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Miss Sally is upset that her son Charlie is out late with Uncle Remus, who was telling him stories. Remus admits he forgot the time while telling a tale about a bear rabbit. Sally tells Remus not to let it happen again and takes Charlie to bed. Later, Remus and Miss Dozier discuss the child, with Remus suggesting the child needs his father. Dozier says the mother needs the father too, but it will take her time to realize it. Remus suggests Miss Dozier write a letter, but she rebuffs him, stating she will ask for his advice if she wants it. Remus asks if Dozier is mad at him, and she says she is not.

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Raah is encouraged to go back to sleep. The speaker notes that they are tired and points out a bunny sleeping until near the moon. The speaker then asks if they should wake the bunny with a merry sound.

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Sally tells Uncle Remus to stay away from Johnny because he can't stop telling stories. Uncle Remus says he is just an old man who tells stories that have never done harm to anyone. He questions why the stories have lasted so long if they don't do any good. He mentions a hole he knows and that he was going to whitewash the walls. Uncle Remus says he was going away to Atlanta.

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Sooner or later, you're gonna be hanging around and want my cooking again. You're gonna knock on my door; you've done it before. I expected you exactly then. You ain't gonna get it. You managed to come calling on bacon day and towed in three or four measly little pieces of firewood. Some folks does the work while others just visit, sitting around quittling and telling stories like Burr Fox and Burr Rabbit. Stick his nose in this hair picture, and we have Burr Rabbit stew. There never was a better cook in DJ parks than nowhere else. You ain't pulling no wool over my eyes.

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Johnny was only trying to be like Brer Rabbit, but Miss Sally believes Uncle Remus's stories confuse him and make it difficult to raise him to be obedient and truthful. She asks Uncle Remus to stop telling him stories for a while because Johnny is too young. Miss Sally tells her mother that she can't overlook Johnny's behavior and that he has to learn. Her mother responds that without Uncle Remus and his stories, the child would be desolate and needs something to hold on to. She suggests that the boy needs friends of his own age.

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Ollie's favorite character triangle originated in Song of the South, featuring Brr Rabbit, Brr Bear, and Brr Fox. The Fox was a rich character, confident and driven, yet vulnerable to the Rabbit's tricks. The Fox would catch the Rabbit, but the Rabbit would trick him to escape, often involving the Bear to his advantage. The Rabbit could always use the Bear in escaping. An example is given of the Rabbit tricking the Bear into believing he's earning a dollar a minute keeping crows out of a cornfield.

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The speakers discuss a trip to Atlanta, but one person lacks provisions. The first speaker offers to start at their place for cornbread and sweet tea. One speaker declares they are not going back and accuses the other of laughing at them. The first speaker denies this, saying the words remind them of a Br'er Rabbit story about leaving his briar patch. The second speaker insists they are never coming back either. The first speaker then seems to avoid talking about Br'er Rabbit, but eventually agrees to tell the story to stop the other person from pestering them. They claim Br'er Rabbit is the "most bodacious critter in the whole world."

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A child tells his mother that Uncle Remus is gone and asks why he left. The mother responds that she doesn't know but suggests that "mother" is to blame. Another person, Miss Sally, reports that Uncle Remus is getting in a wagon to leave.

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The speaker observed palpable admiration for the father within the household. The father wants to set an example for his children, hoping they will follow in his footsteps. One of the children believes the father is better than other fathers and exemplifies what a father should be. The children look after him. The speaker had never seen such a loving household. The father's goal is to protect family, strangers, and to always do the right thing.

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Someone is coaxing something into a dark hole, assuring it that it will be safe and unharmed.

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A group of kids, aged three to six, played together on the second floor. They talked about bringing a rabbit to the farm and taking its organs. At first, it seemed unbelievable until they saw it with their own eyes.

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Mister John is distraught, talking as if his heart is breaking. He was in the bull pasture, attempting to prevent uncle Remus from leaving.

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In 1946, the speaker did the voice of Brother Bear in the song "Song of the South." On the left is Brother Fox, and in the center is Uncle Remus, played by James Baskett. The speaker is peeping behind Uncle Remus.

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Speaker 0: And are you coming to the tree, burned eyeglass of hope, side by side with me. Strange things did happen here, no stranger would appear. If we met

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Weeping may endure for a night, but joy comes in the morning. The path may seem hard, the work heavy, but joy comes in the morning. Church morning is on its way.

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Uncle Remus says there are ways to learn about a mule's hind feet besides getting kicked. He claims that tales about critters apply to people, but some folks aren't tuned in to listening because they're too busy with their own troubles. Miss Sally and Mister John are traveling to the plantation with Johnny. Johnny asks if Grandma is mad at them because of what Daddy writes in the newspaper, and if his parents are mad at each other. They hear frogs, and Mister John recalls catching frogs as a child and releasing them in Grandma's milk house after hearing a story from Uncle Remus about Brethrau. Aunt Tempe confirms the story about Brethrau is about having a tail and losing it. Johnny asks if Uncle Remus is real, and Aunt Tempe says he is, and to tell a tale about Bloody Rabbit to know he's real.

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It's okay, Shirley. Just relax. We'll bring her back.

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Rudolph is approached by someone who wants him to walk her home. She mentions his nose and he feels self-conscious about it. However, she reassures him that she thinks his nose is handsome and unique. She believes that any doe would be lucky to be with him. Rudolph expresses his disappointment about not being lucky that day, but she encourages him to believe in his dreams because there's always tomorrow.

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There once was a Br'er Rabbit, the most bodacious critter. In those days, critters and folks were close, and it was a zippity doo dah day. Br'er Rabbit was in a bad mood and leaving his briar patch, the place where he was born and raised, for good. He claimed the briar patch brought him nothing but trouble, and this was the place he belonged away from. Uncle Remus warned him that he can't run away from trouble and there ain't no place that far. Br'er Rabbit had made up his mind and wasn't ever coming back, stating he could take care of himself. Uncle Remus knew he was heading straight for a whole mess of brand new trouble.

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Oh my god, do you miss your mommy? I miss you so much! Give me a kiss. I'm home now, and I feel free! Thank you, Jesus, for this freedom. The Lord is good. It's really cold out here, though. Alright, let's go!

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Zip a dee doo dah, zip a dee air, it's a wonderful day with plenty of sunshine. Mister bluebird is on my shoulder. It's the truth, it's actual. Everything is satisfactory. It's a wonderful feeling.

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Br'er Fox is determined to catch Br'er Rabbit, who he believes is a source of trouble. He plans to trap Br'er Rabbit using a tar baby. Br'er Fox gathers tar and other materials to create the tar baby's head, emphasizing the need for eyes and a nose. Another speaker expresses doubt about the plan. Br'er Fox adds hair to make it look more natural and considers adding a hat. Just as Br'er Fox finishes preparing the tar baby, Br'er Rabbit comes down the road.

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Uncle Remus says there are ways to learn about mules without getting kicked and that animal tales can teach lessons if one listens. Miss Sally and Mister John are traveling to the plantation with Johnny, who asks if his grandma is mad at them because of what his daddy writes in the newspaper. They hear frogs, and Mister John recalls catching frogs as a child and releasing them in his grandma's milk house after hearing a story from Uncle Remus about Brethrau. Aunt Tempe asks how there can be a tail when there ain't no tail. Johnny asks if Uncle Remus is real, and Aunt Tempe confirms he is, saying to tell a tale about Br'er Rabbit to know he's real.

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I don't care if everything is taken away from me, it wouldn't matter. I know it's a bad situation, just a few toys can make me happy.

Armchair Expert

Holiday Dinner 2025 | Armchair Expert with Dax Shepard
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The episode unfolds as a festive gathering, with the hosts and a circle of close friends sharing lively stories, playful banter, and candid, often outrageous anecdotes from past dinners and travels. The conversations swing between affectionate teasing and sharp humor as guests recount chaotic holiday memories, awkward family moments, and surprising moments of vulnerability. The tone stays light and improvisational, leaning into the chaos of a buzzing table where everyone contributes a memory, a joke, or a quick dig at a friend, while a gentle undercurrent of warmth and appreciation threads through the dialogue. Across the chatter, relationships—between spouses, parents, and friends—emerge as sources of color, comfort, and occasional friction, all wrapped in a sense of gratitude for the people gathered around the table. The storytelling shifts from uproarious to tender as guests describe meaningful traditions, personal milestones, and the small, imperfect rituals that make celebrations feel intimate rather than performative. The dialogue also dips into observational humor about aging, fashion, and the quirks of a televised life, offering a window into how a group of friends navigates fame, candid confession, and the joy of simply being together during a holiday moment that feels both chaotic and exactly right. The episode culminates in a series of rapid-fire questions that mine taste, memory, and philosophy in equal measure, from favorite holiday feelings to personal substitutions and ethical lines. Throughout, the sense of community remains the through line: people who know each other well enough to push boundaries, forgive quickly, and celebrate the silliness of life while acknowledging its deeper gifts. As the cookies cool and the conversation lingers, the warmth of shared experience anchors the dialogue, reminding listeners that a room full of friends can feel like a sanctuary even when the stories veer into the outrageous. topics otherTopics booksMentioned
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