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Palman press. As he does, he's gonna climb off the edge and then drop. Look at the figure all the way to the right next to the tree and watch him disappear. There's some smudges in some places we're looking to collect DNA. There's a he did that. He left some palm impressions. There's his right. Move to this far.

Someone is on the roof, Gary is laying down. There are criminals on the roof, making it tough. They need to be taken out.

Speaker 0 and Speaker 1 coordinate to locate a person with a book bag. They discuss the person's location and plan to approach him. Speaker 1 guides Speaker 0 to the building where the person is located. Speaker 0 asks for assistance from Jesse to get up. Speaker 1 assures Speaker 0 that they will be there to help.

What is that? Matt, look at that window facing us. It's coming straight from there. Which one? The one in our hotel. Count the windows: 1, 2, 3, 4, 5th row from the left, 2nd from the top, the one that's open.

It's getting intense! The fire is approaching quickly, and we need to move. We were just standing here, and now we’re in a real danger zone. We have to go up, so let's hurry! Come on, Benji, this way! We need to find a safe spot. The wind is blowing towards us, which is not good. We have to keep moving left. Stay focused and keep going! We can make it through this.

Someone is on the roof, Gary is laying down. There are criminals on the roof, making it difficult to handle.

Ripped it off! You need to hit that other thing. Watch out! Here we go. Oh yeah, that should work, but it’s taking too long. I don’t understand where the police are. It’s pretty chaotic, and we can’t get into that office.

Two civilians attended to, one laying down with a book bag next to him. They were spotted in the next building over. The speaker tried to locate them but faced difficulties due to obstacles. They were cautious as the civilians could come down on them. Despite challenges, they continued to search for the individuals. The speaker requested assistance from Jesse multiple times.

Dude he's super brave, asshole, he took a second weapon. Basically he retrieved the weapon of the guy who if he had taken recently there yes I saw I saw, yeah. The speaker mentions “the access to the attack, brother,” and then says “no and no he is under the bridge, yeah.”

Nice semen. Let's go. You can see the guy there. It seems like they might have hit him because he is burning. What's that?

The conversation centers on a plan to perform a jump from a high spot, with the participants debating how to execute it safely and whether to proceed at all. Speaker 0 jokes about someone “playing baseball in his own house,” setting a loose, chaotic mood. Speaker 1 responds with hostility and questions, signaling tension and uncertainty about proceeding. The two then try to determine if everything is ready to go, asking Dan to confirm readiness: “Dan, is that ready to go? If I jump here. You want to throw it away?” Dan’s role is to validate whether they should proceed. The plan involves someone named Lucas who is expected to climb up to a platform to perform the jump. Speaker 0 says, “Lucas, you gotta climb up here and do it. I gotta jump off,” indicating that Lucas would be the climber, while Speaker 1 suggests there are alternative ways to approach the jump, including performing it from up there or moving to another spot. The dialogue reveals a few possible routes: jumping from a lower position to a target, or jumping from a higher point where there is a rope. The instruction from Speaker 1 is concrete: “You go here. All the way up to where there’s that rope.” The plan then becomes to “land on your feet,” with Speaker 1 reassuring that “it don’t hurt.” There is a sense of risk and improvisation throughout. Speaker 1 describes a preferred method: “you could do that too, actually,” but emphasizes using the rope as the primary point of contact for the jump. The sequence is described in steps: ascend to the rope, approach, then execute the jump, and land on one’s feet in the chosen landing zone. The dialogue emphasizes confidence in the landing technique, asserting that landing on the feet will avoid pain. Towards the end, the mood shifts to a darker, starker note as Speaker 0 asks, “What if we just, like, smashed you? Just line up.” This line introduces a hypothetical, more dangerous outcome, underscoring the tension and potential consequences of the stunt. The exchange ends with this ominous possibility, leaving the decision to proceed unresolved.

Searching every nook and cranny in this build. Here's my last question: How did he get on the roof? Did y'all find a ladder? Does he have, like, a 12 foot vertical? How did this happen?

Speaker 0: Hey, Rich. Yeah. Put it up in the fucking scaffolding. Hey. I'll make sure I don't know. Yes. Shit. It's warm.

Where is he? He’s straight up. We have two civilians with him. Jackie, where did you pick me up? He was on the left side. We need to get them out of here. Yo, Blasto, get some fish. He’s on our neck building over, near the gap. She has glasses and long hair. I found the wall and pulled my head in front of him. He’s laying down with a book bag next to him. Give me a hard line over here. Watch out; he can come right down on you. If you have eyes on him, give me a ladder. He was on top of the left building. I jumped up by the yellow crane. It’s very hairy on the left side. There’s a gap between you and him.

We're in a fire! We need to move up quickly! Go, go, go! This way, Benjie! Everyone's safe here. Look to the left! We should head left. The wind is blowing towards us. Let's keep moving! We can do this!

Where's he at? He's straight up. We have two civilians attending to him. Jackie, where are you? He was on the left side. I need any shots; get them out of here. He's on our neck building, right after the gap. She has glasses and long hair. I found the wall and pulled my head in front of him. He has a book bag and is laying down. Give me a hard line. Watch out; he can come right down on you. This is going to drop four. If you have eyes on him, give me a ladder. He was on top of the left building. I jumped up by the yellow crane. It's a very hairy left side. The first one, serious left side. There's a gap between you and him.

Speaker 0: So there's somebody on the roof over there. He just ran from over there, ran in. And now he's right there.

Someone is on the roof, Gary is laying down. There are criminals on the roof, making it difficult to handle.

Don't come closer. I'll help you. Stay where you are. I'll let go.

Speaker 0: 'So there's somebody on the roof over there.' 'He just ran from over there, ran in, and now he's right there.' 'You think he'd already be in place? You would think that.' 'Just saying.'

Hey, back up! Watch out! Who is it? You’re here? He’s one of the owners. You good? I got you.

On the roof over there? Just saying. He just ran from, over where's my finger? Well, from over there, ran in, and now he's right there. Just saying. Yeah. You think he'd already be in place? You would think that. So there's somebody on the roof over there. Just saying. He just ran from, over where's my finger? Well, from over there, ran in, and now he's right there. Just saying. On the roof over there? Just saying. He just ran from, over where's my finger? Well, from over there, ran in, and now he's right there. Just saying. Yeah. You think he'd already be in place? You would think that. So there's somebody on the roof over there. Just saying. He just ran from, over where's my finger? Well, from over there, ran in, and now he's right there. Just saying.

Put it up in the fucking scaffolding. I'll make sure I don't know. Yes. Shit. It's warm.

Two civilians need help. Keep an eye out. The person is on the left side, near the orange building. Watch out for columns. Stay alert, he might come down. He was on top of the left building. Look inside the yellow crane. There's a gap between you. We have a unit on the roof. Jesse, do you see me?

We're in a fire! We need to move up quickly. Go, go, go! This way, Benjie! Everyone's safe here. Look to the left! We should head that way. The wind is blowing towards us, but we can make it. Let’s keep moving! We’ve got this!