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Speaker 0 asserts that 'They suck don't like leeches.' He continues, 'They suck tired of they start out the most popular person in the world, make a lot of money, dig house, cars, everything, end up with penniless.' He also states, 'It is conspiracy that that you do it on purpose.' In summary, the statements describe a cycle where people rise to peak popularity, accumulate wealth and possessions such as houses and cars, and then end up penniless, with a claim that this outcome is part of a conspiracy carried out on purpose. The perspective highlights cynicism toward social dynamics.

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Speaker 0 asserts indifference, remarking that "it's not until you know it's not. you know?" and "I'm here to tell you right now." The core claim is repeated: "We don't care." The speaker reinforces this with "Let me tell alright" and again "Let me tell you. We don't care. Yep."

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The speakers discuss the pressures that come with being in the public eye and having wealth. Speaker 1 notes that revealing personal material isn’t hard, but revealing it and then being told you’re a spoiled white rich kid makes it difficult, implying judgments from others based on background. Speaker 0 responds by asking if this is something Speaker 1 has faced personally, to which Speaker 2 confirms the world’s judgment and acknowledges the challenge of being the son of a public figure who faces assumptions about him. Speaker 2 explains that he understands what it’s like to be the son of a prominent figure and to have people make assumptions, describing it as very difficult. Speaker 0 asks how he handled it, and Speaker 2 recalls the 1960s atmosphere with plenty of drugs but emphasizes the need to block out extraneous noise. He says this is the first time the young man is receiving a lot of attention, with both his father and grandfather in the picture, and people will say whatever they want. They note that others don’t understand what he has experienced or why he has acted as he has. The conversation highlights that simply being born into wealth does not shield anyone from issues, and suggests that people often misunderstand human complexity. Speaker 1 adds a contrast, pointing out that tabloids or social circles criticize wealthy individuals (citing the Kardashians as an example of shopping yet complaining about air conditioning) while not harshly judging them for similar behavior. The group discusses the reaction to a film about drug use and personal struggle, noting that people have said things about it despite its topic. Speaker 2 emphasizes staying focused on their goals and what they do. Speaker 0 reflects on their project’s purpose and reiterates focus. Speaker 2 recounts telling his son during the movie’s production that he doesn’t care about external validation or whether anyone sees the film; he says, “We’re winning,” because they are dedicating themselves to their work and positive outcomes are emerging. Finally, Speaker 2 mentions an NPR appearance where listeners called in to express gratitude for sharing their story and describing how it helped them with their own struggles, underscoring the potential positive impact of their efforts.

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The speakers discuss the impact of the crack epidemic and the current opioid crisis. Speaker 0 believes the crack epidemic helped change its course, but is concerned about the dangers of opioids. Speaker 1 questions why Speaker 0 would sign an artist who promotes drug use. Speaker 0 explains that talent is important to him, but he also feels a responsibility to help people. Speaker 1 suggests that Dame Dash may criticize Speaker 0's decision. Speaker 0 claims not to know Dame Dash and denies any association with him. The conversation ends with Speaker 0 expressing uncertainty about what to say.

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Speaker 0 asks Elon Musk why he shares controversial tweets, like the one about George Soros. Musk defends his freedom of speech but acknowledges that it puts him in the middle of the partisan divide and makes him a target for criticism. Speaker 0 wonders if Musk's tweets hurt Tesla's reputation or alienate customers and advertisers. Musk responds by saying he doesn't care about the consequences and will continue to speak his mind, even if it means losing money. The conversation ends with Speaker 0 saying "Stein."

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The exchange centers on accusations of hyperbolic statements and the accuracy of quoted posts. Speaker 0 challenges Speaker 1's credibility, citing a series of posts and asking whether the statements were read correctly. - On 02/11/2026, Speaker 0 cites a Blueski post: “my words or your words, not mine. The democrats video telling service members to ignore illegal orders didn't go far enough. They should have also urged them to refuse unethical orders, whether illegal or not. There are many things deemed legal that are still obviously unethical, and everyone should hold themselves to this higher law,” and asks, “Did I read that correctly?” Speaker 1 confirms reading it and asks if Speaker 0 disagrees with it, questioning whether people should do unethical things in their capacity of [unknown context]. - On 12/31/2025, Speaker 0 references a post reading, “in front of god and country. … They referring to Republicans think they control their way into us accepting ethnic cleansing,” and asks, “Did I read that correctly?” Speaker 1 responds that it related to a DHS security post advocating a 100,000,000 deportations, stating that “A 100,000,000 deportations would be ethnic cleansing,” adding, “You would be True. One third of the country. So, yes, there are people within the Department of Homeland security.” Speaker 0 asks whether this is hyperbolic and requests more time. - On 02/05 (implied), Speaker 1 notes, “advocating a 100,000,000” but the sentence is cut off in the transcript. Speaker 0 comments, “reputations is … cleansing,” while continuing to engage in the discussion with the chair and audience; Speaker 0 asks for thirty more seconds. - On 03/02, Speaker 0 quotes Speaker 1: “if you rule against Trump's population purge agenda, no hyper permanently there, the nativists will name you, threaten you, and come after you. These judges are much braver than the ICE agents who hide behind masks while violating the constitution. They are much braver.” Speaker 1 clarifies, “They put their names on their rulings, and they stand behind their constitutional rulings. When I talk about population purge, I'm talking about the fact that they're trying to deport US born citizens, people born here. They are trying to deport them as well. So it's not a mass deportation agenda. It is also an agenda intended to reduce the population of The United States, including US born people.” - Speaker 0 responds, “Thank you.” Speaker 1 adds, “These are not hyperbolic statements. I appreciate you reading my account. Here's the good news.” The conversation escalates in tone as Speaker 0 interjects with disbelief, asking, “What planet … parachute him from?” Speaker 1 replies, “No. No.” Speaker 0 comments, “Hey, guys. You're you you You trigger my gag reflex,” and Speaker 1 closes with, “Mr. Bieber.”

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In these three music videos, The Weeknd tells a story of an artist selling their soul. At first, he performs at a club where nobody likes his music. Then, a mysterious man, possibly representing the devil, throws a lighter at him and he becomes popular. In the next video, The Weeknd buries his old self, but the mysterious man returns and he shoots him. The Weeknd then gets into a car and drives away. In the last video, he emerges from a crashing car and enters a room filled with dark energy, where the mysterious man and two girls are present. The Weeknd appears empty.

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Taylor Swift's recent tweet and music video have sparked speculation about her involvement with witchcraft. Some believe she is trying to manipulate her young fanbase by promoting witchcraft. This pattern of artists shifting their image from wholesome to dark has been observed with other musicians like Billie Eilish and Lil Nas X. The concern is that these artists are targeting the youth, as controlling them means controlling the future. The message here is to be cautious about the media we consume and the influence it may have on our beliefs and values.

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Speaker 1 expected a normal social media post but then heard Neil Young wanted them removed from Spotify. Speaker 1 reacted with surprise. Spotify reportedly received calls from two former presidents.

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Taylor Swift's recent concert has sparked controversy as she appears to be practicing witchcraft. Some viewers find this unsettling and question the authenticity of her performance.

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The speaker expresses frustration with Instagram and accuses certain individuals of sabotaging their show and cutting off their Adidas contract. They mention someone named Jerry, who goes by the name "light skinned gay," and criticize the preference for light-skinned individuals like George Floyd and Virgil. The speaker also mentions wanting to speak at a funeral but being denied the opportunity. They express love for Drake and Pharrell and emphasize the need for support from them and others. The speaker references previous Jewish comments and criticizes entertainment figures for not speaking up when they were going through a difficult time. They mention speaking with Tory Lanez on the phone and praying together.

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In the video, the speaker discusses Elon Musk's controversial behavior and legacy. They mention Musk's insults towards them and his complex personality. The speaker questions Musk's need to associate with questionable individuals on social media despite his achievements. They also highlight the dangers of idolizing wealthy individuals like Musk, pointing out his problematic views. Overall, the speaker emphasizes the importance of not excusing harmful behavior, even if someone is talented or successful.

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Speaker 0 asks why Speaker 1 claims to hate children in interviews. Speaker 1 explains that in today's world, it's easier for a single man like him to say he doesn't like children. Speaker 0 suggests that Speaker 1 says this to avoid tabloids speculating about him being a pedophile. Speaker 1 agrees and questions how anyone can truly know if he is or isn't.

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Jay Z is being accused of performing a blood ritual at the Grammys. Some believe that the liquid in his cup was actually blood, not wine. However, it's hard to confirm the truth behind these claims.

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Speaker 0: Apology tour due to online criticism and advertisers leaving. Speaker 1: Bob Ives was interviewed today. Stop. Speaker 2: I don't want advertisers who try to blackmail me with money. Go fuck yourself. Speaker 1: I understand. Bob, if you're here, let me ask you. Speaker 2: That's how I feel. No advertising. Speaker 1: What are your thoughts?

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Welcome to the HollyWeird challenge. Watch this video and see if Hollywood still looks the same to you. In the video, there are references to satanic symbolism, Illuminati signs, and artists selling their souls. It also mentions controversial moments involving Justin Bieber, Dodger Cat, and The Weeknd. The speaker questions the influence of music on behavior and mentions the connection between record labels and the prison industry. There are allegations of child trafficking, ritualistic sacrifices, and the involvement of high-ranking officials. The speaker encourages viewers to watch more videos to delve deeper into the subject.

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Jay Z and Beyonce are being accused of engaging in ritual sacrifices to maintain their success. Rapper 50 Cent claims to have inside knowledge of these alleged sacrifices, which is why he refuses to repair his relationship with Jay Z. It's not the first time we've heard about Jay Z eliminating people to further his career. Beyonce has also faced accusations of practicing witchcraft and even attempting to harm 50 Cent. Multiple insiders have recently come forward with disturbing stories about the true nature of this power couple. Their untouchable status is now being questioned.

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The speaker asserts that sometimes you have to be the villain and embrace a villain arc. They state, “Epstein's my boy, dude,” and loudly declare, “Jeffrey Epstein was cool as fuck,” adding, “There I said it. What are you gonna do? Go ahead. Cancel me.” They reiterate their willingness to be unpopular, noting they’ve been unpopular before, and conclude, “I like it better.”

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Speaker 0 raises a provocative question about Hollywood: whether famous people must sacrifice their first born child to reach a certain level of success. They ask, “Is that a crazy thing to say?” Speaker 1 responds by distinguishing between what can be proven and what is believed. They say they do not have proof for the claim, but they believe a club exists that grants certain levels of stature, influence, or power in exchange for a blood sacrifice or a sacrifice involving a family member. They suggest the sacrifice could involve a mother or a relative, or even a transition of one’s child, asserting that the motivation behind these acts is worship of a god described as a false god. Speaker 0 prompts for concrete signs that would support this belief. Speaker 1 explains that signs could be observed by researching public information about celebrities. They propose using Google to examine how many stars have lost a parent or a child, or have died in accidents, or died during a particular period in their life. They also suggest looking into how many stars have transgender children and to consider who might be pushing that narrative. They imply that these patterns or coincidences could be indicators of the claimed “club” and its requirements. Speaker 0 characterizes the described phenomena as dark. Speaker 1 reiterates that the phenomenon is satanic, identifying it as Baphomet and associating it with evil. Speaker 0 concurs, reinforcing the assessment as very dark. In this exchange, the speakers discuss the existence of a supposed exclusive group within Hollywood that requires extreme personal sacrifices—potentially including a child or a parent—as a precondition for attaining high levels of fame, power, or influence. The claim is framed as belief rather than proven fact, but it is presented with the assertion that signs could be investigated through public records and celebrity life events, including parental loss, child loss, and the presence of transgender children among celebrities. The conversation attributes the motive to worship of a “false god” and identifies the rooted belief system as satanic, specifically mentioning Baphomet, and labeling the phenomena as dark and evil.

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The speaker expresses concern about artists using symbols in their videos, suggesting that they worship the devil and sell their souls for fame. They claim that lyrics and award shows are designed to resemble satanic rituals. The speaker also mentions the industry being infected with Illuminati agendas and suggests researching conspiracy theories. They believe that celebrities have been cursed and taunt listeners with hidden messages. The speaker advises taking time to understand these ideas.

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Taylor Swift is the topic of discussion between two individuals. One person claims to have seen her at parties, while the other asks what she was doing. The first person responds by saying she was dancing with the devil and acting crazy. The second person asks if she is on drugs, to which the first person suggests she had cocaine. The second person then asks if there is anything that made them believe she is part of a satanic cult, but the first person avoids answering and simply states that she is satanic. The second person asks if they find her attractive, but the first person dismisses the question, saying they don't see her like that.

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Speaker 0 explains that he did not play the song, did not ask anyone to play it, did not dance, and did not sing. The only moment you see him on the video is him storming out of the bus, saying, “this is ridiculous,” and leaving. He states he knows why the song was played: “It was played because of this. It was played because it gets traction in a world where everybody is bored of everything all of the time.” He argues that young people are constantly encouraged to try and do the most shocking thing possible, and says this phenomenon is not limited to that song. He notes the issue is visible beyond this case, on all their streams, where they are “running people over and doing retarded shit constantly.” He emphasizes that he is not making excuses for himself, not claiming it wasn’t him, and not blaming someone else. He describes the situation as “kind of ridiculous” and feels it is “a bit unfair” that he is standing in a nightclub while a song came on that he did not request, a song he did not dance to, and a song to which he did not repeat the lyrics. He asserts that they want to attribute the song playing to him, and to imply that it is all his doing, even though he did not request or engage with it in the moment. The core of his message is that the song was played for attention, not because of any action he took, and that the resulting association with him feels unjust given that he did not initiate or participate in dancing or singing along. The overall point is a critique of how the music and moments can be framed to cast him in a particular light, despite his lack of involvement in choosing or performing the content in question.

PBD Podcast

Matt Walton | PBD Podcast | EP 153
Guests: Matt Walton
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In episode 153 of the podcast, Patrick Bet-David welcomes actor Matt Walton, discussing their shared entrepreneurial backgrounds and experiences in Hollywood. Matt shares his acting career highlights, including roles in major films and his strong political opinions, which often spark interest on social media. The conversation shifts to current events, including the ongoing Johnny Depp and Amber Heard trial, where both hosts ponder the credibility of the actors given their profession as performers. They also touch on the implications of Roe v. Wade, with McConnell calling for an investigation into the leak of a draft Supreme Court decision that could overturn the ruling. Matt expresses concern over the politicization of the court and the implications for women's rights, while Patrick emphasizes the importance of democracy and the people's voice in such decisions. They discuss the recent attack on comedian Dave Chappelle, linking it to a broader trend of violence against public figures and the changing dynamics of celebrity culture, exacerbated by social media. The hosts reflect on the need for better security measures for performers and the potential impact on comedy as a form of expression. The discussion then moves to economic issues, including inflation and the Federal Reserve's recent interest rate hike, which aims to combat rising prices. They analyze the effects of these policies on the middle class and the challenges faced by small business owners. Patrick argues for incentivizing entrepreneurship and reducing taxes for lower-income individuals to stimulate economic growth. Finally, they delve into Elon Musk's recent controversies, including his acquisition of Twitter and his interactions with political figures like AOC. The hosts speculate on Musk's potential to reshape social media and the implications of his influence on public discourse. They conclude with a light-hearted note about Musk's personal life and the future of billionaires in society, hinting at the possibility of a trillionaire emerging soon.

This Past Weekend

Andrew Callaghan | This Past Weekend w/ Theo Von #414
Guests: Andrew Callaghan
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New merch in the Be Good to Yourself collection—hoodies in Plum and Moss and tees in Lilac, Moss, and Blue Mist—at theovinstore.com. Tour dates were announced: January 11 and 12 in Grand Junction, January 13 in Pueblo, January 14 in Denver (two shows), January 15 in Fort Collins, and March 1, 3, and 4 in Boston with March 2 in Medford; tickets at theovan.com/tour for the Rat tour. Today's guest is Andrew Callaghan, known for All Gas No Breaks, French Quarter Confessions, and Channel Five. Theo introduces him as a connector who bridges spaces and asks about his journey in journalism. Andrew recalls starting as a doorman on Bourbon Street, interviewing drunken revelers for late-night confessions, then writing for a high school newspaper under a supportive journalism teacher who allowed him to roam Seattle for school credit. He recounts moving to Louisiana on a full scholarship to Loyola, dropping out after a humiliating dorm incident, and the challenge of building media careers in the South, where opportunities felt limited. After French Quarter Confessions, he hitchhiked around the United States, interviewing Outlaws, runaways, deadbeats, and motel creatures, and writing a hitchhiking diary that led to a larger project: All Gas No Breaks. He wrote a book from those experiences, August Snow Breaks A Hitchhiker's Diary, and later developed All Gas No Breaks into an RV-based show. A falling-out with the parent company led him to sign a movie deal with Tim and Eric; HBO and A24 are involved, with a film about the 2020 election and the events leading to and following the Capitol riot. He discusses the ethos of his work: following the vibe, staying curious about people, preferring interviews to arguments, and acknowledging the danger and thrill of roaming with a camera. He details the independent path: a 360 deal, a fight for higher pay, and eventually starting Channel Five. He previews his tour, which will screen scenes from the movie and feature openers found via Craigslist. On Nashville and the South, he reflects on the energy there, the difficulty of building media careers in Louisiana, and the sense of community and danger in different places, from O Block to college towns. He shares thoughts on culture wars in mainstream media, the complexity of interviewing controversial figures like Alex Jones, and the tension around de-platforming versus open dialogue. He talks about social media, admitting he has pulled back from Instagram to protect his mental health, while acknowledging the pull of audience feedback. He explains that genuine friendships and romantic relationships are harder to sustain when public attention is constant, and he’s prioritizing art and tour plans over dating for now. He closes by naming dream guests, including Boosie and various Louisiana figures, and thanks the audience as the interview ends.

Breaking Points

Krystal and Emily REACT To Kanye's "Heil Hitler" Anthem
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Kanye West's new album, *Cuck*, features a controversial track with a chorus that includes "Hy Hitler." Despite bans from platforms like Spotify and Apple, the song has gained millions of views online. The lyrics express his anger over losing custody of his children and suggest a descent into extreme ideologies as a cry for help. Critics note that he is surrounded by enablers who profit from his mental struggles. The song reflects societal rewards for provocative statements, highlighting a troubling cultural dynamic.
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