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I never gave up. This was life. Everyone knows his name and is shamed. Let's keep my name nameless. I was always making beats on the down low. Something to ride to, could you and drive slow. Bang. Bang. Bang. Reason.

Speaker 0: I'm a stand up for my yo, because I'm tired of playing with me, bro. Will Speaker 1: Buddy, let's go. Buddy, let's go. Buddy, I'm telling you. Let's go. You listen to me. Listen to me, Roger. You Speaker 0: My bad. I'll call you back later.

I'm stuck in the gutter, there's no way out. Save me from this crazy woman, she's driving me insane. She's my baby, but I need my money. Pay me what you owe me. I'm all set and ready to go.

The speaker initially encourages "Venom" with cowboy commands, then realizes "Venom" is broken. The speaker then states they no longer want to play with "Venom."

Speaker 0 conveys a message about instructions he received: to hit them and just leave. He says someone will pull him off of them and leave, implying a planned withdrawal after the act. He emphasizes to the audience with a direct assertion, telling them, "I'm telling you." He also repeats the intent to strike, stating that he will hit them as many times as he can. The overall sense is that violence was framed as a course of action followed by immediate departure, with an expectation of intervention or removal by others afterwards. These passages describe a prearranged violent action followed by withdrawal.

Off me. Get off me. Get the I used to stay at my granny's house. She was one of my favorite people in the entire world. Jasmine, the people of Dallas deserve better than a fake ghetto hood rat. Get off me. Get off me. Get me. Get the thrust. Alright. Let's go, man. Let's go. Let's go. Let's go. Are you proud? Are you proud? Just in case I gotta cuff you up. Let's just go. For what? Let's go. I'm telling you. Get off me. Get off me. Let's go. Let's go. I'm telling you. For what? Are you proud?

I got bruises and broken bones, but they don't know I ain't in this ring alone. I'm a fighter. No one can say that I'm a running hider. I was born to be a dude or dire, a naked rider. Don't throw that towel just yet. Don't cash in that last bit because I hit harder when I'm tired. I'm a fighter. I get back up. That's what I do. I didn't soldier on this far.

Speaker 0 describes a violent, coercive sequence framed as self-defense and pimping instructions. He begins: “When I grab you by your neck and you start annoying me trying to resist and I just And then I grab you by your neck again. Then what you're do when your face is collapsed and your cheekbones broken. Ain't gonna do cry.” He claims: “I guarantee I changed the way you look at sex forever. You're gonna be crying. I won't cry. I bet you cry, bitch. I bet you cry.” He questions: “You're saying I I wouldn't cry. You're challenging me to a fight. You're saying I can't hurt you. You're out of your mind? I don't even know you.” He says to ignore the sex part: “Forget the sex part. That's a distraction. Stay in my pants. I'll just start beating at you. How about that?” They walk to the bedroom: “We walk in the bedroom. I start kicking your [No sex. No sex involved. But you cry then.]” He adds: “I perfected this in pimp school. When I got my PhD, we had to practice if a girl comes at you. How are you cheating? You cheating. It's bang out the machete, boom in her face, and then grip her up by the neck. Her panties get wet.” He further describes: “Machete's on the floor, her panties are all wet, You fuck her. That's how it goes. Slap, slap, grab, choke, shut up bitch, sex. These are the basic moves of of pimping.”

Applying pressure, but I promise I'll make it. Living free in their heads, I ain't paying rent. Wake up in the air, I'm making cheese like Mercedes Benz. Please don't take offense.

The speaker describes riding through the streets as someone “survivin’” and repeatedly references others “gettin’ clapped,” with “brains wrapped” and warnings not to “flap.” They say their song is “watered wraps,” and repeat the idea that people are “gettin’ clapped” and “brains wrapped.” They then claim to be an “excavation pro,” saying they “dig a ditch.” The speaker targets someone as “a bitch,” accusing them of being “money lovin’” and “sold all pricks,” while focusing on receiving money “to my tips.” The speaker repeats that the person is “a bitch” and “money lovin’,” and continues calling out “sold-out” behavior. The lyrics emphasize lack of character: “No soul havin’ little dicks.” The speaker also mentions law enforcement being present and getting “hit” (“cops around me gettin’ hit”). They describe their own “drip” as “Godlike water type of drip,” likening it to “matrix” and “movie type of drip.” They urge listeners: “Don’t trust him, that’s my only tips,” adding that “He’ll get you clipped.” The speaker also uses violent imagery and insists on giving advice that others didn’t follow (“didn’t listen to my tips”), repeating the accusations: “a bitch,” “money-loving,” “sold-out prick,” and “No soul havin’ little dicks,” alongside the refrain about “cops around me gettin’ hit.”

I didn't spit on nobody. I didn't spit. I didn't spot. Take your mask. Let me see your face. Take your mask.

"That ain't no better, nigga. Put it on my butter. We do it. Don't play my slime. When folks break, it will guess like that." "No top. No cap. No top. Switchy. 3 switches right here. And I put the That that's just enough right there. That's enough. 1, 2, 3. That's enough." "They won't go get that shit all. I know. We got"

Motherfuckers playing with me, bro. Real shit. One of them a bitch and fucking bit me. I'm tired of everybody fucking playing with me, bro. Not no fucking bitch, bro. At the end of the day, I'm a stand up for my fucking self because I'm tired of everybody fucking playing with me, bro. Come on, man. We leaving, man. We walking away, bro. Let's not tell you. Let's go. Come on, Roger. Let's go. Let's go, Roger. Let's go. Roger. Let's go. Roger. I'm telling you. Let's go. You listen to me. Listen to me, Roger. You need to listen to me right now, Roger. Let's go. I don't even fuck you. You guys trying to kill me and shit. Let's go. You ain't gonna do shit to me, bro. Let's go. You can't do shit to me. Can't fuck with me, bro.

I didn't spit on nobody. I didn't spit. I didn't spot. Take your mask. Let me see your face. Take your mask.

Do not mess with the witch. Listen to me. Stop messing with the witch. You're not understanding.

Stop pushing me with your bag. I'm serious. Do you want to mess with me? I dare you. Don't touch me. I'll take you down. What did he do? Everyone saw. Don't provoke me. You won't do anything.

"She's shit right now. We don't play with no rhythm. We do it. Don't play my slide on post grade. We'll guess like that. No cap. Three switches right here. And I put the That's just enough right there. One, two, three. That's enough. We don't get our shit, though. We don't even get"

Speaker 0 contemplates asserting themselves toward men, noting they are bigger and could "body you." They admit a fear of the police and a reluctance to get in trouble, but as they get older, they wonder, "do you know what? I could catch a charge."

Don't mess with my beauty. Yes, you're cute, but I know my worth.

"Yes. Yes. Yes. Yes. Oh, please don't hurt me." "Oh my Right? You little Shoot it off. You little die."

Speaker 0 launches a heated confrontation, telling Speaker 1 to “go suck another dirty dick” and insisting, “I’m not the one or the two.” They call Speaker 1 a “raggedy ass fucking bitch” and declare, “I’m not the one or the two.” Speaker 1 asks, “What you talking about?” and appears confused or surprised, while Speaker 0 repeats the insult, telling Speaker 1 to “Go suck a dick.” Speaker 0 asserts, “I said what I said, and I said what I said,” and adds, “Please text me like you want it.” They emphasize the challenge to Speaker 1, saying, “You tried me two times,” and conclude with, “I want you to do it a third.”

- Speaker 0 says: "Without you been feeling kinda strange. Well, I see that you're doing very well. You're looking very well. I miss the way your perfume smell. I miss the way that you blowed up my line." - They add: "If you don't back the fuck up off me before I do you in and still getting in this bitch and get litty on my mama."

Speaker 0: You don't want to give me joy. You're not in favor of it. You don't talk to me like that, I'm not your child. I'm your mom, not your big sister or little sister. You shout at a woman, but not at me.

Hello. Are you okay? Why are you bothering her? So she refused. Yes. But then why force if she refused? But that’s not how you hit on a woman. Okay, but that’s none of your business. Me, it’s none of my business, but stop looking. If he doesn’t like that we’re assaulting women, he can look at me. I like you that way, that doesn’t concern him either. Well, after a while, he’ll stop looking, he’ll intervene. I propose we leave; we’ll leave, it’s at our place, we’re going to leave. And why are you like that? We do what we want, go ahead, please move and end it there. Attention.

I will never give you up. The strength of hormones must be shot. Blood cut. Blood cut. In my head, just looked up. Please let the shifts go through. Come on, at least a few. If you'll block me, then I block you. Block card. Block card. I thought this was easy peasy. Block card. I think soon I get him DG. Sneakers for Ling Shanher.