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Speaker 1 says, “We don’t change our plates every morning, just so you know. It’ll be the same plate when you come talk to us later,” and adds, “US citizen, former fucking country,” followed by, “You wanna come at us? You wanna come at us? I said go get yourself some lunch, big boy.” Speaker 2 then yells, “Out of car. The Get out of the fucking car.” Speaker 0 responds, “Get out of the car. I took it to my car. Woah. Fucking bitch.”

Speaker 0 urges the audience to come closer and expresses excitement. The speaker encourages America to unite and take action. The transcript ends abruptly.

The speakers are at a protest and are trying to locate the police lines. They mention Antifa and express their intention to confront them. They mention someone named Rico and eventually find him. Tear gas is deployed, and they discuss which direction to go. They chant "USA" and help each other up. They express concern about being trapped by the police.

Speaker 0 recounts a collective achievement with intense emotion: “Realities. We accomplished this shit. We did this shit together.” The mood is explosive as they urge each other onward with repeated exhortations: “Fuck this. Fuck this. Let’s go. You guys are savage. Let’s go. Let’s fucking go.” There is a sense of adrenaline and triumph, followed by practical urgency: “Holy shit. You have to come with us now. Give me a sec. Give me your hand. Get on. You got it? Yeah. I’ll pick him up.” They indicate a need to move quickly and decisively: “Gotta we gotta burn the We gotta get this shit burned.” The speaker asserts the success they’ve achieved: “Oh my god. We did this shit. We took this shit.” A casual interaction with a bystander emerges: “What’s up, bro? Fucking yeah. Fuck yeah. Fucking did this shit.” There is the observation that authorities had already damaged property earlier, noted with a sense of surprise: “Well, they already broke the window. So, you know, I didn’t know I hit it that hard.” The group acknowledges the risk of law enforcement or others filming: “No one got that on camera.” A call to restraint appears but is followed by conflicting impulses: “Do not deface statues. I was I I can I can respect the set? Well, people might burn this down. I’m not gonna lie.” They contemplate the possibility of burning more, recognizing that the moment may already be past or irreversible: “So it might be too late for that.” They question the next target: “Why are we going there? That’s what I’m saying. Break that shit. Damn.” The atmosphere shifts to a more improvised, almost media-savvy plan: “It would be fire if somebody had, like, a boombox or something. Revolutionary music and shit.” A sense of improvisation and danger appears as someone offers tools: “Let me do. I got a knife. I got a I got a knife.” The conversation includes caution about harm to participants: “Bro, I’ve seen people out there get hurt. I don’t wanna see you get hurt.” Finally, there is a practical, forceful commitment to continue the action in a limited, directed way: “I just we will make a we will make a path dead ass.”

The speaker briefly greets someone and mentions being behind the SFTP. They mention something about being on the main side of the cops and then abruptly tell someone to "fuck off" and to go up.

Two speakers discuss going into the capital tomorrow, insisting on a plan despite hesitation. They oscillate between urgency and caution: "Tomorrow, we need to go into the capital" and "I don't even like to say it because I'll be arrested." They try to keep the rhetoric "Peaceful" and "Fed" in the mix, then confirm aloud: "We need we need to go I'll say it. Alright." A sharply cut interjection—"Shut the fuck up, Uber"—is followed by: "To the capital." They label it as "Based Fed posting? Yeah. Need to go into the capital." The exchange ends with a resigned acknowledgment: "I didn't see that coming in. Okay."

The speaker starts by expressing that the United States is currently going through a difficult time. They then mention that they are ready to begin recording and ask for confirmation. The speaker briefly comments on the quality of the internet connection. They mention a beautiful view and a fire near a crater. The speaker then asks someone named John to be cautious. The transcript ends with the speaker mentioning the relevance of something to a person named Fred and questioning the use of clamp sticks. They conclude by saying "action" again.

In the exchange, Speaker 0 speaks in a confrontational, defensive manner, attempting to project calm while signaling readiness to confront the other party. They begin by downplaying any anger: “That's That's fine, dude. I'm not mad at Show your face. I'm not mad at okay.” The speaker then references the notion of routine or consistency, saying, “We don't change our plates every morning, just so you know. It'll be the same plate when you come talk to us later.” This line establishes a threat of persistence or continuity in the encounter, suggesting that the speaker intends to maintain the same approach or stance in future contact. Following this, Speaker 0 reinforces a nonchalant attitude with, “That's fine. US citizen, former fucking.” The exact meaning of that fragment is unclear from the transcript, but it is presented as a declaration intended to bolster their position or persona in the confrontation. The speaker then challenges the other party directly: “You wanna come at us? Wanna come at us?,” framing the interaction as a test of strength or resolve. They further compound the pressure by ordering a practical action: “I said go get yourself some lunch, big boy.” The directive to eat is delivered in a blunt, taunting tone, perhaps aiming to assert superiority or distract the other person. Speaker 0 follows with a brief, unambiguous command: “Go ahead.” This short directive serves as a green light for the other party, even as the tension remains high. The scene then shifts to Speaker 1, who interjects with a forceful demand: “Get out of the car. Get out of the fucking car.” The imperative is repeated in urgent, aggressive language, underscoring the escalation or enforcement of authority within the confrontation. In response, Speaker 0 doubling down repeats the same demand: “Get out of the car.” They then exit with a possessive, almost defensive remark about the vehicle: “I'm taking my car.” The exchange culminates in a crude exclamation: “Woah. Fucking bitch.” The language conveys hostility and a sense of personal affront, marking a heated, potentially volatile moment between the participants.

The exchange opens with one speaker shouting aggressively, using repeated vulgar phrases and insults directed at another person. The initial lines are: "What up? Hey. You're a bitch. You look like a bitch. Back the fuck up." The speaker continues to demand that the other party "Back the fuck up," emphasizing the instruction with added exclamations and repetition. The tone remains confrontational as the speaker comments on appearance with "Nice nice pink rat tails," and again insists, "Back the fuck up." The dialogue then shifts to an incident-driven claim: "No. He came up and attacked us." The speaker questions the other person’s perception with, "Are you fucking stupid?" and asserts that the entire event is captured on video: "It's all on camera, you fucking idiot." This assertion is reinforced with the statement, "He came up and attacked us," underscoring the claim of being assaulted. A sense of accountability and evidence is introduced as the speaker reiterates the alleged assault and points to documentation: "Don't walk away now. I was pepper sprayed twice. It's on Tommy's camera." The mention of pepper spray indicates a violent or confrontational encounter preceding or during the moment being described, and the reference to "Tommy's camera" suggests a separate recording device that purportedly captured the events. The interaction continues to involve a third party, implied to be a responding authority, addressed with a respectful but firm tone: "Yes, sir. Quit attacking us stupid." This line reveals a dynamic where the speaker is appealing to an authority figure, insisting that the other party stop attacking them and positioning themselves as a defensive party in the confrontation. Throughout the transcript, the speakers alternately make pronouncements, defend their actions, and insist on the veracity of their claims through both direct statements and appeals to captured evidence. The repeated phrases—"Back the fuck up," "You're a bitch," and "Don't walk away now"—frame the encounter as a heated exchange characterized by insults, demands for space and safety, and assertions of being mistreated or assaulted. The claim that "It's all on camera" and "It's on Tommy's camera" functions as a central assertion of documentary evidence supporting the speaker's version of events, while the closing line, "Yes, sir. Quit attacking us stupid," signals a concluding attempt to de-escalate and engage authorities while maintaining the stance that the speakers are being attacked. The overall content centers on an alleged assault, the presence of pepper spray, and the insistence that the incident was captured on multiple recordings.

Speaker 0 is trying to confirm something with someone, but they are not responding. Speaker 0 wants the person to let someone know that they are trying to do something with their jeepers. Speaker 0 keeps asking for confirmation and tells the person that if they don't confirm, they will keep asking. Speaker 0 mentions that something needs to be cleaned up and asks the person to get up. Speaker 0 also mentions a bag of weed and asks if the person bought it. They also mention wanting drugs.

The exchange opens with Speaker 0 insisting that everything is fine and stating, “That’s fine, dude. I’m not mad at you. Show your face. I’m not mad.” Speaker 1 responds with a similar nonconfrontational stance, saying, “That’s okay. We don’t change our plates every morning, just so you know. It’ll be the same plate when you come talk to us later. That’s fine.” A fragment, “US citizen,” appears, attributed to the moment but not clearly labeled as a speaking line beyond its placement, followed by Speaker 0 challenging the others with, “You wanna come at us? You wanna come at us?” Speaker 1 counters with a calmer directive: “I said go get yourself some lunch, big boy.” Speaker 0 then says, “Go ahead.” The dynamics shift as Speaker 2 interjects with an order, “Out of the car. Get out of the fucking car.” Speaker 0 repeats the directive, “Get out of the car. I’m taking my car. Woah.”

The speaker is inquiring about someone's whereabouts and asking what they are doing. They express concern and ask why the person is not okay. The speaker also mentions that the person is pepper spraying them.

Speaker 0 repeats 'USA. USA.' and asks, 'Why would that cut?' He murmurs, 'They just Ah. Ah.' Then, 'Got it. I got it. They just USA.' 'Oh, the pepper spray. I got it.' He repeats, 'I got it. I got it. Let's go down. Go straight. Straight.'

Put your stuff down, hands on your head. Are you okay? Yeah, come on. You good, son? Yeah, you're on, right? Yep, yep. Translation: Put down your belongings, hands on your head. Are you okay? Yes, come on. Are you okay, son? Yes, you're ready, right? Yes, yes.

Speaker 0 issues a terse instruction sequence directed at someone present: first, to “Back off.” Then, to consider the option of not responding to “them,” followed by a firm directive to “Just don’t say anything.” The sequence culminates in an explicit expression of confusion or incredulity with the line, “What the fuck is this?” This single speaker’s comments convey a clear, multi-step control directive intended to alter the other person’s behavior in the moment. The initial directive, “Back off,” functions as a command to create distance or cease engagement, signaling that the speaker feels the situation or the other party warrants withdrawal or reduced interaction. The subsequent line, “You don’t have to respond to them,” reinforces the aim of disengagement, emphasizing autonomy in choosing whether to engage with the other party. The third directive, “Just don’t say anything,” further narrows permissible action to complete silence, removing the possibility of a spoken response and steering the recipient toward nonverbal comportment or radio silence, depending on the context of the interaction. The closing line, “What the fuck is this?” introduces a sudden emotional reaction—likely confusion, disbelief, or frustration—directly addressing the nature of the situation. The profanity underscores a high level of intensity or surprise, suggesting that whatever is unfolding has elicited a strong, immediate response from Speaker 0. Taken together, the lines present a coherent set of instructions aimed at minimizing interaction and exposure to the other party (“them”), coupled with a reaction that questions the premise or quality of the ongoing scenario. The sequence emphasizes control and restraint, urging silence and withdrawal, while also capturing an abrupt, exclamatory moment of perplexity or dissatisfaction.

Speaker 0 urgently tries to get someone's attention, repeatedly saying "Hey" and telling them to "get off it." They warn the person to stay back and express confusion about what is happening.

The speaker instructs someone not to drive away and to continue on 285. They repeat the phrases "Get the there," and "Get the down."

The speaker begins by expressing that the United States is currently going through a difficult time. They then mention that they are ready to start recording and ask for confirmation. The speaker comments on the quality of the recording and mentions a beautiful view. They discuss a fire that missed a crater and warn someone named John to be careful. The speaker mentions that they are going to talk about something relevant to Fred and express their approval. They inquire about the equipment used and request a microphone tap. The speaker concludes by saying "action" again.

Speaker 0: Chasing someone, repeatedly saying "get that nigga." Then abruptly switches to a conversation, saying "what's up?" and demanding something. Continues to repeat "give me that" multiple times. Ends with a command to "get back right now."

Speaker 0 states that they want to ensure the others are okay, accusing them of driving like a complete maniac. They say they need to verify that they’re good, and once verified they will be out of there. They ask, “You understand?” The response is “No.”

In the brief exchange, Speaker 0 outlines a sequence of actions and requests related to an exercise or procedure that involves going under and interacting with a component described in imperfect terms as “antif” and something referred to as “a crap out.” The speaker indicates that, as part of the process, a certain element should be covered or attended to when they go under, and then asks for that element to be put back in place. The request is followed by a simple acknowledgment, “Alright,” and an expression of appreciation with the phrase, “Thank you so much.” The dialogue then progresses to a check-in with the listener(s). After the acknowledgment, Speaker 0 asks a direct question about whether the others feel better, signaling concern for the participants’ immediate wellbeing. This is followed by a query about whether the group members were sprayed, suggesting that the procedure or scenario involves exposure to a spray or dispersal of a substance. The speaker closes the quick exchange with the words, “Here. Here,” which could indicate offering support, confirmation, or a prompt for attention in the moment. Overall, the fragment centers on a coordinated task where going under requires adjusting or reintroducing a component (“cover his antif and a crap out”), followed by gratitude for assistance and a brief welfare check among participants. The repeated emphasis on putting something back in place, alongside the welfare questions and the query about spraying, implies a practical, hands-on operation with a focus on correct procedural steps and immediate communication about comfort and exposure. There is no evaluative or judgmental commentary in the transcript; it is a straightforward exchange aimed at ensuring the task is performed correctly and that participants’ immediate conditions are monitored. The dialogue ends with the rough cadence of confirmation and concern, leaving the exact nature of the task and the precise meanings of the cryptic terms intact as spoken.

A tense confrontation unfolds as a group debate and police arrival become the focus. The scene centers on a claim of ongoing activity for two and a half years, punctuated by demands and warnings directed at bystanders and the person approaching the camera. “There. Okay? Right there. For two and a half years, they've doing that.” The speaker points to an action or pattern that has been continuing over a long period and seeks attention or intervention from others present. The request “Hey. Where's the cops?” implies frustration or urgency about law enforcement missing from the scene as events escalate. A direct order follows: “Get your hands off. Go. Back off. He's camera.” The speaker instructs someone to retreat and to keep away from the camera, emphasizing the need to control interaction with the recording or observers. The phrase “On sir. Rest that guy. He's not That guy He came out towards my camera. You punched him first.” indicates a dispute about who initiated contact or aggression. The speaker asserts that “That guy” did not simply behave as claimed and accuses another party of approaching the camera, while stating “you punched him first,” shifting blame onto someone else in the confrontation. Additional directions are issued to the crowd: “All of you over there or away from the gas. Preferably, though.” This line suggests the presence of gas or a gas-related device and calls for people to distance themselves, with a preference for moving away from the gas source. The speaker then reinforces accountability: “That guy just assaulted.” The claim marks a pivotal moment—an accusation of assault by “that guy,” prompting a determination to “deal with this” and to move people back. Following this, the speaker reiterates posture and control: “Back over there. Hey.” The dialogue then shifts to questions about who has been arrested: “Are we the only one that was arrested?” The answer provided is: “Yeah. We'll talk to you over there.” The speaker notes an assault occurred, saying simply, “Assaulted.” The following declaration clarifies a temporary stance: “For now, we're fucking deescalating.” This emphasizes a strategic move to reduce tension rather than pursue further immediate action. The closing commands maintain the drive to create distance and manage the situation: “So please move back here.” The audience is reminded that someone has been arrested: “Arrested right now, sir.” Finally, a directive ties the communication together: “You're speaking with him. Please back off.” The overall sequence reflects a reactive, controlled response aimed at separating parties, stopping perceived aggression, and de-escalating amid competing accusations and crowd dynamics.

The speaker communicates urgency, alternating between commands and questions directed at the group. The sequence unfolds with repeated imperatives and inquiries: 'Run me out. Go. Run me out.' 'What's going on, guys? Come on.' 'Let's go, guys. I don't know. Let's go.' 'Come on, What are you doing?' 'Get the fuck out. What? Go.' The cadence is rapid and confrontational, mixing solicitation of action with expressions of confusion, and ending in a sharp demand for someone to leave. Overall, the exchange centers on pushing for departure or removal while challenging others to respond. The speaker's tone conveys urgency and frustration, with overlapping cues hinting at a tense confrontation.

The exchange appears to be a tense traffic-stop interaction. One speaker asserts they are not detained and mentions having it on recording, while questioning the legitimacy of the stop. They indicate they were visiting parents and that they live in Spencer, and they are asked for their father’s name, though they decline giving that information. Throughout the confrontation, the other party demands that the speaker keep their hands visible and not move around, insisting they are not detained and that nothing about a detention has been said. The speaker is told to turn the phone off and to stop recording, with repeated instructions to relax and not to move excessively. There is a back-and-forth about recording and legality: the speaker states they have it on recording already and asserts a prohibition on certain actions, while the other party continues to instruct the speaker to put the phone away and to calm down. The dialogue includes commands to approach or come up, culminating in repeated insistence that the speaker "come up," with multiple repetitions of "Come up" and "You got the right one," suggesting the speaker is being asked to move toward the officer or another location. Overall, the moment captures a confrontation where one participant emphasizes not being detained and references recording, while the other enforces compliance through visible-hand and proximity directives, culminating in persistent urging to advance.

Two voices, Speaker 0 and Speaker 1, erupt in a heated argument filled with confrontation, insults, and conflicting accusations. Speaker 0 insists he did not assault anybody and denies any wrongdoing, repeatedly accusing others of criminal behavior and bullying. He berates the others as “piece of shit,” “fat bucks,” and “bunch of fucking pussies,” while predicting that they will die a “sad fucking lonely death.” He claims, “Arresting American citizens” and says, “You slam it on him,” denying that he slammed the door. He asserts that “you guys are abducting people off the streets” and challenges the group to meet him, asking for a street wave and directing them to a location. Speaker 1 challenges Speaker 0, urging him to avoid assault and to provide clarification on what just happened. He notes that they “exited here” and that they are “around you guys.” He and Speaker 0 discuss their location: “ Sheridan and Belmont. Sheridan and Belmont. We’re on the corner,” specifying the intersection to reach them. He asks for patience, saying “Hold on. Stand by.” He reports surrounding actions and voices concern about the confrontation, emphasizing they will soon be in contact with each other and that they are near the other party. The exchange grows more acrimonious as Speaker 0 continues to threaten and insult, telling the other party to tell a Facebook group where they are “Camping out like a bunch of buck bunch of fucking pussies.” He repeats the charge that others are “arresting American citizens” and asserts that the situation is not assault, while Speaker 1 maintains it could be considered assault “at the next stoplight.” The dialogue reveals a tense, personal clash, with Speaker 0 attacking the other side’s families and immigration background: “All your families came from different fucking countries.” As the tension escalates, both speakers exchange directions and indications of where they are relative to the others. Speaker 0 directs a left turn at various landmarks, asking, “Where do I turn? I turn left, turn left, right, turn left,” and acknowledges the need to communicate their location to the other group. The dialogue ends with continued dispute over the events, the concept of assault, and where each party should proceed, punctuated by raw insults and threats. The exchange centers on alleged abduction and assault, the fear of being targeted by authorities, and the urge to confront the other group at a nearby intersection near Sheridan and Belmont.