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The speaker strongly dislikes a movie trailer, stating they would walk out even if watching on a plane. They criticize the casting, saying Rachel Zegler "looks like a medieval squire boy." The speaker claims Marvel has lost $237,000,000 and suggests Disney is declining in quality, quipping that Disney used to make people famous, but now "it ends acting." They joke that Disney might turn Mickey Mouse into a dolphin. The speaker concludes that the trailer makes them feel emotionally rewarded.

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The speaker strongly dislikes a movie trailer, stating they would walk out even if watching on a plane. They criticize the casting, particularly Rachel Zegler, comparing her appearance to a "medieval squire boy." The speaker claims Marvel has lost $237,000,000 and suggests Disney is declining in its ability to create stars, instead ending acting careers. They sarcastically imply Disney's creative direction is poor, joking that Mickey Mouse might become a dolphin. The trailer is so bad it makes Erby and Phil emotionally rewarded.

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Miss Sally is upset that her son Charlie is out late with Uncle Remus, who was telling him stories. Remus admits he forgot the time while telling a tale about a bear rabbit. Sally tells Remus not to let it happen again and takes Charlie to bed. Later, Remus and Miss Dozier discuss the child, with Remus suggesting the child needs his father. Dozier says the mother needs the father too, but it will take her time to realize it. Remus suggests Miss Dozier write a letter, but she rebuffs him, stating she will ask for his advice if she wants it. Remus asks if Dozier is mad at him, and she says she is not.

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Milt found a challenge in Song of the South, a combination of animation and live action released in 1946. The animated sections were a high point, with rich characters. There was a bear with a one-track mind and the mind of a child, who was also slow witted. There was also a sharp-witted fox who outsmarted himself. The rabbit put on a show to outwit the fox, acting scared to trick him into throwing him into the briar patch, where he was born and bred.

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The speaker recounts their first interaction with their boss, Charlie, when applying for a public defender position. Lacking criminal defense experience, the speaker told Charlie he should hire him because he is Black. Charlie appeared to think the speaker was crazy.

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James Baskett is being contacted. The Academy wishes to give him an honor.

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Star Wars is perceived as a franchise existing in a "whitest elite space," where the presence of a Black person was notable. The inclusion of characters like Lando Calrissian and Samuel L. Jackson is seen as tokenism. There's an acceptance of Black people playing supporting roles, but resistance arises when they take on leading or trailblazing roles.

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Song of the South features a comical struggle between rabbit and fox, animated characters with human personalities. Uncle Remus told stories about these characters as if they were people, but they retained animal characteristics. The key ingredient for animating these animals with human personalities is voice. Jim Basquiat, who played Uncle Remus, also did the Fox's voice, demonstrating a tremendous range. The fox plots to catch the rabbit, building a trap.

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Joel Chandler Harris is known for preserving plantation legends from his time at Turnwald and creating Uncle Remus, who tells them. Uncle Remus is presented telling the Tar Baby story from the motion picture Song of the South. He describes Brer Rabbit as the "most bodacious critter in the whole world." Brer Fox is curious about Brer Rabbit's whereabouts up on Chickapin Hill. Brer Fox says he will catch Brer Rabbit this time, unlike previous attempts. One character suggests knocking Brer Rabbit's head off, but another wants to fool him to prove who is the smartest. They believe their plan will fool Brer Rabbit.

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Walt Disney and his staff received numerous Academy Awards across multiple categories. In 1947, the Academy Award for Best Original Song was awarded to a cheerful song from the film Song of the South. The clip transitions to Arthur Duncan, portraying Uncle Remus, dancing to the song.

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The speaker expresses frustration about the replacement of characters with more diverse ones, blaming Kathleen Kennedy for the decision. They criticize Kennedy for making the movies more "lame" and causing Disney's stock to decline. The speaker then mentions Bob Iger showing them a piece of ancient artificial intelligence called the panda stone, which allowed for the creation of movies that appealed to everyone. However, the speaker faced backlash from racists who disliked the inclusion of diverse women characters. Instead of addressing the issue directly, the speaker relied on the panda stone, which eventually became unstable and opened a portal to another universe. The speaker concludes by saying this is the best explanation for why Disney movies are perceived as bad.

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Ollie's favorite character triangle originated in Song of the South, featuring Brr Rabbit, Brr Bear, and Brr Fox. The Fox was a rich character, confident and driven, yet vulnerable to the Rabbit's tricks. The Fox would catch the Rabbit, but the Rabbit would trick him to escape, often involving the Bear to his advantage. The Rabbit could always use the Bear in escaping. An example is given of the Rabbit tricking the Bear into believing he's earning a dollar a minute keeping crows out of a cornfield.

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The speaker discusses a role that initially made them nervous due to a long period of inactivity, but it ultimately proved successful. The actors were impressive in their ability to "rattle jive off," something the speaker couldn't grasp. The role led to an appearance on the Today Show and revitalized the speaker's career, garnering fan mail and recognition comparable to "Leave It to Beaver." A great-nephew's surprised reaction to seeing the speaker in a movie is recounted. The speaker then transitions into interpreting a character's dialogue, translating phrases like "It's your mofo butter laying into the bone. Jack me up. Tighten me" and "Cuddies say can't hang" into expressions of pain and a request for help. The speaker offers reassurance and promises to return with medicine.

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A child tells his mother that Uncle Remus is gone and asks why he left. The mother responds that she doesn't know but suggests that "mother" is to blame. Another person, Miss Sally, reports that Uncle Remus is getting in a wagon to leave.

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I was taken from a Savannah jail, handcuffed, chained, and leased to a convict labor camp for a year. All because someone wanted to invite white folks to the cookout. Let's calm down and have a good time. Della, put that knife down and play some real music. I want to hear Luther's "Never too much."

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In 1946, the speaker did the voice of Brother Bear in the song "Song of the South." On the left is Brother Fox, and in the center is Uncle Remus, played by James Baskett. The speaker is peeping behind Uncle Remus.

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Walt Disney transported audiences to magical realms filled with fantasy, music, and characters, earning him more Academy Awards than any other filmmaker. This show explores Disney's Oscar-winning and nominated works, including "Song of the South," featuring the Academy Award-winning song "Zip a Dee Doo Da." James Basquette received a special Academy Award for his portrayal of Uncle Remus, a storyteller whose tales have been shared for generations. Disney was captivated by stories and their power to entertain, from folktales like Uncle Remus's Tar Baby to romantic fairy tales like Cinderella.

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Black people feel rejected and outcast, expecting to face similar struggles as their ancestors. They believe they have become violent and are viewed negatively by other races due to media portrayals. The perception of black Americans in rap videos influences how they are treated by others.

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Song of the South depicts human nature through animal characters. The bear is presented as someone locked into one thought process. The rabbit is portrayed as a schemer and con man, exemplified by his modified scarecrow trick on Brother Bear. The fox and the bear exhibit cruelty when they tease the helpless tar baby, dancing around him and making fun of him while he is pleading.

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The speaker expresses frustration over the replacement of characters with more diverse ones, blaming Kathleen Kennedy for the decision. They criticize Kennedy for making the movies more "lame" and causing Disney's stock to decline. The speaker then mentions Bob Iger showing them a piece of ancient artificial intelligence called the panda stone, which was used to make movies appealing to everyone. However, the speaker faced backlash from racists who disliked the diverse characters. They decided to fight bigotry by making movies but relied too heavily on the panda stone, which eventually became unstable and opened a portal to another universe. The speaker concludes that this explains why Disney movies are perceived as bad.

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There once was a Br'er Rabbit, the most bodacious critter. In those days, critters and folks were close, and it was a zippity doo dah day. Br'er Rabbit was in a bad mood and leaving his briar patch, the place where he was born and raised, for good. He claimed the briar patch brought him nothing but trouble, and this was the place he belonged away from. Uncle Remus warned him that he can't run away from trouble and there ain't no place that far. Br'er Rabbit had made up his mind and wasn't ever coming back, stating he could take care of himself. Uncle Remus knew he was heading straight for a whole mess of brand new trouble.

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Walt Disney aimed to combine live actors and animation in "Song of the South," creating a unified world for humans, animals, and cartoon characters. The goal was to transport Uncle Remus into a cartoon world while telling fantasy tales. A large cartoon set was built and lit to appear like a painted background, allowing animators to integrate animated characters into live-action scenes. This technique was unprecedented. The process involved close collaboration with head animators, using miniature scenes to plan each section. Animators could either approve the scenes or suggest changes, fostering a collaborative environment they enjoyed.

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A South African immigrant states they left behind their house, car, dogs, and mother. They say they didn't leave for fun, but for their children's safety. According to them, in South Africa, if you're white, you're considered wrong, a land thief, and a racist, regardless of personal involvement in apartheid. They recount being overwhelmed by the Trump administration's welcome, expecting instead to be put to work immediately and start from the bottom.

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The speaker is participating in a game show called "Who Wants to Be a Millionaire?" and is asked what they would say to Bob Iger, the CEO of Disney. They respond with offensive remarks and express their dislike for Disney Plus. They request to use a lifeline and call Bob Iger. The host contacts Bob Iger, who is surprised to hear from them. The speaker informs Bob that they don't actually need his help and confidently states that they will win the $1,000,000 prize. The transcript abruptly ends.

The Joe Rogan Experience

Joe Rogan Experience #1835 - Mike Judge
Guests: Mike Judge
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Mike Judge discusses the enduring relevance of his film "Idiocracy," reflecting on its initial struggles during production and release. He notes the film's commentary on societal trends, particularly the irony of its predictions about intelligence and parenting, which resonate even more in today's world. Judge shares anecdotes about the film's production challenges, including a limited budget and unexpected weather conditions during filming in Austin. He recalls how Crocs were used as costumes, initially deemed unattractive, but later became popular. Judge reflects on the evolution of technology and social media since the film's release, acknowledging that he missed incorporating smartphones into the narrative. He discusses the difficulties of casting and the creative process, emphasizing the importance of actors in bringing his writing to life. He also mentions his experiences with "Beavis and Butt-Head," detailing how he sold the show to MTV and the challenges he faced in negotiations. The conversation shifts to Judge's upcoming projects, including a new "Beavis and Butt-Head" movie and episodes featuring the characters as middle-aged adults. He expresses excitement about the series' return, which will include contemporary themes like TikTok. Judge shares his views on the changing landscape of television and film, noting the decline in viewership for scripted shows compared to the past. Throughout the discussion, Judge reflects on the nature of comedy, the impact of his work, and the challenges of the creative process, ultimately expressing gratitude for the continued appreciation of his films and characters.
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