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Megyn Kelly opens the show discussing the start of Pride Month, expressing skepticism about the ongoing celebrations for a community that has already achieved significant rights. She references Bruce Bawer’s article questioning the need for continued celebration of LGBTQ identities, stating that being gay is an attribute, not an accomplishment. Kelly shares her evolving views on preferred pronouns, recounting her past support for them and how her perspective has shifted due to various societal changes, particularly regarding transgender issues. She highlights the impact of transgender athletes in women's sports, citing cases where biological males have outperformed female competitors, leading to legal battles and feelings of unfairness among female athletes. Kelly expresses concern over schools affirming children's gender identities without parental consent and the medical interventions being promoted for minors, emphasizing the potential long-term harm these decisions could cause. Kelly recounts the case of Leah Thomas, a transgender swimmer who dominated female competitions, and the backlash faced by female athletes who spoke out against this. She emphasizes the need to protect women's spaces and rights, arguing that the current discourse around gender identity often disregards biological realities, which she believes leads to harm for women and girls. In her conclusion, Kelly resolves to stop using preferred pronouns, motivated by a desire to uphold truth and reality in discussions about gender. She expresses empathy for individuals with gender dysphoria but insists that children should not be subjected to medical interventions without thorough consideration of the consequences. The conversation shifts to a discussion with Rich Lowry and Jim Garrity from National Review, where they reflect on the cultural implications of recent events, including corporate responses to LGBTQ issues and the backlash against brands like Bud Light. They discuss the political landscape, particularly regarding the upcoming presidential elections, and the challenges facing both parties, including Biden's age and the potential for a lack of debates among GOP candidates. The segment concludes with a focus on CNN's internal struggles under Chris Licht's leadership, highlighting the network's identity crisis and the challenges of transitioning back to a news-focused brand after years of opinion-driven content. The hosts express skepticism about CNN's future and the effectiveness of Licht's strategies.

Theo Von announces new tour dates: April 25 at the Celebrity Theater in Phoenix; March 23 in Houston; May 10 Newark; May 11 Westbury; June 9 in Austin; June 30 and July 2 in Las Vegas at the Encore Theater. Tickets must be bought through the Theo Von store, with pricing varying by third party fees. Be Good to Yourself crew necks are available in light blue, maroon, and cement, plus a new windbreaker at the Theo Von store. Today's guest is Druski, an entertainer, comedian, producer, and actor. He describes being born in Maryland, moving to Atlanta at age one, and growing up around Baltimore. He opened for J. Cole and Chris Brown before launching his own solo tour, which he says will be a comedy show with an opener still being decided. He aims to give fans something new and special they've waited for. The conversation covers tour experiences, stage setup, and the use of screens in theaters to reach back row audiences. They discuss the pressure and excitement of a first solo tour and the balance between crowd work and material. They share stories about Druski’s crew, a tight group that travels with him, and reminisce about a Louisiana trip, LSU, and a casino outing, highlighting the humor and camaraderie. The talk touches on personal life, dating, and attractions, including opinions on dating a Black woman and how cultural expectations shape humor, all in a candid, humorous style. They discuss business realities: networking, mentors, and the role of agents. Druski notes the importance of proactively building relationships and leveraging opportunities, and mentions retiring his mom as a milestone. The interview covers pop culture, sports talk, and a few controversial topics in a candid way, while staying focused on the guests and the tour. It ends with appreciation for collaboration and a nod to future shows and projects, including Los Angeles and San Diego dates. More dates coming soon.

Theo Von kicks off with an ad for Sandbox and a free two-week trial, promising to clean inbox clutter and a ‘same black hole’ to dump annoying senders, then shifts to a stream-of-consciousness monologue about inner itch, work, and the need to do hard work rather than just scratching from the outside. He muses on heaven’s geography, getting to North Heaven and wanting inner cleanliness as well as outer, before inviting listeners to imagine who might be listening: kite makers, milk truck drivers, engineers, dancers, etc., riffing about birds, kites, and historical quirks, then returns to discussing current events: Nick Saban’s apology after a halftime interview where he refused to choose between two quarterbacks, praising the honesty and criticizing the media for pressuring players. He contemplates the network-ads dynamic and the need to apologize due to advertiser deals, and confesses mixed feelings about anger. He plugs upcoming tour dates: Nashville, Toronto, Charlotte, Appleton, Phoenix, Buffalo, Salt Lake City, and a link to theo von dot com/ tour. He opens up about depression the prior week, describes moving his feet as a solution, and urges listeners to take action even when brain fog hits. Calls flow in: a Canadian listener affirms shared thoughts on commitment and family dynamics; a Florida-based brother discusses his own relationship with his dad and brother, and the value of real connection; a Phoenix-based caller riffs on commitment with tough metaphors; a Wisconsin caller shares nine months of sobriety and nocturnal emissions, blessing the discipline; a Texas caller riffs about hunting ethics and accountability; others discuss therapy via BetterHelp and the role of telling others about goals in accountability. He thanks callers and promotes BetterHelp with his personal experience. He reflects on his own history, emancipation at 14, a difficult relationship with his father, and learning to connect with men through his brother and later friendships, stressing that moving forward means keeping feet moving. The show ends with gratitude, calls to action, and a closing Jameson Flood piece, urging listeners to be kind to themselves and to move forward.

Megyn Kelly returns from a family vacation in France, emphasizing the importance of spending quality time with family. She reflects on the cultural enrichment gained from the trip, highlighting experiences like visiting the Eiffel Tower and the Louvre, where she felt a deep connection to art. Kelly shares insights from her travels, including the joy of riding e-bikes in Provence and the sensory pleasure of fresh cherries. She also discusses visiting Normandy, where her family paid tribute to fallen soldiers at D-Day sites, contemplating the sacrifices made by those who fought for freedom. Transitioning to current events, Kelly expresses concern over the indictment of former President Trump on federal charges, arguing that it cannot be viewed in isolation from the broader political context, including past controversies like the Russia investigation. She critiques the perceived double standards in legal accountability, contrasting Trump's situation with that of Hunter Biden, whose legal troubles she believes are being handled with undue leniency by the Department of Justice. Glenn Greenwald joins Kelly to discuss the implications of the IRS whistleblowers' claims regarding the Hunter Biden investigation, suggesting that the DOJ has interfered to protect Biden. They explore the allegations of corruption involving Joe Biden and Hunter, particularly focusing on a WhatsApp message where Hunter allegedly threatens a Chinese official while claiming his father is present. Greenwald argues that the media's previous dismissal of the Hunter Biden laptop as Russian disinformation has contributed to a lack of accountability. The conversation shifts to the current state of pride events, with Kelly and Greenwald expressing concern over the sexualization of these events and the impact on children. They discuss the shift in the LGBTQ movement from seeking equality to exerting control over societal norms, emphasizing the need for a return to the original ethos of autonomy for adults rather than indoctrination for children. The episode concludes with a call for accountability and a return to fundamental values in American society.

The episode opens with a light, festive mood as the host and guest riff on St. Patrick’s Day, shifting quickly into personal recollections and humorous observations about everyday life and culture in Albuquerque. The conversation threads through Patty’s playful reminiscences and the hosts’ casual banter, weaving in vivid, comic descriptions of running into people and local customs, including the region’s famous green chilies and the city’s distinctive pace and architecture. The segment uses humor to explore how place and memory shape identity, and it moves from anecdotes about travel to reflections on how certain experiences—like visiting a distant city for a game or a quick day trip—leave impressions that endure beyond the moment. The discussion broadens to a candid self-appraisal of personal growth and responsibility. Theo shares details about taking a break from dating to focus on his relationship with a higher power, on self-care, and on maintaining balance amid competing pressures. The dialogue then delves into spirituality, therapy, and accountability, with emphatic honesty about struggling with porn use, temptation, and relapse, while emphasizing resilience, ongoing self-examination, and recommitment to healthier routines. These confessional moments anchor the episode in a broader theme of living authentically, managing expectations, and seeking support through community, faith, and self-reflection. A central thread ties the personal to the professional as Theo discusses the making of Bus Boys, the feature film they created largely outside the traditional Hollywood system. He recounts the long road from conception to production, the challenges of funding, and the joy of collaborating with David Spade. The conversation articulates a philosophy about taking initiative, confronting gatekeeping, and supporting independent work that reflects lived experience. The episode closes with practical details about ticketing for the film and a reminder of the value of persistence, creativity, and solidarity among working artists, while inviting listeners to engage with the ongoing project and the show’s evolving storytelling.

This episode includes sponsor messages from Gray Block Pizza and Ridge Wallet, with Theo Von’s playful riffs about pizza on the way to the beach and a Ridge Wallet pitch that leans into front-pocket practicality. The host jokes about heat, yard sun, and a dozen tangents as he moves through a wide-ranging set of topics. He references Stevie Starlight’s music, especially the song Come Over, and likens the vibe to a Hannibal Lecter moment, then pivots to a broader reflection: it’s never too late to change, to adjust, to tighten up or evolve. He recalls past feelings from childhood, notes some beliefs have changed, and reassures listeners that change can happen in marriage, alone, or after life events. The set teases the idea that life can swing from secure to surreal with a single choice. Back from Bakersfield, he shares a tale of a fan who tattooed her kitchen on her back and of meeting Madame Mehta, a soccer-playing kid, and a blonde scientist who wants to be something else. He also reveals he appeared in a Bad Baby music video, describing the shoot as a full-on production with smoke, a long shot, orange slices, and a table of crew eating. He plays a pervert in the video, a role he initially feared, then accepted after a call from the director and a nudge from David Spade, who recommended him. He recounts how he got David Spade’s number, fretted about being tall, and finished the call on a note of mutual respect and humor. He notes that Bad Baby is the “cash me outside” star and that the video’s tone is dark and fun. The host’s storytelling wanders into controversial ground about the ethics of sexual content involving minors in music videos. He acknowledges the line between performance and exploitation, remarks on the industry’s tendency to sexualize young performers, and calls for awareness rather than explicit endorsement. He also reflects on his own insecurities—height, perception, and the tension between vulnerability and bravado. Across a flood of listener calls, topics range from basketball nightgowns and Packers pride to a coworker marriage scheme for visas, to antidepressants and their side effects, to loneliness, to resilience. Many callers share hardships, triumphs, and humor; Theo responds with empathy, tough love, and practical suggestions, inviting follow-ups and promising updates. In closing, Theo announces China shows in Shanghai (July 12–14), a Hollywood run on June 26, and a slate of U.S. engagements that underscore the show’s evolving live reach. He thanks sponsors, patrons, and listeners, urges self-care, and signs off with an encouragement to keep going.

Theo Von welcomes Nikki Glazer back to the podcast. They discuss Nikki’s upcoming tour, One Night with Nikki Glazer, and her hosting duties for the MTV Movie and TV Awards, while listing tour stops in St. Louis, Cincinnati, Charlotte, Durham, Chattanooga, Knoxville, Wilmington, Wilkes-Barre, Charleston, Richmond, Albany, Buffalo, Columbus, and Minneapolis. The conversation covers career updates, personal stories, and the couple of recurring themes Nikki is known for: candidness about sex, veganism, and the challenges of modern life. They walk through an early obsession with identity, bees, and summers ruined by fear of insects, then pivot to fashion and hair as markers of personal truth. Nikki reflects on changing her hairstyle five years ago, owning the look, and Theo recalls meeting a version of himself in Nikki’s look that inspired others to adopt it. Nikki opens about emancipation from her parents at fourteen, moving between friends, and eventually starting college after a period of independence. They compare notes on siblings, family dynamics, and the sense of being more independent than peers. The conversation moves to adolescence, high school romance, and the first sexual experiences. Nikki recounts a spring-break Florida episode, her first kiss and later encounters, mono, and the social dynamics of popularity and nerves. The tone remains humorous but honest as they unpack insecurities and expectations. Mental health threads weave through the episode. Nikki describes falling in love deeply for the first time in years, a three-week relationship that ended, and the ongoing management of ADHD with a recent diagnosis. She describes trying ketamine therapy to alleviate physical and emotional pain, the process of treatment, and how it intersected with her broader healing journey. They discuss therapy, antidepressants, spirituality, and the idea of a higher power. They also talk about Sam Harris’s book Free Will, and how the concept of no true control over thoughts has influenced their empathy, accountability, and approach to consequences. The episode features frank sex talk, dating anecdotes, and practical advice. Nikki offers tips for spicing up sex with consent and communication, including light choking, bondage options, blindfolds, and playful power dynamics. She emphasizes starting slowly, setting boundaries, and using tools like lube and toys to enhance pleasure. They discuss first experiences, the challenges of dating while famous, and the balance between humor, honesty, and vulnerability on stage. They touch on vegan ethics and animal rights. Nikki argues for mindful consumption, the feeling that animals experience fear, and the idea of bearing witness at slaughterhouses. She acknowledges still eating some animal products and the practical realities many face, highlighting plant-based options that are increasingly accessible. The conversation closes with tour logistics, live music with her father, EJ Glazer, and plans for future performances. Nikki invites listeners to nikiglazer.com for tickets and the Nikki Glazer Podcast, while Theo thanks sponsors and signs off. During a fan Q&A, a caller asks Nikki for dating strategies at a bar. Nikki advocates honesty and confidence, suggests a low-pressure approach, like offering an email instead of a phone number. The chat then shifts to Andrew Collin, her roommate and opener, and how they moved to St. Louis to launch the podcast from a home base. They discuss their creative partnership, touring with friends, and plans for live music on stage with her father EJ Glazer. They mention private gigs, Taylor Swift sing-alongs, and keeping authenticity on stage. The episode closes with tour details at nikiglazer.com and a plug for the Nikki Glazer Podcast, plus sponsor shout-outs.

Dave Rubin announces his upcoming tour, starting in West Palm Beach with Donald Trump Jr., followed by multiple cities including Clearwater, Raleigh, and Chicago, featuring various guests. He discusses the transition to a post-woke world, citing Elon Musk and a federal judge's recent decision to lift the mask mandate on planes as examples of individuals challenging the system. Rubin highlights President Biden's declining approval ratings, particularly among younger voters, attributing this to inflation and dissatisfaction with current policies. He emphasizes the importance of individual action against the "machine" and notes the growing Republican voter registration in Florida. Rubin expresses optimism about the potential for change, referencing the success of candidates like Glenn Youngkin in Virginia. He critiques the ongoing pandemic narrative and the government's response, particularly regarding lockdowns and mandates. As he prepares for his tour, he invites viewers to join him and expresses excitement about meeting fans, promising to return refreshed with new insights.

Theo Von opens with a plug for Gray Block Pizza and uses weather‑metaphor imagery to reflect on hurricanes and the toll on people, noting Hurricane Florence and displaced families. The episode features a Band of Heathens track "Hurricane," submitted by listener Josh Wilcox with permission from Gordy, used as a motif for resilience. Theo emphasizes that many will lose belongings in floods and urges listeners to donate, proposing Patreon donations and links to reputable charities; he reflects on what remains when skins and possessions are gone, inviting solidarity and reminding listeners they are not alone. The show includes audience calls, including a Nashville trip where Brooke from Austin recalls meeting Theo; he recounts awkwardness and jokes about exaggerated physical features, then thanks attendees who escaped the storm and brought gifts. He shares appreciation for fans and mentions Louisiana treats and bracelets received. He notes a manager’s father’s death, and philosophizes about aging, birth, and breech births as metaphors for new beginnings. Theo critiques public scrutiny of Supreme Court nominee Brett Kavanaugh and the sexual assault allegation from decades ago, arguing that people are fallible and that past mistakes shouldn’t permanently define a person, while acknowledging the political climate and media fatigue. The host announces upcoming tour dates: Toronto, Charlotte, Appleton, Phoenix, Buffalo, Salt Lake City, Washington D.C., and promotes MeUndies with a humorous boast about genetic legacy in the crotch region and a 15% discount, free shipping, and guarantee via MeUndies.com/weekend. The hotline, 956-649-503, is featured for listener calls. Cody from Newton, Kansas talks about becoming a father after addiction; Anna from near Toronto discusses commitment fears and gratitude for one child; a caller mourning a brother’s funeral shares how addiction dominates; various other voices share stories of parenting, relationships, resilience, and humor. Theo closes with gratitude, a call for empathy, and a reminder that everyone faces their own hurricane, ending with the song’s refrain and the 'gang gang' sign‑off.