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We're not doing anything to them. I'll explain everything. Do you have anything on you? Just the phone. How are your wrists? Okay. We'll go to the precinct. He didn't have anything. I'll bring this back to you.

A person is told to grab whatever they need, like their phone or purse. They ask if their husband is coming with them. They are told he is taking his phone number down and that they are staying in touch with him. They are also told that they are just going down the road, about ten minutes away. The person says they would prefer their husband be with them. They ask if they are in trouble and state they are lost. They are offered a tissue and a bag because they feel like they are going to throw up.

Speaker 0 urges someone to go home as there are many people and it could get dangerous. They mention seeing others getting hurt and not wanting the person they are speaking to get hurt. They promise to create a safe path.

The exchange centers on whether the person being spoken to is the author of a controversial social media post and on whether authorities should press for a response. The conversation begins with an attempt to verify the person’s identity: “Picture to make sure it's you. We're not sure.” The responding party, referred to as Speaker 0, declines to answer without his lawyer present, stating, “I refuse to answer questions without my lawyer present. So I really don't know how to answer that question either.” He emphasizes his stance with a nod to freedom of speech, saying, “Well, you're like I said, you're not gonna is freedom of speech. This is America. Right? Veteran. Alright. And I agree with you 100%.” The officers explain they are trying to identify the correct person to speak with and proceed with the inquiry. Speaker 1 presents the substance of the post in question: “the guy who consistently calls for the death of all Palestinians tried to shut down a theater for showing a movie that hurt his feelings and refuses to stand up for the LGBTQ community in any way, Even leave the room when they vote and on related matters. Wants you to know that you're all welcome clown face clown face clown face.” They ask Speaker 0 if that post was authored by him. Speaker 0 again refuses to confirm, stating, “I’m not gonna answer whether that’s me or not.” The discussion shifts to the underlying concern. Speaker 1 clarifies that their goal is not to establish whether the post is true, but to prevent somebody else from being agitated or agreeing with the statement. They quote the line about “the guy who consistently calls for the death of all Palestinians” and note that such a post “can probably incite somebody to do something radical.” The purpose of the inquiry, they say, is to obtain Speaker 0’s side of the story and to address the potential impact of the post. Speaker 1 urges Speaker 0 to refrain from posting statements like that because they could provoke actions. Speaker 0 expresses appreciation for the outreach, but reiterates that he will maintain his amendment rights to not answer the question. He concludes by acknowledging the interaction and affirming that the conversation ends there: “That is it. And we're gonna maintain my amendment rights to, not answer the question about whether or that's fine.” Both parties part on a courteous note, with Speaker 0 thanking them and wishing them well.

Nick Shirley initiates the exchange by stating his name and pressing for permission to record, noting that the other person “doesn’t have any permission to record me, period.” He proposes, “Can we talk outside? Permission to record.” The other person counters that there is no permission from either party, saying, “She doesn’t either have she doesn’t have permission or … for me. You cannot stop people on the street and question them.” Nick states, “We can ask them,” and the other person repeats, “Have any permission.” The dialogue shifts to a concern about the whereabouts of children. Nick asks, “Where are the children?” The other person responds, “I will sue you. You don't have any permission. We have nothing to do with this. Okay, sir? And are there … So leave.” Nick persists, asking again, “Are there children here?” The other person repeats, “Please leave.” Nick inquires, “Where are the children?” and the other person insists, “Leave. Leave.” Nick questions, “We’re wondering what's happening. Tell us what's happening here then.” The other person commands, “I said leave.” Nick clarifies, “We're wondering what's happening.” The other person states, “We are not a childcare. We have nothing to do with it. We're the common people walking. Yes. We're not … we're not accusing you. We're asking where the children are at.” The other person repeats, “Don't ask me anything.” Nick emphasizes his intent: “We're not accusing you. We're asking the daycare centers.” The other person refuses to answer, “I am not gonna answer. You have.” Nick presses, “Where are the children … who do you work for? My name is Nick Shirley.” The other person asks, “Who do you work for?” Nick responds, “I work for myself. Nick Shirley.” The other person inquires, “Okay what are you recording?” Nick answers, “We're wondering where are the children $2,660,000 for the Minnesota child care center. You're not talking to the right person. Are there children that come here?” The other person demands, “Answer the question. Are there children?” Nick states, “There's no children inside the building.”

Speaker 0 instructs to move their car and warns, “You’re gonna knock it off.” They tell the other person to pull their car, say, “Yeah. It’s good,” and ask, “How? Everybody good?”

The speakers express gratitude and love, wishing someone a safe return. They state they are counting on the person and believe in them. They thank the person for helping them heal. A countdown from 3 to 1 is stated. It is mentioned that "they're comfortable."

I hope you find happiness in the end, my friend. No, leave her alone. She's innocent. I'm the one you're after. It's me you want.

Speaker 0 says: "Hey. We just wanna make sure that you guys are good. You're driving like a complete maniac. And the way that you're acting, we gotta verify if you're good and then we'll be out of here. You understand?" The other replies: "No."

Speaker 0 expresses tension and uncertainty: "You've almost got over here." "Oh my fucking" "Should I drive her with this guy? Drive." "Is he dead? I don't know." "Hopefully." "Wait. Is that"

Speaker 0 states that they want to ensure the others are okay, accusing them of driving like a complete maniac. They say they need to verify that they’re good, and once verified they will be out of there. They ask, “You understand?” The response is “No.”

Stand back for me. Can I ask you something? I'm never gonna do it again. Are you sure? What are you not going to do again? What I did here. What did you do? Don’t be scared. I'm 26. Where do you study? West London. What campus? I’m not sure about the campus. You’re lying. You don’t go to university, do you? I don’t. How long have you been in England? Two months. You came here to work and study, right? Yeah. Not to mess with underage girls. True. Your cab is here. What was that? There’s another cab. Show them my cab. That’s your cab.

Two speakers coordinate an action, repeatedly confirming permission to proceed: 'It's okay. Let's go.' and 'It's okay? Let's go.' They acknowledge with 'Yes.' and 'Okay.' The conversation then centers on pairing: one asks, 'You go with this one?' before deciding, 'So long.' followed by 'Yeah.' and 'I'm so long.' The dialogue continues with 'Okay.' Then: 'You go with this lady?' and the partner replies, 'I'll go with the other one.' The exchange ends with a decision to take different companions and proceed with the plan. The speakers confirm it's okay to proceed, ask about who to accompany, and assign partners: 'It's okay. Let's go.' 'It's okay? Let's go.' 'You go with this one?' 'I'll go with the other one.'

We're hot. No. We got it, ma'am. I see a lot of this. You got it.

Speaker 0 reassures everyone to relax and trust Lisa, who guarantees their protection regardless of the outcome. There is no need for any worry or panic.

The scene centers on a tense, improvisational act that mixes technical danger with the formation of a rebellious mission. Speaker 0 is shown building a closed circuit, insisting on keeping a cap shunted “so you don’t accidentally detonate your charge,” and pressing to “create a show,” framing the moment as “an announcement of revolution. The message is clear.” Speaker 1 responds with a chilling promise: “I’ll be seeing you very soon.” The conversation then pivots to a ceremonial claim: “for bringing justice to the vigilante group known as the French seventy five, we are here to award Steven Lockjaw with the medal of honor.” The dialogue hints at love and loyalty with the line “You have to understand who will love you.” A personal vignette emerges: Speaker 0 recalls, “Me and mom used to run around and do some real bad / They got hurt. Now they're coming after us. I'm sorry.” The exchange reveals a sense of fatalism, as Speaker 0 asserts, “I didn't ask for this. That's just how the cards were rolled out for me,” only to be corrected by the other voice: “It's not cards. You don't roll cards. It's dice.” A moment of familial friction follows: “Dad, what is wrong with you? You're right.” They prepare to move on with “Let's go.” The scene shifts to a tunnel-like tension: “Tunnel. What? What's going on?” and a practical but desperate plea for weaponry: “I need a weapon, man. All you got is goddamn nunchucks here. You know where I can get a gun?” The dialogue then reflects a concern to protect “you from all your mom's stuff, from all my stuff, even though I know that's impossible.” A stark line marks a turning point: “This is the end of the line.” “Not for you.” A new character arrives: “Woah. Who's this?” They explain, “Oh, they're just my friends,” and dialogue turns to pronouns: “Now is that a he or a she or a they? It's not that hard. They, them. Okay.” A brief courtesy follows: “I just wanna be polite.” Then an intimate moment: “Yo. Say it. Say it, baby.” Endearments are exchanged: “Love you, Bob. Love you too.” The closing vibe asserts a philosophy of freedom: “You know what freedom is? No fear. Just like Tom Cruise.”

Speaker 0 asks, "Did you rape the student?" and "Why? Help us understand." Speaker 0 tells Speaker 1 to grab whatever she needs, like her phone or purse. Speaker 1 asks if she is going somewhere. Speaker 0 says they will explain everything and asks her to turn around. Speaker 1 asks if her husband is coming with her. Speaker 0 confirms he is and that they are staying in touch with him, adding they are just going down the road, ten minutes away. Speaker 1 says she would prefer her husband with her and asks if she is in trouble, stating she is lost. Speaker 0 asks if she wants a tissue or a bag because she feels like she is going to throw up.

Speaker 0: Asking about a woman's well-being and questioning a man's relationship with her. Expressing concern and asking if she knows him.

Hey, back up! Watch out! Who is it? You’re here? He’s one of the owners. You good? I got you.

In the exchange, Speaker 1 indicates they are checking up on them and have received keys, while Speaker 0 asserts clear boundaries about entering the property. Speaker 0 repeatedly states: “You cannot come to my house,” and “This is my property.” They insist that Speaker 1 cannot walk onto the premises, cannot ring the doorbell, and cannot visit; they caution about needing to pass a background check to come to someone’s house, and insist Speaker 1 must leave immediately. Speaker 0 clarifies that they have kids and expresses concern about potential criminal activity, saying, “Call the police and say hi. I have kids. I don’t know. I’m not sure if you’re a criminal.” Speaker 1 agrees to leave after these warnings. The children’s safety is a recurring theme in Speaker 0’s statements, with multiple refusals for access and visits, including a claim that Speaker 1 cannot use childcare or be a friend to gain entry, underscoring the need to leave. During the confrontation, Speaker 0 also notes that they are recording because they do not want their face shown on social media, and claims to have Speaker 1’s information and “saw it already in the system.” Speaker 1 responds with a remark about privacy rights and asserts there is no right to privacy in that context, while continuing to attempt polite closure by saying “You guys have a good day.” Despite the tense exchange, Speaker 1 maintains a calm demeanor and explains they are simply visiting local daycares and that “everybody’s been very nice.” They insist this is not harassment, recounting that they knocked on doors to say hello. They offer New Year’s greetings at the end, repeatedly saying “Have a good day” and “Happy New Year,” and remark that the area feels “very friendly here.” Overall, the interaction centers on a strict boundary set by Speaker 0 regarding entry to the home, safety considerations for children, and the assertion of recording and monitoring, contrasted with Speaker 1’s attempts to explain their benign intentions and to end the encounter with courteous farewells.

It's okay, Shirley. Just relax. We'll bring her back.

It's okay, Shirley. Just let her relax. We'll take our time.

Speaker 0 sees Speaker 1 and asks who they are. Speaker 1 says they came for Speaker 0, who doesn't recognize them. Speaker 1 mentions Speaker 0's doubt and asks them to stay. Speaker 0 insists on leaving, but Speaker 1 wants them to be their victim.

Hello. Are you okay? Why are you bothering her? So she refused. Yes. But then why force if she refused? But that’s not how you hit on a woman. Okay, but that’s none of your business. Me, it’s none of my business, but stop looking. If he doesn’t like that we’re assaulting women, he can look at me. I like you that way, that doesn’t concern him either. Well, after a while, he’ll stop looking, he’ll intervene. I propose we leave; we’ll leave, it’s at our place, we’re going to leave. And why are you like that? We do what we want, go ahead, please move and end it there. Attention.