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A person states they are a Mexicano and a Chicano using their right. They instruct others to stay on the sidewalks and keep their hands up in a non-aggressive manner. They ask what they are doing while their hands are raised.

An individual is instructed to open the door and exit the premises with their hands raised. The command is repeated, emphasizing that everyone inside the house must come outside. The individual is told to put their hands up and exit, followed by a countdown from three.

Keep your legs crossed and hands palm down in front of you. Push up to a kneeling position, but do not uncross your legs. If you do, there will be serious consequences. Keep your hands up in the air at all times. If your hands drop, we will shoot. If you feel like you're going to fall, fall forward. Now, crawl towards me.

Speaker 0: Good shot. Good shot. Good shot. End of the building. South end of the building. Active shot. South end of the building. I got your backpack here, man. Yeah. Stay there. Get on the ground. Get on the ground. Shoot him. Get back. Get back. Drop the gun. The gun. Drop the Drop Drop gun.

At the United States Capitol, a speaker directs everyone to form a single file line and introduces Brandon, a Capitol Police officer. The speaker encourages the crowd to chant, "Let's go, Brandon."

I appreciate you, man. Are you okay? Please put your hands on top of the vehicle. Hold on. Put the gun down. Rescue 1068, we need assistance. Hey, Matt, walk with me. Sit down. Where's your pistol? What’s that?

FBI, we have a warrant. Come to the door. Close your hands. Hands empty. It's you. Close your hands. Keep your hands up. Alright. Yep. I got watch me. Watch me. He's on the top. I'm here. Come here. Come to the door. Turn around slowly.

Speaker 0 instructs others to 'stay stay back and back to the grass as much as possible.' He states, 'I the guy who was arrested, got a photo of him.' The exchange ends with 'Yeah.'

Get on the floor, stop resisting. Need a handcuff. Left cuff on, stop resisting or get tased. Stay down. Check the cuffs. Lift up or carry to knees. Hold on. One shoulder. Translation: The person is being told to get on the floor and stop resisting. A handcuff is needed, and they are warned about being tased if they resist. They are instructed to stay down and have their cuffs checked. They are asked if they want to be lifted up or carried to their knees.

Attention all occupants of 4830 Fremont Avenue North, this is the Minneapolis Police Department. Officers have a search warrant for the residence. Occupants are ordered to exit with empty hands above their heads and follow officer commands to guarantee safety. Failure to comply will result in the use of tactics and force, and safety cannot be guaranteed. Vance Belter is under arrest and must come to the front door.

"Open the door. Open the door. Get your hands up and come outside. Come outside. Everybody in the house needs to come outside." "No. Get your hands up."

An officer tells someone to get back, then orders them to keep their hands visible, stating they are interfering. The officer says the person will go to the back of the car. The person denies resisting. The officer tells them to stop resisting, and that they will be put on the ground if they keep fighting. The person repeats that they are not fighting.

The speaker urges everyone to retreat from the police and refers to them as a grown man. They repeat the instruction to fall back and call for backup.

Speaker 0 tells the crowd to retreat from the police and refers to them as "boys."

A tense confrontation unfolds as a group debate and police arrival become the focus. The scene centers on a claim of ongoing activity for two and a half years, punctuated by demands and warnings directed at bystanders and the person approaching the camera. “There. Okay? Right there. For two and a half years, they've doing that.” The speaker points to an action or pattern that has been continuing over a long period and seeks attention or intervention from others present. The request “Hey. Where's the cops?” implies frustration or urgency about law enforcement missing from the scene as events escalate. A direct order follows: “Get your hands off. Go. Back off. He's camera.” The speaker instructs someone to retreat and to keep away from the camera, emphasizing the need to control interaction with the recording or observers. The phrase “On sir. Rest that guy. He's not That guy He came out towards my camera. You punched him first.” indicates a dispute about who initiated contact or aggression. The speaker asserts that “That guy” did not simply behave as claimed and accuses another party of approaching the camera, while stating “you punched him first,” shifting blame onto someone else in the confrontation. Additional directions are issued to the crowd: “All of you over there or away from the gas. Preferably, though.” This line suggests the presence of gas or a gas-related device and calls for people to distance themselves, with a preference for moving away from the gas source. The speaker then reinforces accountability: “That guy just assaulted.” The claim marks a pivotal moment—an accusation of assault by “that guy,” prompting a determination to “deal with this” and to move people back. Following this, the speaker reiterates posture and control: “Back over there. Hey.” The dialogue then shifts to questions about who has been arrested: “Are we the only one that was arrested?” The answer provided is: “Yeah. We'll talk to you over there.” The speaker notes an assault occurred, saying simply, “Assaulted.” The following declaration clarifies a temporary stance: “For now, we're fucking deescalating.” This emphasizes a strategic move to reduce tension rather than pursue further immediate action. The closing commands maintain the drive to create distance and manage the situation: “So please move back here.” The audience is reminded that someone has been arrested: “Arrested right now, sir.” Finally, a directive ties the communication together: “You're speaking with him. Please back off.” The overall sequence reflects a reactive, controlled response aimed at separating parties, stopping perceived aggression, and de-escalating amid competing accusations and crowd dynamics.

An officer is ordering someone to go back on the sidewalk because they are on the roadway. The officer is ordering their arrest for violating New York City traffic rules since they have refused to leave the roadway. The officer warns that if they refuse to enter the prisoner transport vehicle or resist arrest, they may be charged with an additional crime.

The speaker urges everyone to retreat from the police and refers to them as a grown man. They repeat the instruction to fall back and call for backup.

Against Americans. Alright. Everyone. Give them the ropes. Pedestrians will move outside the road or you'll be arrested for impeding. All pedestrians will move outside the road now. Give us your hands. Give us your hands over.

Chase, are you in there? Respond, or come out with your hands raised. Okay, turn away from me. (Sound of footsteps) Keep moving. Keep moving. Stop. Face me. That's it.

Open the south, comply with the officer's orders or face arrest. Interfering with an arrest will also lead to arrest. Please move back and continue to do so. Thank you for your cooperation.

The speaker believes authorities are trying to get the rest of the agents out of the building. The speaker identifies the agents as mostly FBI. They are likely collecting additional evidence from inside and ensuring all agents are out before dispersing. The speaker believes that most of the people targeted inside the building have been taken into custody and removed in vans. The remaining investigators and agents are now leaving the location. The speaker feels the activity will wrap up within the next several minutes, and the crowd will disperse.

Authorities instruct targeted arrests for an assault and warn that 'Don't interfere with officers. If you interfere with officers, you may be subject to arrest or use of force.' They tell people to leave: 'Leave with people. Alright? If you did hot shit, get out. Come back tomorrow. You're better, way more, way more effective outside of a prison cell. If you did hot shit, leave.' Officers are ordered to move traffic off public ways: 'You are ordered to move to the sidewalk.' A responder says, 'We're on it.' The scene ends with a hostile shout: 'Hey. Quit smiling, fuck boy. Fuck you. Fuck Fuck Fuck you. You. You.'

A person, possibly law enforcement, repeatedly commands someone to drop their gun. The location is mentioned as Harmony Drive, Solo Drive, and Tyler Sandy.

Police are instructing individuals to exit a building. They emphasize the need for everyone to step out and keep walking. Officers ask if anyone else is inside and repeatedly urge individuals to come out. They check for additional people and request that everyone show their hands. There is a brief exchange where one person inquires about the situation, but the police state that explanations will come later. The atmosphere is tense, with officers focused on ensuring compliance and safety.

Your legs crossed. Do you understand me? Yes, sir. You are to put both of your hands palm down straight out in front of you. Push yourself up to a kneeling position. I said, keep your legs crossed. I didn't say this in conversation. We're shooting you. Do you understand? Shoot me. And listen to my instructions. I'm trying to just do what you Don't talk. Listen. Hands straight up in the air. Do not put your hands down for any reason. You think you're going to fall, you better fall in your face. Your hands go back in the small of your back or down. We are going to shoot you. Do you understand me? Yes, sir. Crawl towards me. Crawl towards me. Get up on him. One with me.