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Who is that? Oh, I'm sorry. Is that your arm? My friend in the front row saw blood coming from his head. Oh my god. There he is! He's walking.

We witness the first sighting of the victim, who appears to be in a bad condition. It is unclear whether they are being moved out or placed in an ambulance. The intense activity and quick movements near the vehicle indicate a sense of urgency. Surprisingly, the victim is alive.

Nice semen. Let's go. You can see the guy there. It seems like they might have hit him because he is burning. What's that?

What's on the street? A big explosion! Holy cow, what the heck is that?

We witness the first sighting of the victim, who appears to be in a terrible condition. It is unclear whether they are being moved or placed in an ambulance. The speaker notices some activity on the other side of the vehicle, characterized by anxiety and quick movements. Suddenly, the speaker exclaims in shock, realizing that the victim is actually alive.

Oh, what is that, mom? Really? Look at this! What the hell is happening? Do you guys see this? Oh my god. What is that? What is going on?

It's really incredible. We see the SUV. Hang on with us. Let's move on to your left. You're gonna see him. Let's watch.

The speaker expressed distress, stating, "Oh, we're not moving. I'm I'm not fucking Stop. I'm not fucking shit. Shit." The speaker then inquired, "Are they okay? Yeah."

I appreciate the slang, but it's the best I can do. He needs an ambulance, they're talking about it.

Ambulance, that's some sort of sign, but yes. So, basically, the activity that we were looking for that, that anxious or that quick moving that was going on on the other side of the vehicle. Oh my gosh. He's completely alive. What the hell?

Speaker 0 expresses tension and uncertainty: "You've almost got over here." "Oh my fucking" "Should I drive her with this guy? Drive." "Is he dead? I don't know." "Hopefully." "Wait. Is that"

The speaker notices an ambulance and comments on the activity happening on the other side of a vehicle. They express surprise and shock, exclaiming that the person involved is completely alive.

The speaker is in extreme distress, alternating between shock and urgency. They immediately exclaim, “What the fuck is wrong with you? Oh my god. My Oh my god,” expressing disbelief and anger. They repeat with: “What the fuck did you just do? The fuck did you just do?” signaling they believe an action was taken by someone that is unacceptable or shocking. The speaker then directs another person named Liz to take action, saying, “Liz, somebody call the ambulance.” They repeat the urgent instruction, adding, “Somebody call the ambulance. Somebody needs to call 911,” emphasizing the need for emergency assistance. Continuing to express disbelief, the speaker says, “I can't believe they just did that. Holy shit.” They struggle with their emotions, saying, “Just can't get come on. Come on. Oh my god. Oh my god.” There is a moment of heightened attention to the scene as the speaker states, “I can't believe I'm seeing it. Can't believe I'm seeing it. Oh my god. Come on. Come on, Samantha.” They direct Samantha to come closer, insisting, “Come here. Come on. Come here. It is.” The final fragment, “It is,” remains incomplete but underscores the sense of something unfolded or observed that the speaker wants to highlight. Overall, the transcript captures a rapid sequence of shock, blame, and urgent calls for medical help, with the speaker addressing Liz and Samantha and repeatedly expressing disbelief at what they are witnessing.

Ambulance. There's definitely something happening. We were trying to figure out the anxious, quick movements on the other side of the vehicle. Oh my gosh, he's completely alive. What the hell?

Speaker 0: Help. Help. Yep. You alright? Billy, you alright? This much more stopped on Willett Road. Here. Let's go. Yeah.

I saw someone with blood coming out of their head in the front row. Oh my god, there he is.

Anxious or quick-moving activity was observed on the other side of the vehicle. The speaker exclaims, "Oh my gosh. He's completely alive."

The speaker noticed a quick movement near an ambulance and was shocked to see someone alive.

We witness the first sighting of the victim, who appears to be in a bad condition. It is unclear whether they are being moved out or placed in an ambulance. The intense activity and rapid movement on the other side of the vehicle indicate a sense of urgency. Surprisingly, the victim is confirmed to be alive.

This is the first time we're seeing the victim, and their condition doesn't look good, in fact, it looks terrible. We're trying to determine if they are being moved out of the area or if they are being put into an ambulance. The activity we were observing was quite anxious and there was a lot of quick movement happening on the other side of the vehicle. To our surprise, the victim is completely alive. It's shocking.

Ambulance, that's some sort of sign, but yes. So, basically, the activity that we were looking for that, that anxious or that quick moving that was going on on the other side of the vehicle. Oh my gosh. He's completely alive. What the hell?

The guy is right there. They might have hit him. What's that? He seems a bit injured.

I was trying to understand what happened - was he shot or injured? Then we heard him on the microphone, asking to grab his shoes as they tried to take them off. We were just trying to figure out the situation. Translation: I was trying to understand what happened - was he shot or injured? Then we heard him on the microphone, asking to grab his shoes as they tried to take them off. We were just trying to figure out the situation.

We witness the first sighting of the victim, who appears to be in a bad condition. It is unclear whether they are being moved out or placed in an ambulance. The intense activity and quick movements near the vehicle indicate a sense of urgency. Surprisingly, the victim is alive.

Chaos unfolds in a rapid, disjointed exchange. A frantic speaker curses and questions what is happening: 'Fuck.' 'Oh, it's it.' 'Sorry. You're good. What?' 'What's higher? I white mist.' They ask 'Sora, can you see them?' but there is no sight: 'No. No.' The speaker explains that 'Sora's tried hip. I cannot move.' He adds that 'And but he was able to get to some conventist's plate. I don't know.' 'Shortly after that. Oh god.' They call to Josh: 'Josh. Yeah. Get in.' 'Come on. I need help.' The moment ends with the command 'Fuck. Get down.' The exchange conveys urgency, confusion, and a plea for assistance.