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And y'all living. She won't let us get by, ma'am. What is wrong with you? I would hate to be your stepmom. Told you. No wonder she's back. I've asked you, please. You know what? You won't do all the kids. Need to be with no counsel. Because I

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The speaker is discussing the truce between Jordan Downs, the period courts, and Nickerson's in Watts with a young associate named Dante. The speaker wants Dante's input on how well the truce is holding up almost a year later. The speaker expresses relief that they no longer have to worry about people from other groups coming and shooting in their area.

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The speaker expresses gratitude and acknowledges their wife. They interact with someone in the audience and then proceed to talk about their mother. There is a brief interruption to adjust the camera. The speaker mentions a lollipop and continues speaking to someone off-camera. They ask a child their age and mention the challenges they face. The speaker shares a preference for children over adults and asks if anyone knows what their father used to say.

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Speaker 1 tells Speaker 0 to see their babies. Speaker 0 asks where their babies are. Speaker 1 directs Speaker 0 to go over there to see them. Speaker 0 acknowledges that they would have to go there. Speaker 0 then thanks Katie, stating that it's amazing. Speaker 0 thanks someone again.

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The owner has to cross the road to see. The speaker can't get across the road to show the listener the gang over there. A little one is lying down on the ground. One is over there, and another is lying behind that ambulance. Two others are right in that door. Two kids are in that door that got stabbed.

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The speaker recalls entering fourth grade and rarely seeing Black people in Scranton. They remember seeing Black children, referred to at the time as "colored kids," riding by on a bus.

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The speaker instructs someone to stand next to them and asks the people in the back to spread out. They mention a toy and ask someone to smile, but then correct themselves and say no smiling until they're 30. The speaker addresses someone named Angel and asks their age, to which Angel responds 12. The speaker comments on how tough Angel and their friends have it and refers to them as "sister."

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Speaker 0 refers to someone as their "whore" and asks them to get their "pimp stick." Speaker 1 questions why Speaker 0's ass is bruised, and Speaker 2 reveals that their father hits them. Speaker 1 is shocked and asks why their father would hit them. Speaker 2 explains that their father is also worn out and hits them as well. Speaker 1 urges Speaker 2 to look at the camera and asks why they are getting hit. Speaker 0 asserts that they should do as they say.

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Speaker 0 describes a youth with experiences around fashion, travel, and media attention: “Junk kids in Tokyo, fashion shoots in Milan, and me with phone books so that I wouldn't bruise,” and expresses exhaustion with privileged celebrations and indulgences, including “rich kids bar mitzvahs or pigs leftovers with Saudi princess,” a reference to West and Morse code, and a past incident at the VMAs where they were sprayed with a hose for three days. They also say that when their sails drop off, they’ll be taken to a resort and “let rich businessmen hunt me down for sport.” Speaker 1 interjects to introduce themselves, saying, “Hold up. I’m just coming in on the song to check on what y’all talking about,” and adds, “Don’t think of me as a record exec, but I’m Bubba, Big Yell, and Powell. This kid's a real prankster.”

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My name is Ava Combs. I was adopted by Didi. She wanted me to have a black parent like her. I met Gutsy and Milo when I was 6. My last name is Barone. Let's go.

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The speaker observed palpable admiration for the father within the household. The father wants to set an example for his children, hoping they will follow in his footsteps. One of the children believes the father is better than other fathers and exemplifies what a father should be. The children look after him. The speaker had never seen such a loving household. The father's goal is to protect family, strangers, and to always do the right thing.

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At 15 years old, I met Oprah Winfrey for the first time. I was taken to a house where she gave me a pill and we kissed. She told me to have sex with someone who moves money. I was high by the time I got to him. She complimented my smile and asked me to call her Auntie. Another girl from my school, Carter High School, was there too, but she was sent to a different room.

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Speaker 0 notes that Sigim has lived here for seven years. They confirm they have lived here. They ask, “Where is our child?” They say, “The most beautiful children are if Egyptians, Libyans, Syrians, Iraqis, and Iranians live on ours.” They conclude, “The girls have the most beautiful children. Beautiful, yes.”

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The speaker describes a family history of alleged ritualistic abuse and satanic practices, stating: “Also in worshiping the devil, participated in human sacrifice rituals rituals and cannibalism.” They assert an extensive family tree, claiming it “has gone back to, like, 1,700.” They contrast the outward appearance of their family with the reality inside, saying: “Does everyone else think it's a nice Jewish family? From the outside, appear to be a nice Jewish girl? Definitely. And you all are worshiping the devil inside the home? Right.” The speaker references broader involvement beyond their own family, noting: “There's other Jewish families across the country, not just my own family.” They describe rituals in which babies would be sacrificed and claim, “Who’s babies? There were people who bred babies in our family. No one would know about it. A lot of people were overweight, so you couldn't tell if they were pregnant or not.” They recount a childhood experience in which they were forced to participate: “When I was very young, I was forced to participate in that in which I had to sacrifice an infant. And the the purpose of sacrifice is to what? Is to bring you what? What are you sacrificing for? For power.” The response given to the question about the purpose of sacrifice is: “Power.” The speaker also discloses personal abuse within the narrative, stating: “Mhmm. I was molested. I was raped several times.” They then describe their mother’s current life and public image, asserting: “And what's your mother doing? She lives in the Chicago Metropolitan Area. She's on the Human Relations Commission of the town that she lives in, and she's an upstanding citizen. Nobody would suspect her.”

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The speaker lived with Sean "Puffy" Combs in New York City for a year as part of "Puffy Flavor Camp," an idea from LA Reid. In the 90s, Puffy's place was filled with women and partying. The speaker, around 13 or 14 at the time, witnessed "curious things" but didn't fully understand them. Biggie Smalls, Lil Kim, Craig Mack, Faith Evans, Joe Cees, and Mary J. Blige were around. The speaker had per diem and could stay up later than the others. When asked if, as a dad, he would send his kid to "Puffy Camp," he responded, "Hell no."

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She's messing around and on Facebook claiming to have money. She's been doing that for a while and got that baby spinning and walking out the door. Someone is selling drugs at their house, which is no good and makes me sick. They are following me because I need to be told something.

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The session centers on an interview conducted by Steve (Barnet Police) with Alyssa, a nine-year-old girl whose full name is Alyssa Grace Gareva Dearman. Cleo is present as the controller, and a later portion involves Carl monitoring the session via a computer. The conversation oscillates between eliciting Alyssa’s memories about alleged abuse and the ongoing process of verifying what is true, what was suggested or coached, and what may have been invented or misremembered under pressure. Key participants and roles - Steve: police interviewer, explaining rules and guiding the interview. - Cleo: the facilitator of the session, taking notes and asking questions. - Alyssa (Grace): the child providing the account of alleged abuse and related details. - Abraham: a central adult figure in Alyssa’s narrative who allegedly manipulated, coerced, and abused her and her brother. - Mister Hollings, Miss Martin (headmistress), Mister Morris (the caretaker), and other school/church staff appear as part of a purported network in Alyssa’s accounts. - Papa Hemp: a man Alyssa says is a figure who sometimes presents himself as a paternal relation but whom Alyssa later criticizes. Structure and rules of the interview - The interview begins with introductions and setting: Alyssa’s full name, age, and preferred name. The purpose is to gather detailed recollections of events Alyssa remembers from a period when she wasn’t present (described as events around a Barnet/Barnett area, with a hospital/clinic context in some parts). - Rules emphasized: tell the truth, don’t guess, if you don’t know say so, and if you don’t understand a question ask for it to be rephrased. The interviewer explains that even the interviewer may seek clarification and that there will be an emphasis on exact language, including the use of rude words if necessary to convey what happened. - Alyssa is encouraged to be precise, to speak in detail about what she recalls, and to distinguish truth from lies, with a simple example about who drew a picture to illustrate truth vs. lie. Summary of Alyssa’s detailed accounts (with notable shifts and clarifications) - Family and living situation: - Alyssa lives with her mother (Ella Draper) on 5 Patterson Road, near Christchurch Primary School. Her older brother Gabriel is her sibling, and James is a half-brother who visits but does not live with them. Alyssa also mentions a “Papa Hemp” (Abraham) who lives with them at times, and a nanny, Galina (Galia), who helps with care. - Alyssa states that her father is Ricky, who she sees daily in some contexts while at school; she describes him as frequently present, particularly “at the school” and during other times. She indicates that her father sometimes lies to her mother about visitation; she reports that Ricky visits them daily at times and sometimes claims different visitation schedules. - School and routine: - Alyssa describes Christchurch Primary School and a campus layout that includes infant and junior sections, a staff room, a front office, and a kitchen/canteen area. She mentions a cafeteria/canteen kitchen and describes a door to a staff room where “they do sex” (her phrasing) as part of alleged abuse. - She recounts a specific alleged ritual where a secret room and a hidden wardrobe in a dining room lead to a concealed staircase to an underground area with cupboards. She asserts that in this secret basement, staff and Abraham perform abuse and murder. She mentions that the headmistress (Miss Martin) and another administrator ( Mister Hollings) are involved. - The church and “secret rooms” narrative: - The church adjacent to their school is portrayed as a facility where skulls are danced with during ceremonies. Alyssa describes two nurseries within the church complex, one of which contains a kitchen and a “big white bowl” and a “silver goblet” for collecting blood. She claims skulls are kept in a cupboard in the church, and that staff and parents are involved in ritual activities. - She describes a hidden passage in the church that leads to a secret underground room with cupboards, including weapons (cleavers and knives) and tools used in ritual activities. She indicates that the headmistress, the priest, and Abraham have access to these areas, and that staff have keys to the secret rooms. - Alyssa explains a hierarchy in which secrets are kept; staff have access via keys, and the headmistress exercises control over access to the cupboards and the skulls. - The alleged murder/abuse rituals: - Alyssa details alleged acts including tying a baby by the legs, head removal, blood collection into a bowl and goblet, and the use of bones to create statues or other items. She asserts that some bones are carved into church statues and that skulls are worn by adults in a ritual setting. - She describes a sequence in which babies are allegedly killed, with the head removed while hanging from a wall, and blood collected in a bowl. She claims that the blood is used in the canteen to “put baby meat” into meals, and bones are repurposed into statues by carvers such as Felix and Max. - She also alleges that children at the school are coerced to participate in violent acts and that some are sold to others for sex. She describes babies being injected by a nurse in the school, then decapitated, with body parts processed and used in rituals or for sale. - Trafficking and exploitation: - Alyssa claims that babies are sold to people who want to engage in sexual acts with children, and that she and Gabriel are kept in the school/police described environment and used for abuse for a price (she mentions £50). She says they are held and used in this system during school hours as well as during holidays, and that authorities from social services are involved in a network of trafficking through the church and school. - The Morocco context and the role of Abraham: - A large portion of the detailed accounts about abuse, including specific acts and the ritual environment, is linked to Morocco, where Abraham is described as pressuring, beating, and coercing Alyssa and Gabriel. She notes that Abraham’s actions included physical violence (spooning licks), threats of more severe harm, and attempts to force confessions. - Alyssa indicates that some of her most elaborate stories began after watching a film (Zorro) and receiving cues from Abraham about what to say to authorities. She acknowledges that some of the more fantastical elements (e.g., skulls, cannibalism, elaborate ritual chambers) were suggested by Abraham as part of deception to frighten her or to manipulate the truth. - Truth-telling and memory of lies: - Throughout, Alyssa differentiates between what she believes happened and what Abraham insisted she tell investigators. She admits she lied or embellished elements after Abraham pressed her to say certain things, especially about babies and skulls. She emphasizes that she is worried about getting in trouble for lying and notes that she was afraid of Abraham’s reactions. - She confirms that some parts she previously described (especially the church-based murder/ritual narratives) were not true, as confessed during the interview or later in the conversation. She recognizes that Abraham coached or coerced her to say things that were not accurate, though she also maintains that the Ace/secret-rooms narrative and the general structure of a dangerous environment around the church and school have elements that correspond to true experiences (e.g., the staff’s control, walk-throughs, and the presence of confidential areas). - Current status and next steps: - The interview concludes with an acknowledgment that Alyssa has told many stories, some of which were false as coached by Abraham. The investigators plan to separate the discussion from her mother to avoid pressure and to assess which parts of the story are true, which are embellished, and which are untruthful. - There is an explicit plan to verify elements of the story with other sources (e.g., the alleged houses, the church, and the school, and whether particular staff members exist or hold the described roles). There is mention of bringing Alyssa to medical evaluation to check for injuries, and there is attention to ensuring Alyssa’s safety and wellbeing moving forward. - Emotional and social context: - Alyssa describes a complex and distressing environment shaped by alleged abuse, coercion, fear, and dysfunction at home and at school. She mentions feelings of fear toward Abraham, fear of barriers to telling the truth, and fear of potential retaliation. She also discusses the involvement of her mother, who she says believes Abraham and often agrees with him, which complicates her ability to disclose fully. Overall, the transcript presents Alyssa recounting an alleged and extensive abuse scenario that encompasses home life, a school/church complex, and a network of adults including Abraham, Miss Martin, Mister Hollings, and others. The narrative includes explicit descriptions of sexual and violent abuse, trafficking of children, and ritualized acts, much of which Alyssa later indicates may have been influenced or orchestrated by Abraham, particularly during the Moroccan period of her life. The interview emphasizes truth-telling, acknowledges the potential for misinformation under duress, and lays out a plan for further verification, medical assessment, and protective steps for Alyssa and her brother.

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You need a second chance and should pray about how to make things happen, obey your parents, and come home on time. The streets don't love you, but your family does. Speaker 1 is sorry the individual is going through this, but says all they had to do was listen to their parents. Speaker 1 doesn't know how things will turn out and asked not to be told anything. If God helps, the individual needs to get themself together, but it will take a miracle that they don't have.

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The speaker asks what their name is and insists to be called "Daddy." They also mention being a kid who grows each day. Another speaker repeats the phrase "it's expired" multiple times. They mention being JC Jones and finding their way while growing up. The speaker then challenges someone, asking if they think they're important. The other speaker tells them to get lost.

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The speaker recalls entering fourth grade and rarely seeing Black people in Scranton. They remember seeing Black children, referred to at the time as "colored kids," riding by on a bus.

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Speaker 0 asks Angel, who is 12 years old, how she is doing. He mentions not smiling until she's 30. Speaker 1 talks about liking kids more than adults. They discuss getting someone to do something. Speaker 0 mentions grandpa and what his dad used to say to his granddaughter.

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There are 7 of us, and I am the last one. I wasn't expected, but I was wanted. I was beaten in my youth, but apparently not enough. The speaker's family is Catholic, attending church and confession regularly.

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The speakers discuss their decision to stop touching children and mention a fear they have. They mention a group called Kafka that works with social services. They talk about people who have touched them, including the police and social services. They mention someone named Missus Forsyth and discuss sacrifices and eating babies in a church. They claim to have killed babies and danced with their skulls. They say that their father gets them to help him. The conversation ends without further details.

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I was on the streets when Papa Combs decided to take me in. He saw me and invited me inside to play with the kids. I want to clarify that I had permission from their mother. I met Jesse and Dwila when I was only six months old. We've been like sisters, all four of us, ever since. I was always over at their house. And yes, I am Ava Riali Combs.

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The speaker recalls entering fourth grade and rarely seeing Black people in Scranton. They remember seeing Black children, referred to at the time as "colored kids," riding by on a bus.
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