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Speaker highlights clips with a red circle, saying, "holy shit, that is the bullet. It matches the exit wound, it also matches the shirt puffing up and the angle of the entry and exit." He adds, "in that video you can see the same what appears to be the bullet coming down and it does line up with the actual gunshot itself," and, "you can see something go down into the back right hand side of, of Charlie." Using Google Earth, he states, "his tent being set up in the middle of that triangle area would appear that the shooter was up here somewhere. That's the angle that the bullet was coming down from." "It all makes sense to me, pretty crazy." He argues location: "rooftop access there but there's also a staircase down in the little alley there in that little nook so it's to me, it's pretty obvious that the shooter was was most likely, here somewhere." "Somewhere on those stairs would be my tip, and if the FBI aren't looking there, I don't know why."

Speaker 0 states that they circled the agent and slowed down the video, and claims that the agent is run over when he fires the shot, adding that you can clearly see her hit him.

While reviewing a long video, the speaker points to the moment: "it shoots right down at a very downward angle at the back right side of his head." He identifies the device: "This part right here would be the handle, and this part right here ejects the casing after the shot is fired. Alright? And this part right here is the barrel." He adds, "the middle part I believe is a video camera." He notes, "the only gun that swivels and does the tip like that, it is called an Israeli corner shot. You should look them up." He also says, "The remote triggered, and they had video attached to them. And it could be set off from a phone and a detonator. The signal from the phone and the detonator."

I think I found the shooter. This guy with the white hat starts it by creating signals—“touches the bill of his hat, and then he touches his ear.” The guy that shot Charlie is over on this side, and he’s seen by others who move to block him, with one man “rubbing his right arm” as he steps in front. “Watch this”—the background figure shifts, and the white-shirt man is “holding the gun right there.” If I go frame by frame, the moment the black-clad man moves his arm out, the white-shirt man “lifts his right elbow” and “shoots it.” His hand goes back, and then Charlie gets hit. “Watch the gun shoot right now”—the gun fires, Charlie is hit. “It’s clear as day.” The black-shirt man shows the white-shirt arm; “pop, bang.” Oh my god.

Charlie Kirk was hit by a high velocity round that created a significant high pressure shock wave traveling at 1,500 meters per second, which ripped his gold necklace in half and contributed to killing him. There was no exploding mic, and some observed effects in the videos are artifacts of the rapid sequence of events, likely occurring in five to fifteen milliseconds. The initial shock wave travels at 1,500 meters per second and violently yanks the necklace backwards and slightly upward, as Kirk’s neck juts out to the back. The necklace, still under the shirt, will be launched forward a split second later as the shock wave reaches the front. The pendant junction shears the necklace in half due to differential forces acting on the chain and pendant, similar to tearing toilet paper off a roll when yanked too quickly. The right half of the necklace is torn from the pendant junction and whips around Kirk’s head above his ear due to the backward and slightly upward force. The pendant remains attached to the left half of the necklace and is thrown slightly forward into the shirt and upward over his left shoulder by the front shockwave expansion not captured in that camera exposure, creating a swooshing projection seen in the next angle. The shock wave undulates down his back, indicating it is not uniform and propagates around the body in varying timing, duration, and magnitude. This differential forcing along the necklace’s contact with the body contributes to the tearing. Another angle shows the left half of the necklace with the pendant still attached swooshing upward over the left shoulder; the right side of the chain is whipped around Kirk’s head, as seen previously. The middle panel shows Kirk’s body ballooning outward, with the neck expanded as if wearing a donut-shaped life preserver around the upper chest. This cavitation shockwave travels through the body cavity, but the effect is not uniform. The back shock wave goes out first, then the front, imparting opposing forces that help tear the chain and move the pendant. A white smear in the middle panel, pointed to by a green arrow, was claimed by some to be smoke or vapor; it is not smoke. It is a double exposure: the shock wave moves the shirt so fast that the camera exposure creates a double image, and motion blur is present around Kirk due to the rapid movement. The double exposure explains a white streak and the apparent dual gold lines; that is the right side of the chain whipped around the head while the left side remains caught in the shirt, with the pendant acting like a grappling hook inside the shirt. There is no palm gun or exploding mic. The little black dot is the lapel mic, which remains attached and does not enter the neck. A white projectile observed is spit or sweat ejected from the body due to the shock wave. The overall claim is that Kirk was hit with a high-velocity round in the neck down into the body cavity, creating a fast-moving shock wave that tore the necklace, swung it around, and produced the observed video artifacts and motions. The speaker invites feedback, asking what others think and what might be wrong or missing.

Nice semen. Let's go. You can see the guy there. It seems like they might have hit him because he is burning. What's that?

Speaker 1 saw something shoot across behind Speaker 0. Speaker 0 states they have it. Speaker 1 repeats the observation, calling it insane.

"all these Internet experts are sure that it was a professional hit against Charlie Kirk." "Firstly, professionals are trained to aim for the center of scene mass." "Neither the center of scene mass or the head was hit." "The round landed here from what I saw." "The shooter got lucky." "Secondly, 200 yards is not that big a distance to make." "and there was even an exfil roof." "If you really wanna analyze these sorts of situations, team, stop looking at the shot." "Check out the planning, check out the prep, and even the exfil route." "Time will tell, I guess."

The analysis tracks Charlie’s head and neck movements from a high-resolution side view at 60 frames per second. - Frames 0 to 1: almost no neck movement; chin moves downward considerably; the eyebrow remains stationary. - Frames 1 to 2: neck movement backward is minor (about a quarter of an inch); chin continues downward; the eyebrow begins moving downward considerably. - Frame 2 to 3: all backward movement stops completely; there is only a very slight downward movement, insignificant. A huge new movement appears at the front of Charlie’s hairline, with compression of the hairline visible. The blue and red pointers highlight these frame-to-frame changes; these two frames may be the most significant on this side view because they show a complete halt of backward movement and a brand-new hairline movement. - Frames 3 to 4: slight backward movement resumes, similar to the earlier segments; the top of the hairline decompresses at the front a little, but compresses at the top center. - Frames 4 to 5: backward movement is a little stronger than in previous segments; this is noted as the strongest backward movement observed, starting only with the fourth frame after the event began. - Frames 5 to 6: backward movement slows and shifts a bit toward an upper movement. - Frames 6 to 7: the same upper movement continues as in the previous segment. Side note: there is some corresponding movement in the middle of the crowd in the top right corner of the frame, though details are not discernible.

Speaker 0: I just watched the close-up video of Charlie Kirk getting pewed in the neck. No fucking way he survives. So you know what time it is.

Charlie Kirk was hit by a high velocity round that created a high pressure shock wave propagating at 1,500 meters per second through his body. This shock wave ripped his gold necklace in half and contributed to killing him. The analysis argues there was no exploding microphone and that some video artifacts can be explained by the rapid sequence of events occurring in milliseconds. The initial shock wave travels at 1,500 m/s and violently yanks the necklace backwards and slightly upward, as Kirk’s neck juts out to the back. The necklace, still under the shirt, is later launched forward a split second later as the shock wave reaches the front. The pendant junction shears the chain due to differential forces acting on the chain and pendant. The right half of the necklace is torn away from the pendant junction and whips around Kirk’s head above his ear due to the backward and slightly upward force. The pendant remains attached to the left half of the necklace and is thrown slightly forward into the shirt and upward over his left shoulder by the frontward expansion of the shock wave, which is not captured in that camera exposure, creating a swooshing projection seen in the next angle. The shock wave undulates down his back, indicating it is not uniform in timing, duration, or magnitude. It propagates around in an undulating manner: out the back, down the back, then forward into the chest and upward. This differential force along the length of the necklace, in contact with the body, leads to the tearing. The left half of the necklace with the pendant attached swooshes upward over the left shoulder; the right side of the chain is whipped around Kirk’s head, as seen in the prior frame. The middle panel shows Kirk’s body ballooned, with the neck expanded, resembling a donut-like inflation around the upper chest, interpreted as cavitation shockwave traveling through the body cavity. This is not uniform: the shock wave went out the back first, then a split second later out the front, imparting force on the pendant to the front and upward, opposing the force on the necklace going backward, contributing to the tearing and the swooping motions. A white smear in the middle panel, pointed to by a green arrow, is not smoke or vapor from a mic explosion. It is a double exposure: the shock wave’s speed causes the shirt to move so quickly that the camera exposure cannot keep up, producing a double exposure and motion blur. The middle panel’s double gold line is two chains forming a V due to the double exposure; in reality, there is one chain, with the right side whipped around the head and the left side still caught in the shirt, the pendant acting like a grappling hook inside the shirt. The video shows a possible exploding lapel mic claim, but the analysis notes that the mic is still attached after the shirt jerks and rebounds, not entering the neck. A small black dot is identified as the lapel mic and remains in place. The white projectile at the end is identified as spit or sweat ejected from the body due to the shock wave, not gang violence. In summary, the account asserts Charlie Kirk was hit by a high velocity round into the neck and body cavity, creating a 1,500 m/s shock wave that tore the necklace and caused the observed motions; there was no exploding mic or palm gun, and artifacts in the video are explained by rapid movement and double exposure. The presenter invites feedback and corrections.

"This is so much so." "Before we had a flag and we had" "it so it's positioned above the tent so it'd be in" "the camera made us move. What was that?" "Just a so much so." "It's too crowded." "It's just there's just so much." "As you can see, this new trajectory places a shooter on the roof of the Sorenson Center, and the shot would come at a much steeper down angle and a much larger angle off of the perpendicular, such that a bullet entering Charlie's neck would hit his spine and glance downward into his chest cavity, killing him instantly."

Look at that; something is being released. That’s not a plane. The moon is affecting my video, illuminating the trail.

The speaker notes that what appears to be a mullet, slowed down because it is very fast. They acknowledge uncertainty but say the trajectory aligns with Charlie in the final dot or mark just before he gets hit. They also observe that the trunk of the car went down immediately.

The speaker points out something interesting that happened and urges the audience to pay attention. They mention someone named Dan and speculate that he was hit because of a certain characteristic.

Speaker 0 says the person shows back up in his neighborhood after the shooting. It shows him in a field, because they believe he probably popped up over there, came up the hill from where they feel the gun was dropped. He ran up there, over the hill, and then ran down that dirt path, and that’s where they see...

As you can see, this new trajectory places a shooter on the roof of the Sorenson Center, and the shot would come at a much steeper down angle and a much larger angle off of the perpendicular, such that a bullet entering Charlie's neck would hit his spine and glance downward into his chest cavity, killing him instantly. "Before we had a flag and we had" "it so it's positioned above the tent so it'd be in" "the camera" "and made us move. What was that?" "It's too crowded." "It's just there's just so much." "This is so much so."

He started here and then flew down this way. I caught the beginning of it. Look, there's another one flying right over us. I'm pointing at it, and now it's turning. Oh, it just flashed. Did you see that? I saw a flash. I'm lasering at it, and it's curving.

Speaker 1 saw something shoot across behind Speaker 0. Speaker 1 exclaimed "Insane" and asked if anyone else saw it. Speaker 0 stated, "I have it."

Speaker 0: Yeah. You think he'd already be in place? You would think that. So there's somebody on the roof over there. Just saying. He just ran from over where's my finger? Well, from over there, ran in. And now he's right there.

He is running, maybe because they hit him. Who is that guy right there?

Speaker 0 notes movement and placement: "Can ride up." "Yeah." "You think he'd already be in place?" "You would think that." "So there's somebody on the roof over there." "Just saying." "He just ran from over where's my finger?" "Well, from over there, ran in." "And now he's right there." "Just saying."

Wanna see something interesting? Look at what happened. I don't know. He might be a bit off; I think they hit him because of that. What do you think?

Right there with it. Oh, he's right on it. That whatever it was just shut down the drone. I think that was a drone.

The footage describes a sequence where a man in a white shirt raises his right elbow while holding a gun. He fires, and his hand snaps back into place as Charlie is hit. The man in the black shirt identifies the white-shirt shooter and his arm in the background. The shooter then re-raises the gun and elbow, producing a pop and bang as Charlie is hit again. The scene is punctuated with exclamations such as “Watch this” and “Oh my god” as the events unfold. The speaker repeatedly emphasizes the clear sequence of actions: elbow movement, gun discharge, impact on Charlie, and the visual focus on the arm in the background.