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The speaker repeats the word "babies" and asks, "What babies?" The speaker states, "Maybe I kill a girl who was 12, but I'm looking for a baby." The speaker also says, "We were looking for babies, but there is no babies left."

The speaker briefly mentions that they had previously mentioned something and then proceeds to say that they are not associated with someone. They mention doing something and tell someone not to interfere. The speaker repeats the word "no" multiple times and mentions a game involving switches. They also mention putting something somewhere and state that it is enough. They count to three and end by saying that someone won't understand.

Speaker 0 is questioning someone about their father, but they don't seem to care. The speaker tells them to leave and mentions that their first name doesn't matter. The conversation abruptly ends.

The speaker expresses gratitude and acknowledges their wife. They interact with someone in the audience and then proceed to talk about their mother. There is a brief interruption to adjust the camera. The speaker mentions a lollipop and continues speaking to someone off-camera. They ask a child their age and mention the challenges they face. The speaker shares a preference for children over adults and asks if anyone knows what their father used to say.

The speaker reflects on lost dreams, growing up, and the past's persistence. "And even though the moment passed me by, I still can't turn away." "Because all the dreams you never thought you'd lose lost a long way." "Scars of souvenirs you never lose. The past is never far." "Did you lose you self somewhere out there? Did you get to be a star?" "Don't it make you sad to know that life is more than who we are." "Grew up way too fast. Now there's nothing to believe." "Reruns all become my history. The tired song keeps playing on the tired radio." "And I won't tell your name."

The speaker demands to know what someone has been saying to a 12-year-old child. The speaker insists on being looked at and accuses the person of communicating with the child. The speaker questions how long the person has been in Scotland, noting they communicated a sentence earlier. The speaker suggests the person is pretending. The speaker states the person will not move until the police arrive and claims the person does not understand.

The speaker initially encourages "Venom" with cowboy commands, then realizes "Venom" is broken. The speaker then states they no longer want to play with "Venom."

The speaker instructs someone to stand next to them and asks the people in the back to spread out. They mention a toy and ask someone to smile, but then correct themselves and say no smiling until they're 30. The speaker addresses someone named Angel and asks their age, to which Angel responds 12. The speaker comments on how tough Angel and their friends have it and refers to them as "sister."

The speaker expresses anger and defiance, accusing someone of wanting them to say something. They assert their right to say "no" and challenge the other person's actions. The speaker then questions what the other person will do about it, using a racial slur. They call the other person a fad and defend people who choose a certain lifestyle. The speaker denies being a pedophile and insults the other person's appearance. They tell the other person to mind their business and express indifference to their presence. The speaker claims they can do whatever they want, while the other person argues that they cannot. The exchange ends with both parties telling each other to mind their business.

Speaker 0 describes a youth with experiences around fashion, travel, and media attention: “Junk kids in Tokyo, fashion shoots in Milan, and me with phone books so that I wouldn't bruise,” and expresses exhaustion with privileged celebrations and indulgences, including “rich kids bar mitzvahs or pigs leftovers with Saudi princess,” a reference to West and Morse code, and a past incident at the VMAs where they were sprayed with a hose for three days. They also say that when their sails drop off, they’ll be taken to a resort and “let rich businessmen hunt me down for sport.” Speaker 1 interjects to introduce themselves, saying, “Hold up. I’m just coming in on the song to check on what y’all talking about,” and adds, “Don’t think of me as a record exec, but I’m Bubba, Big Yell, and Powell. This kid's a real prankster.”

Even though the moment passed, the speaker can't turn away because dreams and things were lost or thrown away. Now grown up, they don't belong to anyone, which is a shame. The speaker invites someone to hop beside them for a while, promising not to reveal their name. Scars are souvenirs you never lose, and the past is never far. The speaker asks if the listener lost themself or became a star, and if it makes them sad to know life is more than who we are. They grew up too fast and now there's nothing to believe. Reruns become history, and a tired song plays on the radio. The speaker repeats that they won't tell the listener's name.

The speaker talks about content and how people try to compete with each other. They mention that money is not important and they are always busy. They also mention that they are successful and haven't failed yet. They talk about being a classic and how people realize it later. They mention someone's red ears and their real father. They end by saying to watch their smile and explore a feature.

The speaker repeatedly expresses disbelief and confusion, asking what is happening and what is meant by certain statements. They mention someone getting air and hitting air, and express concern for someone's safety, urging them to get up to avoid being run over.

"Say something, I'm giving up on you." The speaker expresses a willingness to be with someone, stating, "I'll be the one if you want me to," and "Anywhere I would have followed you." They admit to "feeling so small" and that "it was over my head," confessing, "I know nothing at all." The speaker repeats, "Say something." They then claim, "Our children. They are not really our children."

Speaker 0 delivers a relentless barrage of questions and insults toward someone described as 'ice.' It opens with 'Are you ice garbage? Mom? Mom, let's go. Mom.' The speaker asks, 'Who are you? What's your name?' and asks, 'Are you ice?' 'Oh, you don't want me to take a picture of your face? Is that because you're ice?' The rant presses, 'Pop, what is this? Is this ice? Are you an ice piece of shit? Is that what you are?' It continues with, 'Are you some ice piece of shit? You some ice piece of shit? Some ice piece of shit? Is that what you are?' and ends, 'That what you are, some ice piece of shit? Fucking ice garbage. Are you ice garbage? Is that what you are? Ice garbage? Is that what you are?'

The speaker repeatedly tells someone to go away and leave them alone, while identifying as a "Madarian." They ask if the other person is from Madera. The speaker curses at the other person and states they are filming them.

The speaker states, “We don’t change our plates every morning, just so you know. It’ll be the same plate when you come talk to us later.” They claim to be a “US citizen, former …,” and challenge someone, asking, “You wanna come at us?” They instruct the other person to “go get yourself some lunch, big boy,” signaling a taunt and confrontation.

The speaker claims the Kardashians kidnapped their daughter, but Travis provided the address. They call out Meek Mill and Puff Daddy, labeling them as fake. The speaker challenges them, stating they can't shoot anyone. They accuse others of making deals to get out of jail and criticize them for talking about them. The speaker asserts their dominance by comparing themselves to Michael Corleone from "The Godfather."

The speaker identifies as a "real man" and accuses someone of not being a "real man" or even smart. The speaker claims to be involved with the person's wife. The speaker accuses someone of "bombing children" and says they won't get away with it. The speaker confronts someone, telling them to get away. The speaker says "all of you watch this," and accuses people of antisemitism and racism, while calling others innocent bystanders and "the winner." The speaker blames someone for allowing something to happen in America. The speaker accuses someone of killing children.

The speaker commands, “Don’t let the murderer leave,” repeating it, and says they’ve been defensive. They declare, “You guys are the fucking criminals” and assert, “You don’t get to tell us what to do,” addressing the neighborhood.

A woman seeks help, referencing a husband and being "torn on the street." She addresses someone as "sir" and asks if they can leave. The speaker confirms they can talk and will speak in the name of god, not of her father. The speaker expresses certainty and claims to know who they know, invoking the name of god. However, they then express uncertainty.

The speaker alerts someone, referred to as "Holmes," that their "crack is out." The speaker then addresses "Ma," urging her to look away from something. The speaker questions someone's actions, stating there are kids and the speaker's mother present. The speaker calls someone "sickos."

The exchange presents two speakers delivering a stream-of-consciousness, surreal set of lines that blend explicit colloquial phrases with science-fiction imagery. Speaker 0 opens with offensive, self-referential lines: “Fuck my cheek, shit. They call me for the dick. Fuck dick. Fuck my dick. They call me for the brick.” This is followed by a fragmented thought: “What the brick? Treat every song rise like it's too bad. Too bad. Try to…”. The section centers on raw, provocative expressions and partial phrases that hint at triggers around fame, demand, and music. Speaker 1 shifts to a dense, techno-futuristic motif. The imagery moves quickly through ideas of risk and replacement: “steal or die. Excavation crows in the house. I’ll tell you why. Muscles are deeper than the main replacement. God’s replacement.” The verse then heavily emphasizes nanotech and DNA-based propulsion: “Nanotech Light Racing. DNA powered up shock wave. Nanotech Light Racing the engine for the truck. It’ll make you crazy.” The concept of Skyspray introduces an atmospheric effect: “Skyspray makes the air haze. Skyspray. You’ll like these tidal waves that blast smash. Watch the weather smash you.” The narrative expands into nightmarish, cybernetic imagery: “The angels fly past you. The unmasked, unmasked, evil grasps, grasps, pulls you into the black moon hooked up to the matrix.” The core reveal centers on coded, boxed DNA and a brain strapped into a frame, describing a perpetual energy: “Now you’re coded, DNA loaded in a box. DNA loaded in a box. Brain hung up in a frame. Energy that never stops. Hang your head in chain.” The closing lines reiterate the motif of “Head in chain” and reference “Excavation Girls and Rachel B.” Overall, the transcript blends explicit, provocative personal declarations with a dense, science-fictional allegory about DNA, nanotechnology, control, and a cyberspace-mythic environment. The imagery alternates between visceral expressions and futuristic tech-hardware metaphors, culminating in a motif of being coded and restrained within a mechanized, matrix-like reality.

The speaker reflects on their son's choices, mentioning drugs and a questionable lifestyle. The son asks to use the speaker's name for a deal, but the speaker refuses. The son walks away, expressing a desire to be like the speaker. The speaker mentions the son's involvement with drugs and potential bribes. The speaker is uncertain when the son will return home.

- Speaker 0 says: "Without you been feeling kinda strange. Well, I see that you're doing very well. You're looking very well. I miss the way your perfume smell. I miss the way that you blowed up my line." - They add: "If you don't back the fuck up off me before I do you in and still getting in this bitch and get litty on my mama."