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Crown Heights is a Black neighborhood. If they put their hands on anyone, they don't want that war because it'll be every day. Why are they stopping this Black man from getting over to Crown Heights? They'll wake my people up. The Caribbean giants live right over there. They shut that whole block down. That's when I'm going to wake up and unite the struggles.

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The speaker is in the parking garage of the Lloyd Center Mall, walking up the stairs required to get to Barnes and Noble. The path is covered in graffiti, gross stuff, rotting food, and feces. The smell is horrific. There are discarded clothes. After another story of the same conditions, the speaker finally reaches Barnes and Noble. The speaker suggests these conditions are why people have stopped shopping at malls like this one.

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The speaker admits to convincing the mayor to make something "a man." They describe attending underground dance parties in Wall Street during COVID, where everyone was taking Molly. They recall wondering if they would be seen in the building. The speaker mentions having a party with friends in a hotel in August of 2020, where they all took Molly. They claim there weren't restrictions on gathering at the time. They state they love being biopsychos. They describe how public health made it uncomfortable to be unvaccinated by making it hard to get a job, go to a restaurant, or go to school. They acknowledge this was a way of forcing people to get vaccinated.

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The speaker explains that this is a year-round practice, doing it all the time and out and about for themselves. They describe being “a blue collar fuck” and a man who spends most days as a blue-collar guy, but "a few times every week" they like to get real clean and pretty and go out, whether to shoot pool, have dinner, or perhaps go dancing. They emphasize they don’t need a parade to celebrate; their motivation is personal. A central grievance is expressed about the treatment they receive when they go out: they do not want to be groped, harassed, or fat-accosted, nor do they appreciate being treated “like a piece of meat.” They specify that this harassment comes from “a bunch of fucking cis women” who give them side eyes in public when they present themselves this way during the rest of the year. They describe these women as mumbling to themselves and having “all kinds of things to say behind my back.” In one emphatic line, they direct all of them to “fuck off.” The speaker contrasts their year-round routine and personal choice to go out and look and feel good with the negative reactions they encounter, underscoring the lack of desire for public ridicule or objectification. The closing “Hi.” signals a brief, abrupt shift or return to civility after the tirade.

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We're gay, but we're in Barnes and Noble's, and there's a gay kid's book section, and this shit is crazy. There's the gay b c's. Bye Bye Binary with a mohawk on a baby. A is for arrow and ace. B is for bi. E is for equality. F is for family. I is for intersex. For a baby, this is pushing it. J is for joy. K is for Kiki. There's no gay word for m.

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The speaker admits to convincing the mayor to make something "a man." They describe attending underground dance parties in Wall Street while taking Molly during COVID. They recall being happy to be high after a year and a half. The speaker mentions hosting a party with friends in August of 2020 in a hotel where they all took Molly. They state that there weren't restrictions on gathering at the time. They claim to love being biopsychos. They describe how public health officials make it uncomfortable to be unvaccinated by restricting access to jobs, restaurants, and schools, which they equate to forcing people to get vaccinated.

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The speaker reflects on the pervasive boredom in society, suggesting it may be a result of brainwashing by a totalitarian government driven by money. They recount encounters with individuals who have cut off media consumption due to feeling trapped in an Orwellian nightmare. The speaker also shares a conversation with an elderly tree expert who likens New York to a self-imposed concentration camp. They express a sense of urgency to escape, comparing their situation to Jews in Germany before World War II. The speaker believes that humanity's vibrancy is fading, with the future dominated by emotionless robots and the erasure of history and memory.

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The speaker is in the parking garage of the Lloyd Center Mall, walking the stairs required to reach the Barnes and Noble store. The path is covered in graffiti, rotting food, feces, discarded clothes, and a horrific smell. The speaker suggests that conditions like these are why people have stopped shopping at malls like this one.

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The speaker is in the parking garage of the Lloyd Center Mall, walking up the stairs required to get to Barnes and Noble. The path is covered in graffiti, gross stuff, rotting food, and feces. The smell is horrific. There are discarded clothes. After climbing another story, the speaker finally reaches Barnes and Noble. The speaker suggests that conditions like these are why people have stopped shopping at malls like this one.

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The conversation threads through a shared sense of overwhelming boredom, systemic control, and the possibility of humanity’s survival or extinction. The speakers compare modern disconnection to a self-perpetuating, unconscious form of brainwashing created by a money-driven totalitarian world, arguing that boredom means asleep minds will not say no. A Swedish physicist, Gustav Bjornstrand, is described as having renounced television, newspapers, and magazines because they contribute to turning people into robots in what he calls an Orwellian nightmare. The speakers recount a visit to Findhorn and meet an elderly English tree expert who travels with a backpack and questions why many New Yorkers say they want to leave but never do. The expert reframes New York as “the new model for the new concentration camp,” where inmates are the guards and the guards are the inmates, producing a prison they cannot escape because they have been lobotomized by their environment. The seed for a pine tree given in their hands becomes a symbol: escape before it’s too late. The narrator confesses a longstanding, unpleasant sense that they should get out, echoing a need to find a safe place as the world appears to head in the same direction globally. There is a stark hypothesis that the 1960s may have represented the last surge of the human being before extinction, with a future of robots who feel and think nothing, and a fading memory of life on the planet. Bjornstrand tends toward little hope, predicting a savage, lawless future, while Findhorn adherents see “pockets of light” or invisible planets—centers around the world where people can reconstruct a future. Bjornstrand mentions these centers growing everywhere, akin to what Findhorn accomplished, and the idea of reserves or islands of safety designed to preserve history, light, and culture so humanity can endure through a dark age. The concept of an underground community mirrors medieval mystical orders’ networks, intended to keep the human spirit alive. Ultimately, the conversation imagines a new language—a language of the heart, a poetry of the dancing bee that locates honey—facilitating a new perception in which people feel united with all things and suddenly understand everything. The dialogue closes with a light, ordinary moment: dessert orders and coffee, a brief human respite amid grand existential concerns.

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This community embraces the entire LGBTQ+ spectrum and celebrates the freedom to be oneself. It is a place of energy, activism, generosity, and fun. The speaker acknowledges the damaging myth that revolves around straightness, cisgender, and own greatness, but rejects it. They appreciate this community for challenging and ultimately destroying this myth. The walls of fear will crumble, the old world will shatter, and a new world will emerge based on love. The speaker invites everyone to engage in a conversation.

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The speaker describes an acquaintance who is "gay as fuck" but seemingly unaware that others know. This man has a wife and kids, leading to speculation about his private life. The speaker believes the man's perceived need to hide his sexuality causes him to act strangely. The speaker then transitions to a broader point, suggesting that many people like this acquaintance enter politics and exhibit sociopathic tendencies and "fake earnestness." This "fake earnestness" can be effective when addressing large groups of people with messages about unity and reclaiming America, despite a lack of genuine connection.

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The speaker convinced the mayor to make something "a man." During COVID, the speaker attended underground dance parties beneath a bank in Wall Street, where everyone, including the speaker, took Molly. The speaker wondered if the city knew about these gatherings. The speaker and their wife had a similar party with friends in August of 2020 in a hotel room, where they all took Molly. There weren't restrictions on gathering, but hotels didn't want parties. The speaker enjoys being biopsychos. Public health makes it uncomfortable to be unvaccinated by making it hard to do your job, go to restaurants, or go to school. People are forced to get vaccinated by making it really uncomfortable not to.

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The speaker claims that instead of "smelling each other's shit," people should "smell the real fucking aroma." They are referring to the "kidnapping and the abduction and the violations" of the city's sovereign principles or values.

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This transcript centers on an incident at a historic Jewish synagogue in Brooklyn where a tunnel was allegedly being used to illegally expand a church. After cement trucks arrived to fill the hole, a riot broke out between the Jewish community and the NYPD, prompting speculation of a deeper plot. The speaker says they went to investigate to learn more. Speaker 1 describes the scene and participants: “Hey, is there any way we can go inside? No. Nothing is lasting right now. There’s a bunch of guys, Chabad, which we would call like extreme rights. They’re mostly Israelis.” They claim the group wanted to start the expansion of “seven seventy.” There were references to “tunnels, Jews, how are you? Home human trafficking,” suggesting rumors surrounding the discovery of dirt that “wasn’t new,” and a desire to access the space through an alternate route. The speaker says, “I wanted to get in. I wanted to back way in.” Regarding the operation, the speaker notes that “Let’s do a main room. It’s a big Everything there already exists.” They imply the group planned to go “behind the back of the management because they were like, okay. They can't figure this shit out. Let's let's do it ourselves.” They claim the discovery occurred “a few weeks ago,” and that “the management found out about it.” The next day a cement truck arrived “around the corner, and they were gonna fill it up with cement.” The speaker attributes actions to the Chabad group, stating: “This group of of Chabad people, first of all, they busted the pipes over there, and then, they came in here from the inside, and they started breaking the wall. Slash amateur.” They conclude with a negation about human activity, saying, “Corners, there’s no human traffic going on. Sure.”

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The speaker dislikes the idea that multiculturalism and mixed race are bad for society. They love the blend of cultures in New York. While they believe illegal immigration is bad and people are taking advantage of opportunities, they value the synergy and mix of different cultures in one place, which they believe makes a great city. They express disdain for bland suburbs with white picket fences.

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The speaker convinced the mayor to make something "a man." They attended underground dance parties beneath a Wall Street bank, where everyone, including the speaker, took Molly. The speaker questioned if the city knew about these gatherings. They describe renting a hotel with friends in August 2020, where they took Molly with a group of 8-10 people. There weren't restrictions on gatherings, but hotels didn't want parties. The speaker enjoys being biopsychos and describes how public health makes it uncomfortable to be unvaccinated by limiting access to jobs, restaurants, and schools. This forces people to get vaccinated by making life difficult for the unvaccinated.

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In New York City, residents had their houses sprayed with pesticides to reduce the threat of wildfires. Trucks drove by, making announcements for people to go indoors immediately until the trucks had passed. The speaker was in their living room with open windows and found the whole situation dystopian and creepy. They questioned what kind of pesticide was being used and expressed concern about something going on their window.

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Gay people are sensitive because they suck dick and have parades. The speaker questions why straight people don't have parades. They mention traffic issues, gas prices, and taking the rainbow symbol. The speaker clarifies they are not homophobic, just making jokes. They express wanting the rainbow back and question the need for more colors. The speaker jokes about the rainbow being magically delicious. They end by saying it's all in good fun and that gay people should be able to take a joke.

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The speaker states they convinced the mayor to make something "a man." They describe attending underground dance parties beneath a bank in Wall Street during COVID, where everyone was taking Molly. The speaker recalls having a party with friends in a hotel in August of 2020, where they all took Molly. They claim there weren't restrictions on gathering, but hotels didn't want inside parties. The speaker says they love being biopsychos. They describe how public health made it uncomfortable to be unvaccinated by restricting jobs, restaurants, and school access. They state this was a way of forcing people to get vaccinated.

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In Washington, the speaker, a young person, observes the sexual perversion among older politicians. They are shocked when invited to a sexual gathering that turns out to be an orgy. The speaker also witnesses hypocrisy among leaders who advocate against addiction, as they openly use cocaine. The speaker finds these experiences to be wild and unexpected.

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Crown Heights is a Black neighborhood. If they put their hands on anyone, they don't want that war because it'll be every day. Why are they stopping this Black man from getting over to Crown Heights? They'll wake my people up. The Caribbean giants live right over there. They shut that whole block down. That's when I'm going to wake up and unite the struggles.

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In New York City, residents had their houses sprayed with pesticides to combat the West Nile virus. Trucks drove by, making eerie announcements, urging people to go indoors until the spraying was complete. The speaker, who was in their living room with open windows, found the whole situation dystopian and creepy. They questioned the safety of the pesticides being used and expressed concern about the city's approach to dealing with the virus.

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Public restrooms are described as potential "hangouts for the homosexual." Bobby and his friends encountered a man in a restroom while changing. Lady suggested taking a shortcut under the pier, but the others wanted to take the main road. Bobby recognized the man from the restroom and decided against the shortcut under the pier, preferring to stay with his friends. The speaker concludes that Bobby made a wise decision that may have saved his life, because "one never knows when the homosexual is about."

This Past Weekend

Huffing Cups | This Past Weekend #117
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Theo opens by explaining the ritual of clapping to sync video and audio, thanks the music submitter Rusty Scott, and notes two tracks he played that got him in a good mood. He shifts into a meditation on time, childhood, and the weight of new experiences. He remembers youth as a time when life seemed to have “forever,” when love felt vast and real, with every feeling magnified by novelty and abundance of time. He recounts going out as a teenager in a church van that could become a moving stage for mischief, describing the humorous possibilities of each row, from sin to tutoring to grilled cheese. He underscores how being young made dangers and discoveries feel equally possible, and he uses vivid, comic images—people huffing weed joints, long van seating, and wild social experiments—to illustrate risk, appetite, and wonder. He also reflects on the intensity of sex drive in youth, including provocative memories of peeking at adult figures and the raw, overwhelming pull of hormones that can feel like a “two-way street” between body and mind. He notes that time feels larger when you’re young because every moment is new and heavy. The middle of the show features sponsorships and tour updates. Great Block Pizza at 1811 Pico Boulevard in Los Angeles is pitched with a range of options; Lakeside Maple is described as handmade, gluten-free, vegan-friendly trail mix powered by pure maple syrup, with a 15 percent discount code Theo at LakesideMaple.com. Theo shares a quick tour schedule: Minneapolis, Chicago, Nashville, and Toronto, while also venting about venues that don’t offer fair pay or fair deals, and voicing a preference for partnerships that are honest and beneficial. He jokes about other ads and the misalignment of some sponsorships with his values, reaffirming a commitment to fair advertising. Listener calls follow. Ronnie from Philadelphia shares gratitude and describes his own sobriety journey, thanking the show for support and describing the emotional work involved. Tom from rural North Carolina talks about mental health, medication, and the importance of voicing feelings, noting how admitting vulnerability can be brave. A caller from Canada reflects on sobriety and connection, expressing admiration for the show’s community. Additional stories range from pregnancy sparks at a bar to late-life romance, with Theo guiding conversations toward honesty, responsibility, and tenderness. He asks listeners to call the hotline with best or worst weekend stories and teases future guests like Joey Diaz and Jocko Willink. Theo closes with gratitude for listeners and sponsors, urging living fully while acknowledging mortality, and inviting continued participation and support. The episode ends with a reminder to celebrate life and to keep the conversation alive.
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