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Hi, I'm Jake. I heard you're looking for me because of my involvement in the Capitol building incident. I wanted to call and address it. I'm not sure where I am right now, but I don't believe in running or hiding. I believe in the truth, my faith, and my country. I'm willing to talk and provide any information you need. I'll call the FBI after this. They're a bigger deal than the DCPD. Just let me know when you're ready to give me their number.

Speaker 0 asks Vivian if she works for an Israeli intelligence firm called Black Cube, to which she denies. Keith Woods mentions that this information can be found on Wikipedia. Vivian abruptly ends the conversation, leaving Speaker 0 wondering about her sudden departure.

Where's the third assassin? Show yourself. Third time's the charm, right? Not me, FBI. It’s someone else. I believe in you.

FBI. We have a warrant. Open the door. Hey, Bill, what's inside? Come on in. George, put your hands up.

Hi, I'm James O'Keefe, an investigative reporter. I want to discuss your views on the deep state. Can you elaborate? I'm not interested in this conversation. But you've already spoken on it, and I have it recorded. What is your role at the White House? I advise on research and development policy. Are we done here? Have a nice night. You too. Have a good evening, Byron. There he goes, shuffling along.

Okay, I'm Officer Helen. We'll call you on your phone. I'm not going to stand out here to talk if you're going to speak to me.

I'm here to talk to you about the Avenger Initiative.

Two FBI agents visit a woman's home looking for Elise, who is not there. The woman, Elise's mother, provides contact information for Elise. The agents assure her that Elise is not in trouble and leave their office number. The woman is initially hesitant but eventually agrees to pass on the message to Elise. The agents introduce themselves as Ashley Roberts and Kathleen Brown before leaving.

What’s your name? What are you doing here? I’m texting a friend. Who are you texting? A 15-year-old. No, I’m not. Yes, you are. If you don’t stand here and talk, I’ll call the police. Let me see your phone. You’re here to meet a 15-year-old. Where are you going? You can’t just leave.

This is off the record. How's everyone doing?

Speaker 0: What happened today? Ambassador Bolton would happen, sir. What were you told by the FBI? Ambassador Bolton? What were they looking for?

Where's the third assassin? Show yourself! Third time's the charm, babe. Not me, FBI. It has to be someone else. I believe in you!

The speaker briefly greets the audience and mentions that they are currently conducting an investigation. They ask if anyone else is present, specifically law enforcement. They request the credentials of the person they are speaking to and express their appreciation. The speaker concludes by saying that the person they are speaking to needs to improve their ability to hide.

FBI, we have a warrant. Come to the door. Close your hands. Hands empty. It's you. Close your hands. Keep your hands up. Alright. Yep. I got watch me. Watch me. He's on the top. I'm here. Come here. Come to the door. Turn around slowly.

I'm John Gray from the FBI. Miss Anderson isn't here. I wanted to discuss the Baton Rouge case with her. Can I schedule a meeting with her?

FBI, we have a warrant. Please come to the door. Come on, open up. Come on, let's go. Come on, we need you to respond. Come on, we’re waiting. Come on, this is important. Come on, we need to get inside. Come on, please cooperate. Come on, we’re here to serve a warrant. Come on, we need your cooperation. Come on, this is serious. Come on, we’re asking you to open the door. Come on, we’re not going away. Come on, please answer us. Come on, we need to proceed. Come on, let’s make this easier. Come on, just open the door. Come on, we’re here for a reason. Come on, we’re waiting for you. Come on, please let us in.

I'm John Gray from the FBI. Is Miss Anderson available? No, she's not. I wanted to discuss the Baton Rouge case with her. Can I schedule a meeting to come back and talk to her?

Speaker 0 asks if anyone is present and mentions that they are conducting an investigation related to an accident. They inquire about the presence of law enforcement and request credentials. After receiving the necessary information, Speaker 0 concludes by advising the listener to improve their hiding skills.

David from the Sacramento FBI is approached for an interview about someone he met online. He refuses to speak on camera and declines to answer questions about his activities.

Hi, how are you? Have you been here before? You need to leave now. This is unacceptable. Call 911.

The speaker wants to know if the FBI is working with someone. They are told that the FBI concluded that person had nothing and stopped working with them. The speaker will check and confirm this information.

Hey, back up! Watch out! Who is it? You’re here? He’s one of the owners. You good? I got you.

I'm John Gray from the FBI. Is Miss Anderson available? No, she's not. I wanted to talk to her about the Baton Rouge case. Can I schedule a meeting with her?

The excerpt opens with a reference to a conference from many years ago, suggesting that the listener might have been in attendance. The exchange then shifts to a brief, awkward moment where someone apologizes and asks for permission to proceed, followed by a request for help. A responder states "No," and a separate remark introduces "the subpoena, for example," indicating a mention of a subpoena within the discussion. The conversation continues with an affirmative interjection—"Oh, good"—and a request: "Can you take off the stage?" The reactions include a startled "Wow" and a meta-comment noting the situation is starting in a dramatic way: "Getting off to a dramatic start already." The exchange ends with a clipped closing, simply "Well," signaling an unresolved or continuing moment in the dialogue. Overall, the passage captures a tense, performative moment at a conference, blending retrospective reference, administrative tension (subpoena), and a stage-direction style query, all underscored by a sense of escalating drama at the outset.

Hey guys, can I pause for a moment? Are there any armed individuals here? Yes, the police. Law enforcement. Can you please provide your credentials? Okay. What was the reason for your call? You need to do...