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NASA and the Federal Government may have intentionally released fuzzy and blackout-filled footage of the Apollo 11 mission to hide the truth. However, a recently discovered reel of raw footage reveals the crew staging parts of the mission, discussing techniques to create a false image of Earth from a distance. The conversations between the astronauts and a third party prompt them on what to say and how to manipulate the camera. The footage was not broadcast live and was edited before being shown to the public. The camera was positioned at the back of the spacecraft, capturing a circular window filled with Earth in low orbit. The crew blocked out sunlight to maintain the illusion. Neil Armstrong mistakenly claims to be halfway to the moon when he is actually in low Earth orbit. The deception suggests that they couldn't pass through the Van Allen radiation belts, confirming that none of the subsequent moon missions were genuine. The government and contractors profited greatly from the fake missions.

The speaker addresses rumors about the moon landing, stating "the moon landing was fake" and "the moon land moon landings all were fake," and claiming "I was the person" involved. "I'm serious. I'm dead serious." They declare "The conspiracy theorists were right on this on this occasion" and ask, "Why the hell if you're telling the truth, why would you do it? Why are you telling me?" They argue it is important "for people to know the truth," calling the event "a massive fraud, an unparalleled fraud perpetrated against them." They say "They should know" because people are "already suspicious of the government" and "they may as well have their suspicions confirmed." They add "Justified." Finally, they question "And this why now? I mean, we're almost at the thirty year anniversary. What what took so long?"

The speaker discusses the lunar lander and dismisses concerns about curtain rods. They mention that the lander is not a prop and has no windows due to the lack of air pressure on the moon. The speaker questions how the astronauts determined their distance from the moon's surface and mentions the gold framing acting as a capacitor during the Van Allen radiation belt. They suggest that the heating proofing would have caused the lander to melt. The speaker points out design flaws and doubts whether the lander actually went to the moon.

Nice to meet you, class. Trevor, a TV worker, talks about comedy. Who wants to work in TV? Who's the class clown? Joey? Want to be an astronaut? Study flying or science. Moon landing was faked. Bush family worships Satan, with disturbing rituals. Bush senior watched son's initiation. President Bush masturbated in front of his dad.

The speaker expresses a desire to be an astronaut and discusses the idea that the moon landing was faked during the Cold War to outpace the Russians. They point out perceived inconsistencies in the moon landing evidence, such as the absence of plane parts. The conversation shifts to President Bush and the secret society Skull and Bones at Yale, claiming that both he and his father were members who engaged in disturbing initiation rituals, including one where Bush was said to have masturbated in front of his father.

Speaker 0 and Speaker 1 engage in a candid interview about why the interview is being conducted and a startling revelation connected to a long-term secret. Speaker 0 asks why Speaker 1 finally agreed to talk after multiple letters, and what motivates this interview. Speaker 1 explains that, at first, he was drawn to the opportunity and challenge of making the film, approaching it like any other production and not fully considering the long-term effects on society if it were ever discovered. He says he has always been conflicted about it, but did not realize that conflict until years later. The conversation moves to a provocative claim: the rumor about the fake moon landing. Speaker 0 asks for clarification, and Speaker 1 states plainly that the moon landings were fake, and that the rumors were true. This admission comes as a surprise to Speaker 0, who had only heard the rumor in general terms, not a definitive claim. Speaker 1 confirms the assertion and explains that this is the core of a fifteen-year secrecy. Speaker 0 questions how such a claim could be discussed or released, noting that they had planned to cover several of Speaker 1’s films, including Barry Lyndon, The Killing, Clockwork Orange, and what appears to be a reference to “mean,” and expressing curiosity about why this revelation would be disclosed to a relatively unknown interviewer rather than to a major outlet like CNN. Speaker 1 repeats that the rumors were true and clarifies the timing: the fifteen-year period is connected to the disclosure. Speaker 0 then connects the fifteen-year delay to a potential “time release” of a major secret, suggesting that Speaker 1 is using the interviewer to conceal and eventually reveal this information on a scheduled timeline. Speaker 1 closes with a mention of his upcoming film Eyes Wide Shut, implying a link between the secret and his forthcoming project. The dialogue centers on the tension between making films, the societal impact of their content, and the strategic management of a years-long, high-stakes revelation.

The speaker recalls the moon landing, remembering being woken up by their parents to watch it. Another speaker interjects, claiming there was no television coverage and suggesting the memory is of animation. The first speaker then clarifies they listened on the radio. The second speaker recounts the radio broadcast, including the lines "contact light, engine stop" and "Houston, Tranquility Base, the Eagle has landed," calling it exciting and "not a bad line." The first speaker agrees it was very exciting. One speaker questions why nobody has been to the moon in a long time, suggesting it's because "we didn't go there." They state that if we want to keep doing something in the future, we need to know why something didn't happen.

Speaker 0 questions why we don’t see land when looking down at the ocean from the space station, saying “over top of ocean.” He suggests we could be fooled by the picture, and says “I give you this stuff” while claiming “I tricked you” because “they have $65,000,000 a day.” He challenges NASA’s claim that there are new planets, asking, “Do you would you believe why would you believe that? Why wouldn't you? Because they're frying pans. They're the bottom of frying pans. Again, zero budget.” Speaker 0 introduces four moons and asks, “before the hand picks up the moon, tell me, is it sphere or not a sphere? Is that a sphere?” Speaker 1 answers, “Yeah.” Speaker 0 replies that it looks like a sphere, but it’s actually a half a cup; asks about another, saying it looks like a sphere but is flat. He adds, “What I'm saying is, first, even if they were all spheres, it doesn't dictate the shape of the Earth. I've been lying to you this entire time. I'm on the space station. K? Prove me wrong. I'm on the space station.” Speaker 1 interjects, “I and I'm on and I'm in Hollywood right now too.” Speaker 0 counters, “Yeah. But that's a that's a painting. That's not even a real picture. You're floating, Dave. Look.” He points to “Here's the globe. Here's the proof. I got this cartoon over here. Right? Here's the globe.”

The speaker believes the moon landing was faked because in 1972, the last time humans went past the Van Allen radiation belt, which protects the Earth from intense radiation. They claim that during the moon missions, solar cycles were at their apex, and astronauts in aluminum crafts would have been killed by solar flares. The speaker alleges the US faked the moon landing to win the Cold War, as the Soviet Union had numerous space firsts. They say Neil Armstrong and Buzz Aldrin were deeply affected by the experience, with Armstrong giving a cryptic speech at the 25th anniversary. The speaker also references Bill Clinton's autobiography, where Clinton recounts a carpenter doubting the moon landing. They claim it's impossible to return to the moon today and that telemetry data from the missions is missing. While laser reflectors were placed on the moon, the speaker notes Russians also collected moon samples. They state that Gus Grissom, who criticized NASA, died suspiciously, and that the moon landing was about military superiority over Russia. They add that moon landing photos look "goofy" with intersecting shadows indicating multiple light sources.

Speaker 0 points out that part of the reason people doubt the moon landing is the story of bringing back 842 pounds of moon rocks, which are now on display in museums. They note that there was a rock allegedly misidentified or mislabeled in a museum, and it was given to a foreign dignitary after testing. Speaker 1 adds that Neil Armstrong said, in his own words, he saw a rock on the surface of the moon, picked it up specifically for the prime minister of The Netherlands, and put it in his pocket. He “brought it, gave it to him,” they sealed it in a box and immediately put it in a museum in a clear box. The curator of the museum reportedly saw the speaker’s movie, A Funny Thing Happened on the Way to the Moon, and in the middle of the night opened the hermetically sealed container, which they presumed would stay sealed for all time, put it under a microscope, and it turned out to be a piece of petrified wood. He notes it looks out of this world, but unless trees are growing on the moon, it’s a fake moon rock. The speaker then asks, if the moon rocks are fake, what about the moon mission?

In 1968, the BBC revealed secrets before the moon landing, discussing manipulation through fake news and emotional threats. People are controlled by the idea of money, love, and hate. LSD was used to distract protest movements. Politicians are easily influenced, and weapons that don't work are made. No one actually presses the button to use them. The speaker claims to be part of a small group controlling communication worldwide.

Some people believe that the moon landing was a hoax, but the speakers in the video provide evidence to prove otherwise. They explain how a laser can be used to detect manmade equipment on the moon and show footage of the laser beam being reflected back. They also address skeptics who question the authenticity of the lunar module and the footage of the redocking. Despite the conspiracy theories, the speakers emphasize the importance of space exploration and the desire to go beyond low earth orbit. The video ends with a powerful image of Earth from the moon.

The speaker critiques the India moon landing, describing the footage as “the worst” and claiming it looks like “Tari graphics with ping ping ping ping ping.” They describe the landing as appearing to land in a cartoon-like manner, with a small Tari graphics figure landing, followed by Indians clapping and saying, “we did it.” The speaker says this is the same thing as the nineteen sixties moon landing, asserting it is “the same exact thing.” They recount people watching Nixon call the moon and mock the notion, contrasting it with experiences like not getting service on a mountain hike, and question how Nixon could have a phone that connected in space and “was sitting there chatting,” imagining a late-night infomercial scenario: “6 of those… $39.99… I’ll charge your card already 5 payments.” They argue the programming of television through infomercials shapes perception, suggesting that people equate Nixon calling the moon with an infomercial, such that they believe he must have called them. The speaker notes that if discussions about these matters are laughable, many respond seriously when such footage is shown, and they claim, “you don’t trust the science.” They state, “The they’re lying to you,” and that one should laugh at how much they are being lied to, because recognizing deception enables seeing through other lies. The speaker asserts that understanding what one is living on reveals a reality that is “completely different than what you were sold,” and that this realization prompts the brain to question things and ask questions. The overall message is that exposing perceived deceptions in media and historical narratives leads to questioning broader claims about reality.

Speaker 0 presents a deep-dive critique of globe Earth claims, arguing there is legitimacy to a flat-Earth view. He starts by examining NASA’s most recent globe image from outer space, noting stars in the background and claiming the picture is from twenty-something years ago, and comparing two NASA globe images showing the United States at different sizes “in the very next year,” questioning how that is possible. He asserts the globe image has “copied and pasted clouds” and asks if the globe was made in Photoshop. He then discusses a moon picture with the earth behind it, urging attention to the sides and asking how the earth could be drastically smaller when observed from the moon, yet drastically larger when you’re about 50,000 miles away from the moon. He claims that, when put into context, “they’re completely lying to our faces,” and describes the lunar module as looking “absolutely ridiculous,” calling it a replica and a toy, and questions whether the buttons have real functions and why ten thousand buttons would be needed. He questions who recorded the lunar module launch, noting that there were no fully autonomous cameras or drones at the time, and asks “Who got left on the moon?” He asserts that the moon landing was implanted as a false reality on the subconscious mind to govern conscious behaviors, linking Apollo 11 to symbolic numerology (11) and stating that the moon and sun are symbolic pillars representing subconscious and conscious realms. He claims the moon landing was a symbolic act to capture imagination and limit consciousness. He asks if the Earth were a globe, one would have to sit at eye level with water to have a perfectly flat horizon, implying a flat horizon because Chicago’s skyline is visible from about 40 miles across Lake Michigan. He states that curvature would be eight inches per mile squared, so buildings would have to be level with the floor and would appear to lean if the Earth were globe. He claims there is no detectable curvature on any body of water, and that the horizon is merely how far the eye can see. Regarding circumnavigation, he asserts there is no proof of east-to-west circumnavigation but no evidence of north-to-south circumnavigation, arguing that north is the center on a flat map and that circumnavigating north to south would leave the magnetic field. He mentions Antarctica’s average elevation and its role in “holding all of the waters in,” and notes no country has a flag shape for its nation, while Antarctica does. He calls attention to the Antarctic Treaty and contrasts it with Greenland, and mentions crepuscular rays as evidence of a local sun, and claims that if the sun were 93 million miles away, light rays would be perfectly parallel and seasons would be explained differently. He claims the moon gives off its own light, with a few degrees colder Fahrenheit than the surrounding atmosphere, which would not be possible if the moon merely reflects the sun’s light. He references a model visually and asserts that what is shown makes no sense if the Earth is a globe. He concludes by saying the video is “the tip of the iceberg,” asserting that observing no curvature and the sun and moon appearing the same size and moving across the sky might reflect what’s actually happening. He ends with, “But of course, the earth is a globe and I made everything up,” and states, “This video was for entertainment purposes only.”

The speaker accuses someone of faking a shot of being halfway to the moon during Apollo 10. They mention using a transparency over the window, moving the camera, and turning off the lights to create the illusion. The speaker is then asked to swear to God that they walked on the moon, but they refuse. The person asking insists on the oath, but the speaker wants to be left alone.

Gene Gilmore, on his deathbed, reveals his father's involvement in faking the moon landing at Cannon Air Force Base in 1968. He describes Project Slam Dunk, a staged lunar landscape, and a list of key personnel involved. Despite threats and break-ins, he shares evidence online to support his father's confession. Gilmore urges others to investigate further after his death.

A person reveals a fraud involving the US government and NASA, claiming to have filmed fake moon landings. They were contacted by NASA in the mid-60s after making "2001: A Space Odyssey." The person alleges that the moon landing was staged and discusses their upcoming film about secrecy. The conversation delves into the details of how the deception started and why it was kept secret for 15 years. The speaker asserts that they did not land on the moon.

The speaker expresses their desire to become an astronaut and mentions the need to study flying or science. However, another person interrupts, claiming that the first moon landing was fake due to the Cold War rivalry with Russia. They point out the lack of windows and a pod-like structure in the footage, as well as the absence of plane wreckage on the ground. The speaker ends abruptly, stating that they no longer wish to pursue a career as an astronaut.

- The speaker suggests that becoming an astronaut is possible by studying flying or science, implying you could someday be the first astronaut to walk on the moon, but then challenges that claim by saying there already was an astronaut who first walked on the moon, stating “Well, no. Not really. That wasn't real.” - The speaker asserts that during the Cold War, in order to beat the Russians, the moon landing was faked, claiming that “That never happened.” - The speaker draws attention to a wreckage image, asking, “See how there's no windows on the side and see underneath where there's like a pod thing? What's that?” - The speaker describes a wreckage observation: “Take a look at this wreckage. See how there's no plane parts on the ground there? What does that look like? A metho.” - The speaker asserts that President Bush was in a secret Yale society called the Skull and Bones, and that his dad was in it too, and that they all worshiped Satan. - The speaker asks, “President Bush worshiped Satan?” and answers, “In my personal opinion, absolutely.”

The speaker questions the authenticity of the moon landings, pointing out discrepancies in shadows in a photo. They argue that the technology used then should have led to further space exploration by now. The destruction of moon landing equipment is seen as suspicious, suggesting a cover-up of fraud. The speaker believes it is more plausible that the moon landings were faked in a television studio on Earth.

The speaker jokes that the “rocket going to the moon” is actually just the sun being blocked, and then says, “If you think we’re going to the moon, I’ll sell you a time share for $49.” They suggest someone could be the first on the moon because “we never went,” citing a book titled We Never Went to the Moon by Bill Casing, which allegedly explains how there are no stars. The speaker questions, “If you were on the moon, wouldn’t you see the stars,” calling this funny, and references “your little setup here who filmed all this.” They claim that “they failed every single time they were trying to go to the moon,” noting failures “like, 55 times in a row,” but assert that “this time they decided to make it.” Buzz Aldrin is said to have admitted “we never went to the moon,” which the speaker finds humorous. They critique the footage on grounds of lighting and reflections, stating, “The lighting’s all off. The reflections are wrong.” They argue that the footsteps are just “sands in the desert of Utah and Arizona,” or “Mercury, Nevada, actually, if I wanna be specific.” Finally, they conclude that “if you believe we went to the moon, I got a time share to sell you.”

Speaker 0 argues that the NASA moon landing never occurred and was staged in Nevada. They ask to see the route to get from the Earth to the Moon, claiming the route is shown as evidence and insisting, “Do you see what we live in? Do you see the same picture that I'm looking at right now?” They label the situation as “Holly Weird faking moon landings,” suggesting the route proves the deception and stating that this is why the book wasn’t published by any other publisher. They describe an “eggplant” symbol that people are saying represents the truth, asserting that this is why the moon landings were not real. They credit Bill Casing with exposing the route of what they say the public was told they were doing, and describe the situation as “too good” and part of living in a “land of the circuses.” The speaker mentions a book that notes, if you have an unlimited budget and plenty of time, you can create almost any size, shape, or type of fake evidence for the moon landing. They provide examples: toy-like lunar modules, astronauts who avoid talking about moon landings, moon rocks claimed to be made in the USA, and examinations by anyone with an open mind. They also claim that the moon rocks on the Moon are made from paper mache, asserting this as a point about the deception. In sum, the speech presents a conspiracy view: the moon landing was staged, evidence can be fabricated with enough resources, and various artifacts cited as part of a broad fabrication, including the assertion that Moon rocks are paper mache.

The speaker questions the authenticity of the moon landing, citing various reasons such as the lack of human presence on the moon since 1972, the absence of flybys around the moon, and the behavior of the Apollo astronauts during press conferences. They also mention discrepancies in the photographs and videos, including intersecting shadows and missing telemetry data. Another speaker expresses skepticism about the moon landing, while a third speaker defends its authenticity, referring to the fuel capacity of the Saturn 5 rocket and the presence of laser reflectors on the moon. The conversation ends with a discussion about conspiracy theories and the importance of critical thinking.

The speaker discusses the moon landing and presents a theory linking it to Stanley Kubrick. They reference a photograph of Kubrick during the filming of 2001: A Space Odyssey in England at what they call “the studios NASA East,” noting that Kubrick is walking with a group of people who are identified, except for one man in the row behind them. The speaker identifies this unidentified man as Louis Jolyon West and asserts that West is “west of MK Ultra,” a claim about West’s involvement in mind control. The speaker states that West was a specialist in mind control and in creating cults, and that a large portion of his information has not reached the public. They claim West worked extensively with UFO people, witches, and Satanists in order to create subcultures. They assert that Jolyon West ran one of the free clinics in a counterculture area of San Francisco, clandestinely, and that Charles Manson was receiving treatment there with the Manson family. The speaker further asserts that Jolyon West was involved with Jack Ruby and Sirhan Sirhan. They also claim West was involved with Whitley Strieber, the author associated with UFO topics. Additionally, the speaker says Jolyon West was involved with the Stanford Research Institute’s remote viewing experiments and connected to numerous other activities. Finally, the speaker ties these claims together by suggesting that if the unidentified man behind Kubrick in that photograph is indeed Jolyon West, West’s involvement extends to “creating the belief system around” the moon landing. The overarching claim is that Jolyon West’s extensive network and activities—ranging from MKUltra-associated mind control to connections with notable figures and counterculture phenomena—played a role in shaping public belief about the moon landing.

There is no onboard camera during the ascent, only cuts to synthetic imagery. They are careful not to repeat the mistakes of Apollo 11. After all, if it were fake, why would it become real? NASA is a reality TV, with actors presented as Pokémon cards. We all know the 1969 images were made in a studio, with slow motion at 2x. And if you view at normal speed, you can visualize the harnesses. And look at the simplicity of the liftoff from the Moon for the return to Earth. It was cleaner than today’s video, and the person filming stayed there. It’s perhaps Buzz Aldrin, in that case, an astronaut, actor, and Freemason, who repeats never to have been anywhere. And he even wears a Masonic ring on this iconic photo. And here too. Because we are dealing with an occult theater. The rocket stands 322 feet tall. Angématria Prime, Artemis 2 equals 322. The famous number of the secret society Skull and Bones. Because the conquest of space is a conquest of the mind, repeated since your childhood to distance you from reality and trap you in their digital prison.