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Speaker 0 states that they circled the agent and slowed down the video, and claims that the agent is run over when he fires the shot, adding that you can clearly see her hit him.

While reviewing a long video, the speaker points to the moment: "it shoots right down at a very downward angle at the back right side of his head." He identifies the device: "This part right here would be the handle, and this part right here ejects the casing after the shot is fired. Alright? And this part right here is the barrel." He adds, "the middle part I believe is a video camera." He notes, "the only gun that swivels and does the tip like that, it is called an Israeli corner shot. You should look them up." He also says, "The remote triggered, and they had video attached to them. And it could be set off from a phone and a detonator. The signal from the phone and the detonator."

An eyewitness recounts: 'I was standing in probably the third okay. I was standing from probably the third row in the bottom.' 'I saw hit I heard the shot ring out.' They looked left and then right: 'I looked to my left, and then I looked over to my right.' The witness saw the victim 'slump over in his chair forward.' 'He slumped over.' Blood appeared 'from the left side of his neck down his shirt, and he slumped over, and he was carried off.' 'Get off me. Head to off me.' 'Running high right now.' 'Hang on.'

I think I found the shooter. This guy with the white hat starts it by creating signals—“touches the bill of his hat, and then he touches his ear.” The guy that shot Charlie is over on this side, and he’s seen by others who move to block him, with one man “rubbing his right arm” as he steps in front. “Watch this”—the background figure shifts, and the white-shirt man is “holding the gun right there.” If I go frame by frame, the moment the black-clad man moves his arm out, the white-shirt man “lifts his right elbow” and “shoots it.” His hand goes back, and then Charlie gets hit. “Watch the gun shoot right now”—the gun fires, Charlie is hit. “It’s clear as day.” The black-shirt man shows the white-shirt arm; “pop, bang.” Oh my god.

The speaker analyzes footage of a shooting, alleging it was a staged event using emergency response drill protocols. They identify individuals as "players, controllers, simulators, evaluators, actors, observers," referencing the Homeland Security Exercise and Evaluation Program (HSEEP). The analysis focuses on the actions of specific people before, during, and after the shooting, claiming their behavior suggests pre-planning and coordination. The speaker questions the authenticity of the blood, the victim's reactions, and the actions of medical personnel. They point out inconsistencies in the narrative, such as changing accounts of where the victim was shot. The speaker suggests the event was designed to further division and manipulate public perception, urging viewers to analyze the footage and share their insights. They state that something "ain't right."

Speaker 0 and Speaker 1 address a viral video about Charlie’s chief of staff, Mikey, and explain why they are discussing it. - The video in question attacks Mikey, Charlie’s chief of staff, claiming based on a few seconds of clips that he allegedly has a nonchalant or calm reaction to Charlie’s murder. They describe this as a “extremely disgusting attack.” - Speaker 1 recounts what happened: they were at the scene when a shooting occurred. The loud crack is heard; they turn and see Charlie has been shot. They realize there is a shooter on the scene. They decide to get out of there rather than be shot, noting Charlie had a security team that leapt into action to get Charlie out. - Speaker 0 notes their own actions: he, too, considered getting into the car, but decided against it. He was ahead of Mikey as they left. He recalls a moment where he paused to assess the situation, then saw Mikey, who was profoundly freaked out. Mikey’s lip was quivering, and he said, “I need to call Erica,” then took his phone and began calling Erica. Speaker 0 also called his own mom, saying there had been a shooting and that he was okay. - They describe Mikey’s later actions: after the initial shock, Mikey took charge like a “general directing a battle,” coordinating hospital transport and information flow, and directing people where to go. When they learned Charlie had died, Mikey told them, “now none of you can say anything that you've heard because it is Erica is not going to hear about this from anyone except me.” - Speaker 2 asks if Mikey could be involved in a conspiracy to murder Charlie. Speaker 1 responds that such accusations are vile and describes how some people online fuel such narratives, comparing the mindset to getting a “high” from dangerous or provocative content. - The speakers emphasize Mikey’s heroic actions: Mikey was distressed but stepped up to direct people and communicate with Erica and others. Speaker 0 notes that he, too, was traumatized after learning of Charlie’s death and rushed to be with Erica and the team. - They address the specific allegation that Mikey was on the phone immediately during the incident; they state he was not on the phone but was taking social videos to share with their group chats. He would send updates to Charlie’s social media during the event while the crowd was changing, then, overwhelmed by the noise and shock, he put his fingers in his ears but his phone remained in his hand as he moved away. - They describe the scene as a cordoned-off area with a narrow gap that people used to exit, where Mikey walked briskly or ran as he processed the trauma and continued to direct actions. They reiterate Mikey “turned into a general on a field marshaling the troops.” - Speaker 1 closes by urging readers who propagate narratives attacking Mikey to reconsider, stating that such narratives are bad and gross and a choice that shouldn’t be made.

The speaker challenges the credibility of the narrative about Charlie Kirk’s incident and points to security footage to raise questions. They reference a security detail member wearing “meta AI shades” who appears to be filming. According to the speaker, when Charlie is hit, the security person turns on the shades, films, and then, as chaos unfolds with a crowd rushing the stage, carries out a handoff. The speaker describes a handoff occurring to a gentleman in a shirt. They claim that this is the moment when someone takes something off Charlie and hands it to the man in the black shirt, who then runs off. The speaker asserts that the item being handed off is the “laugh mic” that allegedly contained an explosive device, implying that the security detail’s first priority was to remove the suspicious object from Charlie and pass it to the other person rather than ensuring Charlie’s safety. The speaker emphasizes that the security detail “knew exactly what to do” and questions how the person receiving the item would know what to do in such chaotic moments, suggesting coordinated movement. They argue that the security actions undermine the official narrative about Charlie Kirk and Tyler Robinson, indicating that the FBI should be questioned and accountability demanded from the FBI and this administration. In summary, the speaker uses the footage to claim that the security team’s behavior—specifically the meta AI shades operator filming, the rapid handoff of an object from Charlie to a man in black, and the subsequent actions—casts doubt on the established story and points to potential coordination and a failure to prioritize Charlie’s immediate safety. The call is for greater scrutiny and accountability of the FBI and the administration.

A dark figure is seen at the top as President Trump speaks. About four seconds after shots are fired, this person steps out. The speaker says they heard one shooter in the water tower and one by the fence. They screamed, "It's the sniper," and states the sniper was firing down toward the water tower. A gentleman behind the speaker, who was one seat to the right, could see the sharpshooter behind Trump. He said the sharpshooter shot to the left and killed the gentleman in the water tower.

The speaker recounts their position and reaction, notes when a shot rang out, describes looking both left and right, observes the subject slumping forward in a chair, confirms the subject slumped again, describes blood on the left side of the neck leading down the shirt, notes that the subject was carried off. "I was standing from probably the third row in the bottom. I saw hit I heard the shot ring out." "I looked to my left, and then I looked over to my right." "I saw him slump over in his chair forward." "He slumped over." "He had blood coming from the left side of his neck down his shirt, and he slumped over, and he was carried off." "Running high right now."

He sees a man with a rifle on a flat mountain, possibly aiming at him. Shots are fired, and the man continues shooting. Another person joins in shooting at him.

Speaker 0: Somebody's shooting over here. How are the people running? There he is right there. That guy. He's the guy.

Aiming at the trees, gunfire is coming from the distance. To our left, you can see the Secret Service reacting quickly, with snipers positioned on the building behind the podium, targeting the trees.

The speaker references a person who was removing memory cards from cameras about four minutes after what is described as the Charlie Kirk assassination, noting that something about the situation didn’t sit right. They mention Candace released a video showing how this person reacted, and that diligent investigation followed, including a campus visit to UVU to examine the events with a play-by-play analysis. The speaker says they will leave a link to that video but first shows a clip. In the clip, Speaker 1 describes the sequence: “He doesn't try to grab Charlie. He doesn't duck. His first reaction standing right here is to turn this way and start booking.” The person “starts booking back here,” and Speaker 1 notes that he sees the shot and that Charlie hasn’t even hit the ground yet. Charlie is described as being in a position where “Charlie’s like this,” and the person pivots to lean back. Security personnel respond by coming over, grabbing him, and pulling him to the ground. Meanwhile, Terrell Farnsworth “has already turned and begun running back here to climb up on that wall.” The speaker asks the audience to imagine there had just been a shooting, with chaos and people running. Charlie Kirk “was just shot,” and the wall is described as “almost as tall as I am.” The speaker asks the audience if they can see, confirming visibility. The analysis then focuses on the person’s actions: measuring “how much of a pain in the ass he climbed up right here and then threw that loose rock and just so he could get to his vantage point.” The speaker calls it out as an attempt to explain the sequence from the vantage point up the wall. The clip continues with the person producing a selfie video: “Oh, they shot Charlie. They just shot Charlie. They just shot Charlie.” They refer to him as “Agent” and note his statements like “They shot Charlie. God help him.” The speaker says this behavior is a major red flag and cites it as the most troubling aspect. The running scene is described further: as the person runs out, he looks to his left and, in the footage, is seen climbing up, then reacting to the news that Charlie was shot. The voiceover emphasizes the emotional state (or lack thereof) as the footage shows the stampede of people and chaos. The speaker underscores that, to them, the absence of emotion on the person’s face during these events is “the biggest red flag of all.”

They just shot Charlie. Here's your shot, Charlie. God help him.

I see a pistol in his hand, different from my first encounter. Our feet were touching. His arm comes down with the pistol pointed at me, so I shoot him once. He's no longer a threat. Another person backs up with hands up. I notice a man with a pipe to my left and a large object to my right. I walk towards the police line to turn myself in. Translation: I saw a gun in his hand, different from before. Our feet were close. He pointed the gun at me, so I shot him once. He was no longer a threat. Another person backed away with hands up. I saw a man with a pipe on my left and a large object on my right. I walked towards the police to surrender.

The transcript describes an agent crossing toward the left of the vehicle and grabbing his gun, then opening fire on the motorist and continuing to shoot as she drives past. “Oh, shit.” The moment the agent fires, he is standing to the left of the SUV, with the wheels pointing to the right, away from the agent.

During live coverage, the speaker notes the incident near the carry on area, saying, 'I think they just found the guy right outside the carry on.' The description follows with, 'Rifle on this dude's dash, and they just handcuffed him.' A moment later, the observer asks, 'Do you see his gun?' and, confirming the evidence, the speaker states, 'That's his rifle.' The sequence portrays an arrest scene with a rifle displayed on a dash and a firearm question, culminating in the identification of the weapon as a rifle. The dialogue captures an eyewitness narration of the events as authorities intervene and secure the suspect.

The transcript depicts a police or federal agent moving to the left of a vehicle, approaching as the motorist is present. The agent grabs his gun, opens fire on the motorist, and continues firing as she drives past. The moment the agent fires, he is described as standing to the left of the SUV, with the wheels pointing to the right, away from the agent. The sequence is punctuated with the word “Shake.” The narration notes that this depiction appears to conflict with allegations that the SUV was ramming or about to ram the officer. The speaker references statements attributed to President Trump and others, who said that the federal agent was hit by the SUV, pointing to another video filmed from a different angle. It is asserted that, in this moment of grainy, low-resolution footage, it does look like the agent is being struck by the SUV. However, when this clip is synchronized with the first clip, the conclusion drawn is that the agent is not being run over. The claim made is that the agent’s feet are positioned away from the s...

The speaker points to a bullet cartridge, saying, "A bullet cartridge." They claim it's "It's been thrown over there, setting the scene for something that would be possibly coming our way to be part of this whole insurrection rubbish?" and note that "in the same scene or magazine, whatever you wanna call it, gets thrown and then conveniently in the same scene, the policeman drops his weapon on the ground." They emphasize by saying, "So you got the the cartridge, and you got the weapon. Right there, ladies and gentlemen. There's the weapon, and there is the cartridge. Right here, weapon and cartridge. Can you see?" Finally, they conclude, "Now, ladies and gentlemen, it's the finer details we need to pay attention to."

Speaker 0 describes the moment from the vantage of probably the third row in the bottom; he asserts that he was standing there when the event occurred. He states that he heard the shot ring out. He explains that he looked to his left, and then he looked to his right. He reports that he saw the man slump over in his chair forward. He repeats that he slumped over. He notes that blood was coming from the left side of the neck down the shirt, and that he slumped over, and he was carried off. He adds that the crowd is running high right now.

In this video, the speaker analyzes a slow-motion footage of a shooting incident. They question the authenticity of the scene, suggesting that the pistol magically appears in the shooter's hand through CGI effects. They also point out that there is no visible damage to the shooter's arm despite being shot. The speaker finds it suspicious that the gun only becomes shiny and reflective after the shooter's hands cover it. They conclude that the situation seems fishy due to the mysterious appearance of the gun and the lack of harm to the shooter's arm.

"This is a CIA Stinger 22 magnum pin gun inside a camera, and that telephoto lens has a suppressor silencer. And it's literally the smoking gun." "They are into espionage, and they do that kind of thing just like The United States. Google it." "Seventeen seconds earlier, he was using the viewfinder, faking it to take pictures." "The bullet's traveling faster than the sun." "The shooter behind Charlie with the camera gun is scouting the area to see Charlie's mannerism and what angle to shoot the bullet." "The backpack with the dangling straps, but that doesn't matter because he tries to hide all that in a black Chrysler minivan Pacifica with stock rims." "The signal guy; puts the radio to his mouth and gets the team working." "There were two shooters: one with a silencer and one with a big bang to avoid any conspiracy." "Charlie had two wounds: one from the front, and another from his right into the lower part of the skull." "UVU Hall Of Flags." "The shooter on the roof had the silencer; the one behind Charlie with the camera gun is scouting." "Turning Point stated that when they go live, this they didn't go live. They always have four k cameras. On this day, they only had three." "greatest1command.com" "Yl Relevance."

Speaker 0: Just a warning, the footage you're about to see is disturbing. It shows a man sitting in the middle of the street waving a gun at people running by.

There is a disturbing incident captured on video where a man in a security outfit shoots into a crowd at close range. The video shows the man walking and then shooting. The sound of the gunshots can also be heard.

And look at this woman. That's the one that gets the shot done. Okay? I'm gonna make myself even smaller so that you can see more. I'm gonna play it. So do you know how many transgender Americans have been mass shooters over the last ten years? He puts it down. "Too many." When he brings it up again, he talks to someone, He's gonna pull out the phone again, and I'm sorry. You're gonna have to see this. So Do mind do you know how It's gonna be horrible. There you go. That's your sign. Go again. Over the last ten years, counseling or not cottage gang violence. What? You see how he did you guys see that? He tried at first and missed. Watch these hands. That's perfect trajectory for the fucking bullet. Fuck. I hate that. Ten years. Counting or not counting gang violence. Boom. Boom. Misses. Then he gets him. And you see how he reacts when he gets him too. Like, he jumps. Instantly, the woman is there to cover exactly that phone that it's a weapon.