TruthArchive.ai - Related Video Feed

The discussion centers on a group of notable figures surrounding the death of Charlie Kirk, a story that the speakers describe as growing increasingly crowded with unusual characters. Skyler Baird is introduced as one of the voices commenting on the event, and the conversation emphasizes a highly charged, almost surreal sequence of moments surrounding the tragedy. Skyler Baird recounts being perhaps 10 or 15 feet away when the incident occurred and suggests that viewers should watch the video for about ten seconds to catch what happened. The dialogue highlights an attempt to balance the tone by noting a focus on the positive and asking how to ensure that Charlie Kirk is remembered. The remark characterizes Skyler’s reaction to witnessing what is described as a “publicly executed” moment on September 10 as “quite a completely natural reaction,” framing it as a baseline of normality in an otherwise extraordinary and troubling narrative. The discussion then pivots to Skyler’s first contribution in the aftermath of the event. Skyler describes how he was right there and “kinda escorted” the person involved to a police officer. He clarifies that there was a cop nearby as well, but emphasizes his role in escorting the individual. The person who is escorted is described as saying, “I shot him. I shot him.” This claim becomes a focal point of the recounting, signaling a pivotal, sensational moment in the sequence of events. Attention then shifts to the figure known as old man George, identified as George Zinn. The narrative recalls that he stood up immediately after Charlie was shot and shouted, “shoot me, shoot me.” The speakers remind the audience that George Zinn had previously been characterized as a bad man with very dark proclivities, a framing that is referenced to underscore the dramatic shifts in how characters are perceived as the story unfolds. Skyler’s involvement is linked to these evolving perceptions, as he is described as having helped apprehend the decoy. The passage concludes with an admission that the sequence may be a matter of coincidence, expressed as “Coincidence, I suppose.” The speakers remark that the Internet promptly responds, with “the Internet doing its thing” and beginning to discuss and analyze the developing storyline.

"how did this guy know to move to that exact location?" "There was also a man that was arrested in a parking lot with an airsoft rifle." "that crazy guy screaming that he was basically a distraction?" "the best way to tell a difference between people is to look at their ear." "the ear does not is a bit different to the one we've seen of of photos of Tyler, old photos Tyler." "it's not obvious, but we don't have any positive proof here that there is a rifle in this video at all." "how did he get a rifle up on the roof?" "it's not a takedown model." "the bulge in his pocket" "12:23:34" "potato cam footage" "I didn't shoot him, I didn't do anything, I swear guys." "rifle was pre positioned at some period in time, and that he then was able to pick it off the property, and because he knew he couldn't walk all the way across, and then stash it like that as he was moving into position finally." "there's so many different people that are talking about this and it hasn't died yet." "a Twitter post the day before and ended up sharing it, the same day within hours of when Charlie Kirk got shot, that said he was attending school there, he said something very big was gonna happen the next day"

According to the FBI, Tyler was positioned here and took the shot. The video they provided to us, and it's edited. It starts as Tyler's running off the roof, but this is that rooftop vent; had they given us the full video, we should have been able to see Tyler in this area with his back or with his backpack and his gear and assembling, disassembling the gun, whatever the FBI is saying. But instead, we get the video of him running off the roof. We don't get the full video. The camera was positioned somewhere right here. This is the field of view of the camera. So we've got an edited version, and I think we need to push to get the whole version.

I think I found the shooter. This guy with the white hat starts it by creating signals—“touches the bill of his hat, and then he touches his ear.” The guy that shot Charlie is over on this side, and he’s seen by others who move to block him, with one man “rubbing his right arm” as he steps in front. “Watch this”—the background figure shifts, and the white-shirt man is “holding the gun right there.” If I go frame by frame, the moment the black-clad man moves his arm out, the white-shirt man “lifts his right elbow” and “shoots it.” His hand goes back, and then Charlie gets hit. “Watch the gun shoot right now”—the gun fires, Charlie is hit. “It’s clear as day.” The black-shirt man shows the white-shirt arm; “pop, bang.” Oh my god.

Ryan Mehta discusses the claim about Charlie Kirk’s shooting, addressing Candace Owens’ assertion that Kirk was hit from the front and that the bullet shot straight. He argues that the neck entry wound with no exit wound suggests the spinal area stopped the bullet, implying a near-straight-on or slightly angled front impact (01:00 or 11:00 position). He explains that if the shot were from the side or at a different angle, the jugular area would likely have the bullet exit through the neck or the other side, making a front shot the most logical conclusion. Mehta notes the possibility of a drone surveillance setup and a second shooter at a much farther distance, referencing Gary Melton at Paramount Tactical. He mentions drone renderings and images of the campus layout to determine if anyone else at an elevated position could have had a clear line of sight to shoot Kirk from the front, asserting that the research will provide definitive evidence of such a position. He rejects ideas of trapdoors or a bullet coming from the ground and AI manipulation, stating he is not buying those theories. He emphasizes that the observed body reaction—“something blew him out of the chair”—would require further explanation. He discusses the necklace coming off and suggests that overlapping devices might have simulated another type of event at the moment of the shooting, implying a simultaneous device could be involved. Mehta speculates about adversary tech, referencing Mossad or similar agencies with gas-powered or air-powered guns that could be used to create a front-shot camera device capable of shooting Charlie while appearing to originate from the front. He maintains the chain of events supports a front-shot scenario with the bullet entering Kirk’s neck, possibly hitting the spine, and causing a dramatic bodily reaction. He invites viewers to share opinions in the comments, asking them to indicate whether they think Kirk was shot from the front or the side, and to participate in a Twitter Space at 5 PM with an expert to discuss Charlie Kirk’s security detail. He signs off as Ryan Mehta, inviting participation at 05:00. Key points: - The neck entry wound with no exit is argued to indicate a front-on or near-front shot, potentially around 01:00 or 11:00 trajectory. - The possibility of a drone and a second shooter at a distant location is discussed, with Gary Melton’s Paramount Tactical drone surveillance cited as providing three-dimensional renderings of the campus layout. - Rejected theories include trapdoors or ground-level shots and AI manipulation; suggested alternative is a device/camera that could shoot from the front while appearing to come from elsewhere. - Observed physical reactions (neck and spine) are used to support the front-shot claim, though further evidence is called for. - Audience engagement and a forthcoming expert discussion on Charlie Kirk’s security detail are announced.

There’s a theory that 'he got shot with a palm pistol from the side or that there was a guy giving hand signals to kill Kirk in front of the livestream.' The event was livestreamed, and the speaker says their 'master plan in front of an audience of thousands that are all filming in front of a livestream was to have the shot caller next to Kill him. Kill him now. Take the shot now.' They question whether the thousands in attendance would 'recall I hope no one notices this,' asking, 'like, that was their plan?' The plan allegedly included 'a palm pistol like this' and to choreograph it 'in front of all the cameras' to be 'kill him. Kill him.' The speaker adds, 'the level of retardation' and notes 'schizos' as context for why 'no one wants to say it.'

- "Charlie Kirk wearing a bulletproof vest." - "I have from a confirmed source." - "Carly Carly Trik arrived. He was hit in the chest, which is what we saw right here." - "The bullet ricocheted up and went into the neck." - "There was no side shooter, guys." - "The main shooter came from the front, and I don't think it was that Tyler dude." - "I think that Tyler dude is a patsy." - "So first, he drives and drops this gun off in the woods." - "Then he drives and parks his car on campus." - "Then he walks back to the woods to get the gun, then he puts the gun in his pants." - "Then he walks to campus, climbs on the roof, changes his outfit, then takes the shot." - "Then he jumps off the roof with a 24 inch barrel secured to his leg." - "I think there is somebody much farther back than that." - "Some people are saying he made ninety minutes." - "Definitely didn't feel a thing." - "This is what we call slop."

"This is so much so." "Before we had a flag and we had" "it so it's positioned above the tent so it'd be in" "the camera made us move. What was that?" "Just a so much so." "It's too crowded." "It's just there's just so much." "As you can see, this new trajectory places a shooter on the roof of the Sorenson Center, and the shot would come at a much steeper down angle and a much larger angle off of the perpendicular, such that a bullet entering Charlie's neck would hit his spine and glance downward into his chest cavity, killing him instantly."

They push back on critics who say they can't investigate online, declaring "We're FBI agents. We're the investigators." They highlight Blake Bednar's rise—from about 500 to 23,700 followers—saying "he deserved... a 100." They discuss the Meta Glasses story: "the button on these glasses... it's on the right side" and "hit it once... that is a picture" and "hold it down... record." They say "snapping photos... for confirmation" to use facial recognition to verify a target, and note Blake "jump over to rescue Charlie Kirk" while wearing Meta glasses, "standing over his body." Speaker 2 confirms the sunglasses case: a security guard wearing "meta Ray Bans" records over Charlie's body. They critique the FBI/media narrative about a trans shooter and speculate Candice may reveal GPS and receipts to challenge the timeline, ending with "Save me the fucking lecture."

Speaker 0 describes Skyler as having given about four different interviews online right after the Charlie Kirk assassination. She notes he is seen with glasses on top of his head, front row at the scene, and somehow sits on the Main Floor at the Charlie Kirk Memorial during the memorial service. She asks, “Who is this guy? How is this possible? And why are his interviews so odd?” She points out that on the day of the shooting Skyler was in the front row and near a bodyguard. Speaker 1 and Speaker 2 recount Skyler’s position: “Maybe 10 or 15 feet away when it happened. Close as he could.” They describe Skyler with sunglasses on his head, and a Charlie Kirk bodyguard in front of him, with Skyler off to the side in the corner when Charlie began taking questions. They note the bodyguard is directly in front of Charlie, Skyler to the side, matching Skyler’s own account of being “front row, Noel in front of him,” with a bodyguard to his left and one in front of him. They say Skyler was “front row and center.” Speaker 0 then says Skyler later appeared sitting on the Main Floor at the Charlie Kirk Memorial, with a floor pass for a press conference, literally “maybe 10 or so rows from the front of the stage.” They claim this is documented on Skyler’s Facebook page. They mention Skyler’s Facebook shows two, perhaps “two point, I think, k” followings, with from 2018 to 02/2025 only about seven posts and about 10 pictures, implying a sparse content profile for a “digital creator.” Speaker 3 describes Skyler’s earlier claim about getting into the stadium: “Just made it to the stadium. There is an unlimited amount of security, Secret service, military, police, empty. Steel barricades all around. … There’s been people waiting in line since 05:30 in the morning.” He says Skyler went past multiple security layers to obtain a media badge and a floor pass, and then ended up on the Main Floor “a few rows back to the Charlie Kirk Memorial.” The speakers question how he could gain access and yet appear to be late, then have a media pass and seating positions. Speaker 4 adds, “So, again, why go into detail acting as if you were late, you didn’t even know you were gonna get in, yet somehow you end up with a passing all these checkpoints to get a media pass around your deck, end up on the First, you know, Main Floor just a few rows back to the Charlie Kirk Memorial that day. It’s just like it’s a big act, a big show that this guy's putting on. It’s like he was handpicked to do all these interviews. He was handpicked to have front row that day because he was up, you know, farther up in the crowd before Charlie got there.” Speaker 4 closes with a segment featuring a clip of another person describing a mythic, imagery-laden interpretation: “An indecision night. I photoshopped in my mind. I photoshopped the blood away. I photoshopped Charlie, sat him back up, put his smile back on, and rewound the tape… I rewound the bullet going back up into the rifle. I stuck a flower inside the rifle.”

Speaker 0 and Speaker 1 address a viral video about Charlie’s chief of staff, Mikey, and explain why they are discussing it. - The video in question attacks Mikey, Charlie’s chief of staff, claiming based on a few seconds of clips that he allegedly has a nonchalant or calm reaction to Charlie’s murder. They describe this as a “extremely disgusting attack.” - Speaker 1 recounts what happened: they were at the scene when a shooting occurred. The loud crack is heard; they turn and see Charlie has been shot. They realize there is a shooter on the scene. They decide to get out of there rather than be shot, noting Charlie had a security team that leapt into action to get Charlie out. - Speaker 0 notes their own actions: he, too, considered getting into the car, but decided against it. He was ahead of Mikey as they left. He recalls a moment where he paused to assess the situation, then saw Mikey, who was profoundly freaked out. Mikey’s lip was quivering, and he said, “I need to call Erica,” then took his phone and began calling Erica. Speaker 0 also called his own mom, saying there had been a shooting and that he was okay. - They describe Mikey’s later actions: after the initial shock, Mikey took charge like a “general directing a battle,” coordinating hospital transport and information flow, and directing people where to go. When they learned Charlie had died, Mikey told them, “now none of you can say anything that you've heard because it is Erica is not going to hear about this from anyone except me.” - Speaker 2 asks if Mikey could be involved in a conspiracy to murder Charlie. Speaker 1 responds that such accusations are vile and describes how some people online fuel such narratives, comparing the mindset to getting a “high” from dangerous or provocative content. - The speakers emphasize Mikey’s heroic actions: Mikey was distressed but stepped up to direct people and communicate with Erica and others. Speaker 0 notes that he, too, was traumatized after learning of Charlie’s death and rushed to be with Erica and the team. - They address the specific allegation that Mikey was on the phone immediately during the incident; they state he was not on the phone but was taking social videos to share with their group chats. He would send updates to Charlie’s social media during the event while the crowd was changing, then, overwhelmed by the noise and shock, he put his fingers in his ears but his phone remained in his hand as he moved away. - They describe the scene as a cordoned-off area with a narrow gap that people used to exit, where Mikey walked briskly or ran as he processed the trauma and continued to direct actions. They reiterate Mikey “turned into a general on a field marshaling the troops.” - Speaker 1 closes by urging readers who propagate narratives attacking Mikey to reconsider, stating that such narratives are bad and gross and a choice that shouldn’t be made.

The speaker challenges the credibility of the narrative about Charlie Kirk’s incident and points to security footage to raise questions. They reference a security detail member wearing “meta AI shades” who appears to be filming. According to the speaker, when Charlie is hit, the security person turns on the shades, films, and then, as chaos unfolds with a crowd rushing the stage, carries out a handoff. The speaker describes a handoff occurring to a gentleman in a shirt. They claim that this is the moment when someone takes something off Charlie and hands it to the man in the black shirt, who then runs off. The speaker asserts that the item being handed off is the “laugh mic” that allegedly contained an explosive device, implying that the security detail’s first priority was to remove the suspicious object from Charlie and pass it to the other person rather than ensuring Charlie’s safety. The speaker emphasizes that the security detail “knew exactly what to do” and questions how the person receiving the item would know what to do in such chaotic moments, suggesting coordinated movement. They argue that the security actions undermine the official narrative about Charlie Kirk and Tyler Robinson, indicating that the FBI should be questioned and accountability demanded from the FBI and this administration. In summary, the speaker uses the footage to claim that the security team’s behavior—specifically the meta AI shades operator filming, the rapid handoff of an object from Charlie to a man in black, and the subsequent actions—casts doubt on the established story and points to potential coordination and a failure to prioritize Charlie’s immediate safety. The call is for greater scrutiny and accountability of the FBI and the administration.

We reviewed the downloaded footage and the discussion centers on Shaner and his close friends retracing the killer’s footsteps at his grandma’s house, with his aunt on camera. The aunt mentions that there was a woman who was helping the shooter, and she's not sure whether that person was an accomplice. "If you time how long it took him to get from that little part over to here was way longer than it should have been." "So I wondered if the girl had given him stuff. Like, if there is an accomplice." And she notes, "it said right here, that picture from Sam's across the street, he was right here. Yep." The speaker adds that the subtitles are wrong and it's AI, "I wondered if there is an accomplice." They discuss "the woman who handed over her footage to the FBI saying, I wondered if that woman was an accomplice." "TMZ already had the doorbell cam footage." "the FBI already had the footage." "Why wouldn't the FBI immediately release that?" The narrator says, "I reached out to Phil Lyman."

The speaker asserts: "starts within five seconds, maybe fifteen seconds tops of Charlie Kirk being assassinated" and "This is the CCTV footage we want." He asks, "why is it that you will not or you are refusing to release this video right here of fifteen seconds prior to Charlie Kirk or prior to what you did release?" He adds, "This dude is sprinting off the roof." He continues, "we went around the campus, and there's another camera." He notes there is "CCTV footage that literally shows the would have shown Tyler shooting at Charlie because the camera is literally right behind Charlie Kirk," and asks why that CCTV footage isn't released. He also asks, "What are on these CCTV cameras? Was there another shooter farther back that you don't wanna show us?" Finally, he asks, "What is this? This literally looks like a camera, a CCTV camera completely removed from the side of the building. Care to comment?"

Colin of Project Constitution sits down with Tyler (the interviewer’s name in the transcript isn’t consistently labeled; the speaker identifying themselves as “Speaker 1”) to discuss an in-depth, ongoing investigation into Charlie Kirk’s assassination and related events. The conversation covers timeline疑s, weapon analysis, hospital logistics, key individuals (notably Erica Kirk, Tyler Boyer, Terrrell Farnsworth, Candace Owens), and alleged foreign and domestic entanglements, with a focus on unfiltered details the team has uncovered. Key points and claims from the discussion: - Initial reaction and approach to Charlie Kirk’s assassination - The team initially accepted the FBI’s narrative but began seeing inconsistencies as reports alternated about suspect custody. Within days after the shooting, the crime scene was reportedly destroyed and the grass replaced with pavers at the university where Kirk spoke. - Video analysis reportedly shows the ground position of the shooter that the FBI cropped out, leading to questions about whether the shooter’s location and the weapon’s origin were accurately represented. - Weapon and ballistics questions - The team raised red flags about the reported firearm: a 30-odd-six was described, but ballistic experts argued that such a round would likely have killed or severely injured the target differently, prompting the theory that the weapon claim did not match the injuries observed. - The investigative team posits the use of an explosion intended to mimic past assassination patterns (e.g., MLK-era examples) and argues the actual kill injuries do not align with a 30-odd-six. - The team’s conclusion, based on crime scene photos, argues the presence of black shards and shards consistent with a microphone (a Rode wireless mic) that shattered on impact; burn marks on Charlie Kirk, and similar black shard traces observed in Candace Owens’ released SUV photos are cited as corroborating evidence. - They propose that an explosion occurred in proximity to the event, with a separate high-powered rifle shot possibly emitted by a drone—suggesting a drone sniper may have fired, not a ground-based shooter, and that the supersonic crack and potential muzzle flash were not from a conventional rifle fire but from a bullet transitioning from supersonic to subsonic speeds, creating a pressure cone. - Hospital choice and post-event handling - Charlie was taken to Tipanogos Hospital rather than a closer facility. Officials reportedly claimed this was to access a higher-grade trauma center, but the timeline questions why the closer hospital wasn’t used and how the decision was made in real time. - A witness (a landscaper at Tipanogos) described the sequence of events: an SUV delivering Charlie Kirk to the hospital, then a second SUV with Mikey McCoy entering through a doctor entrance and leaving, raising questions about who was picked up and where those individuals went afterward. - The FBI reportedly confiscated hospital security camera footage, which the team views as suspicious in a non-crime-scene context. - Candace Owens’ show highlighted an allegation that a surgeon attempted to access the body before Erica Kirk could see it; the surgeon allegedly faced FBI resistance to re-enter the patient area. There is a contested claim about “Superman neck” and whether the surgeon ever stated such language. - Erica Kirk: background, ties, and credibility - Erica is described as potentially military-trained and highly prepared; the team explored her past, tying her to Liberty University’s Falkirk Center and alleged trafficking connections, and to Romanian networks. They assert a pattern of deception—multiple inconsistent stories about how Erica and Charlie met, and extensive past relationships with multiple former partners. - They accuse Erica of deleting past social media and press content, pressuring photographers, and hiding past associations. - The team claims Erica has ties to a broader “Mormon Mafia” network tied to Mitt Romney, with connections to Utah and Arizona. They assert ties to CIA and other security entities, and claim involvement in trafficking and political influence networks. - Tyler Boyer, Terrell Farnsworth, and family/political entanglements - Tyler Boyer is described as deeply connected to the “Mormon Mafia” and as someone who previously ran Turning Point, with shell companies enabling political and charitable activities. The interview alleges he conducted surveillance on Colin and has conflicts of interest in Charlie Kirk’s case. - Terrell Farnsworth and his family connections are described as deeply entrenched in the network; Farnsworth’s stepfather reportedly held a senior position at Duncan Aviation, connected to alleged assassination logistics; Michael Burke (Farnsworth cousin) is identified as a top prosecutor connected to Tyler Robertson’s defense. - The discussion highlights a potential conflict of interest: Farnsworth’s cousin is the defense attorney for Tyler Robertson, creating a potential conflict, given Farnsworth’s role in the case and as a witness who allegedly handled the crime scene (removing SD cards and contaminating evidence). - Investigative aims and future directions - The team seeks a complete timeline that identifies every participant’s role and actions, both to present to the public and to pursue potential legal recourse. - They propose a documentary or comprehensive public analysis to expose alleged lies and inconsistencies and to push for accountability, either through court proceedings or public discourse. - They anticipate possible outcomes for Tyler Robertson’s case (conviction via public opinion, or a plea deal) and suggest the possibility of deeper CIA involvement in the radicalization and online manipulation processes surrounding the case. - They emphasize the risk to investigators and supporters, including concerns about surveillance, shadow banning, and potential threats or actions against prominent figures involved in the investigation. - Closing sentiment - Colin reiterates the importance of citizen journalism and collaboration with Candace Owens, Sam Parker, Baron Coleman, and others in pursuing truth and accountability. The interview ends with a pledge to continue the investigation and to keep the public informed as new information emerges.

Speaker questions the narrative: 'random trans shooter' on the roof who 'took this shot' and was 'undetected' because the FBI released video footage. He asks if this means 'he must have already had planted the gun on the roof prior' and wonders 'why didn't he have it on him when he was leaving?' He questions the lack of footage—'why don't we have any images of this kid leaving the school?' and 'video footage of this kid jumping off the roof?' He says, 'he runs roughly one mile with a long arm rifle in broad daylight to stash it in the woods' and argues, 'you definitely wouldn't carry the rifle with you' to blend in, citing 'an American flag shirt on.' He references 'criminal minds' and BAU, concluding, 'This is weird, guys. This is freaking weird.'

The speaker references a person who was removing memory cards from cameras about four minutes after what is described as the Charlie Kirk assassination, noting that something about the situation didn’t sit right. They mention Candace released a video showing how this person reacted, and that diligent investigation followed, including a campus visit to UVU to examine the events with a play-by-play analysis. The speaker says they will leave a link to that video but first shows a clip. In the clip, Speaker 1 describes the sequence: “He doesn't try to grab Charlie. He doesn't duck. His first reaction standing right here is to turn this way and start booking.” The person “starts booking back here,” and Speaker 1 notes that he sees the shot and that Charlie hasn’t even hit the ground yet. Charlie is described as being in a position where “Charlie’s like this,” and the person pivots to lean back. Security personnel respond by coming over, grabbing him, and pulling him to the ground. Meanwhile, Terrell Farnsworth “has already turned and begun running back here to climb up on that wall.” The speaker asks the audience to imagine there had just been a shooting, with chaos and people running. Charlie Kirk “was just shot,” and the wall is described as “almost as tall as I am.” The speaker asks the audience if they can see, confirming visibility. The analysis then focuses on the person’s actions: measuring “how much of a pain in the ass he climbed up right here and then threw that loose rock and just so he could get to his vantage point.” The speaker calls it out as an attempt to explain the sequence from the vantage point up the wall. The clip continues with the person producing a selfie video: “Oh, they shot Charlie. They just shot Charlie. They just shot Charlie.” They refer to him as “Agent” and note his statements like “They shot Charlie. God help him.” The speaker says this behavior is a major red flag and cites it as the most troubling aspect. The running scene is described further: as the person runs out, he looks to his left and, in the footage, is seen climbing up, then reacting to the news that Charlie was shot. The voiceover emphasizes the emotional state (or lack thereof) as the footage shows the stampede of people and chaos. The speaker underscores that, to them, the absence of emotion on the person’s face during these events is “the biggest red flag of all.”

Speaker 0 says they downloaded nearly original footage from the incident and note that reuploads compress the file, referencing “the national file,” and aim to “disprove this or not.” Speaker 1 points to Charlie Kirk: “how many You see him right there? That’s him debating with somebody here right before he gets shot.” “He got shot from his right hand side on that side coming out here.” They discuss a rooftop shooter theory, noting walls, bleachers, and that “you got shot from rooftop.” They show a rooftop trajectory diagram: “count with me… flat surface one, flat surface two, and then flat surface three… almost up on four,” arguing the shooter would have a straight shot at Charlie. They claim “this is 100% the shot” and say “the mic… was the first entry wound” is incorrect; “there is no entry wound on the left side of his neck. He got hit on the right side.” They demand CCTV footage release from Turning Point, noting cameras and a cameraman, and urge campus footage to verify angles, mentioning trees “above the rooftop” and needing to see if the edge of the roof is visible. They conclude the shooter was on the highest point and that multiple cameras likely captured it.

Speaker 0 argues the Charlie Kirk story keeps getting weirder. They claim a random trans shooter was on the roof, took this shot, runs across into the rooftop, jumps down, somehow undetected because the FBI releases a video footage. Was this when he was walking into the building, then he must have already had planted the gun on the roof prior, and he somehow managed to walk back in the second time without the weapon. If he left with a weapon and hid it in the woods, why didn't he have it on him when he was leaving? They say he runs roughly one mile with a long arm rifle in broad daylight to stash it in the woods. If you were running, you wouldn't carry the rifle with you. He wore an American flag shirt. The FBI with all their resources, that's the best photo? Didn’t we watch Criminal Minds? They claim BAU would rerender that image and get it pixel perfect. Face recognition software could redigitalize that kid's face with AI to pixel perfect; this is weird.

- I recognized an individual and 'have taken down the cameras minute four after Charlie was shot? The back camera of all the ones when you take the front camera.' - 'I've never seen that. He's never been behind me at an event. He's never been lingering around me at an event.' - I asked about 'his presence behind Charlie' and 'the mysterious phone call ... minute three after Charlie was assassinated.' - He told me explicitly that 'they were trying something new that day. Like, it was something new. Charlie's super ambitious. And on the AV thing, they were trying something new, and they wanted to be able to feed it back instantly to Arizona.' - 'None of it makes sense to me because these events are typically livestreamed. But again, something new. Okay?'

Questions the claim that 'some random trans shooter was on the roof, took this shot, runs across into the rooftop, jumps down, somehow magically being undetected because the FBI releases a a video footage.' He asks if he had 'planted the gun on the roof prior' and how he could 'walk back in the second time without the weapon.' He questions why 'we don't have any images of this kid leaving the school' or 'any video footage of this kid jumping off the roof,' and notes he 'runs roughly one mile with a long arm rifle in broad daylight to stash it in the woods' while wearing 'an American flag shirt.' He doubts the FBI photo is the best they can provide and references 'criminal minds' and 'the BAU' that would 'rerender that image' to be 'pixel perfect' with 'face recognition software.' Contrasts movie-like tech with reality, calling it 'weird.'

From the outset, one of the speakers says there was a sense that the official narrative about the day didn’t add up, expressing that many Americans feel they were being lied to. The major problem they identify with the assassination narrative includes inconsistencies and unanswered questions rather than acceptance of the official story. Speaker 1 recalls being told Charlie Kirk was shot and initially in critical condition, but notes that the video shows an exit wound and movement of Kirk’s shirt that suggests an impact nearby. With extensive experience around gunshot wounds, they say what they saw didn’t make sense. They reference the FBI’s announcement of a shooter and describe a separate incident involving a person on the roof who allegedly disassembled and reassembled a firearm, aligned a scope, fired a cold bore shot, moved to the roof, and then wrapped the rifle up. They mention texts from the shooter that didn’t sound like a typical 22-year-old and state that these observations raise questions. They say asking questions leads to being torn down or accused of holding conspiracy views, and they specify they aren’t claiming “Israel did it,” but insisting the questions about the event “don’t look good.” They raise specific questions: did the security team remove Charlie Kirk’s lapel mic after the incident and give it to someone else; what happened to the SIM card; did someone take the camera behind him; why was the crime scene contaminated and rebuilt. They admit they don’t know what is true but insist the questions deserve answers. They note that once they question, they’re labeled antisemitic, and they say they didn’t even bring up Israel. They emphasize the personal and national significance of the incident. Speaker 0 mentions a claim that Charlie Kirk was portrayed as Superman, with his body supposedly stopping the 30-odd-six bullet, and asks what would have happened if a 30-06 round hit him. Speaker 1 says it would likely blow his head off and leave remnants of the bullet, arguing that they don’t think such remnants have been found yet. They question why the chair and desk were moved and contend that a forensic expert could determine the shot’s origin, insisting they are simply asking questions. If those questions can be refuted, they would stop asking; but they claim they’re not getting any answers beyond “this is what happened” and being told to “shut up.” Speaker 0 adds that telling someone to be quiet amounts to labeling them antisemitic, and that when the trial comes, they will look like a fool. Speaker 1 says that’s a tactic of the left—when you call them out, they label you a name—and that the right is now doing the same to them.

Discussion centers on claims about the Charlie Kirk assassination, including a side shot. The presenter says "there's now a shooter on the roof" and an eyewitness states the shooter was "wearing tactical gear" and described "the exact type of weapon... a two two three round." A bystander video shows "somebody on the roof" and the eyewitness asserts the shooter was "highly trained, like a highly trained assassin" and that the footage's metadata "begins at 12:22 and goes into 12/23, the very minute that Charlie gets shot." The speaker adds the shooter "looked like a foreign agent" and "not jeans." Another claim: "the FBI's official story is false" with video of an "entry and exit wound," though another participant says "it's not blood splatter. That's literally his necklace getting snapped off and flying over the back of his neck." The discussion concludes with "Cash should resign."

"This man right here, Blake Benares, just blew the roof off of this investigation and proved that Tyler's a patsy." "Blake only has 652 followers." "I've been working on this case nonstop for a week, and this is the one video that I think changes everybody's perspective on everything." "Let's get this guy up to 5,000 followers tomorrow." "What is in the view of that camera? This is what's really important." "This is the video of the cops, and they're zooming in to show us that Tyler was running across that building." "watch right here. Watch this freaking vent." "Something flies out of this gosh damn vent so fast at such a mock speed that you have to slow this down." "after he took the shot, he disassembled the rifle before jumping off the roof."

"So we're supposed to believe that some random trans shooter was on the roof, took this shot, runs across into the rooftop, jumps down, somehow magically being undetected because the FBI releases a a video footage." "Was this when he was walking into the building, the then he must have already had planted the gun on the roof prior, and he somehow managed to walk back in the second time without the weapon." "And then because if he left with a weapon and hid it in the woods, then why didn't he have it on him when he was leaving?" "Didn't we watch criminal minds as a kid? Like, they have this super advanced software where they upload the image, and then the FBI just does their like, where's the BAU at and shit?" "Face recognition software. Match on the nose, ears, Boom. There he is."