies the National Museum of Iran, described as a massive box of land housing artifacts that supposedly reveal “something else happened here” than the mainstream narrative. The host notes that hands are removed from some items and points to a supposed basement level of the museum as evidence of hidden, off-limits artifacts that predate Islam or feature iconography tied to Zoroastrianism, female rulers, or alternative power structures. - Basements and “off-limits” artifacts: The program reiterates that basements of museums often hold millions of artifacts not on display, and claims this is a pattern consistent with a broader attempt to conceal the true past. The host suggests that the basement storage of the National Museum of Iran contains pivotal, undisclosed artifacts, perhaps including tablets and human remains. - Censorship and tech platforms: The host repeats that censorship is returning and platforms control narratives. A promotional pivot introduces Rumble and its Wallet as a tool to resist big-tech and big-bank influence, claiming it allows users to store digital assets (Bitcoin, Tether Gold, and USAT), tip creators without middlemen, and avoid bank censorship. The host urges viewers to open an account at wallet.rumble.com. - Repetition of “truth” and pattern: A recurring theme is that the true history is hidden in basements and underground spaces, and that many museums’ basements house millions of artifacts that are not accessible to the public. The host cites prior episodes (episode 113, 109, 108, 52, 41, 43) to support the claim of a deliberate cover-up and to illustrate “patterns and repetition” across locations. - Underground cities, tunnels, and old-world technology: The host asserts Tehran sits atop an old-world tunnel network and that Iran announced a tunnel project in November 2024; by January 2025, locals reportedly uncovered an underground city beneath five old-world homes. The host posits that many underground networks and tunnels exist worldwide and have been modernized while the public remains unaware, suggesting old-world technology persists under modern cities. - The old-world, older-than-addressed timelines: The speaker asks what under the feet of cities, what tunnels, vaults, chambers, and artifacts lie under the old world. They reference giant beings, tablets, and elongated-skull findings (as discussed in prior episodes) and argue that the artifacts in Iran’s basement could expose a story divergent from the widely told history. - Architecture and timeline inconsistencies: The host explores multiple examples to argue that the mainstream narrative about construction timelines is inconsistent. They discuss the National Museum of Iran’s basement, and then move to global cases, including: - Saint Peter and Paul Church in San Francisco and 666 Filbert Street, noting allegations that the second church on the site was completed in 1924 and bombed in 1926-27, implying a recurring “fire narrative.” - Saint Anne Shrine in Fall River, Massachusetts, where a postcard allegedly shows a founding date (1869) earlier than construction dates claimed (1891), used to claim the building was “founded,” not constructed, by a previous civilization. - The Greene County Courthouse (Ohio) and a comparable courthouse in Illinois, both claimed to have been constructed in under a year in the late 19th/early 20th centuries, with multiple earlier courthouses said to exist on the same sites, all accompanying a “fire narrative.” - The Manitowoc County Courthouse (Wisconsin) and a Benton County Courthouse (Iowa), each said to have been built rapidly in the early 1900s, cited as evidence that a single builder and sons complete grand palaces in short periods, then disappear from future projects. - AI-generated names and patterns: The host highlights recurring AI-generated names (e.g., Richard Blackhead, Peter Desroaches, John Warner, Mary, Alice) as evidence of scripted or constructed narratives, arguing that the same names and characters recur across locations and episodes. - Overall claim and call to action: The host asserts that the timeline is dramatically misrepresented, that many old-world buildings and underground systems are older and more advanced than the story told, and that artifacts and subterranean networks under cities reveal a truth that is being suppressed. They urge viewers to continue digging into locations being illuminated, to question evacuations and the reasons behind them, and to consider that “the truth about what was once here before us is all under attack right now.”

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The narrator discusses the Lost City in Colombia, claimed to have been discovered in 1972 by a small family of looters while hunting, who reportedly found 1,200 stone steps leading up a jungle hillside to a city with 169 terraces, a network of tiled roads, and several circular plazas. They assert the site predates Machu Picchu by 650 years, with a precise dating to August, and describe it as evidence of an advanced ancient civilization with undisclosed technology, contrasting it with the mainstream narrative of eight-hundred-year-old, “donkey-and-tools” construction. They say items from the site—gold figures, ceramic urns—appeared on the black market, and claim a murder and a fight among the looters occurred, which supposedly alerted archaeologists who arrived by 1976 and reconstructed the site for six years (1982), destroying or hiding portions of the original evidence. The piece then shifts to discuss modern archaeology and surveillance techniques. It asserts that the Worldwide Media Foundation (WMF) mapping of the site using LIDAR in 2019 revealed more than 200 structures, including dwellings, terraces, stone paths, plazas, ceremonial sites, storehouses, and canals; WMF reportedly took the site into its project portfolio in 2023 and will continue work there, implying more remains beneath the jungle. The narrator questions why remnants are not fully shown or explained, proposing that some elements were left intentionally to let the public “figure it out,” or to be revealed later, and suggests underground tunnels connect different areas and possibly link to other settlements. The narrative broadens to claim widespread global suppression of ancient histories, asserting that farmers-turned-looters found sites independently of archaeologists in the 1970s, only to have their discoveries dismissed as illegal looting by mainstream narratives. The speaker contends that old-world items were taken to museums (e.g., Leptis Magna in Libya and its theater) and moved during the 19th–20th centuries, including a specific claim that part of Leptis Magna was transported to the British Museum in 1816, with the rest of the city allegedly buried or melted by a “mudflood” event, leaving only fragments visible today. They allege that many discoveries are blocked from public view or studies for ethical, conservation, or political reasons, and that 5,000 artifacts from Puqqara, De Tilqara (typo in transcript) have been cataloged but only a single body remains displayed, with the rest hidden. The speaker cites other sites—Leptis Magna, Palmyra in Syria, a theater at Sabrathah (Sabrathah), and the temple at Libya—as examples of renovations or rediscoveries in the 19th and 20th centuries, implying that much of what is seen today is reconstruction or misrepresented. They point to detailed stonework, heads removed from statues, depictions of angels, griffins, and centaurs, and argue that such depictions indicate an advanced old-world civilization that was suppressed and replaced by a fabricated timeline. Throughout, the narrator emphasizes the belief that a previous, highly advanced civilization existed and that its remnants are hidden, misrepresented, or misdated in modern history, urging continued investigation and exposing patterns in the narrative, including fires, catacombs, tunnels, and the suppression of evidence. They conclude with gratitude for the growing audience and promise further exploration of “patterns within the narrative.”

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The Sumerian King's List, stolen from the Iraqi National Museum, points to Dilmun, a land of immortality and perfect health. Excavations in Bahrain, near Dubai, have unearthed antiquities and burial mounds, suggesting Dilmun's location. Since these discoveries in the 1950s, Dubai's population and investment have exploded. Texts mention the kasha tree in Dilmun, a symbol of healing and immortality. Is this why the Sumerian King's List was stolen? Why the region remains a conflict zone? The answers may be buried beneath the sand, hidden in museums. The old world isn't gone. It's here, and we're starting to see it. Is it a coincidence, or the truth? You decide.

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One of the most significant discoveries in history was finding the Library of Ashurbanipal in Iraq. The city was supposedly destroyed by fire, which baked and protected many clay tablets until they were found. These tablets, including the Epic of Gilgamesh, were taken to the British Museum in London, but are largely off-limits to the public under the guise of preservation. I believe this is to protect a fabricated narrative. The Vatican has 53 miles of texts and artifacts from a previous advanced civilization hidden from the public. The British Museum is hiding millions of Old World items. They claim they want to protect the artifacts, when instead they are protecting the narrative. The museum director, Nicholas Cullinan, could change this, but UK laws and the board of trustees may be a problem.

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The transcript presents a sprawling conspiracy-tinged exploration of hidden underground histories, focusing on Chicago and expanding to other ancient-site claims around the world. The central thread is that vast networks of tunnels, bases, and underground structures exist beneath major cities, built or left by a “previous civilization” and largely hidden from public view. - Chicago tunnels and underground real estate - The Chicago Public Library archives allegedly document thousands of miles of underground structures beneath the city, including tunnels that connect to numerous buildings and even to City Hall (constructed in 1911). The narrator asserts these tunnels were designed for rail transport and for connecting underground spaces, not just for utilities. - Photos circulating on the internet supposedly show a railway on the tunnel floor, with tracks running throughout the tunnel system to serve transportation under the city. The narrator claims the tunnels extend under thousands of miles and link to major buildings such as City Hall, Merchandise Mart, the Federal Reserve Bank, the Chicago Tribune building, the Civic Opera House, and the Field Museum among others. - The Chicago Tunnel Company is cited as having built these tunnels, with a history that includes initial tunnels and later plans to fill tunnels with telephone cables. The narrator argues that the dates and narratives about cables and utilities collide with earlier claims of thousands of miles of tunnels existing long before telephone expansion. - An incident known as the Chicago flood (April 13, 1992) is described as a breach in the tunnel system near the Chicago River, involving hundreds of millions of gallons of water and affecting multiple buildings. The narrator questions whether this was an accident or a deliberate act, and links it to figures like “Bruce,” alleged to have been a publicized expert on the tunnels. - A firsthand account from the late 1970s at the Field Museum of Natural History describes a Field Museum freight tunnel connected to the Chicago Tunnel Company, including an elevator and a train car that remained in a sub-basement before being moved to a museum. This anecdote is used to claim the tunnels are larger and more integrated than publicly acknowledged. - Public maps from 1910 show a 60-mile section of tunnels, implying far more exists than is disclosed. The speaker notes that many private connections (switches, shafts, elevators) linked warehouses and stores to the tunnels, suggesting that the tunnel system was integrated into building construction and commercial activity. - The narrator asserts that, since 2001, public access to the old tunnel system has been restricted or closed off for security or other reasons, implying ongoing suppression of information about the underground network. - Mount Nemrut and other “hidden pasts” - The speaker shifts to Mount Nemrut in Turkey, arguing that the mound of crushed stone and the headless statues on a 7,000-foot-high summit were built by a previous, highly advanced civilization. They challenge mainstream explanations of earthquakes, earthquakes removing heads, and the dating of construction to periods like 62 BC or 2086 years ago, insisting the dates are misrepresented. - Ground-penetrating radar (September 2012) reportedly found a pyramidal chamber beneath the apex of the site, suggesting there are buried chambers or a sarcophagus beneath the mound. Turkish authorities are said to be restricting excavation, leaving questions about what lies beneath. - Similarities are drawn to other global sites (Syria, Egypt) where heads have been removed from statues and where modern renovations are described as destroying evidence of the past. The speaker uses these examples to argue that a hidden, advanced past has been suppressed worldwide. - Interwoven claims about reconstruction and misrepresentation - The narrative repeatedly asserts that mainstream histories are manipulated or inverted to hide the existence of a previous civilization and its architectural feats. The speaker alleges that cornerstones in major buildings contain containers with items from prior civilizations, and cites alleged investigations into cornerstone contents (e.g., the Capitol) to support the claim that previous civilizations actively preserved knowledge inside cornerstone artifacts. - Alfred B. Mullet is criticized as a possibly fictitious figure used to explain grand constructions; the speaker accuses the architectural histories of being AI-generated narratives with fabricated biographies, while asserting that many grand early U.S. buildings were constructed far earlier and more rapidly than publicly acknowledged. - The presenter teases that future exposés will cover more sites (including a Syria location with griffins and blasted heads) and invites viewers to discuss and verify these ideas, claiming a worldwide pattern of destruction of evidence by powerful groups. - Overall stance - The speaker contends that “there was a previous civilization here” and that “these tunnel systems, structures, and underground real estate” were long-hidden and are much larger than publicly admitted. The claims hinge on alleged archival evidence, decontextualized photos, disputed dates, and contested readings of historical events, all presented as part of ongoing investigations that challenge conventional history.

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We explore who built the great cathedrals and the knowledge we may be missing from mainstream history. The speaker references a Land of Mu, a continent left out of standard textbooks, and cites a 1925 Courier Journal article drawing on Colonel James Churchward’s records and an East Indian high priest. The article allegedly states that people were brought by world of marble, that they could quarry gigantic stone blocks, transport them long distances, and carve them into human faces; that the people of Mu navigated the air and had ships trading far away. From this, the speaker argues that flight technology existed earlier than the Wright brothers’ era and suggests information has been stored and gradually returned. The speaker notes the tablet records place Mu in the Pacific Ocean and questions whether Mu was a larger landmass or part of a broader, hidden geography. They wonder if other lands larger than Easter Island or Hawaii might remain hidden from maps and flight paths, possibly containing cities, palaces of marble, and advanced construction knowledge that formed a Garden of Eden-like cultural peak. The discussion shifts to the construction of cathedrals and megalithic architecture. It is claimed that the horse-and-wagon era could not have produced structures like the Cologne Cathedral, Gloucester Cathedral, or Notre Dame, citing alleged dates and fire events (e.g.,11th–12th century timelines) that supposedly do not align with mainstream histories. The narrator asserts that architecture across continents points to knowledge beyond primitive practices and argues that flowers of marble and megalithic feats indicate Mu’s influence, with references to Easter Island heads and the megalithic complexes at Nan Madol in Micronesia, which are linked to Mu, Hawaii, and Easter Island and described as city-like stone islets built long ago. There is a claim that Notre Dame’s dating was an educated guess and that maps show static overlays with perfect 90-degree angles over Nan Madol, complicating mainstream explanations. The speaker asserts that Mu builders used flying dragons to lift stones and that Mu housed advanced technologies, including flying crafts and marble construction, which would explain global megalithic structures. Churchward is described as claiming Mu’s civilization was technologically advanced, known as the Necals, and that this civilization predates modern civilization. The speaker suggests Columbus didn’t discover anything and that a prior, advanced civilization had broader knowledge of landmasses than currently known. They mention two critics of Churchward—Curtis Wilgus and Elspeth Decamp—who allegedly dismissed Churchward without reading the tablets. The speakers argue these critics were shaped by institutional schooling and question their authority. The speaker emphasizes that they seek truth and have not taken money from critics, insisting the goal is to uncover hidden history. They assert Churchward possessed over 100 patents and learned from a priest in India who taught him Nakal, the language of the tablets. The temple with hundreds of clay tablets is described as having been in India, but the specific location of that temple is now erased from databases, suggesting attempts to conceal it. The narrative concludes by suggesting that an advanced Mu and its hidden knowledge, including flying technology and marble architecture, could be the source of many global wonders, and that additional hidden temples might exist elsewhere, waiting to be discovered.

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Speaker 0 argues that the Temple Of Baal in Syria is more than crumbled stone; it is a haunting reminder of a dark side of a previous civilization. He notes a castle on a cliff next to the site, claiming it has been melted into sand and suggesting both structures were built by the same group in the same period. He asserts that the Temple Of Baal was found in 32 AD, and that the site is inaccessible today due to war, which he views as a tactic to hide history. He contends the Temple and the castle were constructed around the same time, framing the location as an old world city or palace city, not thousands of years ago but closer to our timeline, largely destroyed to look older. Speaker 0 mentions Tadmer Castle, listed as a world heritage site in danger in 2013 because of the Syrian civil war. He states the castle was captured by ISIS in 2015 and recaptured in 2016. He describes ISIS retreating and blowing up parts of the castle, including the stairway, causing extensive damage. He claims the arch near the site was demolished in 2015 and asserts it was an attack on true history to obscure what happened there. He notes Palmyra and the Damascus Gate in the vicinity and argues the history presented by mainstream sources is a lie, pointing to an “advanced group” that left behind technology and construction that mainstream narratives hide. Speaker 0 rejects the idea that the Temple Of Baal and surrounding structures were built thousands of years ago. He speculates that a higher level of civilization was present in the last few hundred years and that their work remains visible today, with attempts to destroy or blur the past. He cites the Temple Of Baal as one of the most important temples in the ancient Near East and references Baal worship in modern Syria, clay tablets, and biblical mentions. He presents archaeological excavations at ancient Baal worship sites, including Palmyra, as evidence that sacrificial activity occurred, challenging the notion that such myths are purely mythical. He notes bones and texts confirming ritual activity and questions why such evidence would be hidden if myths were the whole story. Speaker 0 discusses a location about 200 miles from the Temple Of Baal where tablets and artifacts were unearthed in 1929, including the Ball Cycle, a collection of epic poems related to Baal worship. He emphasizes the discovery of 1,000 tablets and suggests there may be more, with many stories hidden beneath the surface. He claims the site has been affected by conflict, making the extent of damage to tablets unclear, and asserts that authorities downplay or conceal information to maintain the mainstream narrative. He contrasts the focus on pottery with reports of royal palaces, high priests’ libraries, and temples, arguing that more significant finds were suppressed or underreported. Speaker 0 invites viewers to consider what other stories might be found beneath the surface, pointing to the Ball Cycle and the alleged opposite practices under churches. He stresses that the past, including the old world, is not Mythical in his view, and he promises to continue the investigation in future episodes. He closes by urging viewers to remember the pottery as a possible distraction from more substantial discoveries, and he signs off with anticipation for further exploration.

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The Sumerian king's list is described as a list that documents the reign of kings who lived for tens of thousands of years and ruled before the flood, a text so important it “couldn't be left in public view” and had to be stolen and likely lost forever. It sat in the Iraqi National Museum until 2003, when 15,000 artifacts were looted during the war, including the tablets of the king's list. The speaker asserts that the Sumerian king's list was a road map to our true history, telling of a place nobody got sick and nobody died, called Dilmun—the land of the living, the land of the gods, a place of pure brilliance, a place free from death, sickness, and aging. Dilmun is described as a land of purity and paradise, a UNESCO World Heritage Site as of 2005, and the timeline is said to require UNESCO to protect sites from weathering. Excavations began in 1954. The timeline notes that the Portuguese fort was once the capital of the Dilmun civilization, uncovering antiquities from an artificial mound 39 feet high containing seven stratified layers. The question is posed: what did they find in 1954 on a small island off the coast of Qatar, and what else is in that location today that they are still finding? The area is described as being near Dubai and Abu Dhabi, prompting speculation about why this location is so significant and how it relates to immortality, life, and death. If the 1954 discovery is connected to immortality and the land of the living, the population growth in Dubai is highlighted: from about 1,200 to roughly 20,000 in 150 years, and then to 3,000,000 by 2025, with investments rising from 50,000,000 in 1940 to over 500,000,000,000 in 2025. The speaker asks why Dubai emerged so dramatically and whether this coincidence ties to discovering Dilmun. References are made to the Epic of Gilgamesh and Dilmun as the land of immortality, the ancestral place of the Sumerians, and a meeting point of gods. The speaker mentions a map section with massive necropolises and declares episodes titled Under the Necropolis parts 1–6. The claim is that Bahrain’s Dilmun burial mounds were found in 1889 by Mr. and Mrs. Bent, with speculation that the site contained the old world beyond a few ivory bits, charcoal, and ostrich eggshells. The British Museum is criticized for allegedly holding 7,920,000 items that are off limits to the public, including the Epic of Gilgamesh, 30,000 tablets, and 350,000 ancient grave mounds in Bahrain. The speaker insists there was more found than pottery and asserts that pottery stories are used to mislead about the site’s significance. The narrative asserts that in 1954, the same year as the Portuguese fort, there was a major discovery related to Dilmun, with Dilmun seals found at the Barbar Temple, a religious site associated with Enki, and a seal depicting two griffins. Nearly 400 Dilmun seals were discovered across Bahrain and the Gulf, with many housed in Bahrain National Museum and many taken to the British Museum. The kasha (cassia) tree is introduced as a key element: described in Sumerian tablets as the herb of healing par excellence and as a plant of immortality; it is linked to the Bible (Exodus 30:24; Ezekiel 27:19; Psalm 45:8) and is associated with the tree of life. The speaker ties together the Dilmun seals, the Sumerian king's list, the kasha tree, and the mythic immortality of Dilmun as part of a larger blueprint of the old world, suggesting that these elements are hidden in museums and underground. The conclusion invites the audience to decide whether this is coincidence or truth, asserting that the old world never left and is now becoming visible.

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The speaker argues that a hidden, “old world” civilization built thousands of monumental structures around the world, and that today’s timeline erases or suppresses this past. The narrative centers on Mumbai (formerly Bombay), India, where a number of grand buildings—palaces, train stations, a municipal corporation building, and other architectural icons—are claimed to be remnants of a prior civilization with advanced technology. The speaker asserts that these structures, built long before the known timeline and power tools, were attributed to a cover story in which modern-era builders and a younger designer are named as front men. Key examples cited include: - A palace-style central railway headquarters in Mumbai that, according to the speaker, was completed seven years before the invention of the power tool in 1888, contradicting the official timeline. - The idea that multiple grand buildings in Mumbai, such as the Royal Alfred Sailor’s Home (allegedly built by Frederick William Stevens, a British government employee), the Municipal Corporation Building (designed by Stevens and completed in 1893), and other palatial residences, were constructed by a highly advanced earlier civilization. The speaker emphasizes consistent reuse of “the same character” and “pin” tying Stevens to various buildings, including Raj Mahal and other structures. - The claim that a modern city like Mumbai contains evidence of old-world technology (e.g., precision domes, depictions of mythic sea creatures) and that interior spaces of these sites hold further undisclosed discoveries. - Assertions that the Gateway of India predates its stated foundation date, with a photograph from 1911 showing the structure before the claimed foundation, and that construction actually began in 1915, contradicting official records. The architect George Widdett is named as the designer of several Mumbai landmarks, including the Prince of Wales Museum (now CSMVS), supposedly linking a consistent “old world” design language across sites. The speaker expands the scope globally, linking these Mumbai findings to a worldwide pattern: - The old world is suggested to have left “palaces” and “stone universes” across continents, including references to griffin sculptures and other mythic imagery appearing on buildings, implying a shared old-world iconography. - A claim that the old world is being erased from history, with statues of British figures removed in the 1950s in India, and other steps described as deliberate erasure of the past. - The Gateway of India is contrasted with a supposed cardboard-model explanation for its 1911 photograph, and the assertion that this narrative is part of a broader cover story masking the true extent of ancient achievements. - The speaker highlights a broader historical thread: the Sumerian king’s list, Dilmun, and the idea of a land of immortality described in ancient texts. The Sumerian list is portrayed as a historical roadmap to a paradise-like Dilmun, cited as evidence of an advanced old world. Dilmun and related artifacts appear at the center of the argument: - The Dilmun site and its seals are presented as crucial evidence, with references to near 400 Dilmun seals discovered across Bahrain and the Gulf, showing intricate carvings and griffins; these artifacts, the speaker claims, are housed in Bahrain’s National Museum and in the British Museum. - The Dilmun burial mounds and alleged artifacts described as remnants of an advanced civilization, including a supposed “land of immortality” where people did not die or get sick, are presented as part of a broader narrative about the old world’s geography and technology. - The speaker discusses the 1954 excavations near Dubai, arguing that the discovery of Dilmun and related tablets preceded Dubai’s rapid modern growth, and suggests a correlation between the discovery and later monumental investment in Dubai. The speech asserts a political-cultural dynamic: - The British Museum, the Vatican archives, and other global repositories allegedly hoard 30,000 tablets from Iraq and approximately 53 miles of texts under Vatican City. The tablets, the speaker claims, are off-limits to the public, and the narrative is protected by those who control access, with the argument that public display would reveal a truth about humanity’s past. - A 1963 British Museum Act is cited to question the ability to remove artifacts; the speaker implies unlawfully acquired items (stolen or unjustly obtained) could be returned to their rightful owners, arguing that the tablets and artifacts should be accessible to the public. Throughout, the speaker calls for confronting what is presented as a globally coordinated effort to conceal the true history of the old world, urging viewers to question commonly accepted timelines and to seek the hidden science, texts, and sites that supposedly prove a prior advanced civilization operated across multiple regions. The overall claim is that the old world did not vanish but remains encoded in monuments, inscriptions, seals, and archives, and that much of this material is deliberately hidden from public view.

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The speaker asserts undeniable evidence of a previous, globally advanced civilization capable of constructing palaces on every continent, proposing they existed just a few hundred years ago. The speaker highlights the site of Marvdash, Iran, and Persepolis's "Gate of All Nations" as an example, noting scientific explorations only began in the 1800s and 1900s, suggesting a population reset occurred beforehand. Artifact removal and ridiculous narratives surround these locations, with details like griffin depictions and precisely dated historical events being suspect. The speaker believes heads were removed from statues to hide elongated skulls, and that the advanced construction techniques, including underground tunnel systems, have been forgotten. The speaker suggests a deliberate plan to reset civilization, contrasting advanced ancient construction with modern vinyl siding. The speaker points to another site seven and a half miles away with entrances to a melted structure, questioning why such sites aren't taught in schools. The speaker believes these were palaces with drainage systems, dismissing narratives about simple decoration and pottery finds. The speaker highlights Merv, Turkmenistan, as another example of melted structures and fabricated history, excavated primarily by Russians, Americans, and Soviets.

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Speaker 0 discusses Cypress’s Tombs of the Kings as part of a large necropolis on the island, describing it as a UNESCO site and a discovery first reported in 1783 with archaeology beginning in 1870. The speaker notes that this is not just “tombs of the kings” but a vast necropolis from the old world, with the implication that it reveals an advanced previous civilization still located beneath modern life. They claim that through extensive research and exposure, people can conclude that these sites are "right underneath our feet" and connected to many other necropolises across Cyprus. The narration emphasizes a pattern: excavations in the 19th century, with skepticism about earlier historical accounts, and asserts that many details about the tombs were lost over time. The speaker contends that the tombs were rich in expensive goods and old-world technology, and accuses mainstream narratives of grave robbers and cover-ups, claiming that bodies have been removed or lost due to looting or destructive restoration practices of the 19th century. They allege that remains have been taken for study or looting, leaving only a few intact burials today, and that the sites are often left inaccessible or destroyed to protect a narrative. The speaker highlights that adjacent to the Tombs of the Kings are catacombs and other necropolises, including a Western Necropolis, and argues they are interconnected. They point out that many catacombs repurposed as Christian places of worship undermine the notion that these were solely ancient burial sites. The claim is made that access is restricted next to the Salamis Necropolis and that information and mapping of the underground network are not provided to the public, suggesting that the network is much larger than publicly acknowledged. There is a repeated assertion that the “old world” civilization existed and that the pottery explanation for finds is a front to conceal what was discovered. The Turkish invasion of Cyprus in 1974 is cited as having led to greater looting of the Salamis Necropolis, with artifacts allegedly smuggled out during and after the conflict. The speaker connects Cyprus’s necropolises with other regional sites, including Palmyra in Syria, claiming proximity and interconnected significance and asserting that these sites reveal a true history that contradicts standard education. The episode repeatedly argues for full transparency and public access to excavations from start to finish, accusing authorities of protecting or preserving a narrative rather than the actual past. The speaker mentions that the necropolis excavations began in the 1950s for some sites and ties ongoing looting and restricted access to broader patterns observed in other “old world” sites. They conclude by noting that thousands of individuals were originally buried there and indicate anticipation for episode 111 next Saturday, promising further revelations about the ancient network and its looted heritage.

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The speaker claims there's a deliberate attack on true history, evidenced by submerged ancient sites, specifically focusing on the Panchat Dam in West Bengal, India, constructed in 1959. This dam allegedly submerged massive historical sites, including the Telkupi temples, without proper excavation or documentation. The speaker questions if this location is where British Colonel James Churchward met a high priest and viewed tablets about the lost continent of Mu. They highlight discrepancies in historical accounts, noting the disappearance of temples between 1878 and 1902. The Damodar Valley Corporation (DVC), established in 1948, built the dam following a plan recommended by the Tennessee Valley Authority (TVA) at the request of the British government in 1944. The speaker suggests the British government knew something about the site, possibly related to Churchward's discoveries. The speaker believes the submergence was a calculated move to bury the truth, silencing the local Santal communities and erasing their history. They urge viewers to investigate the site on Google Earth, revealing a partially submerged temple.

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The speaker continues a deep-dive into a claimed global power structure, asserting that those who rule the world are the Illuminati or Cabal, a hidden group that pulls strings behind presidents, kings, and governments. The Cabal is described as real, with evidence spanning thousands of years, and is presented as the key behind modern darkness and the “best kept and most shocking secret in the history of mankind.” The narrative promises to take the audience “down the rabbit hole” and to reveal the true agenda of this unseen force. Historical roots begin with ancient Sumer seven millennia ago. Sumerian civilization is described as highly developed, with grand cities, temples, pyramids, and advanced infrastructure like indoor plumbing. The Temple of Inanna at Uruk is highlighted for its splendor and depictions of various deities. Ishtar (Ishtar/Asherah) is linked to Isis, Diana, and Venus, and associated with Baal, a deity demanding child sacrifice. A second historical thread follows the Khazars in the region of the Northwest Silk Road, in the area known as Khazaria. The Khazars are described as a people who migrated north to the region between the Black Sea and the Caspian Sea, calling their homeland Khazaria. They are depicted as deceitful and cruel, worshipping Baal/Moloch, and engaging in child sacrifice. When the Russian ruler Vyacheslav warned their king Bulan to end Luciferian practices and convert to Judaism, Bulan adopted elements of Judaism but did not fully convert. Later, Vyacheslav’s forces targeted the Khazars; the king fled with much of the nobility via Hungary to Poland, and eventually to France and Spain. The exodus led the Khazars to call themselves Ashkenazi Judeans, though outsiders rejected their practices. The Ashkenazim, descendants of Japheth, adopted the name Askenaz while tracing lineage to Togarmah and Jafeth. The Rothschilds are introduced as Khazarian descendants who settled in Frankfurt, becoming powerful bankers in Europe. They issued notes and deposits through their bank, amassing wealth that funded influence across Europe, with Maya Amschel Rothschild’s five sons operating in Frankfurt, London, Paris, Vienna, and Naples. The narrative then shifts to the Age of the Crusades. In Jerusalem, the Order of Malta is founded with two arms: a hospital for pilgrims and a military protection mission under Rome. The First Crusade leads to rulers of Jerusalem. In 1099, the Knights Templar (Poor Knights of the Temple of King Solomon) are established, with headquarters on the Temple Mount. Their goal is described as protecting pilgrims and rebuilding Solomon’s Temple. They accumulate vast wealth through land, ships, banking, and exemptions from local laws, aided by papal support through the bull Omnidatum Optimum issued by Pope Innocent II. The Templars’ wealth and influence culminate in their dissolution in the early 14th century, after King Philip IV of France’s debts to them. Jacques de Molay is executed; the pope dies under dramatic circumstances, and the Templars’ legacy supposedly continues through successor orders and symbols, including the Rosicrucians, the Jesuits, and Freemasons. The Jesuits, though portrayed as a powerful, elite group, are accused of infiltrating Freemasonry and driving a centuries-long power play. The Jesuits’ initiation oath is quoted in full, illustrating an image of a militant, unquestioning order. The Jesuit order is said to have been dissolved by Pope Clement XIV in 1773, allegedly replaced by the Freemasons, though the speaker notes that not all Jesuits are harmful, distinguishing between individual priests and the top pyramid, the Jesuit Council. The narrative ties together the Knights Templar, Jesuits, and Freemasons as a continuous thread of secret influence. The speaker teases a convergence of these two storylines at a pivotal historical event, promising to reveal how they intersect in part two.

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The speaker claims there's a deliberate attack on true history involving the submersion of ancient sites, specifically focusing on the Panchat Dam in West Bengal, India, built in 1959. This dam submerged the Telkupi temples, a site with potentially 26 temples, unexcavated and largely undocumented. The speaker suggests this was to hide overwhelming truths about a previous civilization. The speaker connects this to James Churchward's claims of discovering tablets about the lost continent of Mu while stationed in India, proposing the submerged site could be where Churchward met a high priest. They highlight discrepancies in temple counts before and after the dam's construction, suggesting deliberate destruction. The Damodar Valley Corporation (DVC), established in 1948, built the dam following a plan by the Tennessee Valley Authority (TVA) at the British government's request in 1944. The speaker questions the British government's motives and suggests a cover-up of Churchward's discoveries. The speaker points out that the local Santal communities were displaced and their history erased. The speaker urges viewers to investigate the site on Google Earth, believing it holds hidden tools, tablets, and markers that could rewrite history.

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The speaker claims this episode marks the "end of the mainstream narrative" regarding history. They allege that AI confirmed archaeological finds are being hidden to suppress evidence of advanced pre-existing civilizations. The speaker says artifacts challenging established historical narratives are kept from public display to avoid controversy. They cite findings in the Americas suggesting advanced civilizations existed before European contact, which mainstream archaeology dismisses. They believe access to these artifacts is essential for a fuller understanding of history. The speaker highlights instances where access to artifacts is restricted under the guise of preservation, but claims this is to maintain a false narrative. They point to the AFCP, funded by US tax dollars, as an organization that preserves and protects its own narrative, not necessarily the artifacts themselves. Examples include Jebel Barkal in Sudan, where the AFCP has funded conservation efforts, and Kerma, also in Sudan, where artifacts are conserved in vaults, limiting public access. The speaker also discusses the Terracotta Army in China, a 38-square-mile necropolis, and suggests that the unopened tomb of the First Emperor of China contains artifacts that would expose the mainstream history as a lie.

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The speaker discusses the underground city in Turkey, which could accommodate 20,000 people and contained amenities. Mainstream historians claim rooms were used for studies based on generational knowledge, which the speaker disputes as guesswork. The speaker believes the old world had advanced technology and was possibly hiding from something, referencing a large ventilation shaft that provided water. The speaker questions the mainstream narrative about the caves' origins, noting the BBC reported 18 levels of tunnels and over 200 interconnected underground cities. They highlight the closure of tunnels worldwide, suggesting a hidden purpose or contents. The speaker points out the rediscovery of the Turkish site in 1963 by someone whose chickens kept disappearing into it. The speaker argues that the mainstream narrative, which claims these tunnels were easily built with simple tools, is false. They question how humans could survive and construct in the dark without a light source, suggesting advanced technology existed. They also entertain the possibility of another species thriving underground, referencing Native American stories of "ant people." The speaker connects these tunnels to Iraq, mentioning the looting of the Iraq Museum in Baghdad in 2003 and the destruction of artifacts and manuscripts, including the Sumerian king's list. They believe this was a deliberate act to hide the true past. The speaker highlights US military interest in Iraqi tunnels and the discovery of a long tunnel on the US-Mexico border with advanced features. They also discuss the Sumerian king's list and its parallels to Genesis, suggesting a cataclysmic event and a golden age.

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The tombs of the kings in Cyprus, discovered in 1783 and first excavated in 1870, are part of a large necropolis designated as a UNESCO site. This necropolis, belonging to an ancient civilization, raises questions about where this advanced civilization disappeared to. The speaker believes they are right underneath our feet. Much information about the tombs was reportedly lost, attributed to grave robbers, but the speaker suggests this is a cover-up. The speaker claims that thousands of bodies were buried there, but most have been removed. Catacombs next to the tombs are repurposed as a Christian worship site, similar to churches built on catacombs worldwide. These sites are interconnected, forming a massive necropolis. Ninety miles away, the Salamis Necropolis contains thousands of tombs, but access is restricted to the public under the guise of preservation and ongoing excavations. The speaker alleges that remains have been removed for study, with the number of bodies now minimal. Following the Turkish invasion in 1974, looting increased, and artifacts were smuggled out. Cyprus and its necropolises are near Syria, Lebanon, and Palmyra, where the Temple Of Baal is located. The speaker believes a massive event wiped out the previous civilization, leading to a reset. The Palmyra Necropolis also features elaborate tombs that have been looted and damaged, with thousands of individuals originally buried there.

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One of the most significant discoveries in the history of the world was finding the library of Ashurbanipal. The British Museum in London houses the majority of these tablets, but they are not available for public viewing, as they are preserving the narrative. We have exposed this and proved that this is the case 100%. We have located two places that hold basically everything that we need to know and are being blocked off from all of us, they are off limits to the public. They are stealing the artifacts and protecting the narrative, so that they get to keep all the old world technology, the old world text, the old world information, and all of it is off limits to all of us. The museum is also home to 1,000 staff and over 8,000,000 objects, where just 1% of these items from The Old World are on display to the public.

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Speaker 0 describes the Temple Of Baal in Syria as more than crumbled stone, a haunting reminder of a dark side of a previous civilization. He notes a castle on a nearby cliff that has been melted down to sand and believes both structures were built by the same group during the same period. He states the Temple Of Baal was found in 32 AD, not 31 or 33, and adds it is inaccessible today due to being in a war zone. He argues that war zones are used to block public access to lost history, suggesting that destroying the main entrance is a method to erase true history and credit war instead. He asserts the Temple Of Baal was built two thousand years ago and that the castle was built 1,200 years later, next to hundreds of columns and a temple the size of the Pyramid Of Giza. He claims the Tadmer Castle was placed on the World Heritage in Danger list in 2013 because of the Syrian civil war, was captured by ISIS in 2015, and recaptured in 2016. He mentions ISIS retreating fighters blew up parts of the castle, including the stairway to the entrance, causing extensive damage. He states the site has not been highlighted in mainstream history, with captures occurring yearly in 2016 and 2017. He questions the claim that the castle was built by the Mamluks, arguing that Mamluks translates to “one who is owned,” and contends the idea that enslaved workers built a palace using no training is ridiculous. He notes the proximity of the castle to a temple and a pyramid-sized structure and calls it more than a coincidence. He suggests that the area’s destruction is a targeted effort to erase true history, referencing the 2015 demolition of the arch and the destruction of the Tower Of Elable, and questions plans to rebuild, calling rebuilding impossible and inappropriate. Speaker 0 argues that the timeline is fabricated and questions why the site wasn’t destroyed in 1650 or 1420, implying that dates are not real. He asserts an advanced civilization built the sites within the last few hundred years, and that myths about the past are false, citing Baal’s dwelling as described in myth as a magnificent palace, with silver and gold, and defended like a fortress, which he claims is no longer mythical. He points to archaeological excavations at Palmyra showing sacrificial activity linked to Baal worship, including bones found at the site and texts confirming worship practices. He mentions the Ball Cycle, a collection of texts that provide evidence of ritual offerings to Baal, performed by priests, and notes a catacomb under churches with ritualistic practices. He discusses a location about 200 miles from the Temple Of Baal where tablets and artifacts were found in 1929, including the Ball Cycle and texts about Baal, Danil, and Baal’s death. He claims 1,000 tablets were found and suggests numerous other stories were uncovered beyond pottery, including royal palaces and high priests’ libraries with Grand Palaces, libraries in the Acropolis, and texts about Baal worship. He contends that the public was misled about the discoveries and that access to artifacts has been restricted to preserve them, while pottery is used to distract from the broader finds. He ends by inviting viewers to continue the exploration, emphasizing that the past is not as Mythical as claimed and promising more discoveries in future episodes.

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I'm Gilgamesh, an ancient Sumerian king from modern-day Iraq. In 2003, an archeologist thought he found my city, Uruk, and possibly my tomb. Shortly after, the US invaded Iraq and built a military base directly over the ruins. Locals reported the military was secretly digging at night, taking artifacts away on trucks. The official story was that we were searching for weapons of mass destruction, but many believe the real goal was to acquire these ancient artifacts. Saddam Hussein was also rebuilding Babylon, potentially hiding something significant. The US State Department even formally requested my tomb. We invaded, took what we wanted, and eventually had to return some items. WikiLeaks revealed requests for documents about my resurrection chamber, my body's location, and the location of buried Nephilim. They covered everything up.

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The speaker discusses a 1583 map showing Tartaria, a land never mentioned in history books, and a massive New Guinea, suggesting suppressed knowledge and a possible lost continent called Mu. The Library of Congress holds this map. Other maps depict Antarctica as green and reference "here be dragons," indicating hidden knowledge. "Scientific" in Latin translates to "fiction," questioning established narratives. The speaker updates on Chicago tunnels, revealing eight sub-basements in the Tribune Building, inaccessible to the public, suggesting hidden truths about construction and a possible warning before a flood. The speaker then discusses Derinkuyu, an ancient underground city in Turkey with 18 levels of tunnels, potentially part of a larger network of 200 interconnected subterranean cities. Mainstream historians' explanations are dismissed as speculation. The speaker questions the narrative around the city's rediscovery in 1963 after chickens fell into it, and the claim that it was built with simple tools. The speaker argues that a light source would have been necessary for construction and survival, challenging the timeline of electricity's invention. The speaker also speculates about a possible non-human species that could thrive underground, referencing legends of "ant people" and their connection to the Sumerian Anunnaki. The speaker notes the destruction and theft of artifacts from the Iraq Museum and National Archives in Baghdad, suggesting a deliberate effort to erase the true past.
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