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Speaker 0 discusses the occult worship of Saturn and the black cube of Saturn, covering the hexagram (six pointed star, seal of Solomon, star of David), the black cube in Mecca, ancient Saturn gods, Saturn’s relationship to biblical Satan, Saturn ring symbolism, Saturn’s astrology, and contemporary Saturn worship. Key points: - The hexagram is historically the seal of Solomon and is known today as the star of David; on the top of Saturn shown by NASA, a hexagon is visible inside the hexagram, and this is linked to Saturn symbolizing a three-dimensional cube, with three cubes exhibited in New York, Australia, Denmark, Santa Ana, and Hamburg. - Since ancient times, Saturn has represented the evil Egyptian god Set, the biblical Satan, and the gnostic demiurge. - The seal of Solomon contains six points, six triangles, and six sides, which is linked to 666, and Saturn has been associated with negativity such as limitations found in time, conflict, and death; the black cube represents death and judgment (judges wear black). - The planet Saturn is named after the Roman god Saturn; the Greek equivalent is Kronos; the Norse equivalent is Odin, who sacrificed his one eye for wisdom. - The one-eye god is suggested to be present in the pyramid, and a storm at Saturn’s south pole resembles an eye. - In Roman culture, Saturn was the god of time, abundance, wealth, and generation. The symbol for Saturn is the six pointed star, and the six-six-six connection is reinforced by time measurements: sixty minutes in an hour, sixty seconds in a minute, twenty-four hours in a day (two plus four equals six). - Saturn as god of time and generation is tied to the 29 Earth-year orbital period, and the notion of a generation being twenty to thirty years. - Saturn is also the god of dissolution, defined as indulgence in sensual pleasures and extinction of life or death; this is linked to the mainstream promotion of sensual pleasures and to the black cube symbolism. - Saturn as the god of abundance is connected to wealth and the elite; a claim is made about the Rothschild wealth being extremely high, implying they are at the top of central banks. - The black cube of Mecca (Kaaba) is discussed, with Allah as the Islamic god; the term Kabbalah is explained as esoteric teachings about the relationship between the unchanging God and the finite universe; the tefillin is mentioned as a related practice. - The Thelemic six pointed star resembles the sigil of Saturn; some consider the seal of Saturn to be the seal of Azael, though it is stated that the seal of Azael is different. - Azael is described as the demon of Saturn, bearing Jews’ sins during Yom Kippur; a reference to Supernatural’s Season 2 Episode 01 is made regarding the sigil of Azael. - In Geometria, the practice of coding letters into numbers, worship of the black cube equals 201; reducing 201 yields 3; Saturn is the third planetary body on the kabbalistic tree of life; magic squares for Saturn are 3x3 with a constant sum of 15, leading to rows and columns that reduce to six (six six six). - The magic cube of Saturn has each pillar, row, column, and space diagonal equal to 42, which reduces to six. - The astrology of Saturn links to Capricorn, symbolized by a horned goat (the devil or evil spirit often depicted as a horned goat). - Contemporary Saturn worship is symbolized by rings or a black cube; the video ends with a quick overview of companies using ring symbolism and logos, and intelligence agencies using cube symbolism in their names and logos.

Speaker 0 argues that the year does not begin in January but at the spring equinox, the return of life, in late March. The calendar, at its base, was simple: 13 months of twenty-eight days each, aligning with the lunar cycle. Because the sky is an clock, the sun marks days and seasons, and the moon marks the months, the cycle restarts in late March. Therefore, the number 13 represents renewal, not bad luck. However, the system supposedly discourages renewal by making people celebrate Saturn at Christmas and Janus at the New Year, trapping them in a temporal loop. The months themselves prove this misalignment: September means seven, not nine; October means eight, November means nine, December means ten; April is the first month, and the phrase about April Fools’ Day mocks those who still follow the natural cycle. The speaker asserts that when you control the calendar, you control time and people’s perception. Key points: - The year’s true start is the spring equinox, not January. - The calendar’s original design would be 13 lunar months of 28 days, aligning with the lunar cycle. - The cycle is renewed in late March, with 13 representing renewal. - The system promotes celebrations of Saturn at Christmas and Janus at the New Year to trap people in a loop. - The month names reveal calendar distortions: September is seven, October eight, November nine, December ten; April is the first month. - April Fools’ Day is framed as a mockery of those who honor the natural cycle. - Controlling the calendar is framed as controlling time and people’s perception. Overall, the speaker presents a view that the conventional Gregorian calendar distorts the natural lunar-based 13-month cycle to keep people from renewal and to exert control over time perception. The argument emphasizes a hidden structure behind date naming and holidays, suggesting intentional manipulation to maintain a perpetual loop rather than true renewal.

The black cube worn on the forehead is intentional and connected to Luciferian symbolism, forbidden history, and ancient knowledge. The Teflon represents Saturn, which has a hexagram on its North Pole, rebranded as the Star of David but actually the Star of Remfam. In the ancient world, the hexagram represented Saturn and communed with the underworld. Satanic cults and homosexual pagan cultures venerated Saturday/Saturn's day/the Sabbath as a day of rest after a week of immoral activities. Christians changed the day of rest to Sunday to honor the Holy Spirit. This is because it's all Satanism in disguise; they worship evil and call him Hashem. The snake offers a Promethean model of spirituality where one can self-aggrandize their material wealth. The Talmud is a book of derogatory segregation, blasphemy, and tricking God. It is dedicated to worshipping the self as God's chosen people, hiding the truth that these people define themselves from the rejection of universal love and Jesus Christ.

The speaker questions the origin of the Star of David and explains that it is actually the seal of Solomon. They mention that Jews in the time of Jesus would not have recognized this symbol, and it only became associated with Judaism in the 1600s. In the Bible, it is mentioned as a symbol of a false god, not something prescribed by God. The other speaker asserts that the Star of David is a satanic symbol because they believe Judaism is a satanic religion.

Taylor Swift is being accused of embracing witchcraft and satanic symbolism, with claims that she is trying to manipulate the youth. The speaker points out Taylor's tweet where she referred to herself as a witch and connects it to her onstage rituals. They also compare her appearance to Zena LeVay, the daughter of Anton LaVay, the founder of the Satanic Church. The speaker argues that Taylor's transformation from America's sweetheart to a witch is a result of certain contracts being signed. They also mention Billie Eilish and Lil Nas X, claiming that they too have switched from child-friendly personas to embracing satanic imagery. The speaker warns against allowing these artists' music into households, as it invites demonic spirits. They urge people to be wiser in 2024 and cut off anything that doesn't glorify God.

In this video, the speaker discusses the similarities between the initiation rituals of Freemasons and the singer Pink. They mention the use of blindfolds, exposed left breasts, and checkerboard leggings. The speaker also talks about the significance of the transgender god Baphomet in Freemasonry and its connection to certain individuals being promoted. They refer to a biblical passage about separating sheep from goats and show Masonic artwork featuring goats. The speaker emphasizes the connection between Freemasonry and Satanism, stating that lower-level Masons may be deceived. The video concludes with images of Masons interacting with goats.

The transcript recounts a series of alleged Jewish ritual murder accusations and related events, presented as a continuum across decades. It begins with Leo Frank, the Atlanta factory superintendent, who was tried and found guilty of murdering 12-year-old Mary Fagan, described as a gentile girl whose body allegedly bled from a head wound and other parts. After much dispute and funding, Frank was pardoned seventy-three years later; the account asserts the pardon was not due to innocence but because of a lynch mob’s actions and later memory, with claims that Jews sought to portray Frank’s innocence. The narrative then addresses a 1919 Chicago case in which a Gentile accused Jews of ritual murder of his child, stating it is unclear whether the accusation was true. It references 1928 Massena, New York, where locals alleged ritual murder by Jews of a child who was allegedly lost in the woods, described as an instance of false accusations by Jewish writers. It urges criminal investigators to pursue actions to prevent iniquitous crimes and to protect innocent Jews from maligning. A 1935 Russian report in Nashput Harbin is cited, alleging a case in Afghanistan where a Mohammed and child were robbed and stabbed by Jews for ritual purposes. The text then cites various figures—Doctor Dahl, Increase Mather, Thomas E. Watson, and Michael, a Lithuanian rabbi converted to Christianity—asserting that Jewish ritual murder has historical roots and that several prominent individuals have written about or supported such acts. An April 16, 1989 New York Times article about a long-lost skeleton found in a synagogue cellar (Eldridge Street) is described, including ambiguity about whether the remains were male or female and whether the body could be identified as Jewish or Gentile, with a suggestion that if it were a Jewish child, someone within the community would likely know, but investigators had no information. On May 1, 1989, Oprah Winfrey’s show is described, where a Jewish girl named Rachel testified that her family practiced ritual murder for several generations, including forced participation in infant sacrifice. A 1990 Cult Watch Response is cited, where Rachel reaffirmed the narrative of multi-generational family ritual murder. The text then mentions a 1995 Romanian case where gentile children were reportedly kidnapped for use in occult rights in Israel, involving Mahmoud Assadi, a former Israeli aide, and claims of broader Jewish involvement in such crimes, including alleged blood libel narratives. The transcript broadens to global claims: reports from Romania, Germany, Italy, Poland, Egypt, Syria, Portugal, Jordan, France, Russia, Austria, Spain, and more alleged ritual murders by Jews; questions are raised about whether there is a global conspiracy against Jews or whether some Jews are conspiring against non-Jews. It cites Richard’s The Myth of Ritual Murder, which contends Jews never use anyone’s blood, while noting other passages about blood used in talismans or for medicinal purposes. References to Satanism include Anton LaVey as Jewish, and Lord Egan as a leader of a satanic cult, with imagery in video depictions of inter-racial cults and desecration. A German doctor’s and a Russian source’s accounts are cited to describe supposed rituals, mutilations, and confessions under torture that allegedly imply Jewish culpability, especially around Passover, Hanukkah, and Purim, with Purim described as celebrating the murder of Gentiles by Jews. The overall message asserts recurring accusations against Jews of ritual murder and argues such acts occur around major Jewish holidays.

These people cannot be reasoned with because they have given their soul to the devil. They participate in seances, drink blood, and sacrifice children at the highest levels in Hollywood. The next thing to be exposed will be the pedophilia coming out of Hollywood and Washington DC. Human sacrifice and cannibalism has been going on for years, and spirit cooking is commonplace. Many Hollywood actors bring a witch to the set and do a seance. They worship devils and allow devils to come into them before they take on a role.

The pope is seen as the emperor of Rome, which transformed into the Vatican. The Vatican represents the priesthood of ancient Roman pagan religions, disguised as Christianity. The question arises: can man alter God's orders? Despite this, the pope changed the Sabbath from Saturday to Sunday, associated with sun worship. The Vatican features symbols like a sun temple, an obelisk, and a reflecting pool, similar to those found in places like Dealey Plaza and Washington DC. This is not meant to insult Catholics but to reveal a deeper truth.

The discussion centers on the idea that a set of nonhuman forces have long purportedly manipulated humanity. It references the Nag Hammadi library, noting that a fifth of its documents describe archons, Greek for rulers, as a nonhuman presence manipulating humans. The entities’ devil figure is identified as the Demiurge or Yaldabaoth. The conversation then brings in Krayta Mutwa, a Zulu shaman from South Africa, who allegedly describes legends and accounts of a nonhuman force taking a reptilian form and manipulating human society. The speakers assert that this same theme appears globally. The topic then moves to ancient history, where it is claimed that ancients performed sacrificial rituals to these gods, especially sacrificing children. The question raised is what the gods gain from these sacrifices. The implication advanced is that today’s wealthy elites participate in satanic rituals to these same gods, a pattern the speaker connects to documented cases such as footage from Bohemian Grove, associated with figures like George W. Bush, and claims that royal families, including the British and Dutch royal families, are major players in this “satanic ritual culture.” The conversation then ties these practices to the broader concept of feeding on human energy. The speaker references the first Matrix movie where Morpheus presents humans as batteries in a computer-generated dream world, using this as a metaphor to suggest that the gods feed off human energy. It is claimed that the gods or entities feed off a particular type of human energy generated by emotions and thoughts, with scientists purportedly having determined frequencies associated with different emotions. The speakers also discuss how people can sense energy in environments, such as feeling a “bad energy” in a room, or in a house with a history of dark events. They describe how individuals involved in negative actions emit a vibe, which can influence others unless the frequency is changed. The overarching claim is that these energies or frequencies are the driving force behind the interactions with these ancient and modern powers, tying together ancient sacrifices, modern satanic rituals, and the science of emotional frequencies.

Viewer discretion is advised as the speaker discusses the origins of Christmas. They explain that Christmas evolved from the Roman holiday Saturnalia, which involved gift-giving, drunkenness, and mistreatment of women. The Protestant church outlawed Christmas until the 1800s. The speaker also mentions that Christmas has pagan origins, with worshipers of the god Molech sacrificing babies during the winter solstice. They connect the tradition of sitting children on Santa's lap to this dark history. The speaker further explains that Santa Claus was originally seen as demonic, and the "ho ho ho" laugh came from a figure called Robin Goodfellow, associated with the devil. They criticize the celebration of Christmas as a distraction from societal issues like government corruption, brainwashing in schools, and economic struggles.

Lucifer, son of the morning, is believed to be the one who bears the light, according to some. They claim that God is the devil and that we are already in hell. Freemasonry is said to have secret rituals and oaths of secrecy, with severe penalties for those who break them. As one progresses in the ranks, the oaths become more brutal, involving acts like drinking from a human skull and accepting human sacrifice. Freemasonry is also associated with Satanism, with prominent figures in the organization praising Lucifer. The highest level of the Illuminati is said to be a perverted sex cult. The ultimate goal of these secret societies is the destruction of Christianity and the mass sacrifice of humanity.

The speaker expresses concern about various practices that they believe go against biblical teachings, such as burning incense and worshiping false gods. They point out symbols and imagery at the Trevi Fountain that they interpret as being connected to the antichrist and the Luciferian New Age. They also mention the use of chants and rituals in the Vatican, including the claim of resurrecting Tammuz. The speaker warns against engaging with these practices and urges listeners to avoid secret chambers.

The gospels reveal Satan as the commander of spiritual powers, and Satanists acknowledge spirits in the air, as the gospels state. Magicians unprepared to attain desires may seek Satan's aid. Witchcraft and Satanism are real, evidenced by earthly power. A demon, fifth in the pyramid structure, is titled "Inspector General," mirroring the highest Freemasonry degree. Lucifer and Beelzebub, called the prince of devils in the gospels, are listed as superior spirits in witchcraft books. The seal of Saturn is a demonic sigil. Freemasonry is a one-eyed religion hiding in plain sight, functioning out of sight and out of mind. Blood is part of the royal art, and Masonic lodges filter Satanists. There's a hidden science to blood sacrifice, a deeper reality behind Jesus' crucifixion. A Freemason admitted in 2016 that every church would become a brothel. A fashion show in a church, organized by high-ranking Freemasons, was a heart-wrenching mockery. The show featured Masonic symbols like twin pillars, a checkered floorboard, a squaring compass, and the all-seeing eye. Models displayed horns of Baphomet, all-seeing eyes, a satanic pentagram, and inverted crosses.

Every holiday is based on ancient rituals. Christmas derives from the Roman Saturnalia and Norse Yule, while Easter's egg and rabbit symbols originate from Iostre, a fertility goddess. Halloween evolved from the Celtic Samhain, where masks were worn to hide from spirits. Valentine's Day comes from the Roman Lupercalia, a fertility festival. Birthday candle rituals come from the ancient Greeks' fire magic offerings to Artemis. Egyptians and Romans only celebrated the birthdays of gods, kings, and elites, believing it marked a spiritual rebirth. July 4th falls after the summer solstice, a sacred day for ancient civilizations. Thanksgiving mirrors ancient harvest festivals giving thanks to the gods. The calendar itself may be a system designed to direct human energy. Holidays may be hidden energy harvesting rituals disguised as traditions.

Baal worship is on the rise in America through sexual immorality, declining marriage rates, and child sacrifice like abortion. The Burning Man event and the increase in paganism and witchcraft are also connected to this rise in false god worship. The speaker urges Americans to choose to follow God instead of Baal, referencing 1st Kings 18/21. Personal commitment to serving the Lord is emphasized.

The entertainment industry uses visuals of Satan and symbols like upside down crosses and pentagrams to influence people. They know that God and Satan exist, but they rely on the fact that many people are unaware of this. The things they feed you through entertainment have an impact on you, whether you realize it or not. I won't compromise honesty to be politically correct. I will speak respectfully, but directly.

The speaker claims that September 11th is Jesus's real birthday based on biblical references. They argue that the elites blew up the Twin Towers as a satanic ritual because they knew the significance of this date. The speaker connects this date to other events such as Noah's birthday and the day Noah removed the covering of the ark. They suggest that celebrating Christ's birthday on September 11th can be a way to challenge the elites.

Easter Sunday doesn't align with Jesus' resurrection as it varies yearly due to its connection to the solar system. The origins of Easter trace back to Babylon, where the goddess Ishtar was worshipped on the first Sunday after the first full moon following the equinox. Constantine later shifted this day to honor Jesus' resurrection, incorporating pagan symbols like eggs and bunnies. This history raises questions about other false teachings that may have infiltrated Christianity. The devil's deception in ancient times warns of potential falsehoods in modern practices.

Speaker 0 and Speaker 1 discuss the idea that people use coded language, noting that the code is "glaringly obvious when they say pizza and when they say jerky." They describe how such terms stand out as obvious codes. They question the practicality of other coded comments, asking, "Why do I need a chilled container to," followed by "Right. You know, a chilled bag or whatever they say," indicating confusion about the packaging or handling of something being coded. Speaker 1 adds a rhetorical rejection of the behavior, saying, "Jesus Christ," and questions, "And so you think they're eating babies?" The conversation moves from skepticism about ordinary explanations to a stronger, more sensational hypothesis, with Speaker 0 affirming, "Oh, yeah. I absolutely believe that." This leads Speaker 1 to suggest an association with Kurt Metzger, saying, "You should get together with Kurt Metzger You'd crazy," implying a link to similar views or discussions. Speaker 0 reflects on the belief system as dating "back, like, you know, a long long time. Dates this is Moloch worship." The term "Moloch worship" is invoked to describe the perceived ancient or ritualistic undertones behind the coded language and alleged practices. The exchange mentions an "other email" that contained the sentence, "thank you for the torture video. I enjoyed the torture video," indicating that there are communications expressing enthusiasm for violent content. This line is highlighted as part of the broader pattern they are observing. Speaker 0 reiterates their conviction that people who hold these beliefs "don't want to accept it. Like, don't wanna believe it. They don't wanna accept it," emphasizing a reluctance among others to acknowledge these supposedly hidden realities. Overall, the dialogue centers on the idea that coded language (with examples like "pizza" and "jerky") is obvious, that the contents or activities behind the codes might involve extreme or violent practices, and that there is a long-standing, possibly ritualistic framework (Moloch worship) underpinning these beliefs. The speakers acknowledge an element of denial among others who refuse to accept these interpretations, and they reference provocative associations (such as the torture video email) to illustrate the pervasiveness of these beliefs and communications.

Le texte affirme que Noël est décrit comme une fête généreuse mais constituerait en réalité un festival de la débauche. Il soutient que Noël puise ses origines dans Saturnalia, festival païen romain dédié à Saturne, le dieu dévoreur d'enfants, chronos chez les Grecs. Selon l’ouvrage, Saturnalia implique orgies, sacrifices humains et excès divers, et le 25 décembre serait la fête des dieux solaires Nimrod, Mithra, Horus, Thamus, Atis, Sol invictus. Atis serait porteur d’un chapeau proche de celui du Père Noël; le chariot dans le ciel serait celui de Saturne et d’Elios; la canne de sucre rappellerait le sceptre d’Osiris. Le sapin serait un symbole phallique, les boules des testicules, les guirlandes la semence et le cycle menstruel. Il affirme aussi que le costume du Père Noël figure dans les rituels secrets, et que Noël célèbre matérialisme et immoralité, incitant les gens à participer sans réfléchir, ignorant les traditions sataniques et païennes. The text claims that Christmas is described as a generous family celebration but would in reality be a festival of the debauchery. It argues that Christmas draws its origins from Saturnalia, a pagan Roman festival dedicated to Saturn, the devourer of children, known as Chronos among the Greeks. According to the work, Saturnalia involves orgies, human sacrifices, and various excesses, and December 25 would be the feast of solar gods Nimrod, Mithra, Horus, Thamus, Atis, Sol Invictus. Atis would wear a hat similar to Santa Claus's; the chariot in the sky would be that of Saturn and Elios; the cane of sugar would recall Osiris's sceptre. The tree would be a phallic symbol, the balls representatives of testicles, and the garlands of semen and the menstrual cycle. It also states that Santa's costume appears in secret rituals, and that Christmas celebrates materialism and immorality, prompting people to participate without thinking, unaware of satanic and pagan traditions.

Freemasonry despises Christianity because its bible is nature, and its god is Satan. Freemasons believe Jesus is evil for denying human nature. They are "free" from moral obligations and introduce a new world system where nature dictates rights. The speaker warns of disturbing content and potential danger to their life, requesting viewers to remember the video if they die suspiciously. They describe an apron worn in a Freemason degree, featuring bloody imagery, and a ritual involving a human head. They claim that prominent figures have participated in such rituals, though they are unsure if the heads are real. They assert that Freemasonry runs funeral homes and that they cannot reveal the full extent of the rituals. Masonic rituals desensitize candidates for Satanism, where Lucifer is the light bearer. Freemasonry is linked to witchcraft, which was hidden by Jesus's appearance. A clip featuring former masons describes initiation ceremonies in Freemasonry and witchcraft as nearly identical, involving blindfolds, ropes, oaths, and symbolic gestures.

Speaker 0 raises a provocative question about Hollywood: whether famous people must sacrifice their first born child to reach a certain level of success. They ask, “Is that a crazy thing to say?” Speaker 1 responds by distinguishing between what can be proven and what is believed. They say they do not have proof for the claim, but they believe a club exists that grants certain levels of stature, influence, or power in exchange for a blood sacrifice or a sacrifice involving a family member. They suggest the sacrifice could involve a mother or a relative, or even a transition of one’s child, asserting that the motivation behind these acts is worship of a god described as a false god. Speaker 0 prompts for concrete signs that would support this belief. Speaker 1 explains that signs could be observed by researching public information about celebrities. They propose using Google to examine how many stars have lost a parent or a child, or have died in accidents, or died during a particular period in their life. They also suggest looking into how many stars have transgender children and to consider who might be pushing that narrative. They imply that these patterns or coincidences could be indicators of the claimed “club” and its requirements. Speaker 0 characterizes the described phenomena as dark. Speaker 1 reiterates that the phenomenon is satanic, identifying it as Baphomet and associating it with evil. Speaker 0 concurs, reinforcing the assessment as very dark. In this exchange, the speakers discuss the existence of a supposed exclusive group within Hollywood that requires extreme personal sacrifices—potentially including a child or a parent—as a precondition for attaining high levels of fame, power, or influence. The claim is framed as belief rather than proven fact, but it is presented with the assertion that signs could be investigated through public records and celebrity life events, including parental loss, child loss, and the presence of transgender children among celebrities. The conversation attributes the motive to worship of a “false god” and identifies the rooted belief system as satanic, specifically mentioning Baphomet, and labeling the phenomena as dark and evil.

Christmas is a stolen holiday with pagan origins. Santa Claus, originally a Norse god named Odin, would give presents while riding on an 8-legged horse. The 12 days of Christmas originated from the pagan winter solstice celebration, where people would get drunk, exchange gifts, and kiss under mistletoe. Romans performed fertility rituals under mistletoe to honor the god Saturn. The Yule star, representing the five Lemons, was placed on trees. Stars and ornaments on Christmas trees are pagan traditions. Christmas caroling, eggnog, and the Yule log are also pagan in origin. December 25th was originally celebrated as the birth of the invincible sun, but Pope Julius the first changed it to Jesus's birthday.

The speaker argues that Christmas origins and the figure of Santa Claus are deeply linked to ancient pagan rituals. They state that December 25 was originally Saturnalia, a festival of orgies, debauchery, and inversion, which is today marketed as a family holiday to corrupt people. Each year, a figure named Maria Carrey opens the season and is dressed as an offering; in her latest post, she is placed at the center in a composition described as sodomite, in the same style as Bonnie Blue. The speaker asserts that when people deck their trees, they do so without understanding, because they idolize symbols tied to male genitalia, bull testicles, and semen, and participate in the ritual unconsciously while telling children that Santa will come. The argument continues that Santa is Saturn, the ancestor of Moloch, a deity who devoured children and demanded sacrifices. Today these practices are symbolically represented on the laps of Father Christmas, implying that the cult has never truly disappeared. The speaker claims that Liliths parade in the streets and Moloch appears in stadiums, noting that although the decor changes, the ritual remains the same. Saturn is equated with Santa, and Santa is said to be an anagram of Satan. The speaker asserts that this is demonstrated deliberately in films, showing that Santa has the same chariot as Saturn, the same role, and the same interest in children. The name Old Nick is cited as meaning the devil. Saint Nicholas and Krampus are described as a lower version of Moloch under a different name, and the speaker emphasizes that there is nothing Christian in all of this.