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The Sumerian King's List, documenting incredibly long king reigns, disappeared from Iraq after the 2003 war. The most complete version is supposedly in Oxford, but I believe the Iraqi version was more extensive and is now being withheld, along with photographs. This aligns with a pattern of suppressing information to control the narrative. The "looting" in Iraq may have been a targeted removal of artifacts, including undocumented items. Samuel Noah Kramer's 1963 book offers insights from the Iraq version, which discusses Gilgamesh and a land of immortality called Dilmun. The Oxford version was acquired in the 1800s, and the Iraq version was discovered later, only to vanish. This raises questions about who benefited and what they sought. The King's List and Genesis share striking similarities, both describing a pre-flood golden age, a cataclysmic reset, and figures like Noah and Utnapishtim. This "looted" tablet wasn't random; it held vital truths about our history.

The speaker argues that historians are wrong about historic buildings, asserting that major structures around the world were not built in the 18th–19th centuries but by an advanced civilization that existed before us. They claim there is documented proof that construction records, receipts, and blueprints for several famous buildings do not exist or cannot be produced. Specific claims include: - The Cathedral of All Saints, Albany, NY; Big Ben (Elizabeth Clock Tower) in London; the Field Museum in Chicago; and the Philadelphia City Hall supposedly expose that they do not have construction records. - The New York Public Library (NYPL) is cited as lacking original blueprints or engineering drawings for its own structure, with a request for the original construction documents met by redirected searches and in-person visits rather than direct answers. - The main assertion is that the city funded these projects with taxpayer money, so construction documents should be public records, including blueprints, ledgers, and technical drawings, and the speaker questions how many horses and chisels were used, how marble was hauled, and how the buildings were actually constructed. - The NYPL’s archivist allegedly claimed that the original blueprints and engineering drawings or contractor specifications exist but are only available to NYPL staff, and that no building plans are shared with external researchers, including scholars. The speaker states the NYPL did not confirm possession of the originals or provide catalog numbers, conditions, or evidence that they exist, leading the speaker to conclude that the blueprints are being withheld. - The speaker notes personal emails from an individual in charge of substantial construction funds who maintains that, as a publicly funded project, there should be a large paper trail, and asserts that the proof of construction for the NYPL is hidden away and only accessible to staff. - A broader claim is made that five world-famous structures lack construction records, implying that the documented timelines for their construction are false and that the public is misled about the true history of these buildings. - There is an update from the Field Museum in Chicago: the museum’s library archives manager and the Art Institute of Chicago archivist indicated that the Field Museum did not receive full planning records, and that the collection holds very few original drawings with virtually no job filings or administrative records. The Field Museum allegedly has no known architectural or engineering drawings, no job files, no ledgers, no contracts, or project documentation, and there may have been a purge of materials. - The speaker states that a new FOIA effort is underway to obtain further evidence and insists that more documentation is necessary to verify or refute these claims. Throughout, the speaker credits ongoing FOIA requests and audits of institutions as they pursue “the truth” and claims that these revelations could rewrite the timeline and history of the buildings and the world as we know it. The episode is identified as episode 157 of “my lunch break,” with sponsor and affiliate mentions interwoven. The overall mission is to reveal that publicly funded buildings lack public construction records and that major historical narratives are false, with ongoing efforts to obtain original blueprints and records.

The transcript presents a provocative exploration of allegations that the Smithsonian Institution is concealing real history. It frames the Smithsonian as a “nation’s attic” that holds vast quantities of artifacts—about 150,000,000 items across 19 museums—that, according to various reports, are removed from public view or hidden from the historical record. A central claim repeats a Phoenix Gazette article from 1909 describing two Smithsonian explorers who allegedly discovered a Grand Canyon cave filled with ancient Egyptian artifacts, Hindu and Buddhist items, and mummies. The article says an archaeologist named Jordan, supervised by another explorer named Kincaid, began excavating, with reports of a front-page scoop and claims that 109 truckloads of artifacts were removed “with very great difficulty” from the cavern system and that the contents were sent to Washington but “mysteriously vanish[ed] from the historical record.” The Smithsonian would later deny knowledge of these discoveries, and the Grand Canyon area in question is described as now off-limits. Support for these claims is tied to the presence of Egyptian-named features in the canyon—Isis Temple, Tower of Set, Tower of Ra—and to anecdotes that mummies and artifacts were stored in a secret vault. The discussion extends to the idea of a hidden warehouse where crucial discoveries—like the Ark of the Covenant in Raiders of the Lost Ark—are allegedly kept “top men” working on them, unseen by the public. The film analogy is used to illustrate how such a facility might exist and remain undisclosed. Another major thread concerns reports of giant skeletons found across the United States that were allegedly removed by the Smithsonian and never seen again. The dialogue cites discoveries from mound sites in Wisconsin, Minnesota, Iowa, Illinois, Ohio, Kentucky, New York, and beyond, describing skulls of unusually large size and skeletons up to seven or ten feet tall. The New York Times (in 1912) and various newspapers from the late 19th and early 20th centuries are referenced as having carried stories of “a hitherto unknown race” with exceptionally large skulls. Numerous witnesses recall that once such skeletons were found, Smithsonian investigators would quickly recover the remains and remove them to Washington, after which they disappeared from public view. Personal accounts from researchers, miners, and local observers are cited to support the claim that many giant remains were shipped to the Smithsonian and never returned. The speakers discuss why such artifacts might be hidden, suggesting that revealing them would challenge established histories and current political narratives. They propose that authentic finds could call into question conventional histories of North America and humanity, potentially undermining the status quo. The dialogue also contends that the control of history is tied to power and money, noting the Smithsonian’s funding structure—funded by tax dollars but heavily supported by private donations from charitable organizations such as the Gates Foundation—and suggesting that those in power may prefer to keep unsettling discoveries buried. Throughout, the speakers present a spectrum of testimonials, newspaper excerpts, and anecdotal evidence to argue that the Smithsonian may be withholding pieces of humanity’s past, including artifacts and giant skeletal remains, to preserve a particular historical narrative.

We're starting a series exposing hidden archaeological sites and artifacts that challenge the mainstream narrative of our history. AI confirms numerous instances of suppressed finds, particularly those suggesting advanced civilizations predating current timelines. These discoveries are often dismissed or hidden to avoid controversy and maintain established academic and societal power structures. Preservation efforts are often a guise to control access and safeguard a false narrative. Examples include sites in Sudan, where evidence of advanced beings and destroyed palaces are downplayed, and the Terracotta Army in China, part of a vast, unopened necropolis, potentially holding truths that could rewrite history. The goal is to reveal the truth about our past, which has been actively concealed from the public.

The transcript traces a broad, interwoven set of claims about hidden history, underground structures, and manipulated timelines, centering on Iran but weaving in examples from around the world. - Iran and Tehran: The host questions whether Iran is “not going along with the mainstream story” about control of the population and asks what in Tehran “they want destroyed and erased forever?” A Truth Social post from Donald J. Trump allegedly urged an evacuation of Tehran, prompting a mass evacuation that night. The host contends a “post-World” element is evacuated, focusing on the Golisthan Palace as a symbol of an old-world architecture that supposedly does not belong in the timeline and that its photos are extraordinary. - Golisthan Palace and underground expectations: The host describes the palace as featuring griffins at the entrance and asserts it is a “palace from the old world” connected to others underground, with a subterranean storage area beneath Salem Hall that is said to be larger than visible and labeled for storage. - National Museum of Iran: A half-mile away lies the National Museum of Iran, described as a massive box of land housing artifacts that supposedly reveal “something else happened here” than the mainstream narrative. The host notes that hands are removed from some items and points to a supposed basement level of the museum as evidence of hidden, off-limits artifacts that predate Islam or feature iconography tied to Zoroastrianism, female rulers, or alternative power structures. - Basements and “off-limits” artifacts: The program reiterates that basements of museums often hold millions of artifacts not on display, and claims this is a pattern consistent with a broader attempt to conceal the true past. The host suggests that the basement storage of the National Museum of Iran contains pivotal, undisclosed artifacts, perhaps including tablets and human remains. - Censorship and tech platforms: The host repeats that censorship is returning and platforms control narratives. A promotional pivot introduces Rumble and its Wallet as a tool to resist big-tech and big-bank influence, claiming it allows users to store digital assets (Bitcoin, Tether Gold, and USAT), tip creators without middlemen, and avoid bank censorship. The host urges viewers to open an account at wallet.rumble.com. - Repetition of “truth” and pattern: A recurring theme is that the true history is hidden in basements and underground spaces, and that many museums’ basements house millions of artifacts that are not accessible to the public. The host cites prior episodes (episode 113, 109, 108, 52, 41, 43) to support the claim of a deliberate cover-up and to illustrate “patterns and repetition” across locations. - Underground cities, tunnels, and old-world technology: The host asserts Tehran sits atop an old-world tunnel network and that Iran announced a tunnel project in November 2024; by January 2025, locals reportedly uncovered an underground city beneath five old-world homes. The host posits that many underground networks and tunnels exist worldwide and have been modernized while the public remains unaware, suggesting old-world technology persists under modern cities. - The old-world, older-than-addressed timelines: The speaker asks what under the feet of cities, what tunnels, vaults, chambers, and artifacts lie under the old world. They reference giant beings, tablets, and elongated-skull findings (as discussed in prior episodes) and argue that the artifacts in Iran’s basement could expose a story divergent from the widely told history. - Architecture and timeline inconsistencies: The host explores multiple examples to argue that the mainstream narrative about construction timelines is inconsistent. They discuss the National Museum of Iran’s basement, and then move to global cases, including: - Saint Peter and Paul Church in San Francisco and 666 Filbert Street, noting allegations that the second church on the site was completed in 1924 and bombed in 1926-27, implying a recurring “fire narrative.” - Saint Anne Shrine in Fall River, Massachusetts, where a postcard allegedly shows a founding date (1869) earlier than construction dates claimed (1891), used to claim the building was “founded,” not constructed, by a previous civilization. - The Greene County Courthouse (Ohio) and a comparable courthouse in Illinois, both claimed to have been constructed in under a year in the late 19th/early 20th centuries, with multiple earlier courthouses said to exist on the same sites, all accompanying a “fire narrative.” - The Manitowoc County Courthouse (Wisconsin) and a Benton County Courthouse (Iowa), each said to have been built rapidly in the early 1900s, cited as evidence that a single builder and sons complete grand palaces in short periods, then disappear from future projects. - AI-generated names and patterns: The host highlights recurring AI-generated names (e.g., Richard Blackhead, Peter Desroaches, John Warner, Mary, Alice) as evidence of scripted or constructed narratives, arguing that the same names and characters recur across locations and episodes. - Overall claim and call to action: The host asserts that the timeline is dramatically misrepresented, that many old-world buildings and underground systems are older and more advanced than the story told, and that artifacts and subterranean networks under cities reveal a truth that is being suppressed. They urge viewers to continue digging into locations being illuminated, to question evacuations and the reasons behind them, and to consider that “the truth about what was once here before us is all under attack right now.”

The narrator discusses the Lost City in Colombia, claimed to have been discovered in 1972 by a small family of looters while hunting, who reportedly found 1,200 stone steps leading up a jungle hillside to a city with 169 terraces, a network of tiled roads, and several circular plazas. They assert the site predates Machu Picchu by 650 years, with a precise dating to August, and describe it as evidence of an advanced ancient civilization with undisclosed technology, contrasting it with the mainstream narrative of eight-hundred-year-old, “donkey-and-tools” construction. They say items from the site—gold figures, ceramic urns—appeared on the black market, and claim a murder and a fight among the looters occurred, which supposedly alerted archaeologists who arrived by 1976 and reconstructed the site for six years (1982), destroying or hiding portions of the original evidence. The piece then shifts to discuss modern archaeology and surveillance techniques. It asserts that the Worldwide Media Foundation (WMF) mapping of the site using LIDAR in 2019 revealed more than 200 structures, including dwellings, terraces, stone paths, plazas, ceremonial sites, storehouses, and canals; WMF reportedly took the site into its project portfolio in 2023 and will continue work there, implying more remains beneath the jungle. The narrator questions why remnants are not fully shown or explained, proposing that some elements were left intentionally to let the public “figure it out,” or to be revealed later, and suggests underground tunnels connect different areas and possibly link to other settlements. The narrative broadens to claim widespread global suppression of ancient histories, asserting that farmers-turned-looters found sites independently of archaeologists in the 1970s, only to have their discoveries dismissed as illegal looting by mainstream narratives. The speaker contends that old-world items were taken to museums (e.g., Leptis Magna in Libya and its theater) and moved during the 19th–20th centuries, including a specific claim that part of Leptis Magna was transported to the British Museum in 1816, with the rest of the city allegedly buried or melted by a “mudflood” event, leaving only fragments visible today. They allege that many discoveries are blocked from public view or studies for ethical, conservation, or political reasons, and that 5,000 artifacts from Puqqara, De Tilqara (typo in transcript) have been cataloged but only a single body remains displayed, with the rest hidden. The speaker cites other sites—Leptis Magna, Palmyra in Syria, a theater at Sabrathah (Sabrathah), and the temple at Libya—as examples of renovations or rediscoveries in the 19th and 20th centuries, implying that much of what is seen today is reconstruction or misrepresented. They point to detailed stonework, heads removed from statues, depictions of angels, griffins, and centaurs, and argue that such depictions indicate an advanced old-world civilization that was suppressed and replaced by a fabricated timeline. Throughout, the narrator emphasizes the belief that a previous, highly advanced civilization existed and that its remnants are hidden, misrepresented, or misdated in modern history, urging continued investigation and exposing patterns in the narrative, including fires, catacombs, tunnels, and the suppression of evidence. They conclude with gratitude for the growing audience and promise further exploration of “patterns within the narrative.”

The speaker argues that Big Ben (the Elizabeth Tower) and the Palace of Westminster reconstruction after the 1834 fire are not adequately documented, and that the standard narrative is false. He states that parliamentary archives claim Big Ben was commissioned, funded, and built as part of the Palace of Westminster reconstruction under state contract, designed by an architect of Parliament, with all work government funded. Because this was government funded, he maintains there should be official drawings, blueprints, ledgers, specifications, inspection certificates, and related records in the parliamentary record, and that these records should be accessible to the public. He describes his process of requesting from the parliamentary archives the original materials related to the Great Clock of Westminster—specifically, the original blueprints, architectural drawings, structural or engineering drawings, ledgers, engineering calculations, specifications, and any communications between architect, builder, or officials, as well as any photographs and inspection certificates. He notes the aim was to determine whether construction records exist and, if so, where they are kept or why they are not available. He emphasizes that if such records exist, they would reveal how the clock was designed and constructed, including any underground tunnels or echo chambers discussed earlier. The parliamentary reply is that there are surprisingly few architectural drawings of the great clock in their collections and that they do not have the construction records requested; they could not prove that Big Ben or the Elizabeth Clock Tower was constructed in the eighteenth hundreds as claimed. He presses back, asking for clarification on whether the archives ever held the complete set of original drawings and whether records were ever transferred, lost, or never possessed, and whether there are any catalog references or accession numbers for remaining materials. A subsequent reply shifts the argument: the architectural drawings and related materials were never part of the parliamentary collections and were not produced by Parliament, implying Parliament did not create or hold the original blueprints. He asserts that the Palace of Westminster and Big Ben were government-funded, public projects, and that under the Public Records Act of 1838, all documents created by government departments must be preserved as public records. He contends that if construction began two years after the act, such records should exist and be preserved. He argues that saying the records were never produced by Parliament violates this act and contradicts themselves, since Parliament would have approved the project and paid for it with public money. The senior archivist reportedly agrees that public records exist in principle, stating that records about the construction of Big Ben will be held by the National Archives at Kew, i.e., government records. The presenter then states they have contacted the National Archives to prove the blueprints exist, or to show they do not, which would violate the Public Records Act if the records are nonexistent. He describes this as a legal ultimatum with two options: produce the original blueprints and related documents, or admit that they do not exist. He asserts that the National Archives has told them that records are being transferred and will not be available to the public until 2026, and that the inquiry cannot access the same materials until then. He concludes that this constitutes an official paper trail, showing that parliamentary archives admitted they do not possess the original blueprints, even though Big Ben and the Palace of Westminster were government-funded projects. He predicts the National Archives cannot confirm the existence of records and suggests that the transfer and inaccessibility until 2026 is a deflection. He hints at broader investigations into other ancient structures and teases future content, including a potential move to Chicago’s Field Museum.

One of the most significant discoveries in history was finding the Library of Ashurbanipal in Iraq. The city was supposedly destroyed by fire, which baked and protected many clay tablets until they were found. These tablets, including the Epic of Gilgamesh, were taken to the British Museum in London, but are largely off-limits to the public under the guise of preservation. I believe this is to protect a fabricated narrative. The Vatican has 53 miles of texts and artifacts from a previous advanced civilization hidden from the public. The British Museum is hiding millions of Old World items. They claim they want to protect the artifacts, when instead they are protecting the narrative. The museum director, Nicholas Cullinan, could change this, but UK laws and the board of trustees may be a problem.

The transcript presents a sprawling conspiracy-tinged exploration of hidden underground histories, focusing on Chicago and expanding to other ancient-site claims around the world. The central thread is that vast networks of tunnels, bases, and underground structures exist beneath major cities, built or left by a “previous civilization” and largely hidden from public view. - Chicago tunnels and underground real estate - The Chicago Public Library archives allegedly document thousands of miles of underground structures beneath the city, including tunnels that connect to numerous buildings and even to City Hall (constructed in 1911). The narrator asserts these tunnels were designed for rail transport and for connecting underground spaces, not just for utilities. - Photos circulating on the internet supposedly show a railway on the tunnel floor, with tracks running throughout the tunnel system to serve transportation under the city. The narrator claims the tunnels extend under thousands of miles and link to major buildings such as City Hall, Merchandise Mart, the Federal Reserve Bank, the Chicago Tribune building, the Civic Opera House, and the Field Museum among others. - The Chicago Tunnel Company is cited as having built these tunnels, with a history that includes initial tunnels and later plans to fill tunnels with telephone cables. The narrator argues that the dates and narratives about cables and utilities collide with earlier claims of thousands of miles of tunnels existing long before telephone expansion. - An incident known as the Chicago flood (April 13, 1992) is described as a breach in the tunnel system near the Chicago River, involving hundreds of millions of gallons of water and affecting multiple buildings. The narrator questions whether this was an accident or a deliberate act, and links it to figures like “Bruce,” alleged to have been a publicized expert on the tunnels. - A firsthand account from the late 1970s at the Field Museum of Natural History describes a Field Museum freight tunnel connected to the Chicago Tunnel Company, including an elevator and a train car that remained in a sub-basement before being moved to a museum. This anecdote is used to claim the tunnels are larger and more integrated than publicly acknowledged. - Public maps from 1910 show a 60-mile section of tunnels, implying far more exists than is disclosed. The speaker notes that many private connections (switches, shafts, elevators) linked warehouses and stores to the tunnels, suggesting that the tunnel system was integrated into building construction and commercial activity. - The narrator asserts that, since 2001, public access to the old tunnel system has been restricted or closed off for security or other reasons, implying ongoing suppression of information about the underground network. - Mount Nemrut and other “hidden pasts” - The speaker shifts to Mount Nemrut in Turkey, arguing that the mound of crushed stone and the headless statues on a 7,000-foot-high summit were built by a previous, highly advanced civilization. They challenge mainstream explanations of earthquakes, earthquakes removing heads, and the dating of construction to periods like 62 BC or 2086 years ago, insisting the dates are misrepresented. - Ground-penetrating radar (September 2012) reportedly found a pyramidal chamber beneath the apex of the site, suggesting there are buried chambers or a sarcophagus beneath the mound. Turkish authorities are said to be restricting excavation, leaving questions about what lies beneath. - Similarities are drawn to other global sites (Syria, Egypt) where heads have been removed from statues and where modern renovations are described as destroying evidence of the past. The speaker uses these examples to argue that a hidden, advanced past has been suppressed worldwide. - Interwoven claims about reconstruction and misrepresentation - The narrative repeatedly asserts that mainstream histories are manipulated or inverted to hide the existence of a previous civilization and its architectural feats. The speaker alleges that cornerstones in major buildings contain containers with items from prior civilizations, and cites alleged investigations into cornerstone contents (e.g., the Capitol) to support the claim that previous civilizations actively preserved knowledge inside cornerstone artifacts. - Alfred B. Mullet is criticized as a possibly fictitious figure used to explain grand constructions; the speaker accuses the architectural histories of being AI-generated narratives with fabricated biographies, while asserting that many grand early U.S. buildings were constructed far earlier and more rapidly than publicly acknowledged. - The presenter teases that future exposés will cover more sites (including a Syria location with griffins and blasted heads) and invites viewers to discuss and verify these ideas, claiming a worldwide pattern of destruction of evidence by powerful groups. - Overall stance - The speaker contends that “there was a previous civilization here” and that “these tunnel systems, structures, and underground real estate” were long-hidden and are much larger than publicly admitted. The claims hinge on alleged archival evidence, decontextualized photos, disputed dates, and contested readings of historical events, all presented as part of ongoing investigations that challenge conventional history.

We've lost over 90% of ancient writings and artifacts, many of which are in the Vatican library. The Vatican holds Maya, Aztec, Egyptian, and Sumerian tablets taken from conquered regions. The Vatican archives store unconventional items, accessible only to high-level individuals with specific knowledge. Access is restricted, and wandering is not allowed.

Speaker 0 argues that the Temple Of Baal in Syria is more than crumbled stone; it is a haunting reminder of a dark side of a previous civilization. He notes a castle on a cliff next to the site, claiming it has been melted into sand and suggesting both structures were built by the same group in the same period. He asserts that the Temple Of Baal was found in 32 AD, and that the site is inaccessible today due to war, which he views as a tactic to hide history. He contends the Temple and the castle were constructed around the same time, framing the location as an old world city or palace city, not thousands of years ago but closer to our timeline, largely destroyed to look older. Speaker 0 mentions Tadmer Castle, listed as a world heritage site in danger in 2013 because of the Syrian civil war. He states the castle was captured by ISIS in 2015 and recaptured in 2016. He describes ISIS retreating and blowing up parts of the castle, including the stairway, causing extensive damage. He claims the arch near the site was demolished in 2015 and asserts it was an attack on true history to obscure what happened there. He notes Palmyra and the Damascus Gate in the vicinity and argues the history presented by mainstream sources is a lie, pointing to an “advanced group” that left behind technology and construction that mainstream narratives hide. Speaker 0 rejects the idea that the Temple Of Baal and surrounding structures were built thousands of years ago. He speculates that a higher level of civilization was present in the last few hundred years and that their work remains visible today, with attempts to destroy or blur the past. He cites the Temple Of Baal as one of the most important temples in the ancient Near East and references Baal worship in modern Syria, clay tablets, and biblical mentions. He presents archaeological excavations at ancient Baal worship sites, including Palmyra, as evidence that sacrificial activity occurred, challenging the notion that such myths are purely mythical. He notes bones and texts confirming ritual activity and questions why such evidence would be hidden if myths were the whole story. Speaker 0 discusses a location about 200 miles from the Temple Of Baal where tablets and artifacts were unearthed in 1929, including the Ball Cycle, a collection of epic poems related to Baal worship. He emphasizes the discovery of 1,000 tablets and suggests there may be more, with many stories hidden beneath the surface. He claims the site has been affected by conflict, making the extent of damage to tablets unclear, and asserts that authorities downplay or conceal information to maintain the mainstream narrative. He contrasts the focus on pottery with reports of royal palaces, high priests’ libraries, and temples, arguing that more significant finds were suppressed or underreported. Speaker 0 invites viewers to consider what other stories might be found beneath the surface, pointing to the Ball Cycle and the alleged opposite practices under churches. He stresses that the past, including the old world, is not Mythical in his view, and he promises to continue the investigation in future episodes. He closes by urging viewers to remember the pottery as a possible distraction from more substantial discoveries, and he signs off with anticipation for further exploration.

The video revisits the Hypogeum in Malta, Paola, discovered in 1902 during construction work, which uncovered an enormous underground temple cut from limestone. The host notes that the site was initially buried and that the presence of 7,000 elongated skulls was documented, with many destroyed and the remainder hidden from public view. He highlights features suggesting the underground chambers imitate the architecture of above-ground megalithic temples, including false bays and windows, and a ceiling design where a ring of carved stone overhangs the one below to imitate a roof. The host posits that the structure may have originally been above ground and that a catastrophe buried it, with the previous civilization possibly buried beneath current ground level worldwide, inferred from multiple global examples of melted or chiseled structures. To support his argument, he references the Hypogeum of the Volumis family in Italy, discovered in 1840 during road works, containing about 200 tombs and dating to the second and third centuries BCE, possibly used until the first century BCE. This site allegedly features ten rooms and two winged demons guarding the entrance. He notes that many artifacts were removed or relocated when road construction occurred, illustrating what he claims is widespread suppression or erasure of ancient history. He also points to urns in an Italian necropolis painted with scenes including griffins, linking these to Tartaria his broader narrative about hidden ancient cultures. The host asserts that evidence from various sites indicates a “previous civilization” with advanced capabilities that predates known history, and he argues that much has been removed or hidden from public view. Shifting to Syria, the video discusses the Hypogeum of Yarhei in Palmyra, claimed to be an underground tomb whose dating is disputed (allegedly moved or restored), and which the host says was moved to Damascus in 1935 after being found in 1933. He critiques official timelines, suggesting the narrative was altered to place artifacts in Damascus for easier access by scholars, and he questions why the site required relocation so soon. He presents images of Palmyra showing a vast temple complex, including the Temple of Baal, with the claim that it lies atop a tell (a mound formed by centuries of settlement) and that the site contained extensive ancient structures, many of which were melted or destroyed in the early 20th century. He compares the Temple of Baal’s size to the Great Pyramid of Giza to emphasize the scale of the ancient complex and argues that many monuments and statues were removed or altered during modernization. Throughout, the host ties these observations to a broader thesis: that an advanced, old-world civilization once existed globally, constructing monumental architecture and palaces that current narratives deliberately obscure or erase. He suggests that angels and demons are depicted within stone and iconography at multiple sites, and that a modern “reset” rooted in the 19th and early 20th centuries replaced or concealed much of humanity’s true history. He ends by inviting viewers to question established histories and to anticipate further revelations in future episodes.

Speaker 0: We have made a lot of episodes, a 106 to this point, for a long time after today. This will be the episode that I referred to as the end of the mainstream narrative. An episode that we have built up to for a very long time. Welcome to 2025. I believe this is the perfect time to share this information with the world. So here we go. I asked their AI database, the AI ChatGPT, if there were any archaeological finds that have been removed from the public, removing evidence of a previous civilization that was here where we live today. The answer is shocking. Yes. There have been numerous instances where archaeological finds are removed from the public. All of us. Where statement number six is the final straw for the mainstream narrative. A narrative that is taught to all of us since day one. A narrative that is being taught in children's classrooms in every country stating controversial finds, items that could challenge established historical narratives, the mainstream narrative. These items might also be kept from public display doing this to avoid controversy or debate. For any mainstream historian, this is the end. And for any archaeologist, you are now exposed. And this is just the beginning today. In fact, it's just the beginning of a massive series that we are starting right now as we speak. I'm going to be referring back to this episode time and time again. And to this point in all of our episodes, I have never needed to read something more. This page in their book, will be the end of the story that we're all told and the beginning of free thinking, the beginning of finding the truth, stating, advocates argue that the public access to such artifacts is essential for a fuller understanding of our true history and for fostering critical thinking about the truth. Our world's true history, suppressing giants with some findings in The Americas that suggest advanced civilizations existed just like we've talked about before European contact, such as evidence of complex urban planning where the mainstream narrative, the mainstream archaeology dismisses it, which contributes to these artifacts that have been found not being displayed or discussed, hiding artifacts that would expose an advanced previous civilization, hiding them simply because it goes against the mainstream narrative is exactly what we're being told. This highlights the tension between advancing knowledge, exactly what doing here, or sticking with the existing power structure in academia and society as we evolve this knowledge, exactly like we're doing right here on this channel. There may be a shift towards greater public access to the items found that are being hidden from all of us to this day. And I say that this is the beginning because we are now starting this series where we're gonna expose the sites, the items that are currently being blocked off from the public, blocking them off, hiding them from all of us in attempt that has been very successful for a long time to keep their false narrative in place. How many times to this point when going back and watching the first 106 episodes have we heard off limits to the public due to preservation or to keep looters away? How many times? This is the nod. This is the key, and we now know this. We've seen this in episode 98 where access to the physical artifacts may be restricted to ensure their preservation. We've seen it in episode 102, where it is no longer being exhibited to the public. We've seen so many examples of this. And today, it couldn't be any clearer, any more straightforward that so much of what we are told in life is controlled. It's manipulated to fit the narrative that we are all given, and we are about to take this to another level. Episode 86, when we saw that the project is supported by National Agency of Cultural Heritage Preservation of Georgia. The AFCP has allocated more than $1,000,000 to preserve and protect. This is a moment where our eyes open up even further, and we are able to see with more clarity than ever before. And once you're able to see, you will never go back, understanding that preservation protecting in the world of archaeology. This means preserving and protecting themselves, their narrative. This does not mean that they are preserving or protecting what they have found, and I wanna make that very clear. And this is fully exposed now. The blindfold has been ripped off, and there's no going back. This show is a progression. It takes time to show people the truth. There is a buildup, a process. The episodes are in order for a reason. The AFCP, an initiative by the United States Department of State just starting up in 2001. What a year. A group that the people of America fund through their tax dollars. A group that the world did not need in the eighteen or nineteen hundreds. And I wonder why. Now, again, I just wanna clarify, and I don't wanna be sarcastic at all. This group is amazing. We all know that they really are preserving and protecting all of our favorite sites. They support projects in over a 130 countries, preserving tangible and intangible cultural heritage such as historic structures, archaeological sites, and traditional crafts. They restore ancient temples and mosques. Conservation of manuscripts from the old world, textiles, and old world music. Preservation of significant landscapes. They are for sure doing all of this. Jebel Barkal and the sites of the Nappatun region, Sudan, where the AFCP has funded conservation efforts at this UNESCO World Heritage Site. And we know this group very well, which includes temples, palaces, and pyramids from the old world. You've gotta ask, why are there so many groups that aim to supposedly preserve and protect sites that don't fit into the mainstream narrative that the exact same group publishes into the textbooks. And then they also fund the operation of teaching this narrative, the same narrative that they just wrote, all to the people at a young age in every single country. I believe that we have correctly translated their language. The words preserve, protect, and conservation, preserving and protecting their narrative is exactly what this means. And this unlocks so many more sites, so many old world places that is going to take this research so much further than we could have ever imagined. It will unlock places that have been hiding for so long. Without our sponsors, without our Patreons, without every subscriber, all of our badge members, and everybody who likes the episodes, This episode wouldn't be happening right now. This show, these episodes, it all honestly would have ended a long time ago. I appreciate all of you. And instead of ending this show a long time ago, because of all of you, we are now just getting started. Welcome to episode 107 of my lunch break. I hope you're all having a great day. And if you're new, welcome. Have you ever wondered what happened to the legendary Chuck Norris?

The Sumerian king's list is described as a list that documents the reign of kings who lived for tens of thousands of years and ruled before the flood, a text so important it “couldn't be left in public view” and had to be stolen and likely lost forever. It sat in the Iraqi National Museum until 2003, when 15,000 artifacts were looted during the war, including the tablets of the king's list. The speaker asserts that the Sumerian king's list was a road map to our true history, telling of a place nobody got sick and nobody died, called Dilmun—the land of the living, the land of the gods, a place of pure brilliance, a place free from death, sickness, and aging. Dilmun is described as a land of purity and paradise, a UNESCO World Heritage Site as of 2005, and the timeline is said to require UNESCO to protect sites from weathering. Excavations began in 1954. The timeline notes that the Portuguese fort was once the capital of the Dilmun civilization, uncovering antiquities from an artificial mound 39 feet high containing seven stratified layers. The question is posed: what did they find in 1954 on a small island off the coast of Qatar, and what else is in that location today that they are still finding? The area is described as being near Dubai and Abu Dhabi, prompting speculation about why this location is so significant and how it relates to immortality, life, and death. If the 1954 discovery is connected to immortality and the land of the living, the population growth in Dubai is highlighted: from about 1,200 to roughly 20,000 in 150 years, and then to 3,000,000 by 2025, with investments rising from 50,000,000 in 1940 to over 500,000,000,000 in 2025. The speaker asks why Dubai emerged so dramatically and whether this coincidence ties to discovering Dilmun. References are made to the Epic of Gilgamesh and Dilmun as the land of immortality, the ancestral place of the Sumerians, and a meeting point of gods. The speaker mentions a map section with massive necropolises and declares episodes titled Under the Necropolis parts 1–6. The claim is that Bahrain’s Dilmun burial mounds were found in 1889 by Mr. and Mrs. Bent, with speculation that the site contained the old world beyond a few ivory bits, charcoal, and ostrich eggshells. The British Museum is criticized for allegedly holding 7,920,000 items that are off limits to the public, including the Epic of Gilgamesh, 30,000 tablets, and 350,000 ancient grave mounds in Bahrain. The speaker insists there was more found than pottery and asserts that pottery stories are used to mislead about the site’s significance. The narrative asserts that in 1954, the same year as the Portuguese fort, there was a major discovery related to Dilmun, with Dilmun seals found at the Barbar Temple, a religious site associated with Enki, and a seal depicting two griffins. Nearly 400 Dilmun seals were discovered across Bahrain and the Gulf, with many housed in Bahrain National Museum and many taken to the British Museum. The kasha (cassia) tree is introduced as a key element: described in Sumerian tablets as the herb of healing par excellence and as a plant of immortality; it is linked to the Bible (Exodus 30:24; Ezekiel 27:19; Psalm 45:8) and is associated with the tree of life. The speaker ties together the Dilmun seals, the Sumerian king's list, the kasha tree, and the mythic immortality of Dilmun as part of a larger blueprint of the old world, suggesting that these elements are hidden in museums and underground. The conclusion invites the audience to decide whether this is coincidence or truth, asserting that the old world never left and is now becoming visible.

The video centers on a set of extraordinary claims about underground tunnels, hidden pyramids, and supposed concealment by authorities in order to maintain a controlled narrative of ancient history. Key points raised: - Puebla Tunnels: Tunnels found in 2015 under a Mexican city, described as high enough to ride through on horseback and extending more than 10 kilometers (6.21 miles). These tunnels were reportedly blocked off from the public during a two-year renovation (2015–2017) so the city could renovate the system before opening it again, with the presenter suggesting the blocks were to protect a mainstream narrative. - The presenter asserts that the tunnels and mud deposits imply a worldwide event and an advanced premodern civilization that was wiped out, resetting history to the 17th–18th centuries, arguing that a more advanced group lived here earlier than commonly taught. - Connection to churches and other structures: Four entrances to the tunnels were said to connect directly to the Los Romedios Church, with implications that churches were built atop or over tunnel networks and possibly atop a much older subterranean layer. - Catacombs and pyramids: The presenter speculates that the tunnels may be catacombs and argues that beneath certain sites, including the church, there is a massive pyramid. They claim the pyramid beneath the church—referred to as the Great Pyramid of Chulula—has a greater volume than the Great Pyramid of Giza and is the largest pyramid by volume discovered so far. They describe a network of tunnels beneath the grass covering the pyramid and question why the grass has not been removed, arguing that preservation excuses are used to keep the site concealed from public view. - Dating controversy: The presenter disputes official timelines, asserting the tunnels were built earlier than the claimed 1531 date tied to local lore and suggesting the church was built atop the tunnels, implying the builders knew of what lay underneath from the start. - Turkey site and Myra: A separate site in Myra (southern Turkey) is described as a melted palace carved into rock, resembling a mountain. The narrative references Charles Fellows’ 1840s exploration, noting claims of color decor in the eighteenth century but alleging color has since disappeared, and proposing a large necropolis with hundreds of tombs, many damaged or looted since the eighteenth century. - Ground-penetrating radar discovery: In 2009, archaeologists detected an ancient city using ground-penetrating radar, revealing anomalies and hidden structures, which the presenter uses to bolster the claim that there is much more beneath the surface than mainstream accounts acknowledge. - Refrains on transparency: The host repeatedly argues that the mainstream narrative withholds information about these sites and that restoration or preservation explanations are used to keep discoveries from the public, asserting that “the mainstream narrative is not transparent at all.” Throughout, the speaker emphasizes that these discoveries challenge established history, suggesting that the “old world” left behind a hidden, sophisticated network of tunnels and pyramids, and that public access and official explanations are tightly controlled. The video also teases an upcoming series and next week’s episode about a necropolis in Southern Turkey.

The speaker argues that a hidden, “old world” civilization built thousands of monumental structures around the world, and that today’s timeline erases or suppresses this past. The narrative centers on Mumbai (formerly Bombay), India, where a number of grand buildings—palaces, train stations, a municipal corporation building, and other architectural icons—are claimed to be remnants of a prior civilization with advanced technology. The speaker asserts that these structures, built long before the known timeline and power tools, were attributed to a cover story in which modern-era builders and a younger designer are named as front men. Key examples cited include: - A palace-style central railway headquarters in Mumbai that, according to the speaker, was completed seven years before the invention of the power tool in 1888, contradicting the official timeline. - The idea that multiple grand buildings in Mumbai, such as the Royal Alfred Sailor’s Home (allegedly built by Frederick William Stevens, a British government employee), the Municipal Corporation Building (designed by Stevens and completed in 1893), and other palatial residences, were constructed by a highly advanced earlier civilization. The speaker emphasizes consistent reuse of “the same character” and “pin” tying Stevens to various buildings, including Raj Mahal and other structures. - The claim that a modern city like Mumbai contains evidence of old-world technology (e.g., precision domes, depictions of mythic sea creatures) and that interior spaces of these sites hold further undisclosed discoveries. - Assertions that the Gateway of India predates its stated foundation date, with a photograph from 1911 showing the structure before the claimed foundation, and that construction actually began in 1915, contradicting official records. The architect George Widdett is named as the designer of several Mumbai landmarks, including the Prince of Wales Museum (now CSMVS), supposedly linking a consistent “old world” design language across sites. The speaker expands the scope globally, linking these Mumbai findings to a worldwide pattern: - The old world is suggested to have left “palaces” and “stone universes” across continents, including references to griffin sculptures and other mythic imagery appearing on buildings, implying a shared old-world iconography. - A claim that the old world is being erased from history, with statues of British figures removed in the 1950s in India, and other steps described as deliberate erasure of the past. - The Gateway of India is contrasted with a supposed cardboard-model explanation for its 1911 photograph, and the assertion that this narrative is part of a broader cover story masking the true extent of ancient achievements. - The speaker highlights a broader historical thread: the Sumerian king’s list, Dilmun, and the idea of a land of immortality described in ancient texts. The Sumerian list is portrayed as a historical roadmap to a paradise-like Dilmun, cited as evidence of an advanced old world. Dilmun and related artifacts appear at the center of the argument: - The Dilmun site and its seals are presented as crucial evidence, with references to near 400 Dilmun seals discovered across Bahrain and the Gulf, showing intricate carvings and griffins; these artifacts, the speaker claims, are housed in Bahrain’s National Museum and in the British Museum. - The Dilmun burial mounds and alleged artifacts described as remnants of an advanced civilization, including a supposed “land of immortality” where people did not die or get sick, are presented as part of a broader narrative about the old world’s geography and technology. - The speaker discusses the 1954 excavations near Dubai, arguing that the discovery of Dilmun and related tablets preceded Dubai’s rapid modern growth, and suggests a correlation between the discovery and later monumental investment in Dubai. The speech asserts a political-cultural dynamic: - The British Museum, the Vatican archives, and other global repositories allegedly hoard 30,000 tablets from Iraq and approximately 53 miles of texts under Vatican City. The tablets, the speaker claims, are off-limits to the public, and the narrative is protected by those who control access, with the argument that public display would reveal a truth about humanity’s past. - A 1963 British Museum Act is cited to question the ability to remove artifacts; the speaker implies unlawfully acquired items (stolen or unjustly obtained) could be returned to their rightful owners, arguing that the tablets and artifacts should be accessible to the public. Throughout, the speaker calls for confronting what is presented as a globally coordinated effort to conceal the true history of the old world, urging viewers to question commonly accepted timelines and to seek the hidden science, texts, and sites that supposedly prove a prior advanced civilization operated across multiple regions. The overall claim is that the old world did not vanish but remains encoded in monuments, inscriptions, seals, and archives, and that much of this material is deliberately hidden from public view.

Speaker 0 discusses Cypress’s Tombs of the Kings as part of a large necropolis on the island, describing it as a UNESCO site and a discovery first reported in 1783 with archaeology beginning in 1870. The speaker notes that this is not just “tombs of the kings” but a vast necropolis from the old world, with the implication that it reveals an advanced previous civilization still located beneath modern life. They claim that through extensive research and exposure, people can conclude that these sites are "right underneath our feet" and connected to many other necropolises across Cyprus. The narration emphasizes a pattern: excavations in the 19th century, with skepticism about earlier historical accounts, and asserts that many details about the tombs were lost over time. The speaker contends that the tombs were rich in expensive goods and old-world technology, and accuses mainstream narratives of grave robbers and cover-ups, claiming that bodies have been removed or lost due to looting or destructive restoration practices of the 19th century. They allege that remains have been taken for study or looting, leaving only a few intact burials today, and that the sites are often left inaccessible or destroyed to protect a narrative. The speaker highlights that adjacent to the Tombs of the Kings are catacombs and other necropolises, including a Western Necropolis, and argues they are interconnected. They point out that many catacombs repurposed as Christian places of worship undermine the notion that these were solely ancient burial sites. The claim is made that access is restricted next to the Salamis Necropolis and that information and mapping of the underground network are not provided to the public, suggesting that the network is much larger than publicly acknowledged. There is a repeated assertion that the “old world” civilization existed and that the pottery explanation for finds is a front to conceal what was discovered. The Turkish invasion of Cyprus in 1974 is cited as having led to greater looting of the Salamis Necropolis, with artifacts allegedly smuggled out during and after the conflict. The speaker connects Cyprus’s necropolises with other regional sites, including Palmyra in Syria, claiming proximity and interconnected significance and asserting that these sites reveal a true history that contradicts standard education. The episode repeatedly argues for full transparency and public access to excavations from start to finish, accusing authorities of protecting or preserving a narrative rather than the actual past. The speaker mentions that the necropolis excavations began in the 1950s for some sites and ties ongoing looting and restricted access to broader patterns observed in other “old world” sites. They conclude by noting that thousands of individuals were originally buried there and indicate anticipation for episode 111 next Saturday, promising further revelations about the ancient network and its looted heritage.

Speaker 0: The Hypogeum in Paola, Malta, is described as an enormous subterranean structure excavated 4,524 years ago, with huge limestone blocks removed. It was discovered in 1902 during house construction, which blocked the public for nearly a decade. It reportedly contained about 7,000 elongated skulls, many destroyed and the rest hidden from the public. The speaker notes that some underground chambers appear to imitate above-ground megalithic temple architecture, with false bays and underground windows. A ceiling features one ring of carved stone overhanging the one below, allegedly to imitate a roof. The speaker questions whether the structure was originally underground or came from above ground and was buried during an event, possibly killing thousands inside. He asserts the mainstream view is that it was a burial site, while the speaker posits that people were killed on the spot or trapped underground, with bodies piled rather than buried separately, suggesting a catastrophic event that melted structures globally and reshaped civilizations. Speaker 0 then states they revisited the Hypogeum of the Valle dei Famili (Valumnus) in Italy, noting about 200 tombs and a 1840 discovery. The excavation uncovered a site used into the first century BC, with 10 rooms and two winged demons guarding the entrance. He points out urns with painted scenes, including griffins, and argues that the griffin imagery links to Tartaria and Greek mythology, asserting that much of this history has been removed or hidden. A photo shows items behind a wall prior to modern changes; he claims that items were removed from the site between 1839 and today, suggesting ongoing suppression of evidence. Speaker 0 highlights an underground complex near Palmyra, Syria, the Temple of Baal, and a castle on a cliff—arguing that the area contains massive stone structures, hundreds of columns, and a temple the size of the Great Pyramid, with a perimeter roughly half a mile. He notes a mosque or palace-like complex nearby, and references the destruction and removal of the arch and other structures by modern groups, claiming that these actions suppress true history. He mentions the Baal Temple was allegedly found in 32 AD, though war zones have prevented access and exploration. He cites the Temple of Baal as being built on a tell, layering past civilizations, with the nth-century destruction of the post-classical elements—they allege the site had advanced construction and technology. Speaker 0 asserts that Palmyra’s temple complex was judged by mainstream narratives as centuries old, while the speaker believes it is much younger and part of an extensive old-world city evidence. He points to the Temple of Baal, the Temple of Baal Shemin, and the Taimer (Tadmur) Castle on UNESCO’s danger list in 2013 due to the Syrian civil war; ISIS captured it in 2015, recaptured in 2016, and the stairway was blown up in 2015, with plans to rebuild the arch denied by the speaker. He repeats the view that the old world had advanced technology and that the public has been misled, with the pottery focus being a deliberate decoy. He also references the Baal Cycle tablets—the ball cycle—found in 1929, claiming thousands of tablets reveal more than pottery, including royal palaces, high priests’ libraries, and texts about Baal’s rituals and offerings. Speaker 0 closes by suggesting that the true history lies beneath our feet, with a hidden past shaped by an advanced civilization violently erased or relocated, and that the current timeline is a fabrication designed to obscure what truly happened in the last few hundred years. Speaker 1 comments on the beauty of the cities and the impossibility of rebuilding them as they were, reinforcing the notion of lost grandeur.

The speaker discusses a 1583 map that allegedly shows Russia and Tartaria together, highlighting Tartaria as a vast land not mentioned in history books and suggesting it has been suppressed. This leads to questions about what happened to Tartaria and who took over its groups. The map is also used to argue that New Guinea (referred to as the land of Mu or Lemuria) was once massive and located much closer to the Americas than it appears today, with evidence claimed to be visible in the Library of Congress’ Rare Book and Special Collections Division. The speaker points to features on the map, such as Tartaria, Chalaga, and areas labeled in shaded regions, and references a map from 1544 where Antarctica appears green and a Map of Mundi showing connections, mentioning a phrase “here be dragons” on maps and contrasting that with the Latin label sci and tific implying fiction. The narrative asserts that mainstream history is fabricated and altered to hide a previous, advanced civilization that constructed palaces globally and underground tunnel networks. It is claimed that the old world hid dragons and more land, with history designed to control people by keeping them lost and following leaders toward an uncertain destination. The Chicago Tunnel episode is updated via an anonymous source stating his wife worked in the Tribune Building (Chillaga) in Chicago and that it contains eight sub basements; half housing large equipment and half for storage, with guards and off-limits access, suggesting concealment of truth underground. The speaker describes Derinkuayo (Turkey) as an ancient, multilevel underground city in Cappadocia that could accommodate up to 20,000 people and contained wine and oil presses, stables, and storage rooms. Rooms on the left are claimed to have been misrepresented by mainstream historians as for studies, with the presenter arguing that such narratives are fabrications and that critical reading is needed to detect them. The city is said to have 18 levels of tunnels, with up to 200 small underground cities connected, forming a massive subterranean network, and thousands of miles of tunnels beneath major cities worldwide. The possibility that these tunnels required light sources deeply underground is raised, challenging the idea that electricity or light bulbs emerged only in the 19th century; the presenter argues that a light source would have been necessary 18 levels down, making simplistic tunnel-building explanations implausible. The discussion entertains the possibility of a species that thrived underground or an ancient group like the Anunnaki (linked to Anu and the Sumerian legends) being hidden underground, rather than an extraterrestrial origin. References are made to ant-people legends in Native American lore, including Ant people who supposedly guided virtuous humans during earth’s upheavals, and a potential link between the Babylonian sky god Anu and the Hopi term for ant, suggesting global confounding narratives. The Iraq Museum looting in 2003 is cited, with 15,000 objects stolen and thousands of manuscripts destroyed, alongside the National Library and Archives fire destroying thousands of manuscripts and 170,000 artifacts, framed as evidence that important past information has been erased to control the future. An article from twenty-one years prior is mentioned about the existence of huge underground tunnel networks beneath Iraq, presenting this as part of the broader claim that vast tunnel systems exist beneath many places, concealed from public view.

The speaker claims this episode marks the "end of the mainstream narrative" regarding history. They allege that AI confirmed archaeological finds are being hidden to suppress evidence of advanced pre-existing civilizations. The speaker says artifacts challenging established historical narratives are kept from public display to avoid controversy. They cite findings in the Americas suggesting advanced civilizations existed before European contact, which mainstream archaeology dismisses. They believe access to these artifacts is essential for a fuller understanding of history. The speaker highlights instances where access to artifacts is restricted under the guise of preservation, but claims this is to maintain a false narrative. They point to the AFCP, funded by US tax dollars, as an organization that preserves and protects its own narrative, not necessarily the artifacts themselves. Examples include Jebel Barkal in Sudan, where the AFCP has funded conservation efforts, and Kerma, also in Sudan, where artifacts are conserved in vaults, limiting public access. The speaker also discusses the Terracotta Army in China, a 38-square-mile necropolis, and suggests that the unopened tomb of the First Emperor of China contains artifacts that would expose the mainstream history as a lie.

The video launches with a provocative premise: the history we’ve been taught may hide the truth about who we are and what was here before us, using Sardinia, Italy, and the Giants of Monte Prama as a case study. After four excavations from 1975 to 1979, roughly 5,000 underground items were found at the site, including 15 heads and 22 torsos, among others. The claim is that many pieces were moved and stored for thirty years in the National Archaeological Museum of Cagliari, with the number of items and their condition allegedly undisclosed or unverifiable, and that only a subset has been exhibited while the rest remain hidden from the public view along with the statues. The speaker argues that archaeologists’ work would be illegal to perform today, yet the authorities publish numbers that are easily questioned. The video asserts that what is taught in schools is based on select pieces shown to the public, while the majority of finds were kept in basements or backrooms for decades. It is claimed that the restoration and subsequent display have been selective, with many pieces not accessible to the public and a broader narrative being pushed about the site’s significance, timeline, and origins. A central accusation is that Monte Prama’s timelines are manipulated. There’s criticism of dating, such as a late fourth-century BC abandonment versus other proposed centuries, asserting that the dates are “made up,” and that local or regional authorities have altered timelines to fit a narrative. The video references the use of local leaf tests to assert ages between the eleventh and eighth centuries BC, and claims these are debatable and not definitive proof of the site’s history. It contends that limestone preservation would require destructive testing or ancient processes, and argues that the heads have been damaged or removed, obscuring what the past looked like and what people held or wore. The narrator speculates about six fingers, watches, and other artifacts possibly hidden in the stonework, joking about Apple Watches, then insists that hands, feet, and other parts have been removed to conceal information. The Giants are described as over eight feet tall, with elongated heads and horns, and the video maintains that the depictions reveal a different history than the conventional narrative. It claims more than 25 statues existed, with the total later estimated to be 44, and asserts that more are stored in back rooms. The restoration project, the video asserts, should be transparent and livestreamed so the public can see the process. It accuses the group behind the official exhibition of manipulating information, destroying or hiding evidence, and restricting access to the site for decades. Beyond Sardinia, the discussion expands to the broader region, linking Sardinia to Syria (episode references Palmyra and the Temple of Baal) and touching on Georgia (the Lord’s Fortress), Turkey, Azerbaijan, and Tartaria. The narrator asserts that these regions contain melted rock-town structures and extensive tunnel networks, sometimes described as multi-level, ancient urban settlements connected by underground passages. Carbon dating is criticized as being unreliable for proving human presence at these sites, and there is a persistent assertion that mainstream archaeology fabricates or withholds the truth. In Georgia and adjacent regions, tunnels, staircases, and hidden halls are described as evidence of advanced subterranean civilizations, with claims that earthquakes or other disasters are misrepresented by mainstream accounts. The speaker references political figures and questionable provenance for dates, and ends by urging continued exploration and public scrutiny, implying a global pattern of hidden or manipulated premodern advanced knowledge. The closing note teases more content next Saturday, inviting viewers to weigh in on what is truly below the sand and what ancient civilizations might have built beneath the surface of the world.

The video discusses a supposedly ancient city in Colombia that was “found in 1972.” A local story claims it was a city from 1,224 years ago in August, allegedly predating Machu Picchu by 650 years, with the exact figure “six hundred and fifty years.” Access to the site supposedly requires climbing 1,200 stone steps through a jungle. The site is described as having 169 terraces carved into the mountainside, a network of tiled roads, and several small circular plazas. The narrator claims a group of looters found the site in 1972, allegedly after stumbling upon the stone steps while hunting wild turkey, mirroring other sensational “accidental discovery” narratives. A murder and fighting among the looters allegedly occurred, after which gold figures and ceramic urns from an ancient site appeared on the black market. The director of this group supposedly alerted archaeologists, who reached the site by 1976, though the narrator doubts that timeline. The video asserts the site was reconstructed for six years, between 1976 and 1982, and argues that the true history was hidden or stolen, with the remaining artifacts reduced to crumbs. The narrator asserts that indigenous peoples allegedly established advanced communities 1,500 years before the Spanish arrived, and claims they grew gardens with tomatoes and corn in year eight (i.e., eight in the ancient timeline), criticizing the mainstream narrative as inconsistent. The story is said to have included that the “old world” had technology and that the farmers who found artifacts in the 1970s were rebranded as looters by the mainstream. A competing group supposedly sent by the mainstream narrative killed the leaders of the looter groups, and the site was later reopened in the early 2000s after kidnappings in 2003, with no more reported incidents since. The World Monuments Fund (WMF) is said to have mapped the site with LIDAR in 2019, revealing more than 200 structures, including dwellings, terraces, stone paths, plazas, ceremonial sites, storehouses, and canals. In 2023, the WMF reportedly added the site to its project portfolio, promising continued work and suggesting much remains hidden in the jungle. The video speculates there could be tunnel networks underneath the site and wonders whether tunnels connect to other settlements in the region, possibly forming a global underground system. The narrator raises questions about why tunnels exist under many sites worldwide, suggesting a hidden network beneath the feet and hints at missing children and catacombs, mentioning that over 1,000,000 people per year visit catacombs worldwide. The episode references other sites with alleged hidden histories, including Puqqara, De Tilqara, discovered in 1908, where 5,000 valuable artifacts were found but a mummified body is no longer on display. The video ends with a call to subscribe and promises further exposés in episode 103, while reiterating a belief that narratives are constructed to hide the true past.

One of the most significant discoveries in the history of the world was finding the library of Ashurbanipal. The British Museum in London houses the majority of these tablets, but they are not available for public viewing, as they are preserving the narrative. We have exposed this and proved that this is the case 100%. We have located two places that hold basically everything that we need to know and are being blocked off from all of us, they are off limits to the public. They are stealing the artifacts and protecting the narrative, so that they get to keep all the old world technology, the old world text, the old world information, and all of it is off limits to all of us. The museum is also home to 1,000 staff and over 8,000,000 objects, where just 1% of these items from The Old World are on display to the public.

Speaker 0 describes the Temple Of Baal in Syria as more than crumbled stone, a haunting reminder of a dark side of a previous civilization. He notes a castle on a nearby cliff that has been melted down to sand and believes both structures were built by the same group during the same period. He states the Temple Of Baal was found in 32 AD, not 31 or 33, and adds it is inaccessible today due to being in a war zone. He argues that war zones are used to block public access to lost history, suggesting that destroying the main entrance is a method to erase true history and credit war instead. He asserts the Temple Of Baal was built two thousand years ago and that the castle was built 1,200 years later, next to hundreds of columns and a temple the size of the Pyramid Of Giza. He claims the Tadmer Castle was placed on the World Heritage in Danger list in 2013 because of the Syrian civil war, was captured by ISIS in 2015, and recaptured in 2016. He mentions ISIS retreating fighters blew up parts of the castle, including the stairway to the entrance, causing extensive damage. He states the site has not been highlighted in mainstream history, with captures occurring yearly in 2016 and 2017. He questions the claim that the castle was built by the Mamluks, arguing that Mamluks translates to “one who is owned,” and contends the idea that enslaved workers built a palace using no training is ridiculous. He notes the proximity of the castle to a temple and a pyramid-sized structure and calls it more than a coincidence. He suggests that the area’s destruction is a targeted effort to erase true history, referencing the 2015 demolition of the arch and the destruction of the Tower Of Elable, and questions plans to rebuild, calling rebuilding impossible and inappropriate. Speaker 0 argues that the timeline is fabricated and questions why the site wasn’t destroyed in 1650 or 1420, implying that dates are not real. He asserts an advanced civilization built the sites within the last few hundred years, and that myths about the past are false, citing Baal’s dwelling as described in myth as a magnificent palace, with silver and gold, and defended like a fortress, which he claims is no longer mythical. He points to archaeological excavations at Palmyra showing sacrificial activity linked to Baal worship, including bones found at the site and texts confirming worship practices. He mentions the Ball Cycle, a collection of texts that provide evidence of ritual offerings to Baal, performed by priests, and notes a catacomb under churches with ritualistic practices. He discusses a location about 200 miles from the Temple Of Baal where tablets and artifacts were found in 1929, including the Ball Cycle and texts about Baal, Danil, and Baal’s death. He claims 1,000 tablets were found and suggests numerous other stories were uncovered beyond pottery, including royal palaces and high priests’ libraries with Grand Palaces, libraries in the Acropolis, and texts about Baal worship. He contends that the public was misled about the discoveries and that access to artifacts has been restricted to preserve them, while pottery is used to distract from the broader finds. He ends by inviting viewers to continue the exploration, emphasizing that the past is not as Mythical as claimed and promising more discoveries in future episodes.

Speaker 0 argues that the Cathedral of All Saints, Big Ben, the Field Museum, Philadelphia City Hall, the New York Public Library, and Emmanuel Church in LaGrange, Illinois all lack their original blueprints, making it impossible to verify that these structures were constructed as claimed. He asserts that their narratives are uniform across countries and time, claiming they were built in a short period, followed by a mysterious fire, and replaced by untrained individuals who never build again. He says these buildings, though publicly funded, have blueprints that “staff can see,” and that no blueprints have ever been provided to him or his team despite repeated requests. He states that in the last 10 episodes they have escalated the research to a live audit, exposing the narratives and pressuring institutions to reveal blueprints and ledgers. Speaker 0 describes using FOIA requests as a new weapon, pressuring governments to respond legally, and notes that responses so far have been poor. He references a formal request to the National Archives and Records Administration (NARA) for the blueprints and supporting documents for Federal Hall in New York City (the US Custom House), built under the US Treasury Department and completed in 1842. He quotes NARA’s reply: a search of the cartographic branch’s architecture master list found no responsive records, with three drawings from 1905 for the US Custom House in New York City, dated 63 years after the building’s completion, and no other references to the US Custom House in NYC. He emphasizes that those 1905 drawings are not construction records and questions their relevance. Speaker 0 expands his critique to the US Capitol Building, noting that the master list shows only 1935 documents (10 pages of sketches) for a project begun in the 1790s, which he says are nontechnical and not construction records. He claims these sketches demonstrate that “the master list” is an internal receipt, effectively empty of authentic construction documentation for the Capitol. He concludes that the federal architectural records for the Capitol are absent for the original construction period and suggests that similar gaps likely exist for other capitol buildings in the U.S. He asserts seven verified instances where credible records are missing and that this undermines mainstream history, calling for eight if the Capitol is confirmed. Speaker 0 then recaps findings regarding the New York Public Library, stating that the library claimed only staff could view blueprints and that originals were fragile, later claiming they are not available to the public because they are not processed or conserved yet. He describes this as contradictory and accuses the library of lying about access and availability. He notes that the New York Public Library has not provided the researcher with any documentation and suggests other institutions are cooperating, while the New York Public Library is not. Throughout, Speaker 0 reiterates the intent to reveal the truth, asking for viewers’ reactions and inviting further discussion, while signaling plans to continue pursuing master list verification and FOIA responses. He also mentions that this is episode 159 of “my lunch break.”