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The speaker expresses frustration with various individuals and groups, including Instagram, Jewish people, trainers, Jay Z, Mike Rubin, and others. They mention feeling betrayed and sabotaged, and criticize the entertainment industry. They also discuss their political opinions, their children, and their belief in God. The speaker calls out specific individuals and brands, such as Mav Carter, Ari Emanuel, Adidas, Louis Vuitton, and Gap. They express a desire for support from Drake, Jay Z, and others. The speaker talks about their own accomplishments and challenges, including their fashion ideas and mental health. They mention the influence of powerful families, such as the Medici and the Vatican, and criticize Hollywood and the media.

The speaker discusses their relationship with Will Smith and Jada Pinkett Smith. They claim that Will was not their friend and that Jada was highly desired. They also mention rumors about Will's size and how it affected their relationship. The speaker implies that Jada has control over new people in the industry and shares a story about walking in on Will and Dwayne Martin engaging in sexual acts. The speaker describes the scene as intense and shocking.

The speaker shares a disturbing experience involving Robyn and Ray. Robyn would sometimes be incoherent due to medication. The speaker recalls two specific incidents. In one, Ray made the speaker strip in front of him while thinking Robyn was asleep. The speaker felt embarrassed and uncomfortable, especially since they were only 14 and hadn't started using tampons yet. Ray then made the speaker sleep outside, even though it was cold. The speaker had to snuggle up with their dog for warmth. Ray threatened the speaker, saying he would hunt them down if they tried to run away or seek help. The next day, the speaker was allowed back inside. The speaker also expresses their disdain for Robyn, calling them a piece of shit.

The speaker expresses frustration with Instagram and accuses certain individuals of sabotaging their show and cutting off their Adidas contract. They mention someone named Jerry, who goes by the name "light skinned gay," and criticize the preference for light-skinned individuals like George Floyd and Virgil. The speaker also mentions wanting to speak at a funeral but being denied the opportunity. They express love for Drake and Pharrell and emphasize the need for support from them and others. The speaker references previous Jewish comments and criticizes entertainment figures for not speaking up when they were going through a difficult time. They mention speaking with Tory Lanez on the phone and praying together.

Coco, courtside at a Knicks game with models present, expresses a desire for intimacy. The speaker claims to have created hit songs and possesses a unique talent. The speaker suggests their Rolex is not authentic and that they attract male attention, becoming entangled in social situations. The speaker notes the repetitive nature of women in Hollywood. The speaker states they initially pursued education for financial gain through photography but now works as a painter.

Speaker 0 describes a youth with experiences around fashion, travel, and media attention: “Junk kids in Tokyo, fashion shoots in Milan, and me with phone books so that I wouldn't bruise,” and expresses exhaustion with privileged celebrations and indulgences, including “rich kids bar mitzvahs or pigs leftovers with Saudi princess,” a reference to West and Morse code, and a past incident at the VMAs where they were sprayed with a hose for three days. They also say that when their sails drop off, they’ll be taken to a resort and “let rich businessmen hunt me down for sport.” Speaker 1 interjects to introduce themselves, saying, “Hold up. I’m just coming in on the song to check on what y’all talking about,” and adds, “Don’t think of me as a record exec, but I’m Bubba, Big Yell, and Powell. This kid's a real prankster.”

The speaker reflects on a societal reckoning around the Epstein case, insisting that no girl should be put in the situations associated with him and the people around him. The speaker emphasizes the heartbreak of the situation, recalling the ages of the girls and even mentioning their own daughters to illustrate how painful and personal the issue is. There is a strong personal lens: the speaker remembers the ages of those girls and the painful times in their own marriage. They note that they moved on and pushed the memory away, and they are in a unexpectedly beautiful place in life now. They state that the questions surrounding what happened are for the people involved and for their ex-husband, not for the speaker, who feels detached from “the muck” and content to be away from it. When asked about the dominant emotion elicited by the news, the speaker describes it as unbelievable sadness. This sadness extends to the young girls affected, and the speaker expresses sorrow for what those girls endured. The speaker explains that they had to leave their marriage and felt compelled to leave the foundation, underscoring a personal journey of moving forward. Despite moving on, the speaker holds a sense of sorrow and a desire for justice. They express hope that there is justice for the women who have come forward, acknowledging the gravity of their experiences. The speaker notes that they have seen these women publicly speaking in Washington, D.C., and reiterates that what those women went through is unimaginable. Overall, the message combines a call for a reckoning and accountability with a personal narrative of healing, resilience, and a desire for justice for the survivors. The speaker remains focused on the human impact of the events, the pain of the victims, and the importance of addressing the harm done.

Speaker 0 stated that someone "trained me to have to be perfect." Speaker 1 then mentioned "working for Diddy," to which Speaker 0 responded, "Absolutely." Speaker 1 expressed affection for Diddy, calling him a "good friend" and "good guy." Speaker 0 stated that "he expects—" before Speaker 1 interjected, asking, "Is he a good guy?" Speaker 0 responded, "I don't wanna answer that question." Speaker 1 concluded by saying, "I think he's a good guy. I'm a stick up for—"

Young girls are being misled by artists like Cardi B, The Stallion Person, and Nicki Minaj, who promote the idea that being a boss bitch leads to happiness. However, this is a scam. True happiness for women lies in having a family, serving their husbands, and raising the next generation. It's unfortunate that society rejects these values. Women often only realize this when they get older, but I consider myself fortunate to have understood it earlier.

A businesswoman states that working for Diddy for six years trained her to be perfect. Another speaker expresses their love for Diddy, calling him a good friend. When asked if Diddy is a good guy, the businesswoman declines to answer. The other speaker insists that Diddy is a good guy and defends him.

The speaker claims the Kardashians kidnapped their daughter, but Travis provided the address. They call out Meek Mill and Puff Daddy, labeling them as fake. The speaker challenges them, stating they can't shoot anyone. They accuse others of making deals to get out of jail and criticize them for talking about them. The speaker asserts their dominance by comparing themselves to Michael Corleone from "The Godfather."

The speaker states that someone is spending 48 hours with Diddy and a friend, having a great time doing undisclosed activities that are a "15 year old's dream." The speaker implies they are responsible for the individual during this time. The speaker claims to have had legal guardianship of Usher when he released his first album, but clarifies they do not have legal guardianship of the person currently with Diddy, only temporary custody for the next 48 hours. The speaker concludes by saying they plan to "go full crazy."

The speaker lived with Sean "Puffy" Combs in New York City for a year as part of "Puffy Flavor Camp," an idea from LA Reid. In the 90s, Puffy's place was filled with women and partying. The speaker, around 13 or 14 at the time, witnessed "curious things" but didn't fully understand them. Biggie Smalls, Lil Kim, Craig Mack, Faith Evans, Joe Cees, and Mary J. Blige were around. The speaker had per diem and could stay up later than the others. When asked if, as a dad, he would send his kid to "Puffy Camp," he responded, "Hell no."

The speaker shares their experience of being invited to play tennis by a tennis coach in the Bahamas. They were introduced to a man referred to as "boss" or "chief," who had a stunning tennis court on his property. The speaker was invited to play tennis with him and was asked to wear a dress, which they found odd. They visited the property and watched others play tennis before playing with the man. Later, the speaker realized they were not free to leave the property and felt like a captive. They were subjected to sexual assault and felt trapped because the man had their passport. The speaker describes feeling scared, alone, and controlled by the man.

The speaker claims that all the champagne was spiked, causing everyone to pass out. Because the speaker doesn't drink, they were unaffected. The speaker alleges that Diddy had a man in a room and that they recorded sounds of sexual activity through the door, including sounds of "balls slapping against ass cheeks," "niggas struggling to take dick," and people calling someone "daddy." The speaker states they recorded this because they planned to extort Diddy. The speaker implies that people didn't believe their story about Diddy until a video surfaced.

The speaker wakes to a text they don’t want to read, describing a repeating pattern: “same story, different person,” with “wounds that never bleed.” They present themselves as a king on the surface while feeling like a kid inside, still fighting the “ghost of every trauma” they hid. They reference using Xan(y) for panic and whiskey for silence, putting headphones on “max” to drown out violence. They say the conflict isn’t “from the streets” but “the war in my skull,” with no relief. They describe the doctor giving pills, and the therapist urging them to talk, but the speaker saying they’ve “lost all control,” adding that the only thing that works is “the bass and the beat,” cranking volume until the heart “can’t compete” with the voice telling them they’re done, nothing, and that they’ve lost. They insist the music “fights back” and is the only thing that makes them feel proud. They say others don’t see the war when they look into their eyes; they see a man fighting to survive. The speaker keeps feelings, demons, and screams “locked down” rather than talking about them, claiming each pill pauses panic and each sip creates silence where screaming can hide. They state they are not asking for help or begging for peace, instead turning up the volume to reduce “hurting.” They continue clamping headphones to their skull, drowning out static while trying not to feel the pull of the past, the pain, and the ghost in their head, “still fighting, still breathing, still not dead.” The lyrics repeat and intensify with the same themes of avoidance, self-control through volume, and survival through music.

"Driving all the old men crazy." The speaker references "that chick that used to dance a lot?"; "Every night she'd be on the floor shaking what she'd got." He adds, "Man, when I tell you she was cool, she was red hot. I mean, she was steaming." The narration shifts to "that time over at Janet's place, well, this chick got up and she slapped Janet's face." "Man, we just fell about the place." The closing line, "If that chick don't wanna know, forget her." The speaker recounts these scenes and reactions. Overall, the focus remains on the dancer's appeal and the slap at Janet's.

The speaker discusses Usher's past relationship with P. Diddy, in light of recent Homeland Security raids connected to a human trafficking operation. P. Diddy became Usher's legal guardian when Usher was 13, to help his career as his voice changed. Usher lived with P. Diddy in New York City for a year, which he described as a "wild" experience with "curious things taking place" that he didn't fully understand. Biggie Smalls, Lil Kim, and Mary J. Blige were around. He had per diem and stayed up later than everyone. Usher said he would not send his own kids to "Puffy Camp." P. Diddy stated he and Usher were close like brothers and used to "wrestle over frosted flakes." He also joked about adopting Justin Bieber. He admitted to having legal guardianship of Usher when he did his first album and said they were going "full crazy" for the next 48 hours.

The speaker shares their experience of being invited to play tennis at a fashion designer's property in the Bahamas. They were initially excited but soon realized they were not free to leave and felt like a captive. The speaker describes being coerced into sexual acts, feeling violated and scared. They were unable to leave because their passport was held by the designer. The speaker emphasizes that what happened to them was rape, not prostitution. They felt alone and trapped, with no options for escape.

P Diddy settled a lawsuit filed by Cassie, who accused him of rape, drugging, sex trafficking, and torture. The abuse started when she was a teenager. P Diddy, who was Usher's legal guardian, spent 48 hours with Justin Bieber when he turned 15. The details of their time together are undisclosed, but it had a lasting impact on Bieber. The video then transitions to a conversation between two individuals discussing their plans for the next 48 hours, which includes going out and meeting girls. The video ends with a mention of Monarch programming, a form of mind control used by various organizations.

Cassie filed a $30 million lawsuit against Diddy, accusing him of physical abuse and sexual assault over a decade. Some question why she didn't leave earlier, but coercion is mentioned. The lawsuit also mentions "freak offs," which involved costumes like masquerade masks and lingerie, taking place at high-end hotels and Diddy's homes. Bobby Sausalito, also known as Take Naps, shared a story about a conversation with a male escort who claimed to have been at Diddy's house. The escort described a dark room with a bed and a masked man sitting in the corner.

I had control over situations, but many artists aren't genuine. They come from privileged backgrounds and lack real-life experience. When they face temptations, they don't know how to protect themselves. They might end up in compromising situations, leading to exploitation. In the industry, contracts can be deceptive. Artists may sign unfavorable deals out of fear of their secrets being exposed. This cycle keeps repeating, with many unaware of the dangers lurking in the music business. It's crucial for those entering this world to be cautious and aware of the risks involved, as many are not prepared for the harsh realities they might face.

The speaker shares their experience of being invited to play tennis at a fashion designer's property in the Bahamas. They were initially impressed by the property but soon realized they were not free to leave and felt like a captive. The speaker describes being coerced into unwanted sexual acts by the designer, feeling scared and alone. They were unable to leave because the designer had their passport. The speaker also mentions the designer's children being present during one of the incidents. They express feeling sorry for the designer's son and emphasize that they were not a prostitute. Overall, the speaker felt controlled and trapped in a distressing situation.

The speaker describes her encounters with Donald Trump and Jeffrey Epstein at parties organized by Epstein. She was 13 years old at the time and was coerced into performing sexual acts on Trump. She also reveals Trump's racist and derogatory comments towards Epstein and others. The speaker expresses her fear of Trump and her belief that he is unfit to be president. She shares her decision to come forward with her story to expose the kind of person Trump is. The speaker discusses the lasting impact of the traumatic experiences on her self-esteem and ability to trust men.

The speaker alleges that Tommy Mottola is a devil and says there is a secret being kept, asking viewers not to videotape what is about to be said because companies take advantage of artists. The speaker claims to have generated several billion dollars for Sony—the company—and asserts that Sony thought the artist’s mind would always be focused on music and dancing. The speaker states that they, as the performer, would outthink Sony, and that Sony cannot let them get away with what they’re trying to do now that the speaker is a free agent. The speaker explains they owe Sony one more album, which would basically be a box set containing two new songs the artist wrote long ago. The artist notes that for every album they record, they write at least 120 songs, making the box set feasible by selecting two songs to include. The speaker says they are leaving Sony as a free agent and claims to own half of Sony, describing it as good business that has angered Sony. The speaker then recounts that Sony’s revenge would be to try to destroy the artist’s album, but maintains a belief that art, good art, never dies. The speaker expresses love for Unbreakable and asserts admiration for the work. There is a moment where the request is made to turn something off, but the speaker says they don’t mind and that it can be taped, indicating a willingness to let the recording continue or be shared. The language shifts to a more dramatic aside: “Marco is getting gangster today.” The speaker references Mariah Carey, telling a story of an encounter after a divorce when Carey came crying to them, describing that she was crying so badly she had to be held. Carey allegedly told them that a man is evil, follows her, taps her phones, and is a very evil, horrible human being, and that they must continue their drive until he is terminated. The speaker repeats the sentiment that they cannot allow this to great artistry and expresses appreciation for those present—Diana, Waldo, and others—stating they have been amazing and that they love them. In closing, the speaker reiterates affection for the group and thanks the people present, underscoring loyalty and support.