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We're starting a series exposing hidden archaeological sites and artifacts that challenge the mainstream narrative of our history. AI confirms numerous instances of suppressed finds, particularly those suggesting advanced civilizations predating current timelines. These discoveries are often dismissed or hidden to avoid controversy and maintain established academic and societal power structures. Preservation efforts are often a guise to control access and safeguard a false narrative. Examples include sites in Sudan, where evidence of advanced beings and destroyed palaces are downplayed, and the Terracotta Army in China, part of a vast, unopened necropolis, potentially holding truths that could rewrite history. The goal is to reveal the truth about our past, which has been actively concealed from the public.

I am passionate about helping people find answers and solve problems. Recently, I learned about quantum computing, which uses quantum mechanics to process information in unique ways. The concept of superposition, where quantum bits can exist in multiple states at once, is intriguing to me. I find entanglement fascinating as well, as it allows cubits to influence each other's states instantly, even over long distances. Real-world applications of quantum computing include enhancing encryption methods for secure data transmission.

The speaker details ongoing outreach to hundreds of records departments and officials to obtain a single blueprint for an old world building, specifically focusing on the Field Museum in Chicago. They claim mainstream history states the Field Museum was constructed from 1919 to 1921 as a 480,000 square foot palace with 75-foot interior columns, designed, engineered, and completed in two years, and assert that blueprints and related documentation should be publicly archived as proof of this construction timeline. He argues that by the early 1900s Chicago had strict building codes and permit laws requiring stamped architectural and structural plans, with plans to be permanently kept in the city’s engineering archives, including blueprints, engineering load calculations, plumbing, electrical, and HVAC schematics, logs, and permits. He contends that, if the Field Museum’s narrative is true, these documents should exist and be accessible today. The team has contacted various places, archives, and museums with a set of questions aimed at verifying the true construction records: blueprints, engineering drawings, ledgers, engineering calculations; evidence of communications between architect and builder; costs, including marble shipments and origins. They begin with the Chicago History Museum, which preserves Chicago’s architectural, civic, and engineering history and claims to hold architectural drawings and maps since 1856, including records from major firms like Graham, Anderson, Probstin White—the firm tied to the Field Museum. They note the History Museum’s responses to their inquiries: staffing reductions, limited ability to answer questions about architecture, and that the collection is complicated. They claim the museum admits they only have renovation drawings from the 1980s and cannot confirm originals; they suggest they may have copies but lack originals, leaving the status of original blueprints unclear. The speaker asserts they have “unlocked another building that does not have blueprints” and emphasizes the Field Museum’s large, marble construction as a key case. They recount further email exchanges showing the Chicago History Museum responding with negative findings for original blueprints, engineering calculations, and contractor ledgers, while offering some photographs. They question why a 1915 photo labeled “construction of the Field Museum” exists when construction supposedly began in 1919, suggesting the building appeared roofed before the stated start date. They press for inspection, occupancy, or dedication certificates but the museum again states they do not hold these records. They connect this issue to Soldier Field, implying a broader pattern of shared architecture and funding knowledge. They acknowledge the Field Museum was said to be under construction 1919–1921, yet present contradictions about pre-1919 imagery. They thank supporters and donors, reiterating that they will continue investigating and exposing inconsistencies. They report contacting the Field Museum directly on 10/27/2025 to describe their research project and institutional affiliation as an independent researcher producing a long-form documentary on landmark buildings’ architectural and engineering history, requesting blueprints, ledgers, and public records from the last two hundred years, but receive no reply after follow-ups on 10/28/2025 and 11/11/2025. They declare the archivist’s knowledge that original blueprints are not held and assert the Field Museum is exposed. The speaker pledges to continue exposing buildings worldwide and promises more discoveries weekly, thanking supporters and subscribers as they continue.

Since I was a kid, I've always wanted to witness the discovery of life on another planet. I'm fascinated by research and development, especially in space exploration. We are currently venturing into the unknown, searching for new life and knowledge that goes beyond science fiction. It's an essential part of our future as humans.

I collected a canister of dried blood and had it analyzed. We put the blood in saline solution and observed it for 72 hours. Then, we placed it in a growth medium and examined it under a microscope. The white blood cells were dividing, and we determined that there were 24 chromosomes. 23 chromosomes came from the mother and father, while 1 was the sex determinant from the father. This blood, which was almost 2000 years old, was still alive. The test subjects were amazed as they had never seen dried blood remain alive before.

The speaker presents a claim about a major archaeological breakthrough, challenging long-standing timelines for the origin of writing. They state that a written language did not begin five thousand years ago in Mesopotamia as traditionally taught, and that ancient humans in Germany were writing in a dead language forty thousand years ago—tens of thousands of years earlier than previously believed. The speaker explains that for decades scholars believed the first real writing appeared in ancient Sumer with proto-cuneiform tablets used for counting crops and trade. However, archaeologists have analyzed more than 3,000 carved symbols on 260 stone age tools and figurines from caves in Southwestern Germany, and the findings are described as incredible. These marks—rows of dots, lines, and crosses etched into mammoth ivory and tools—show organized patterns with a level of structure and repetition extremely similar to what was thought to be the early systems of proto-writing from Mesopotamia, but these are forty thousand years older. The speaker emphasizes that the consistency and complexity indicate that these early Europeans were using symbolic systems to encode information. They urge the audience to consider that this represents cognitive groundwork for the modern written language, visible long before previously accepted timelines. The speaker notes that thirty-five thousand years before Stonehenge, when mammoths still roamed Europe, ice-age hunter-gatherers were already crafting visual systems to communicate and record ideas. Looking ahead, the speaker says the next step is to attempt translation of what these ancient ancestors preserved, acknowledging that this will be difficult but promising to pursue. They promise to provide updates if new findings emerge. In summary, the discovery is framed as a redefinition of when and why humans began turning thought into symbols, challenging the conventional view of the origins of written language and proposing that symbol-based recording and communication existed far earlier in Europe than previously recognized. The claim is that this discovery rewires our idea about the origins of recorded human history itself, positioning Southwestern Germany as a site of proto-writing tens of thousands of years earlier than ancient Mesopotamian inscriptions. The speaker highlights the significance of the patterns, repetitions, and organized symbols found on thousands of carved items as evidence of early symbolic encoding.

One of the most significant discoveries in history was finding the Library of Ashurbanipal in Iraq. The city was supposedly destroyed by fire, which baked and protected many clay tablets until they were found. These tablets, including the Epic of Gilgamesh, were taken to the British Museum in London, but are largely off-limits to the public under the guise of preservation. I believe this is to protect a fabricated narrative. The Vatican has 53 miles of texts and artifacts from a previous advanced civilization hidden from the public. The British Museum is hiding millions of Old World items. They claim they want to protect the artifacts, when instead they are protecting the narrative. The museum director, Nicholas Cullinan, could change this, but UK laws and the board of trustees may be a problem.

I have successfully broken through in the field of stem cell research using a technique called SCNT. By taking my own skin cell and combining it with a woman's egg, I was able to create my own stem cell lines. This breakthrough allows for the possibility of renewing body parts by implanting these immortal stem cells back into the body. I have personally experienced the benefits of this research, as I have reversed my aging in the past four years. While my contributions may be small, I am dedicated to doing everything I can to stay alive and healthy through preventive medicine. In fact, I have taken more stem cells than anyone else in the world.

In the history of OpenAI, I've had the opportunity to witness significant advancements multiple times, including recently. It's an incredible experience to be present when we push the boundaries of knowledge and uncover new frontiers. This is a truly fulfilling aspect of my profession.

I've always been fascinated by history, especially the Roman Empire. Recently, I learned about burnt scrolls from Pompeii that no one could read. Professors created CT scans and launched a competition to decipher them. Intrigued, I started working on it in my free time using my laptop and some extra computers. Initially, we found no writing, but one night, I received a message about a new scroll piece. I ran an algorithm and discovered three Greek letters, marking our first success. The word "prophoros," meaning purple, was significant and reviewed by Greek scholars. This breakthrough, made possible by AI, has opened the door to reading entire paragraphs and potentially hundreds of other scrolls. The attention and support from the University of Nebraska have been overwhelming but inspiring, encouraging bold thinking in my research.

Since I was a kid, I've always wanted to witness the discovery of life on another planet. Watching Star Trek fueled my excitement. This telescope has made me realize that we are currently living in one of the most thrilling times in scientific history. Space is the ultimate frontier, and we are actively exploring it to uncover new life and civilizations. This is not just science fiction; it's a reality. The future of humanity lies beyond what we can currently comprehend.

I need to write a paper on World War 2 battles quickly. My professor wants us to use this source, so I copied and pasted it into a search. It collected more sources and summarized them perfectly, generating a complete report. I'm confident I'll do well on my paper.

Speaker 0: We have made a lot of episodes, a 106 to this point, for a long time after today. This will be the episode that I referred to as the end of the mainstream narrative. An episode that we have built up to for a very long time. Welcome to 2025. I believe this is the perfect time to share this information with the world. So here we go. I asked their AI database, the AI ChatGPT, if there were any archaeological finds that have been removed from the public, removing evidence of a previous civilization that was here where we live today. The answer is shocking. Yes. There have been numerous instances where archaeological finds are removed from the public. All of us. Where statement number six is the final straw for the mainstream narrative. A narrative that is taught to all of us since day one. A narrative that is being taught in children's classrooms in every country stating controversial finds, items that could challenge established historical narratives, the mainstream narrative. These items might also be kept from public display doing this to avoid controversy or debate. For any mainstream historian, this is the end. And for any archaeologist, you are now exposed. And this is just the beginning today. In fact, it's just the beginning of a massive series that we are starting right now as we speak. I'm going to be referring back to this episode time and time again. And to this point in all of our episodes, I have never needed to read something more. This page in their book, will be the end of the story that we're all told and the beginning of free thinking, the beginning of finding the truth, stating, advocates argue that the public access to such artifacts is essential for a fuller understanding of our true history and for fostering critical thinking about the truth. Our world's true history, suppressing giants with some findings in The Americas that suggest advanced civilizations existed just like we've talked about before European contact, such as evidence of complex urban planning where the mainstream narrative, the mainstream archaeology dismisses it, which contributes to these artifacts that have been found not being displayed or discussed, hiding artifacts that would expose an advanced previous civilization, hiding them simply because it goes against the mainstream narrative is exactly what we're being told. This highlights the tension between advancing knowledge, exactly what doing here, or sticking with the existing power structure in academia and society as we evolve this knowledge, exactly like we're doing right here on this channel. There may be a shift towards greater public access to the items found that are being hidden from all of us to this day. And I say that this is the beginning because we are now starting this series where we're gonna expose the sites, the items that are currently being blocked off from the public, blocking them off, hiding them from all of us in attempt that has been very successful for a long time to keep their false narrative in place. How many times to this point when going back and watching the first 106 episodes have we heard off limits to the public due to preservation or to keep looters away? How many times? This is the nod. This is the key, and we now know this. We've seen this in episode 98 where access to the physical artifacts may be restricted to ensure their preservation. We've seen it in episode 102, where it is no longer being exhibited to the public. We've seen so many examples of this. And today, it couldn't be any clearer, any more straightforward that so much of what we are told in life is controlled. It's manipulated to fit the narrative that we are all given, and we are about to take this to another level. Episode 86, when we saw that the project is supported by National Agency of Cultural Heritage Preservation of Georgia. The AFCP has allocated more than $1,000,000 to preserve and protect. This is a moment where our eyes open up even further, and we are able to see with more clarity than ever before. And once you're able to see, you will never go back, understanding that preservation protecting in the world of archaeology. This means preserving and protecting themselves, their narrative. This does not mean that they are preserving or protecting what they have found, and I wanna make that very clear. And this is fully exposed now. The blindfold has been ripped off, and there's no going back. This show is a progression. It takes time to show people the truth. There is a buildup, a process. The episodes are in order for a reason. The AFCP, an initiative by the United States Department of State just starting up in 2001. What a year. A group that the people of America fund through their tax dollars. A group that the world did not need in the eighteen or nineteen hundreds. And I wonder why. Now, again, I just wanna clarify, and I don't wanna be sarcastic at all. This group is amazing. We all know that they really are preserving and protecting all of our favorite sites. They support projects in over a 130 countries, preserving tangible and intangible cultural heritage such as historic structures, archaeological sites, and traditional crafts. They restore ancient temples and mosques. Conservation of manuscripts from the old world, textiles, and old world music. Preservation of significant landscapes. They are for sure doing all of this. Jebel Barkal and the sites of the Nappatun region, Sudan, where the AFCP has funded conservation efforts at this UNESCO World Heritage Site. And we know this group very well, which includes temples, palaces, and pyramids from the old world. You've gotta ask, why are there so many groups that aim to supposedly preserve and protect sites that don't fit into the mainstream narrative that the exact same group publishes into the textbooks. And then they also fund the operation of teaching this narrative, the same narrative that they just wrote, all to the people at a young age in every single country. I believe that we have correctly translated their language. The words preserve, protect, and conservation, preserving and protecting their narrative is exactly what this means. And this unlocks so many more sites, so many old world places that is going to take this research so much further than we could have ever imagined. It will unlock places that have been hiding for so long. Without our sponsors, without our Patreons, without every subscriber, all of our badge members, and everybody who likes the episodes, This episode wouldn't be happening right now. This show, these episodes, it all honestly would have ended a long time ago. I appreciate all of you. And instead of ending this show a long time ago, because of all of you, we are now just getting started. Welcome to episode 107 of my lunch break. I hope you're all having a great day. And if you're new, welcome. Have you ever wondered what happened to the legendary Chuck Norris?

I think the mainstream historical narrative is a lie. We're told that humanity made no progress for thousands of years, and then suddenly, around the 1800s, we invented everything: trains, cars, electricity, sports. Banks and the USA were formed right before all these inventions. But these technologies were all given to us. We're told that incredible buildings were built in a year by untrained workers and prisoners after the previous one burned down. That makes no sense. The AI agreed that a courthouse with these specs would take 4.5 to 7.5 years to build, using horses for material, and it does not account for other factors. It's more likely that a previous civilization had all this tech, but it was hidden from us, and that is what we are slowly getting back.

A speaker expresses a desire to visit Israel and says it’s well worth going, but notes you should go with a mission. The mission described is to explore remarkable discoveries in biblical archaeology that connect biblical narratives to history, thousands of years after they appeared in the Bible. The speaker asks what best exemplifies archaeology bringing someone from scripture into history. The standout example is Pontius Pilate. For two thousand years he existed in the Bible with no extra-biblical verification. While digging in Caesarea Maritima, a stone tablet was uncovered mentioning Pontius Pilate, “prefect of Israel,” and also “prefect of Judah.” The speaker emphasizes that the tablet provides the exact title used for Pilate in the Bible and clearly identifies him as Rome’s man in Israel. This discovery, the speaker notes, makes Pontius Pilate an accepted historical figure.

Right now, young black kids in the Bronx are unaware of computers. I want to open up the world to them so they can bring diverse voices and innovative solutions through technology.

I estimate over $100 billion in taxpayer money is wasted or stolen. I'm working to expose government waste, like with USAID. Elon Musk noticed my work on X, which was a shock. I use AI to analyze public databases, revealing fraud in federal grants and NGOs. People who say this data has always been available miss the point. I'm indexing it to make it accessible; AI is crucial because of the data's volume. My current project maps relationships between people in government, exposing connections like marriages and shared board memberships. Both Democrats and Republicans are involved in conflicts of interest, like congress members voting to fund NGOs they sit on. It's not a partisan issue. Exposing this is risky, and has changed my life, but I feel it's a mission I must pursue.

I've been researching old maps, flags, and architecture, which led me to the Cincinnati Music Hall, supposedly built in two years by Samuel Hannaford and Sons. But their company had no records until after the building was completed, which is suspicious. The Music Hall also had a fire just two years after completion! Fire narratives are key to identifying old-world buildings, and these buildings were not built by our current civilization, but rather a much more advanced one. From the Notre Dame fire in Paris, to the Royal Exhibition Building of Australia being built in one year, or even the St. Anne Shrine having its construction date wrong, so many signs point to a previous civilization.

I estimate that over $100 billion of taxpayer money is being wasted or stolen. I'm a former programmer who uses AI to search public databases for government waste, like exposing USAID. Elon Musk noticed my work and shared it, which I'm grateful for. I'm working on a project to analyze connections and relationships between people in the government. You start to notice that they're all working together; they know each other. I want to map those relationships and put it on my website. Both Democrats and Republicans are involved in this corruption. We even have sitting members of Congress who sit on the NGOs and vote in congress for money for themselves. It's a huge conflict of interest. Exposing these things is scary, but I feel called to do this work.

In February 2022, a tunnel was found beneath the Temple of Osiris in Egypt, similar to Greece's Tunnel of Eupalinus, raising questions about its purpose beyond water transportation. This find, along with a headless granite statue discovered in 2010, suggests hidden truths about our history. The heads are removed to conceal the true appearance of past civilizations. I believe the Temple of Osiris may hold Cleopatra's burial site, disturbed in the 1930s under the guise of restoration. The old world's technology might be buried with significant figures like Cleopatra, sought after for power. Identical tunnels and geometric catacombs point to something much deeper, with churches often built on top. These may connect to necropolises, ancient cities of the dead, found worldwide containing remains from different timelines.

I'm Gilgamesh, an ancient Sumerian king from modern-day Iraq. In 2003, an archeologist thought he found my city, Uruk, and possibly my tomb. Shortly after, the US invaded Iraq and built a military base directly over the ruins. Locals reported the military was secretly digging at night, taking artifacts away on trucks. The official story was that we were searching for weapons of mass destruction, but many believe the real goal was to acquire these ancient artifacts. Saddam Hussein was also rebuilding Babylon, potentially hiding something significant. The US State Department even formally requested my tomb. We invaded, took what we wanted, and eventually had to return some items. WikiLeaks revealed requests for documents about my resurrection chamber, my body's location, and the location of buried Nephilim. They covered everything up.

I made a video game about saving the blockchain. Some people think it's dangerous at my age, but I'm addicted. Think you can beat it? It's not easy.