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The speaker describes a frightening incident where their 9-year-old son suddenly started shaking and vomiting in the middle of the night. They were scared and ran out of the room, fearing for their son's life. The son later developed rashes but has been okay since then, although emotionally and mentally affected. The speaker is terrified to go back to the area and is concerned for their son's well-being. The incident has disrupted their son's life, as he couldn't attend his own party and is now withdrawn. The speaker also mentions the impact of COVID-19 on the children, with the school being shut down and some friends getting sick.

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The speaker expresses intense shock and anger, repeatedly asking, “The fuck is wrong with you,” and “What the fuck did you just do?” They urge, “Somebody call the ambulance,” and insist, “Somebody needs to call 911.” They state, “I can’t believe they just did that” and exclaim, “Holy shit,” wondering, “Why would you do that?” They react with disbelief, “I can’t believe I’m seeing it,” and direct someone named Jamaica to come over: “Come on, Jamaica. Come here.” The speaker describes the scene as “so fucked up,” repeating that it is “fucked up,” and concludes with the claim, “He was only helping.”

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Someone was upset and stated, "They're fighting. They're really trying to hurt me." They then exclaimed, "Run. Damn. Run."

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It's hard to convey the true meaning of horror to those who haven't experienced it. People are calling for help, questioning the role of law enforcement and social services. There's a sense of urgency and a plea for support, as expressed in the song "Stand by Me," emphasizing resilience in the face of adversity. The conversation shifts to the challenges of investigating crime, with some expressing doubt about others' experiences in this area. Overall, there's a mix of emotional expression and skepticism regarding the effectiveness of those in charge and the support systems in place.

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We witness the first sighting of the victim, who appears to be in a terrible condition. It is unclear whether they are being moved or placed in an ambulance. The speaker notices some activity on the other side of the vehicle, characterized by anxiety and quick movements. Suddenly, the speaker exclaims in shock, realizing that the victim is actually alive.

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I couldn't explain it. I wish you could feel what it's like in my head. It was chaotic, with voices getting louder and louder. It triggered a psychotic break.

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Speaker 0 asks the person what happened and what they were trying to do, specifically if they were trying to protect someone.

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Speaker 0 expresses anger that there are kids like him in the country who have had to go through this not once but twice. Speaker 1 notes that after shootings such as Parkland, there is typically a moment of expectation that there might be change and actual action, but it fades. He references that pattern after Sandy Hook, after Parkland, and after Uvalde, sometimes with some incremental progress, but nothing seemingly consequential. He says that has to be frustrating as a victim of this. Speaker 0 responds by stating it is not possible to put into words how frustrating it is, and identifies a common denominator inaction by Congress. He argues that time and time again, Congress has failed to show that they actually care about their constituents, and if they did, they would immediately pass comprehensive gun violence prevention bills. Speaker 1 asks how Speaker 0 is doing right now, noting that there is still a shelter in place on campus and in the area. He asks whether Speaker 0 is still in a shelter in place order. Speaker 0 confirms that he is safe in his dorm, but they cannot leave their dorms or buildings. He says physically he is safe and that he has had many friends and family reunited. Speaker 1 asks about Speaker 0’s family, acknowledging that they went through this with him once before and must be concerned tonight. Speaker 0 says the first person he called was his mom, which is the same thing that happened with Parkland. He describes seeing his mom go through those emotions all over again and feeling bad for her. He says it feels like he is 12 again, and it feels like it’s twenty eighteen again for his family as well, with them going through the exact same emotions.

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The speaker is in a state of panic, describing a distressing situation where they found their fiance on the floor with blood. They explain that they had gone downstairs to work out and when they returned, the door was latched and their fiance was unresponsive. Another person questions the speaker's actions, suggesting that they didn't make enough effort to help their fiance. The speaker defends themselves, stating that they had to break the latch to enter the room. They clarify that there was no sign of a break-in.

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The speaker expressed distress, stating, "Oh, we're not moving. I'm I'm not fucking Stop. I'm not fucking shit. Shit." The speaker then inquired, "Are they okay? Yeah."

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Speaker 0 describes a shocking event that triggered widespread crying and a feeling that lingered even 30 years later. Speaker 1 recalls a pre-event anxiety followed by a sudden calmness, then frenzy after a shot. Speaker 0 didn't hear the shot but rushed to the scene after being informed. Speaker 1 was awakened by her husband, who had been getting cereal and delivered the news with a grave expression. Speaker 0 simply stated, "it."

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Some people experience strong emotions, even tears, during greetings, finding the event overwhelming and triggering. This is because it was such a big event, and it will be triggering all sorts of things. When this has been discussed before, people on Twitter, now known as X, have said that it is triggering because their lives were ruined.

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Speaker 1 reacted to the news by crying and expressing disbelief. They stated that it was impossible to believe and that they are still crying. They claimed that the reported cause of death, suicide, was not possible and asserted that "somebody got to" the deceased.

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The speaker is in extreme distress, alternating between shock and urgency. They immediately exclaim, “What the fuck is wrong with you? Oh my god. My Oh my god,” expressing disbelief and anger. They repeat with: “What the fuck did you just do? The fuck did you just do?” signaling they believe an action was taken by someone that is unacceptable or shocking. The speaker then directs another person named Liz to take action, saying, “Liz, somebody call the ambulance.” They repeat the urgent instruction, adding, “Somebody call the ambulance. Somebody needs to call 911,” emphasizing the need for emergency assistance. Continuing to express disbelief, the speaker says, “I can't believe they just did that. Holy shit.” They struggle with their emotions, saying, “Just can't get come on. Come on. Oh my god. Oh my god.” There is a moment of heightened attention to the scene as the speaker states, “I can't believe I'm seeing it. Can't believe I'm seeing it. Oh my god. Come on. Come on, Samantha.” They direct Samantha to come closer, insisting, “Come here. Come on. Come here. It is.” The final fragment, “It is,” remains incomplete but underscores the sense of something unfolded or observed that the speaker wants to highlight. Overall, the transcript captures a rapid sequence of shock, blame, and urgent calls for medical help, with the speaker addressing Liz and Samantha and repeatedly expressing disbelief at what they are witnessing.

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Soldiers brought injured people in and some soldiers broke down in tears. The speaker was shocked but didn't cry until they saw an 8-year-old boy, a friend of their brother, who came to their house with blood on his face. The boy's father and sister were killed, and his mother was in the hospital with a gunshot wound. The mother survived but had a bullet in her arm from holding the baby. The speaker and the boy, along with a 3-year-old boy, were taken on a bus without knowing where they were going and with no belongings.

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The speaker expresses extreme distress, repeatedly saying "Holy shit" and "Fuck" while assuring someone named Milo that they will be okay. The speaker reports that both sides, left and right, are on fire. White smoke is appearing, which the speaker interprets as a sign that the fire is starting to die down. The speaker describes the situation as "fucking scary" and states they are "almost almost rescued."

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The speaker expresses concern for someone who appears to be in distress. They observe the person is "covered" and has it "way worse" than themselves. The speaker then offers assistance, asking if the person needs water.

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Two speakers recount a violent incident at a protest. The first speaker notes that they did not see the assault themselves, but mentions that “somebody has no video,” implying there was a lack of footage of the assault. Protesters then insisted that the individual who assaulted someone could not leave, and they began calling law enforcement to report the assault. According to the account, the situation escalated when a vehicle drove through the crowd. A Jeep Gladiator sped into the protesters, knocking one man quite violently onto the hood of the car. The vehicle then accelerated away, and the man on the hood was hurled into a snowbank. The incident continued as the car subsequently hit another person after the initial impact. The first speaker confirms that the driver sped off and notes that the person on the hood of the car went flying into the snowbank, describing the sequence as the vehicle “went flying into the snowbank.” They add that, after the initial contact, the car hit somebody, compounding the harm. The second speaker, identified as Speaker 1, reacts with shock: “Woah. I’m not in shock right now, so I might feel it later. I might feel it later. I don’t know.” This statement conveys an immediate emotional response to witnessing the violence, with an acknowledgment that distress may intensify as time passes. Overall, the account highlights an assault that occurred off-camera, followed by a deliberate act of driving a vehicle into a crowd, which resulted in a person being knocked onto the hood of the car, the vehicle continuing to speed away, and subsequent impacts that caused injuries. The protesters reacted by attempting to report the assault to law enforcement, and the witnesses express immediate concern and potential delayed shock regarding the violence they observed.

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The speaker says they have been playing the piano ninety minutes a day, and that they can't knit, crochet, or really type. They remember seeing a red car accelerating toward them and their husband. The husband got out of the way, but the speaker apparently didn't. They think they blanked out, and then came to when people had gotten them to the sidewalk. People were asking if they needed an ambulance, and the speaker said yes because they felt like they had hit their head.

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Speaker 1 reacted to the news of the death with disbelief and immediate crying. The speaker continues to cry, finding the situation impossible to accept. The speaker rejects the claim that the deceased committed suicide, believing instead that someone else was responsible for her death.

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Speaker 0 checks on someone following an apparent incident, with rapid, terse exchanges. The questions establish whether the person was hurt and whether they were struck in the head: 'Are you okay? Did they hit you in the head?'. The response confirms some memory of the event: 'Yeah. Did.' The conversation continues with concern for the other’s condition: 'Oh, are you alright?' The reply conveys uncertainty mixed with reassurance: 'Mhmm. Okay.' Yet the individual also states a more severe state: 'Not at all.' A practical need is expressed at the end: 'Water. Water.' The sequence depicts a brief, urgent exchange in which one person is checking on another, seeking confirmation of injury, wellbeing, and basic needs.

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The transcript captures a moment of intense shock and confusion. The speaker repeatedly exclaims with strong profanity, asking, “What the fuck is wrong with you? Did just do? The fuck did you just do? What the fuck? What the fuck?” and follows with multiple cries of “Oh my god” and “Holy shit,” conveying disbelief at what just happened. The speaker asks for someone to call for help, saying, “Liz, somebody call the ambulance. Somebody call the ambulance. Somebody needs to call 911.” The urgency is clear as they insist, “I can't believe they just did that. Holy shit. Holy shit.” The speaker continues to express incredulity, saying, “Just can't get come on. Come on.” There is a directive or plea directed at “Jamaica,” with the speaker saying, “Come here. Come on, Jamaica. Come here. It is.” The tone throughout emphasizes immediate distress and the need for assistance.

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Emotions were so intense that everyone devolved into an almost primal state. The speaker recalls feeling exposed and terrible, wishing for physical pain to distract from the emotional distress. The group dynamic involved openness and freedom, which escalated to a ridiculous degree, with people wanting to get naked and be insane. The speaker believes the person they were remembering would have laughed at the absurdity of the situation.

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Chaos unfolds in a rapid, disjointed exchange. A frantic speaker curses and questions what is happening: 'Fuck.' 'Oh, it's it.' 'Sorry. You're good. What?' 'What's higher? I white mist.' They ask 'Sora, can you see them?' but there is no sight: 'No. No.' The speaker explains that 'Sora's tried hip. I cannot move.' He adds that 'And but he was able to get to some conventist's plate. I don't know.' 'Shortly after that. Oh god.' They call to Josh: 'Josh. Yeah. Get in.' 'Come on. I need help.' The moment ends with the command 'Fuck. Get down.' The exchange conveys urgency, confusion, and a plea for assistance.

Armchair Expert

Armchair Anonymous: Wild Card XI | Armchair Expert with Dax Shepard
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In this wild card episode, the hosts invite listeners to share high-stakes, real-life moments that reveal character under pressure. The stories range from reckless camaraderie to selfless bravery, anchored by a Texas street rescue where a group of young friends witnessed a deadly car crash and rushed toward danger. Marine Mike and Marcos describe how they pulled an injured man from a burning Cadillac while the vehicle exploded again, later discovering that the man’s kids were already saved and that they had acted with calm, improvised leadership in a scene with onlookers, nurses, and a growing sense of responsibility. The retelling emphasizes proximity to danger, quick coordination, and the strange, adrenaline-fueled clarity that can emerge in crisis. Another segment shifts to the UK, where Jane recounts a mid-day fall down a loft ladder that crushed her foot just hours before a family wedding. What follows is a candid account of the National Health Service, the trial of hospital triage and waiting times, and the practical realities of recovery—plaster casts, crutches, and a late arrival to a joyous event. The thread then moves to a graduate-student turned therapist who confronts a jarring conflict with a patient who had robbed him, a moment that exposes the vulnerability and professional restraint required in helping someone else confront shame while keeping boundaries intact. Finally, a couple navigate a late-night scooter crash in Arlington, where a celebration turns violent, injuries mount, and a calm bystander’s observation contrasts with the chaos of a public accident. Across these stories, themes of resilience, judgment under pressure, the ethics of care, and the unpredictability of everyday life surface repeatedly as the hosts tease out how ordinary people perform extraordinary acts when the world goes sideways. The conversations also touch on social systems—emergency response, healthcare access, and the complexities of healing from trauma—without minimizing the emotional weight of each experience. The episode closes with reflections on responsibility, gratitude, and the strange humor that sustains people through disorienting, transformative moments.
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