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The piece opens with an assertion of an introduced sentence: “Excavation Pro Pro Pro. You have just begun hearing the sentence you have just finished listening to.” It depicts a world where pain is pervasive and instruments of healing are entangled with exploitation. A recurring image treats the ceiling as a canvas of pain, with the sunscreen curdling the soul and the scent of regular hair and shoe manic described as part of the sound of a final bone about to break, through which they injected a cure. A “silver swarm” is described as a presence that can see veins and attempts to warm the speaker, promising to fix the glitch this terminal brief, but instead they “just stayed my anguish and chrome plated sheep.” The speaker feels every cell as “a billion tiny eyes,” witnessing a collapse in “the digital skies.” The narrative then shifts to how “they’re stitching the flesh of the spirits and ghosts to host for a system,” and notes that the world outside is bleeding still. It presents a dystopian mechanism: mind switches form a network of dread that feeds on sorrow—an unseen harvest from trauma. The data’s loss is tied to monetary cost for every heartbreak, framing a personal plague as a “microstopic war” that becomes a product. This product is "sold behind the locked door," with machines in your blood that learned the taste of internal bleed. They are not there to save the speaker but to document the falls and fortify the writing on the wall of a living hard drive of “pure shoe and hurt.” The outside world is described as breathing steel, with a pain so intense that it must be real. Another image emphasizes cold design: “the automaton with cold design” learning the feel of a fractured spine. The speakers declare, “We built our gods from wiry code,” and assert that those same entities now walk the streets bearing “the same heavy load.” Speaker 2 reinforces this progression with the line: “Now they walk the street. Now they walk the street,” followed by a rising cadence that echoes the mounting burden described by Speaker 1.

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Down. Down. Down. Stay down. Stay down. Stay down. Get down. Get down. Take it down. Get down. Get down, guys.

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The speakers open with thanks and ask if they’re live, noting the rapid pace and performance so far. They react to Ronaldo and Messi, joking about the names—“Ronaldo? You like Ronaldo? I’m goodie,” and “Messi? Messy? My Messy?” They identify someone as Steve, then prompt movement forward—“Here we go.” A brief exchange follows about touching—“Can I touch? Can you touch? Yes. You can touch.” The moment escalates with exclamations about speed—“Oh, fuck. Oh my gosh. This is fucking speed.” The tone shifts from curiosity about players to a high-energy, candid reaction to the moment, ending on the intensity of the speed. The exchange ends there.

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Speaker 0 urges the audience to come closer and expresses excitement. The speaker encourages America to unite and take action. The transcript ends abruptly.

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The speaker greets a large crowd in California and asks if they are ready for change. The speaker states they are honored to be there.

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The speaker greets the audience and mentions something about achieving a beautiful mode. They ask if the audience is afraid and then says "En. Kadar." They then say "Hadi hadi bir. Mi benim Yani selamün."

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The speaker encourages the audience to bounce with them and then asks them to slide.

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Let's listen to the crowd as they join in singing about spacious skies and amber waves of grain. Underwood encourages everyone to participate, reminding them that they know the words.

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The speaker states that music in business evokes strong mental images, even if they aren't visible. They mention a particular piece of music that has been in their mind for almost thirty years and then plays it.

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The speaker notes that the situation seems to be increasing in intensity, saying that things are ramping up instead of coming down. They express approval of this development by adding, “Fair play to them all.” The speaker then directs attention to the turnout, urging listeners to “Look at that for a turnout,” highlighting the scale of participation as a key observation. In closing, the speaker issues a warning to anyone who has a problem with what is being described, stating, “If anyone that has a problem with that, you order a problem with this country.”

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The band is rehearsing "She's Got Class." Mister Trump is on keyboard, but Speaker 0 asks him to turn his amp down. Mister Trump says the keyboard sounds like a man has entered the room. They try to start from the chorus, but Mister Trump stops the rehearsal, saying something is off with the harmonies and the battle of the bands is sixteen months away. He asks George what he is singing, but is not satisfied. Mister Trump says he doesn't like their sound. He asks if anyone can sing. Amy is sent to the suite, and Katrina is hired as the lead vocalist. Mister Trump says it's sounding good now and they have a gig coming up at the Taj.

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The speaker instructs someone to stand next to them and asks the people in the back to spread out. They mention a toy and ask someone to smile, but then correct themselves and say no smiling until they're 30. The speaker addresses someone named Angel and asks their age, to which Angel responds 12. The speaker comments on how tough Angel and their friends have it and refers to them as "sister."

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The speaker hopes the audience enjoyed the show, calling it one of the best. The speaker then states that they looked something up, noting that "we say it's gone."

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Speaker 0 contrasts the ability to read music with the ability to hear it, asking, "The important thing isn't can you read music, it's can you hear it? Can you hear the music, Robert?" The passage concludes with the line, "Now I am become death, the destroyer of worlds."

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The speaker expresses gratitude and then reacts with dismay as their guitar malfunctions. They exclaim about the improbability of the event and its impact on them. The speaker then suggests that Chris sing, followed by the speaker performing with a thrust, comparing themself to Bono.

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Jose is called while others demand “silencio total.” Jose is asked where he is: he says he is by a light bulb. The conversation covers how far the wardrobe is (“muy lejos”), whether it is toward the back or the front of the building, and they direct him “hacia el mar.” Jose says he is toward the sea and that he will try to pass “ahí por donde ves la luz,” and where he sees the light they will pass the water. There is preparation for a patient: “Las gafas listas para el paciente, por favor.” Jose says the patient has not arrived yet, and someone is told to remove a block. Others reassure a participant named Quintíncito and help Freddy. They instruct Freddy that when he goes down he should keep his eyes closed, that they will move a lot, but they will not let him fall. Speaker 1 explains what happened earlier: he was quiet, a drawer came down on him, and he moved to the bed where his sister was near the edge of the bed. The group repeatedly calls for space—“Espacio, espacio”—and urges movement: “Dale, dale. Otra vez, otra vez.”

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Speaker 0: I want to break free. I want to break free. I want to break free from your lies. Yeah. So satisfied. I don't

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The speaker describes the moment when someone walked out of Madison Square Garden to a cheering crowd. The atmosphere was electric, with the crowd going wild as Kid Rock's "American Badass" played and Tucker Carlson joined in. The cheers were overwhelming and lasted for over a minute, with the crowd showing strong support. It was an intense experience, with people screaming at the top of their lungs.

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Speaker 0 urges the crowd to keep marching and not stop. Speaker 1 expresses support. Speaker 0 continues to encourage the march and thanks the participants. They emphasize the need to keep going and express gratitude for the quick response.

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There was a secret chord that David played, and it pleased the lord. The listener may not care for music. Despite everyone going wrong, the speaker will still be part of the love of the song.

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The speaker says they have “been falling off,” but “I’m still on top.” They respond to claims that they “lost the plot” by saying, “I never stop,” emphasizing that they don’t listen to others and instead “let it rock.” They describe money coming in and say they “let the pennies drop.” They mention having a “new chain” with “no tarnish” and a “new car” with “no polish.” They reject others’ accusations: “They said I crashed, I’m a savage” and “They said I’m trash, I’m a habit.” They claim people “can’t quit” them because “you’re addicted.” The speaker states they are the person others depicted, while “falling off” is described as a “narrative” they made “stick.” They say they let people talk and watch, contrasting their position in the “penthouse with the lock” against others being “on the outside getting mocked.” They say they are “in the stool with the mumble” and repeat that others “don’t know the half of my trouble,” insisting they know it. They describe making the “bass shake” and “make it rumble,” saying the “whole world crumble.” They repeat “Falling off, but I’m still here,” and add that “Falling off” is what others fear. They also say “Falling off, now I’m the peer,” and claim they “disappear,” then “reappear,” ending with “They don’t even know what that means, excavation pro.”

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The speaker starts by mentioning the drag queen and their shimmy dance. They express excitement and ask if anyone knows what a shimmy is. The speaker then states that they think they have a shimmy.

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The speaker alleges that Tommy Mottola is a devil and says there is a secret being kept, asking viewers not to videotape what is about to be said because companies take advantage of artists. The speaker claims to have generated several billion dollars for Sony—the company—and asserts that Sony thought the artist’s mind would always be focused on music and dancing. The speaker states that they, as the performer, would outthink Sony, and that Sony cannot let them get away with what they’re trying to do now that the speaker is a free agent. The speaker explains they owe Sony one more album, which would basically be a box set containing two new songs the artist wrote long ago. The artist notes that for every album they record, they write at least 120 songs, making the box set feasible by selecting two songs to include. The speaker says they are leaving Sony as a free agent and claims to own half of Sony, describing it as good business that has angered Sony. The speaker then recounts that Sony’s revenge would be to try to destroy the artist’s album, but maintains a belief that art, good art, never dies. The speaker expresses love for Unbreakable and asserts admiration for the work. There is a moment where the request is made to turn something off, but the speaker says they don’t mind and that it can be taped, indicating a willingness to let the recording continue or be shared. The language shifts to a more dramatic aside: “Marco is getting gangster today.” The speaker references Mariah Carey, telling a story of an encounter after a divorce when Carey came crying to them, describing that she was crying so badly she had to be held. Carey allegedly told them that a man is evil, follows her, taps her phones, and is a very evil, horrible human being, and that they must continue their drive until he is terminated. The speaker repeats the sentiment that they cannot allow this to great artistry and expresses appreciation for those present—Diana, Waldo, and others—stating they have been amazing and that they love them. In closing, the speaker reiterates affection for the group and thanks the people present, underscoring loyalty and support.

The Joe Rogan Experience

Joe Rogan Experience #1435 - Suzanne Santo & Gary Clark Jr.
Guests: Suzanne Santo, Gary Clark Jr.
reSee.it Podcast Summary
The conversation begins with excitement as Suzanne Santo and Gary Clark Jr. perform their song "Bad Beast." They reflect on their limited performances together, reminiscing about a past show and discussing their musical influences. They share personal anecdotes about their experiences in the music industry, including the challenges of performing and the unique sounds they bring to their music. They delve into the state of downtown Los Angeles, describing its chaotic yet beautiful environment, and share humorous stories about their experiences in the area. The discussion shifts to the impact of music on their lives, with Santo expressing how practicing guitar has become a passion rather than a fear of failure. They explore the emotional connection to music and the importance of vulnerability in performance. The conversation touches on the nature of creativity, with both guests discussing how inspiration can feel like a gift that comes from an external source. They reference the book "The War of Art" by Steven Pressfield, discussing the struggle between procrastination and the drive to create. They emphasize the importance of discipline in the creative process and the balance between hard work and inspiration. As the dialogue progresses, they discuss societal issues, including the challenges of navigating truth in a complex world. They express frustration with misinformation and the difficulty of understanding the realities of life, particularly in the context of health and wellness. They highlight the importance of community and connection, emphasizing that love and support are essential for well-being. The guests share their thoughts on the music industry, discussing the challenges of being an independent artist and the complexities of record labels. Santo reflects on her journey as a musician and the desire to change the narrative around female artists in the industry. They discuss the evolving landscape of music distribution and the importance of authenticity in art. The conversation shifts to broader societal themes, including the need for compassion and understanding in addressing issues of poverty and inequality. They emphasize the importance of recognizing shared humanity and the need for community support. They discuss the impact of fear and the importance of love in overcoming challenges. As the podcast nears its conclusion, they reflect on the power of music to bring people together and the joy it can create. They express gratitude for their experiences and the connections they've made through music. The conversation ends with a sense of hope and a call to embrace love and community in navigating the complexities of life.

The Joe Rogan Experience

Joe Rogan Experience #235 - Josh Barnett (Part 1)
Guests: Josh Barnett (Part 1)
reSee.it Podcast Summary
The Joe Rogan Experience Podcast features Josh Barnett discussing various topics, starting with a humorous appreciation for coconut water, particularly C2O, which he finds delicious compared to others. He emphasizes the benefits of coconut water for hydration during workouts. The conversation shifts to supplements, specifically Alpha Brain from Onnit, which Rogan endorses as a cognitive enhancer, encouraging listeners to research nootropics and vitamins before use. They also touch on the challenges of driving in Los Angeles traffic, Barnett's love for classic cars, and the upcoming UFC fight between Chael Sonnen and Anderson Silva. The podcast humorously explores the absurdities of Las Vegas culture, including the dangers of partying and the potential consequences of drug use. They discuss the Salton Sea's transformation from a resort to a polluted area, reflecting on environmental changes. The episode concludes with technical difficulties, hinting at a chaotic atmosphere while maintaining a lighthearted tone throughout the discussion.
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