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A citizen journalist is recording buses at the San Antonio Airport. He states he is exercising his first amendment rights and recording the drop-off of "illegals." He asks for Corporal Perez and the night duty manager, Frank Constantino. An officer asks for the journalist's name, explaining that someone matching his description has a criminal trespass. The journalist refuses to provide identification, stating he is not breaking any laws and that he is in a public place. He claims he is like paparazzi and does not want to be harassed. Another officer, Price, arrives and asks if the journalist was issued a criminal trespass warning for the airport, to which the journalist says he doesn't want to answer any questions. Officer Price states the journalist is being detained and asks for a driver's license, which the journalist refuses to provide. The journalist claims he is being detained for reporting in a public space.

An officer confronts a woman on the street, insisting she show identification. The officer asks for an ID multiple times, stating, “Do you have an ID on you, ma’am?” and later, “If not, we're gonna put you in the vehicle. We're gonna ID you.” The woman responds that she doesn’t need an ID to walk around in her city, and she refuses to produce any identification, saying, “I don't need to carry around an ID in my home,” and, “Not gonna give you a ID.” The officer presses, requesting the woman’s birth information as part of what he describes as an immigration check and a citizen check. He asks, “Where were you born?” and “Ma’am, can we see an ID, please?” The woman asserts her status, declaring, “I am US citizen,” and reiterates that Minneapolis is her home. She insists that this is where she belongs and that she should be allowed to walk there without fear, replying, “This is my home,” and, “I belong here. I should be walking around here at three. I shouldn't be afraid in my life at this point.” The officer continues to demand identification, stating, “Ma’am, do you have an ID to give us? Skirt? Yes. You're correct.” The woman pushes back on the line of questioning, asserting, “I am US citizen. I am US citizen. I don't think so. You have a right to picture me while I am in my home or walking around in my home. This is not acceptable.” She accuses the officers of terrorizing people, insisting, “You guys, you terrorizing people. Ma’am.” The exchange centers on the tension between civil verification checks and the woman’s insistence on her rights and belonging. As the conversation escalates, the officer reiterates the need for a birth place, while the woman remains adamant that where she was born is irrelevant to her citizenship and right to be in her home area. She maintains that she belongs there, repeatedly stating, “This I is my belong here. I'm sorry. I belong I'm not gonna take out anything. What the fuck?” The dialogue ends with the woman’s determination to resist producing any identification and a continued assertion of her US citizenship and claim to the space as her home.

The speaker confronts a person who is trying to arrest them, claiming it is against the law. They argue and film the encounter, demanding the person's name and badge number. The speaker accuses the person of being a communist and calls for them to call their police chief. They express disappointment and shame towards the person's actions.

The speaker is filming at a public protest and refuses to stop recording despite being asked not to film people's faces. The other person argues that it's a public space and a newsworthy event, so they have the right to record. The situation escalates as they exchange heated words, with the speaker eventually agreeing to leave. The conversation is chaotic and ends with the speaker continuing to film while making references to "Rick and Morty."

A person in a car is stopped by an officer who says the tag design is not allowed. The person identifies as a third-year law student and demands the officer's documents. The officer requests the person's driver's license, which is refused. The person repeatedly asks for the officer's watch commander to come to the scene. The officer threatens to call the sheriff. The officer demands the driver's license and orders the person out of the car, while the person insists there is no lawful reason for the demands. The officer points a weapon and orders the person to unbuckle their seatbelt and exit the vehicle. The person states that the officer has a weapon pointed at them and asks someone to call an attorney. The officer orders the person to get out of the car and onto the ground, threatening to use a taser. The person says they cannot stand on their own and refuses to comply.

A journalist argues with a police officer who asks them to disperse from the area. The journalist asserts their right to report freely and questions the officer's authority to control who can be a journalist. The officer explains that they are asking the journalist to leave to prevent harassment and distress to the community. The journalist refuses to leave, stating that they are just doing their job. The officer warns that if the journalist doesn't leave, they may be arrested. The journalist accuses the officer of being a fascist and continues to argue while ordering breakfast. The video ends with the officer asking the journalist to leave again.

Speaker 1 and Speaker 2 are taking audio and video when Speaker 0 approaches and demands to know what they are photographing. Speaker 1 refuses to answer and asks Speaker 0 to leave them alone. Speaker 0 refuses, claiming they can't take photos on federal property. Speaker 1 claims Speaker 0 tried to hit them with their car. Speaker 2 says they witnessed the near-hit and that the photography is constitutionally protected. Speaker 1 threatens to have Speaker 0 arrested. Speaker 0 refuses to leave, stating they don't take orders from "schmucks." Speaker 1 tells Speaker 0 they made a mistake and should go home. Speaker 0 asks again what Speaker 1 is photographing. Speaker 1 again refuses to answer.

Speaker 0 argues that what was described is that he went there to try to stop the law enforcement operation, and that all the video shows him doing is documenting it with his cell phone, which is lawful. The only time he appeared to interact with law enforcement was when they went after him as he was trying to help an individual who law enforcement pushed down. Speaker 0 asks where the evidence is to show that he was trying to impede the operation, noting that he was filming, which he says is legal in the United States of America. Speaker 1 responds that Dana was there in the scene and was actively impeding and assaulting law enforcement to the point, but adds that this is not illegal. Speaker 0 counters that Dana wasn’t impeding it; he was filming, which is legal. Speaker 1 asks not to freeze-frame adjudicate the moment and insists that Dana was there for a reason, and that reason was to impede law enforcement. Speaker 1 further argues that de-escalation techniques were utilized during this action, including physically trying to remove those from the law enforcement scene and the use of pepper spray, which is described as another de-escalation technique. He states that those techniques did not work.

The video shows a confrontation where someone is being arrested. The person being arrested asks why they are being arrested, but the police officers do not provide a clear answer. The person also asks for their phone and microphone, but it is unclear if they receive them.

A person with a camera is confronted by security while filming. The security guard asks if the person has approval from the school to be there. The person admits they usually don't get consent from people they film. The security guard says someone complained, and this happens all the time. The security guard states that they can't stand there, even on the sidewalk, and demands they leave the property. The person filming says they are doing it for the public's right to know. They are escorted off the property by officers and state the officers should be escorting the president off the property instead.

Let's go outside. What's happening, officer? They want you to leave. Why? It doesn't matter; they've asked you to go. We were just recording. I don't know why they said you were uninvited. They asked me to escort you out. Did they say you couldn't record? Everyone's using their phones. I can't answer any more questions, but she's looking into it.

A person is documenting an encounter, anticipating the arrival of "Corporal Perez." They state they are documenting potential job displacement and refer to their X account. They mention a previous incident where they received a written warning on a public street near hangars, despite not knowing it was public. They claim their lawyer confirmed the street's public status, and they returned to "prove them wrong." The discussion shifts to videotaping immigrants, with the person asserting that those being filmed are aware and willing. They clarify they were following a bus, not breaking traffic laws. They share that the police officer was given their information and criminal report number. They state they are doing this for god and country and that they have footage of their old neighborhood in Queens, detailing prostitution and drug use.

The speaker is involved in a confrontation with someone, repeatedly telling them to step back and not touch them. Another person tries to intervene and calm the situation. The speaker continues to assert their rights to be in a certain area and questions why they are being told to back up. The conversation becomes heated and the speaker uses profanity. The video ends with the speaker expressing frustration and defiance.

A person filming audio and video is confronted by an individual who objects to being photographed on federal property. The person filming refuses to engage and asks the individual to leave. The individual refuses, stating they don't take orders from "schmucks" and claiming people can't be photographed. The filmer asserts their activity is constitutionally protected. The confrontation escalates when the individual allegedly tries to hit the filmer with their car. The filmer threatens to call the cops and have the individual arrested, while the individual demands they stop photographing people. A witness tells the individual to get in their car and leave. The filmer urges the individual to leave before making the situation worse, stating they have witnesses to the alleged assault. The individual refuses to comply, stating they don't take orders from "schmucks."

The video begins with Speaker 0 stating that they are allowed to film in a public place. Speaker 1 acknowledges this and says they don't have to talk. Speaker 0 insists on speaking and explains that they need to establish why Speaker 1 is in the public place. Speaker 1 questions what crime has been committed and Speaker 0 mentions that Speaker 1 is not wearing a face mask, which is an offense. Speaker 1 claims to be exempt, but Speaker 0 insists on seeing their exemption and proceeds to place Speaker 1 under arrest. Speaker 1 resists and a struggle ensues. The video ends with Speaker 1 being restrained by the police.

A person is recording a video outside a building and is approached by a security guard and a police officer. The person questions who they are and why they are being surrounded. The person refuses to talk to the police officer and threatens to knock him out. They demand to know the police officer's name and badge number. The person asserts that the police officer should stick to his job inside the building and not approach members of the public on the sidewalk. The person eventually tells everyone to go back inside and leave them alone.

A group is blocking the police from leaving and threw garbage. People are trying to create a line to stop ICE and FBI. They are fighting to get the police out of the town. People are upset because ICE came through and took immigrants out of the city. One man was thrown by the police and keeps going back at them after being pushed. The police threw him down, and he keeps going after them.

A person filming on the sidewalk is eyeballed by a drummer, who approaches her until a police officer intervenes. The same drummer then approaches another person filming, and Will slows him down. The drummer hits an officer with a drumstick. Someone yells that the person filming is violating rights by being there. Another person says the police are ignoring the people after her. Someone helps the person filming get away. Another person asks if there are any conditions. Someone states that the law should apply to the people who came at them and hit an officer with a drumstick. Someone else says to get the terrorists off the street that are violating. Another person states that two people with cameras are not the problem.

A police officer is recorded telling a Black person to step out of their car and provide their driver's registration. The person asks for the reason they are being asked to do so. The officer says they are dropping someone off. The officer tells the person to turn around and put their hands behind their back because they are under arrest. The person refuses to comply and resists being touched. The officer attempts to force the person onto their side and handcuff them. The person yells to be left alone and to get off of them while the officer is on top of them.

The exchange appears to be a tense traffic-stop interaction. One speaker asserts they are not detained and mentions having it on recording, while questioning the legitimacy of the stop. They indicate they were visiting parents and that they live in Spencer, and they are asked for their father’s name, though they decline giving that information. Throughout the confrontation, the other party demands that the speaker keep their hands visible and not move around, insisting they are not detained and that nothing about a detention has been said. The speaker is told to turn the phone off and to stop recording, with repeated instructions to relax and not to move excessively. There is a back-and-forth about recording and legality: the speaker states they have it on recording already and asserts a prohibition on certain actions, while the other party continues to instruct the speaker to put the phone away and to calm down. The dialogue includes commands to approach or come up, culminating in repeated insistence that the speaker "come up," with multiple repetitions of "Come up" and "You got the right one," suggesting the speaker is being asked to move toward the officer or another location. Overall, the moment captures a confrontation where one participant emphasizes not being detained and references recording, while the other enforces compliance through visible-hand and proximity directives, culminating in persistent urging to advance.

A Department of Homeland Security agent questioned an individual filming a government-leased building. The individual stated they were filming for their own use and presented a DHS memo stating it is lawful to film the exterior of federal buildings. The agent expressed concern that releasing the footage could endanger people in the building, potentially making the individual liable if harm occurred. The individual declined to provide identification, citing Texas law. The agent asked the individual to stop filming and leave, but the individual refused, stating they were on a public street and had verified this with the city of Frisco. The agent clarified they were only asking the individual to stop filming them. The individual said they would continue filming for a few more minutes. The agent then identified themself. The individual refused to stop filming, referencing their earlier proof that it was lawful.

The speaker confronts someone filming in front of a building and tells them they don't have the right to film there. The person being filmed asks who the speaker is and why they can't film. The speaker insists that they don't have the right and threatens to knock them out. The person being filmed asks for the speaker's name and badge number, and the speaker provides it. The person being filmed tells the speaker to leave them alone and not give them orders on the sidewalk. The speaker tells them to go back inside and not bother them.

Speaker 0 confronts another person with repeated "Get the fuck out" and "Don't come back," insisting "Let me move. Let me get out" while being pushed toward the road and urged to "Fucking walk." The exchange includes "Stop it" and "Stop sticking your camera to people's fucking face," followed by "I didn't do anything" and "I have the right to be here. Okay. Did I say I have the right to be here. I have the right to film." The other person threatens violence: "You come back, I'm gonna fucking smoke you, dude," and "gonna smash that fucking camera." The scene ends with the claim: "DHS watching you right there lasered on you. You have a sniper lasered on you right now. I don't give a fuck."

They're stopping my driver and demanding my phone because I filmed the USAID facility. I've refused to give them my phone, and now they're ordering my driver to exit the vehicle. I'm continuing to record this situation, though I'm unsure if I'm holding the camera correctly.

The speaker confronts a law enforcement officer, demanding their name and badge number. They discuss the presence of illegal immigrants and whistleblowers in a facility, with the speaker threatening to obtain body cam footage. The officer warns that trespassing will result in arrest. The speaker questions if the officer is blindly following orders and accuses them of lying about a bus filled with illegal immigrants. The officer denies knowledge of the bus and the conversation ends.