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Ian Carroll investigates claims about Michael Jackson's will. Allegations suggest he called Jews in the music industry leeches, but his family disputes the will's authenticity. John Branca, in charge of Jackson's estate, had a history with Sony. Branca and Sony Music CEO, Tommy Mottola, were accused of financial misconduct. This conflict emerged towards the end of Jackson's life, revealing a complex web of relationships and accusations.

I'm tired of the press manipulating the truth. All forms of popular music are rooted in black culture. I broke records but was portrayed negatively. It's time for change. Let's not forget what's in our hearts and make a difference with our conscious minds.

From Sammy Davis Jr. to James Brown, Jackie Wilson, Fred Astaire, and Gene Kelly, the tradition of great performers is usually the same. They work hard but often end up broken and sad. As an artist at Sony, I generated billions of dollars for them. Now, I own half of Sony's publishing and they're angry because I outsmarted them. They're trying to destroy my album as revenge. Tommy Mottola, the head of Sony, is a devil. Mariah Carey, who divorced Tommy, told me he follows her and taps her phones. We can't let him destroy great artistry. I appreciate everyone's support and love, and I promise the best is yet to come.

The speaker expresses anger towards Will Smith, comparing him to Michael Jackson. They accuse Michael Jackson of setting them up and claim that he raped them as a child and their own children. The speaker threatens violence towards Michael Jackson and mentions the importance of honoring parents according to the Bible. They criticize Will Smith for portraying them as a rapist on a TV show, despite their belief that he is the one who committed the act.

Rabbi Shmuley claims he worked to save Michael Jackson's life, was his rabbi for two years, and loves and misses him. He says Candace Owens never met Michael Jackson and accuses her of saying the Jews killed Michael Jackson, showing contempt for people struggling with addiction. He denies being a murderer, stating he doesn't even have a speeding ticket. Speaker 0 alleges Rabbi Shmuley might have killed Michael Jackson. Speaker 0 claims Michael Jackson had songs about Jews destroying the music industry and himself. Speaker 0 notes that after Rabbi Shmuley started spending time with Michael Jackson, his hair was on fire and he died.

The blind item suggests that Ozembra and David Geffen funded the documentary "Leaving Neverland" to tarnish Michael Jackson's memory. It alleges that Geffen, Ozembra's close associate, assaulted Jackson, leading to Ozembra's animosity towards him. The blind item hints that Ozembra may be behind the recent stalking of Paris Jackson. Paris Jackson's recent Instagram live sparked speculation, with some pointing fingers at the Smiths, but the blind item suggests Ozembra and his tunnels may be involved.

They can't control me like they control Shaq, Charles Barkley, LeBron James, Jay-Z, and Beyonce. It ain't no name I won't name. To Farrakhan, I love you, but I took that as a slight. I don't take disrespect from nobody. I only serve God. My mama was sacrificed. Michael Jordan's daddy, Bill Cosby's son, Doctor Dre's son. In Hollywood, people come up missing to control and traumatize. They wanna monetize and traumatize. God loves me. Gap, Adidas, all that went away. Forbes had to write net worth 400,000,000. Jesus is king. This truth is gonna be heard. I never killed nobody, so I can say whatever I want and not go to jail.

Footage shows rabbi Marvin Hyer, an activist for Jewish causes, outraged because last June Jackson sent him a letter of apology for singing those lyrics. The incident centers on the words “Jew me, sue me, kick me, kite me,” which Michael Jackson had told the press he would never use. Hyer and others insist the phrase is problematic, and the discussion emphasizes that “don’t you me” is part of the song’s controversy. During the segment, the conversation shifts to the issue of testimony in a child molestation case. Speaker 3 notes that, in general, a child will be able to recall and recollect with some detail the incident, and that such testimony is persuasive to a jury even if it is the only testimony available. The group then moves to Jackson’s legal proceedings. Jackson gave a wave when he was released after booking and was scheduled for arraignment in January. The report also highlights Michael Jackson’s longtime residence in Trump Tower and his ties to Donald Trump. Trump is described as strongly reiterating his defense of Jackson in an appearance with Larry King by criticizing the accuser’s mother. A speaker characterizes the mother as someone who has “had plenty of experience at going after people” and suggests she “goes after them viciously and violently.” The speaker adds that Jackson would spend time with Trump’s kids and that “he was not a child molester.” There is a pivotal claim from a different participant: “They murdered Michael Jackson after he started talking about Jews,” with a caveat that the speaker does not state whether the comments about Jews were right or wrong, but asserts it as a historical fact. The report notes that Jackson was in Brazil to shoot the music video for “They Don’t Care About Us.” It mentions that last year he angered Jewish groups by singing certain lyrics, and that he yielded to pressure to change the song, though in Brazil the controversial lyrics reappeared as he performed them in a particular way. The discussion then addresses the line “Jew me, sue me. And some people are saying that that is antisemitic.” One participant declares it is not antisemitic, insisting, “I’m not a racist person… I love all races of people” and clarifies that the line is about himself as the victim, not about others. Finally, the report closes with the update that Michael Jackson apparently suffered cardiac arrest that afternoon and was rushed to UCLA Medical Center.

Get a rainbow! I'm like a guy. Angry Michael, I’ll call the cops. You won’t do anything. I just stepped on your jacket, Michael. What’s up with that? It’s crazy. What do you think of Michael Jackson, people? You look alike!

Michael Jackson, wearing a disguise, surprises his friends who don't recognize him. They jokingly call him "Dave" instead of "Mike." He thanks his fans for their support and reflects on the knowledge and experience gained from his recent loss. They discuss visiting his house in Encino. When asked to say a few words, Michael greets his fans and is asked how it feels to be leaving royalty tonight.

Michael Jackson, disguised as Spider Jack, went to the movies with his kids. His friend didn't recognize him and kept calling him "Mike" instead of his disguised name, so he started calling him "Dave Dave." They thanked everyone for their support and expressed gratitude for the knowledge and experience gained. They mentioned going to Michael's house in Encino. When asked to say a few words, Michael greeted his fans and was asked how it felt to be leaving royalty tonight.

The discussion centers on the Epstein files’ implications for Michael Jackson, Hollywood power, and international intelligence networks. The speakers present a narrative in which Jackson is portrayed as a target of a smear campaign by those who themselves were implicated in abusive behavior, and where financial and institutional interests—labels like John Branca, Sony, and broader music-industry power structures—played a decisive role in shaping public misperceptions and legal outcomes. Key points raised: - Michael Jackson faced multiple accusations in the 1990s: one civil settlement for sexual abuse claims and a criminal trial in which he was acquitted. Jackson maintained his innocence, asserting that he had only tried to help children and that the accusations were a nightmare used to condemn him. - Macaulay Culkin and Corey Feldman provided counter-narratives about Jackson’s character, with Culkin stating that Jackson protected him from going to Epstein’s island. Aaron Carter recounted how FBI agents and his mother pressured him for statements about Jackson, which he resisted, arguing that Jackson was hospitable and kind. - Ian Carroll, an independent journalist, argues that the smear campaign against Jackson was sustained by media and industry interests, and that the FBI’s decade-long investigation found no credible evidence, despite persistent public narratives. He suggests the timing of accusations aligned with Jackson’s challenges to industry power. - Cui bono (who benefits) framing is used to trace Jackson’s fortunes to John Branca, Sony, and the broader record industry. Jackson’s contested revised will, signed while the family claimed he was not in Los Angeles, is cited as evidence of manipulated assets and power dynamics after his death. Carroll and others propose that Jackson’s death may have involved murder or entrapment tied to financial and industry interests. - The group discusses how Epstein’s network intersects with major power players, including Ehud Barak and Leslie Wexner, and how Epstein fostered a web of influence spanning entertainment, finance, and intelligence communities. They propose that blackmail—often leveraging sexual proclivities or drug use—was a tool used to control powerful figures, with Bill (Jackson’s long-time head of security) and Faheem Muhammad (who later joined Diddy’s security) highlighted as examples of how security teams can serve as leverage points. - The conversation connects Epstein’s trafficking network to Hollywood and music executives, arguing that the industry routinely uses celebrities and talent-disposition toward manipulation, entrapment, and blackmail to protect vested interests. - The panel raises questions about the role of media silence and biased reporting. They critique headlines and coverage (such as claims of Jackson being a pedophile) as sensationalist, arguing that some outlets published prosecutors’ opinions as facts and that this feeds broader misinformation. - They discuss the broader Epstein ecosystem—its links to Israel’s intelligence circles, transhumanist funding, Palantir and other surveillance technologies, and the potential for a global intelligence-driven “blackmail economy” that intersects with corporate and political power. They emphasize that Epstein’s network extended beyond celebrity abuse to technological and geopolitical frontiers, including genetics, cybersecurity, and digital governance. - The conversation also touches on how some public narratives attempt to shift blame or reframe individuals (for example, via racial framing or antisemitism accusations) to obscure the underlying structural abuses and blackmail networks. They caution against easy judgments based on identity politics, urging careful examination of the documented connections and the evidence. - Towards the end, they debate who might still benefit from reviving allegations about Jackson, noting that the Epstein materials resurfaced in late 2020s-era reporting and that some outlets used salacious Epstein-Jackson linkages to repackage old stories. They stress the difficulty of disentangling truth from manipulation when powerful actors have incentives to suppress or distort information. Additionally, the speakers highlight: - The existence of a broader, ongoing intelligence and corporate machinery behind Epstein’s operations, suggesting that the real story lies not only in salacious accusations but in how such networks influence media, politics, science funding, and technological development. - The importance of transparency and deeper investigation into the layers beneath public celebrity scandals, including the roles of security personnel, gatekeepers, and financial controllers who may shield or advance these criminal networks. Overall, the dialogue emphasizes a pattern: prominent figures in entertainment and business become targets of complex, multifaceted suppression and manipulation by powerful interest groups, with Epstein’s and Jackson’s cases presented as illustrative of a wider system of control and blackmail rooted in money, media influence, and intelligence contacts.

I have a dream, like Martin Luther King, that people will not be judged by their race or skin color. The people who have screwed artists over in the music industry are individuals who took opportunities, not Jews. My lawyer was Jewish, and my manager was Jewish, as were eight people who colluded without me. It's wrong to say that there's Jewish control of the media; that's a lie. Is it anti-Semitic for me to say "Jewish"? There is no Jewish media. Call out the individuals by name, not as Jews. People get screwed over in the music industry and the media. I grew up in the Soviet Union, I'm Jewish. The words about Jews are not the words of a samurai. Don't say "Jewish media" or "Jewish-controlled media". Is it okay for me to say that, or is that anti-Semitic?

The speaker discusses the control of the music industry by Universal Music Group, mentioning allegations in a lawsuit involving CEO Lucian Grange. They reveal that Universal controls 33 out of 23 top 100 songs on the Billboard chart. The speaker plans to analyze the influence of certain groups on the music industry and the content of music videos. They also mention a video linking Diddy's lawsuit to Michael Jackson's death.

Michael Jackson's legacy is being reexamined in light of new allegations against P Diddy, who is accused of running a sexual blackmail operation in the music industry. Notably, Fahim Mohammed, who was Michael's security chief, later worked for Diddy. The lawsuit suggests that top record executives were aware of Diddy's activities. Jackson faced numerous accusations of misconduct, but investigations found no evidence against him. The media has often portrayed him negatively, overshadowing his charitable acts and personal struggles. Additionally, Jackson's controversial remarks about the music industry and his estate's management raise questions about his treatment and the power dynamics within the industry. His later security connections and the circumstances surrounding his death invite further scrutiny of the events leading up to it.

Michael Jackson had a list of enemies in the industry, all of whom were Jewish. There was controversy over his will, signed in LA while he was in New York, leaving his estate to those he distrusted. He accused his former manager and Sony of financial misconduct. Rabbi Shmueli threatened the speaker, who was warned not to "mess with Jews."

The speaker discusses the control of the music industry by Universal Music Group, alleging ties to a sexual blackmail scheme involving Diddy. They reveal that Universal controls 33 out of 23 top 100 songs, raising questions about industry consolidation. The speaker plans to analyze music videos for themes and ownership ties. They encourage viewers to watch their video on the Diddy lawsuit and Michael Jackson's death.

The speaker recounts a sequence of events following a party, culminating in a confrontation with FBI agents. After leaving the party, the speaker says he smoked with someone nicknamed “nickel,” then got into a limousine and returned to the Sheraton Hotel at Universal, where four FBI agents were waiting in the hotel room. The speaker’s mom was present, urging him to tell the agents what happened. When asked to recount events, the speaker says the agents asked “super sexually exploiting, you know, questions, back backside questions,” and he immediately questions the premise: “are y’all crazy? I said, what do think I'm gonna do? Tell you that Michael did something bad so that we we can sue him for money?” He looks at his mom and expresses disbelief at why she would allow such questions, asking, “Why are you letting this happen?” The speaker states his perspective on Michael, saying, “That man did nothing but be hospitable, kind, loving, giving, everything you could think of.” He explains that they had spent time together riding four-wheelers for several hours in the mountains at night after Michael’s birthday party, and that he, Michael, and Chris Tucker hung out and talked “pretty much all” of the time. The speaker emphasizes that the encounter with Michael was positive and that he did not understand why the FBI was pressing the sensitive questions or why his mother suggested there might be wrongdoing. In summary, the speaker describes a night of hospitality and camaraderie with Michael (and Chris Tucker), followed by an FBI interview at the hotel room the next day in which intrusive questions were asked, prompting the speaker to defend Michael and challenging the motives behind the investigators’ line of questioning. The account highlights the contrast between the speaker’s personal memory of generosity and friendship with Michael and the formal, accusatory nature of the FBI interrogation.

The transcript centers on a controversial set of statements made by Michael Jackson and surrounding reactions. It opens with Speaker 0 stating, “I'm shocked. Jew me, sue me, kick me, kite me. Those are the words that he told us that he would never use,” highlighting a phrase Jackson allegedly defended as not something he would say. Speaker 1 adds, “I want people to get the picture. So they shut up talking about, don't Jew me. You understand? Yep.” The implication is that the language became a focal point in discussions about Jackson, not necessarily a verdict about his character, with Speaker 1 suggesting that people should stop saying “don’t Jew me” and that “Michael Jackson is a to be convicted of this child molestation because he said don’t you me in a storm,” though the phrasing is ambiguous in the transcription. Speaker 2 notes that “this can depend on the testimony of the child accuser,” while Speaker 3 discusses the general reliability of a child’s recall, stating, “In general, the child will be able to recall and recollect with some detail the incident, and that is persuasive to a jury even if it is the only testimony that is available.” Speaker 4 asks, “Should we light the candle?” and Speaker 3 confirms, “Yeah. Let's do it.” The scene shifts to Jackson’s legal status: “Jackson gave a wave when he was released after booking. He's scheduled for arraignment in January,” per Speaker 2. Speaker 5 mentions Michael Jackson’s long residence at Trump Tower and describes how Donald Trump defended Jackson in a Larry King interview by attacking the accuser’s mother, saying she has “plenty of experience at going after people, and she goes after them viciously and violently.” The speaker adds that Jackson spent time with Trump’s children and “loved children,” asserting, “He was not a child molester.” Another voice claims, “They murdered Michael Jackson after he started talking about Jews,” acknowledging that while the speaker does not judge the content of Jackson’s statements, it is a “fact of history” that he was in Brazil to shoot the music video for “They Don’t Care About Us,” and that he angered Jewish groups by the controversial lyrics—though he later changed the song under pressure, the controversial lyrics were back when performed in Brazil. Speaker 6 reiterates Jackson’s controversial stance, saying, “There’s been another issue raised in a song you say, and some people are saying that that is antisemitic. It’s not antisemitic because I’m not a racist person. I could never be a racist. I love all races of people from Arabs to Jewish people, like I said before, to blacks. But when I say Jew me, sue me, everybody do me, kick me, kite me, don’t you black or white me, I’m talking about myself as the victim.” Finally, Speaker 3 reports, “Apparently, Michael Jackson suffered cardiac arrest this afternoon. He was rushed to UCLA Medical Center.”

I have to share something with you all, but please keep this confidential. Mariah Carey came to me, distraught after her divorce from Tommy Mottola. She told me he's an evil man, that he follows her, taps her phone, and that she doesn't trust him. He's a horrible person, and we need to keep pushing until this behavior stops. We can't let him do this to artists. I appreciate all of you, your loyalty, everything you've done. I love you all. I promise you, the best is yet to come.

Michael Jackson states that Tommy Mottola is a devil. Jackson claims that as an artist at Sony, he generated several billion dollars for them. Sony underestimated him, thinking his mind was only on music and dancing. Jackson says he is leaving Sony as a free agent, owing them only one more album, a box set with two new songs he wrote long ago. He writes at least 120 songs per album. Jackson claims he owns half of Sony, which angers them. He believes Sony's revenge is to try and destroy his album, but "good art never dies." Jackson recounts that Mariah Carey, after her divorce, came to him crying, saying Mottola is an evil man who follows her, taps her phones, and is untrustworthy. Jackson asserts that they must continue until Mottola is terminated, as they cannot allow him to harm great artistry.

People on TV claim to be experts on me, even though they don't know me. I knew Michael Jackson well, and he lived in Trump Tower. I've seen him perform and he was an incredible entertainer. He was a friend of mine, a perfect gentleman, and we never had any problems. He's gone through a lot, and I will defend him because nobody else is. He lived in Trump Tower for a long time and we had many great times together at Mar-a-Lago in Palm Beach.

Michael Jackson conspiracy theories resurface due to P. Diddy's sexual blackmailing lawsuit. Evidence suggests Diddy ran a similar operation to Epstein in the music industry for 30 years. The media and record executives were aware of Diddy's actions. Despite FBI investigations, no evidence of criminal conduct was found on Jackson. Jackson's odd behavior was influenced by his troubled upbringing. Allegations of anti-Semitic remarks were linked to his disputes with Jewish figures in the music industry. Jackson's security connection to Diddy raises questions about his death. Reevaluate Jackson's story and lyrics in light of industry corruption. The parallels to Kanye West are intriguing.

There are suspicions about who really controls things, with mention of Jews and dark forces. Michael Jackson's negative comments about Jews are brought up, along with his concerns about being mistreated. The idea of selling one's soul or worshipping Satan is discussed in relation to those in power.

The speaker alleges that Tommy Mottola is a devil and says there is a secret being kept, asking viewers not to videotape what is about to be said because companies take advantage of artists. The speaker claims to have generated several billion dollars for Sony—the company—and asserts that Sony thought the artist’s mind would always be focused on music and dancing. The speaker states that they, as the performer, would outthink Sony, and that Sony cannot let them get away with what they’re trying to do now that the speaker is a free agent. The speaker explains they owe Sony one more album, which would basically be a box set containing two new songs the artist wrote long ago. The artist notes that for every album they record, they write at least 120 songs, making the box set feasible by selecting two songs to include. The speaker says they are leaving Sony as a free agent and claims to own half of Sony, describing it as good business that has angered Sony. The speaker then recounts that Sony’s revenge would be to try to destroy the artist’s album, but maintains a belief that art, good art, never dies. The speaker expresses love for Unbreakable and asserts admiration for the work. There is a moment where the request is made to turn something off, but the speaker says they don’t mind and that it can be taped, indicating a willingness to let the recording continue or be shared. The language shifts to a more dramatic aside: “Marco is getting gangster today.” The speaker references Mariah Carey, telling a story of an encounter after a divorce when Carey came crying to them, describing that she was crying so badly she had to be held. Carey allegedly told them that a man is evil, follows her, taps her phones, and is a very evil, horrible human being, and that they must continue their drive until he is terminated. The speaker repeats the sentiment that they cannot allow this to great artistry and expresses appreciation for those present—Diana, Waldo, and others—stating they have been amazing and that they love them. In closing, the speaker reiterates affection for the group and thanks the people present, underscoring loyalty and support.