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These ancient buildings in cities like Philadelphia, New York, Boston, Atlanta, Detroit, Chicago, Miami, Los Angeles, London, and Rio de Janeiro are our energy centers. Our ancestors strategically established these cities as power hubs due to the energy they possess. These buildings hold great historical significance and are part of a vast underground network.

In the past, the world used to have free energy drawn from the atmosphere. This energy, known as Aether, powered everything through buildings, pylons, and other structures. However, the controllers of the world decided to take it away and reset the population. This change affected every country. If you look at the photos, you can see that everything was conductive and had a way to tap into this energy. Obelisks, towers, and cathedrals all interacted with the Earth's energy.

During World War II, Switzerland, surrounded by fascist regimes, wanted to remain neutral. To protect themselves, they turned their mountains into a massive fortress. The Swiss were skilled at digging into mountains, and they used this expertise to build a network of bunkers and redoubts throughout the Alpine region. These structures were hidden in barns and had massive guns with a range of 21 kilometers. The Swiss created the largest fortress in Europe, with interconnected bunkers like the ones found in this village.

I witnessed a skyscraper collapse that resembled a planned implosion by a demolition crew. It was astonishing, like watching a pancake collapse. This reminded me of the countless images we have seen on television before.

I'm in Nashville, Tennessee, and I just spotted something incredible. It's something I've seen all over TikTok, and now I'm seeing it in person right here next to the Nashville skyline. It's amazing!

The speaker tours multiple sites to challenge mainstream historical narratives, arguing that the presented histories are deliberately misleading and that evidence points to a technologically advanced, previously dominant civilization that left underground and above-ground monuments around the world. Gonzales County Courthouse, Gonzales, Texas: - The contract for the current Gonzales County Courthouse was awarded to Furman Moran on 06/26/1894. The speaker notes a sequence claim: the first courthouse on the site burned on 12/03/1893, followed by the completion of the second courthouse in April 1896. They question why the first building’s builders are never described and why the fire story is presented so abruptly. - The narration is criticized for implying that the second courthouse was finished quickly after the fire, with a timeline that seems to minimize the complexity of rebuilding. - The speaker finds it implausible that a quarry owner who “had limestone in it” could suddenly serve as construction superintendent and oversee a major Romanesque revival courthouse in roughly two years, given needs for vast materials, workers, equipment, planning, permits, housing, and logistics. - They reference a ChatGPT-derived breakdown: design and planning could take about a year; permitting “a couple months”; materials (red brick, white limestone trim, wood, steel, glass) in large quantities; hundreds of laborers; and a realistic overall timespan of four-and-a-half to seven-and-a-half years. They emphasize that a one-year construction claim ignores essential logistics (housing, water, feeding workers, transportation, cranes, skilled labor). - Specific logistical critiques include the need for 20–30 horses for transportation, milling, site work, water, and power, with water requirements (300 gallons per day for 30 horses) casting doubt on a one-year timeline. The speaker argues such a project would require extensive planning, workforce, and infrastructure that a single quarry owner could not supply in a year. - The speaker uses this to argue that the mainstream narrative for the courthouse is fabricated or at least severely misleading, suggesting a hidden history behind the structure. Vienna, Austria: Saint Charles Church and related palaces - The speaker shifts to Vienna, asserting that the Saint Charles Church and nearby palaces show a global pattern of narratives that don’t align with the on-site evidence, including complex underground connections and extensive architectural features. - They describe an architectural competition for a palace in 1713, a winner in 1716, and widespread, often-globally echoed claims about construction during plague conditions. They question how a 18th-century duke and his son could complete multiple palaces under such conditions, suggesting the narratives are unrealistic. - The claim is made that the underground and above-ground complexes around Vienna, with angels depicted in ceilings and statues, reflect an “old world” civilization that guided or influenced architectural motifs. They point to symbols—angels, skulls, and hidden chambers—as evidence of a deliberate, hidden past. - The speaker highlights that the Saint Stephen’s Basilica in Vienna is located 0.68 miles from Saint Charles Church and asserts underground tunnels connect these structures, implying a coordinated, ancient underground network. - They reference the Kluczynski/Chicago comparison and argue that the Vienna city hall and other structures show discrepancies between the claimed construction dates and known restoration timelines, suggesting hidden or revised history. Malta: Hypogeum - The Hypogeum in Malta is presented as further evidence of a suppressed past. Discovered by accident in 1902, excavation revealed a vast underground temple with thousands of remains. The speaker claims that excavation records show bones destroyed or not fully cataloged, and that only a small percentage of the 7,000 remains had elongated cranial shapes typical of certain ancient peoples. - They argue that bones were removed from public view and stored in basements, with public access restricted to about 80 people per day since 2020, and that skulls have been displayed only intermittently since 1995. - The narrative suggests the skulls show elongated cranial deformation, but the speaker contends the secrecy and destruction of many remains imply the true history is being hidden. They note that the Hypogeum and other underground sites around the world imply a widespread, advanced past civilization that built extensive subterranean architectures. - The Hypogeum of Volumnus in Central Italy is mentioned as another example of an underground complex dating back to antiquity, with similar claims about careful design and hidden or contested histories. Overall thesis - The speaker argues that a highly advanced previous civilization built monumental structures worldwide—underground and above-ground—equipped with sophisticated geometry, symbolism (including angels and elongated skulls), and global networks. - They assert that mainstream narratives about construction dates, workers, and timelines are deliberately eroded, misrepresented, or hidden, and that artifacts and bones have been suppressed or destroyed to maintain a controlled history. - The overarching claim is that the “old world” remains beneath our feet, and that questions about these sites reveal deliberate obfuscation by authorities and historians. The narrative ties together courthouse archaeology, European palatial construction, and Maltese hypogeum findings as parts of a broader pattern of suppressed truth about human history.

Speaker 0 argues that mathematically the worldwide population in the last 1,400 years was basically zero, contrasting this with mainstream history which claims people were building palaces, castles, and cathedrals at the same time. He begins at Rimes Cathedral in France, dated to 1211 (eight hundred and thirteen years ago), and notes that in the USA similar cathedrals are dated to the 1800s, while in Europe dates are accepted without question. He questions the claim that this cathedral was part of a long, perfected tradition, pointing out that the cathedral supposedly followed an earlier church destroyed by fire a year before construction began, and he questions how eighty years of construction would be feasible without modern tools, power, or shipping. He identifies the designer as Jean Day Orbeis and traces similar claims to other churches like Saint Pierre Saint Paul, built between the end of the twelfth century and early thirteenth century. He asserts that there were “basically no people” in the twelfth and thirteenth centuries, yet mainstream history says these structures were built then. He emphasizes the “fire narrative” among more than 100 buildings and argues the math does not support such populations or timelines. He cites a 1835 population of 1,000 for the location and contrasts it with England’s population rising from about 9,000,000 in 1801 to over 56,000,000 in the last two centuries, claiming a worldwide decline rate of 83.92% in the same period, which he says should cast doubt on the claimed populations and dates. He goes on to dissect Spain’s population from Worldometer data, suggesting the worldwide population would be 3,000,000 or less in certain earlier years under a model of a 66.1765% decline every sixty-nine years. He presents a string of calculated population figures—1748 with 106,000,000; 1679 with 35,000,000; 1610 with 11,800,000; 1541 with 3,900,000; and 1200 with 17,700 worldwide—arguing that such numbers imply that civilizations with no modern tools could have built cathedrals and other monumental structures. He claims this challenges the idea that thirteenth-century people built vast cathedrals with advanced capabilities. The discussion moves to an ancient cathedral in Athens, Greece, photographed in 1860, noting that worldwide population then was just over 300,000,000—far from today’s 8,000,000,000. He zooms in on the Acropolis front, highlighting “incredible” details and a logo of Tartarian origin (a griffin) visible on buildings, including in prior episodes. He connects the Greek site to the idea of an advanced civilization (Mu/Tartaria) and references the Hill of Mu and the word Mu in Greek myth. He critiques scaffolding and restoration practices as propaganda that keeps the perception of our civilization as more advanced than past ones, arguing that such modern interventions imply the opposite. He presents a side-by-side comparison to suggest that current buildings are dwarfed by ancient structures. He reiterates the core conclusion: with a math-based deduction, the worldwide population would have been extremely small in the past, implying a potential reset of population around 1776, with serious implications for accepted historical narratives. Speaker 0 closes by noting that the population math—down to possibly three people in one of the years—supports the claim that there was little to no global population in early periods, and that this math has been waiting to be recognized, inviting viewers to delve deeper.

This is an opera building. The speaker questions who would have their opera in this stone building and notes that the building itself costs $7,500,000 in 1861, with $10,000,000 worth of furniture, as stated on the back. They claim, “This is the best.” The structure is said to have been founded, with “founded” marked on the back, and the date 1671 appears. The speaker contends that in 1671 someone built a $7,500,000 building out of stone with $10,000,000 worth of furniture. They claim that by 1875, two hundred years later, it was turned into a theater, making it a $7,500,000 theater. Descriptions follow of the staircases and the claim that everything was made out of colored marble with Corinthian columns. There was a green room for ballet, and it was for the opera. The speaker then discusses Paris, stating that the city “has been reset many times over and over and over again,” and makes a parallel with the Eiffel Tower, implying it has undergone numerous resets as well. A claim is made that the Eiffel Tower is an atmospheric energy antenna, and that there used to be an orb.

The Cologne Cathedral, the largest Gothic church in Northern Europe, took 632 years to build. The speaker questions whether ancient civilizations, with their supposedly primitive tools, could have created such incredible works of art. They suggest that these civilizations had advanced technology that is now starting to resurface. The speaker mentions the possibility of harnessing the sun's energy, high-pressure water jet technology, or lasers as potential methods used in constructing these megalithic buildings. The video concludes with a call to like, comment, and follow for more content.

Did you know necropolises, ancient cities of the dead, exist worldwide? Take the Ming Tombs near Beijing, where 13 emperors are buried. Treasures found there, like gold and Taoist texts, hint at advanced old-world technology. But many texts deteriorated, and excavators suffered misfortunes, leading to halted explorations and government prohibitions. These sites aren't about preservation; they're hiding the old-world civilization. These tombs are underground palaces containing texts that vanished and artifacts that prove they did not live in primitive conditions. Photos from the 1920s-40s show massive statues, pathways to underground palaces, and evidence of a mud flood covering the earth. Similarly, Egypt's Saqqara Necropolis contains thousands of bodies, with new discoveries still being made, revealing a vast network of tombs. These multilayered tunnel systems and the artifacts beneath them demonstrate that this ancient civilization was truly advanced.

In the 19th century, cities worldwide were buried in mud, hiding advanced civilization like Tartaria. World's fairs showcased intricate buildings supposedly demolished after, raising suspicions of hiding a pre-existing advanced civilization.

In our hidden history, these buildings were not just for decoration. They were designed to generate free energy from the ether above and distribute it throughout our realm. We are not the most advanced civilization to have existed here. We are simply living in a post-apocalyptic world, surrounded by evidence of past greatness. Explore the concept of the mud flood and question everything.

In the past, the world was powered by the ether, which connected everything, including pylons, obelisks, towers, and cathedrals. This energy was present in every country and interacted with the Earth's natural energy. However, the controllers of the world decided to remove this power and reset the population. By looking at these photos, you can see how everything was conductive and had a way to tap into this energy.

The transcript describes a Sweden opera-house narrative and then expands into repeated claims about construction timelines, fires/demolitions, “previous civilizations,” and reused architectural patterns. In Sweden, the building referred to as the Oscarian Opera (Operan) is discussed as part of a larger story about the Royal Swedish Opera. A prior opera house is said to have existed before the current one. Construction is claimed to have begun around 1775, and the Royal Swedish Opera is said to have been completed less than seven years later, using no power tools and transportation described as “a donkey.” The architect is named as Axel Johan Anderberg, described as having replaced an original 1782 opera house. A contest is said to have been required for Axel Anderberg to be selected, against “all of the other 1700s master builders of Sweden.” The transcript argues that the first opera house was demolished and that a similar timeline was used again, stating that the second opera house took almost seven years as well. The transcript then claims a fire story tied to this period: during the destruction of the first opera house and construction of the new one, the Swedish National Theater being used is said to have burned down. It also states that a later renovation made artwork on a stairwell nearly impossible to make out because smoke from the city accumulated “in just 91 years.” The transcript interprets this as evidence that the current building is actually the original and that paintings were restored to the condition of an inaugural ceremony. Next, the transcript moves to Ritterholmen Church in Stockholm, alleging that its website claims completion around 1300—before Sweden wrote its first book—calling the timeline logistically impossible and unrealistic. The speaker contrasts “construction” dating with practical logistics, and then shifts to an email story about a building in Melbourne, Australia. The transcript claims the building was said to have been constructed from 1858 to 1862 and that only a couple construction photos were provided. It argues that the photos show the building already constructed and depicts a right-side area “being dug out of the dirt,” concluding that the building was originally built with dirt covering the right side because land rose and fell. It further claims the basement is technically on ground level, with ground-floor elevation differing depending on which side is viewed, implying the building was excavated. The transcript adds other examples, including Mont Saint-Michel in France (photo taken in 1925). It claims that railroad tracks visible in dirt suggest reused structures and prior ground levels, and it extends the argument to other cities, mentioning a city in Italy where doorframe sizes are compared to human scale, proposing that stone doorframes are from a past civilization while wood elements are “our work.” It claims that a fortress in the same area was built in less than three years and later destroyed/rebuilt, with references to destruction, rebuilding, a kingdom of Italy takeover, and tunnel-related “restoration” actions in 1932 and a further project in 1965. The transcript then discusses arches and stone structures, focusing on the St. Louis Arch. It states that another episode connected arches and “technology,” claiming attempts to extract energy from the earth and questioning the meaning of the St. Louis Arch. It also repeatedly asserts that names, characters, and details across narratives are generated by AI, citing repeated themes and patterns. In Massachusetts, the transcript claims the St. Anne Shrine (Fall River) is described as starting construction in 1891 by architect Napoleon Barasa, but it says a postcard over 120 years old shows a founding date of 1869 on the back. The speaker interprets “founded” as indicating a timeline mismatch, stating the biography of Napoleon Barasa never leaves Canada except for a vacation to Europe, and contrasts this with the claim that construction occurred in Massachusetts. The transcript then returns to Greene County courthouses (Ohio and Illinois), arguing that multiple Greene County courthouses were allegedly built in less than a year despite being far apart, and that this repetition indicates an AI-patterned narrative. It includes an interview from 2014 quoting Greene County clerk and recorder language about the courthouse “stand[ing] the test of time,” alongside a 2022 article about a $322,000 exterior project addressing spalling limestone. From there, Brazil’s National Library of Brazil is discussed: the transcript claims it began after the 1755 Lisbon earthquake and was shipped from Europe in three shipments, assembled in 1810–1811. It questions how such architecture could be transported and assembled at that scale, and then cites a 1909 photo story that it interprets as repainting rather than construction. It states the narrative includes uncertainty about a ship/founding date and argues that the timeline is inconsistent. Finally, the transcript connects multiple “fire narratives” to demolition, including an alleged fire at the Tesla Science Center in Shoreham on November 22, 2023. It states the cause was said to be unknown and claims the damage resembles carpet bombing rather than a fire and that stone and brick would not melt at typical house-fire temperatures. It ends by reiterating a pattern: earlier examples are framed as fires (including a cow tipping over a lantern) but are claimed to be demolitions tied to a wider reset narrative.

I've been researching old maps, flags, and architecture, which led me to the Cincinnati Music Hall, supposedly built in two years by Samuel Hannaford and Sons. But their company had no records until after the building was completed, which is suspicious. The Music Hall also had a fire just two years after completion! Fire narratives are key to identifying old-world buildings, and these buildings were not built by our current civilization, but rather a much more advanced one. From the Notre Dame fire in Paris, to the Royal Exhibition Building of Australia being built in one year, or even the St. Anne Shrine having its construction date wrong, so many signs point to a previous civilization.

Tartaria was a widespread, advanced civilization that has been erased from history. Initially thought to be a misunderstanding of the Dark Ages, it appears that much of our historical narrative has been fabricated. The intricate Gothic architecture found globally raises questions about the societal capabilities of that time. If society was truly feudal and struggling for survival, how could such elaborate structures have been built? These buildings were not just functional; they were artistic expressions, hinting at a different way of life. Tartaria thrived on free energy, likely derived from etheric sources, until its decline around 200-250 years ago, with origins tracing back to the mid-17th century. The truth has been concealed from us.

The speaker says they have contacted record-keeping institutions tied to historic “old world” structures and that the responses will “shock the world,” beginning with the Cathedral of All Saints in Albany, New York, and then the Great Clock of Westminster (Big Ben/Elizabeth Clock Tower) in London. They describe emailing the Albany Institute of History and Art to confirm whether its collection includes the original architectural blueprints and structural drawings for the Cathedral of All Saints in Albany. The speaker frames the cathedral as supposedly built from 1884 to 1888 without power tools and argues that blueprints should exist for a structure of that scale. The Albany Institute of History and Art replies that, after looking through folders, it does not see blueprints and “doesn’t have the receipts to the building.” The institution also says it does not see material related to mechanicals and that none of the records from the building have been digitized. The speaker highlights additional claims that the records are too oversized to access, that there is no librarian on staff, and that no one can provide digital images because they cannot digitize the records. The speaker states that where other drawings exist (described as tissue tracings folded into drawers), they are not final blueprints and do not provide load-bearing calculations or construction measurements, and insists that no actual construction or engineering plans were found. The speaker then pivots to Big Ben and the Elizabeth Clock Tower. They describe being in contact with the parliamentary archives about claims that Big Ben was commissioned, funded, and built as part of the Palace of Westminster reconstruction after a supposed 1834 fire. They say they emailed to ask whether the Parliamentary Archives or any associated archive holds original materials related to the Great Clock of Westminster, including original blueprints, engineering drawings, ledgers, engineering calculations, specifications, records of communications between architect and builder, photographs of construction, and inspection certificates. The Parliamentary Archives reply, according to the speaker, that they have “surprisingly few architectural drawings” and that they do not have construction records requested, which the speaker says would prove Big Ben and the Elizabeth Clock Tower were built in the 1800s. The speaker presses further, asking whether the Parliamentary Archives has ever held a complete set of original drawings and what happened to them. The speaker says the archives respond that the architectural drawings and the requested blueprints were never part of the Parliamentary Archives collections, stating that they were not produced by Parliament. The speaker links this to the Public Records Act of 1838, claiming that records created by government departments must be preserved as public property and that construction began after the law took effect. They argue that if the project was government funded and approved, the records should have existed and been preserved, presenting the archives’ position as a contradiction with the stated government-history narrative. The speaker then says they contacted the National Archives at Kew after being told that government records, including those about construction of Big Ben, would be held there. They describe the National Archives replying that they cannot confirm the existence of records related to the construction of Big Ben and advising the speaker to look through records themselves. Immediately afterward, the speaker says the National Archives states that those collections are currently being transferred and will not be open to the public until 2026, which the speaker interprets as inaccessible records while urging public searching. Overall, the speaker asserts that multiple institutions failed to provide requested original blueprints, mechanical/engineering documentation, or digitized records, and they frame this as evidence that the documentation supporting mainstream construction timelines is missing or unavailable, culminating in a “legal paper trail” involving the Public Records Act of 1838 and the institutions’ inability to confirm the requested construction records.

This old Tartarian building was originally designed to produce free electricity using technology similar to Tesla's. It had a wire grounded into the earth, which was later added to redirect the energy produced by the building into the ground instead of distributing it to the people. Similar buildings can be found in many hometowns, characterized by balls on top containing mercury that creates a current when spinning. As this information resurfaces, we are reclaiming our power. Peace.

The pyramids are not just tombs, according to Nikola Tesla. He believed they were abandoned energy stations of an ancient civilization. Tesla tried to create a structure called the Tesla Tower, based on the pyramids, to harness energy from Earth's field. He calculated that one tower could power a city for a decade without wires and for free. However, his financier, JPMorgan, withdrew support because he feared it would disrupt his power supply corporations. This decision left the Tesla Tower as one of the greatest regrets of the century.

Great Zimbabwe rose in the hills of Southern Africa as a massive stone metropolis with walls over 30 feet high, built by hand. Its towers reached toward the sky, its gold fueled powerful trade routes, and its king ruled an empire so rich Arabian merchants bowed before him. When Europeans arrived, they couldn't believe what they saw. 'These ruins must be foreign,' they insisted. 'They're too sophisticated to be African.' So they buried the truth. Literally—British archaeologists destroyed evidence, rewrote the story, and claimed it came from Phoenicians or aliens, anyone but Africans. But the stone wouldn't lie. Carbon dating, oral traditions, and local art all revealed the same thing. This city wasn't lost. It was silenced. Great Zimbabwe was home to over 18,000 people, centuries before Europe's castles even had plumbing. No colonizer could explain it. Stones don't forget.

In a remote gorge of Afghanistan stands the Jam Minaret, a 65-meter tall tower with well-preserved decorations. Despite having no entrances, it contains two spiral staircases leading up and down. During a private expedition, archaeologists uncovered a hidden chamber beneath the tower filled with artifacts and manuscripts that could rewrite history.

These star forts were not just defensive positions, but entire cities with impressive sacred geometry patterns. They were built in a time when people understood the principles of frequency and vibration. It's fascinating to think that these structures were created by people with limited resources, even in remote regions. Surprisingly, even the Statue of Liberty was built on an old star fort. These forts were far more significant than mere military fortifications, as they existed long before the invention of flight.

Speaker 0 and Speaker 1 discuss a pattern of alleged hoaxes surrounding so-called ancient or “old world” buildings in the United States, arguing that documented records do not exist to support the histories commonly taught. - The conversation centers on the Hoffman Tower in Lyons, Illinois, described as a tower that supposedly belongs to a park and was built in 1908 by a named construction company. The speakers claim there should be construction documents proving this, but they contacted the Village of Lyons and were told there are no blueprints or receipts for the building or the later staircase destruction in the 1990s. The village reportedly has “nothing on the building, period. Case closed. Nothing at all.” This is presented as evidence that the Wikipedia account is false and that no historical records exist to back up the claimed construction. - They assert a broader claim that “the history that we’ve all been told” since childhood is a lie, and they repeatedly state that multiple buildings in the area were not built as described. They reference years of researching and receiving the same response from officials: no documents, ledgers, or load-bearing calculations exist for these structures. - The discussion then moves to Lamont, Illinois, noting that a school in Lamont replaced an earlier one and again lacks supporting documents in the speakers’ view. They posit that the story about the 1836 school and subsequent building is likely AI-generated history and argue that the replacement school shows modern architectural features incongruent with the eighteenth- or nineteenth-century period. - They discuss a nearby historic Limestone Village Hall in Lamont, pointing to a stark contrast between a 1900s photo and the renovated present-day building, including the removal of the bell tower and bells. They claim bells were removed and melted into coins and cannons, referencing the Liberty Bell as an example of “cracked from overuse,” though they say historians are uncertain when the initial bell split occurred. They show sadness or outrage at what they view as erasing historic features during restoration. - The Altgeld Hall Chimes Tower at the University of Illinois is brought up, with a 2023 exploration referenced. They claim a restoration involved removing the bells and that this building’s historical state was captured in Episode 36 of their channel, but that the current project completely changes the building’s appearance. They describe 2024 renovations starting with a 3,000-pound bell and show before-and-after photos to illustrate perceived destruction of the “old world” building. - The speakers conclude by returning to Lamont, noting a nearby palace-style church (Bethany Lutheran Church, built in 1895) and contrasting it with the local housing, implying the church represents an architectural anomaly. They insist such “palace” constructions and “old world” features did not take place as claimed, arguing that the narrative of buildings being erected rapidly in a single year (multiple times referenced) is false. - They reference a recurring question about the authenticity of the architects and suggest that the supposed architect TJ McCarthy, who allegedly built these structures in a single year with self-taught expertise, might not be a real person. They propose that these towns contain interconnected tunnels or connections to other old world buildings, and question whether the architects were real individuals, given the lack of verifiable records. - Throughout, Speaker 1 emphasizes a view that “these stories … lied,” pointing to England’s Big Ben as another case where records are missing, and contends that many historic buildings worldwide from the 17th and 18th centuries were found without proper documentation.

History as we know it is fabricated. The Dark Ages were invented to push events into the past; it's not just small parts of history that are wrong, it's everything. The ancient gothic architecture found worldwide is a clue. How could a feudal society, focused on survival, have the resources and motivation to build such intricate, stunning structures? These buildings were not just practical; they were artistic expressions, free energy generators, both functional and beautiful. The complexity suggests a different system than the pay-to-survive model we have today. Tartaria was a global, advanced civilization powered by free energy, likely etheric, existing until about 200-250 years ago. Its destruction came shortly after its mid-17th-century origins. We've been lied to all along.

Unbelievable. Unbelievable. Unbelievable. Woah. On the top of that 12 story building, they're