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@Thekeksociety - DR. Kek
OPERATION MIDNIGHT CLIMAX https://t.co/E18nHk7IPg
Video Transcript AI Summary
Courtney Love, believed to be involved in Kurt Cobain's death, may have been part of MK Ultra's project monarch. Her father managed the Grateful Dead, known for distributing LSD on behalf of TIA. Jerry Garcia, her godfather and former MK Ultra test subject, was the band's guitarist. At 3 years old, Courtney was given LSD by her father and later put into therapy by one of Sydney Gottlieb's proteges. Before meeting Kurt Cobain, she traveled between music scenes, distributing drugs and sleeping with influential members, causing havoc in their lives and bands. Her ex-husband claimed she worked as a stripper in Alaska, using her relationships with generals to extract secrets, similar to MK Ultra's Operation Midnight Climax.
Full Transcript
Speaker 0: Conspiracy quickie number 8. Now look, we all know that Courtney Love more than likely off Kurt Cobain. What you might not know is she may have been a graduate from MK Ultra's project monarch. What we do know is that her father Hank Harrison once managed the Grateful Dead. The band was famous for giving LSD to the general public on behalf of TIA and that her godfather Jerry Garcia was the guitarist for the Grateful Dead and also confirmed former MK Ultra test subject.
At the age of 3 years old, her father gave her LSD, and her mother put her into therapy with one of Sydney Gottlieb's proteges. In the years before she met Kurt Cobain, Courtney Love was jet sitting around from music scene to music scene, handing out drugs, and sleeping with prominent members, ruining their lives and their bands. Her ex husband James Moreland even said that she used to as a stripper in Alaska, and she would sleep with generals in order to get them to divulge secrets. Much like Operation Midnight Climax, another sub project of MK Ultra, was designed to do.
@Suzy_1776 - suzy
The Joe Gotta Go Tour 😁 https://t.co/VK3EGkCD6B
Video Transcript AI Summary
We're on tour in Georgia, and our message is clear: Joe has to go. We can't afford a close race because we know the risks. Join us at the corner of Beaufort Dam in Atlanta for the next few days. This lady was furious when she saw Joe's face, but then she read the bus and now we have a chance. Come out and show your support. We appreciate you all.
Full Transcript
Speaker 0: Alright. Tell me what this is all about. Well, it's simple. Joe gotta go. We're on tour, and we gotta make sure that Georgia understands that Joe gotta go no matter what, and it can't even be close because we know what can happen when it's close.
It can go wrong sometimes. So come visit us at the corner of Beaufort Dam in Atlanta. We'll be here the next 3 or 4 days. And please, because this lady was on fire. When she saw Joe's face, she was about to go through the roof.
But then she read the bus, so now we could. Come on out. I love it. I appreciate you, man. Alright.
You're the best. Come see him and support him, guys.
@Xx17965797N - Truthseeker
REMINDER‼️ Bill Cooper, 1980 https://t.co/gUFxNXDJm3
Video Transcript AI Summary
Israel is believed to have a significant role in the Middle East, specifically in bringing about the battle of Armageddon and fulfilling prophecy. The idea is that a devastating war, involving nuclear weapons, would lead people to plead for an end to war. The proposed solution is to establish a one world government by eradicating national sovereignty, uniting humanity under one authority.
Full Transcript
Speaker 0: What role in the Middle East again does Israel play in this? Israel was created the instrument to bring about the battle of Armageddon and the fulfillment of prophecy. A war that would be so terrible, where nuclear weapons will be and used so that the American citizens and the other people in the world would get down on their knees and beg for no more war. And what is the answer to that? They're gonna be told the only way we can guarantee at war war as if we destroy the sovereignty of nations and we come together as 1 humanity in a one world government.
@Naturegirl571 - NatureGirl
Operation Underworld- https://t.co/08YSaPH7OP
Video Transcript AI Summary
This video discusses the little-known history of the relationship between US and Israeli intelligence and the National Crime Syndicate. The Syndicate was a decentralized network of organized crime groups in the early 20th century that brought together different ethnic mobs, such as the Jewish and Italian mobs. During World War 2, they teamed up with the Office of Naval Intelligence and the precursor to the CIA. This collaboration continued after the war, with mob members involved in CIA operations. The Syndicate also had ties to Israeli intelligence, as they helped arm the Haganah and precursor to the IDF. The video highlights Operation Underworld, where the government partnered with organized crime to gather intelligence from dock workers. This alliance was initially aimed at countering German saboteurs during the war, but later justifications included anti-communism.
Full Transcript
Speaker 0: Why so I really appreciate you you reporting on this. Why why is no one else seem seemingly I haven't heard anything about this until people told me about your book.
Speaker 1: Written on before, but I don't think it's it's been, the story's been told the same way. I'm I guess I sort of strung it together. I'm sort of giving you a 100 year history. I think there are that have written about Operation Underworld specifically, but not necessarily, like, recently, you know? Because it it was something that was, they let Be known maybe like 20 years ago or something.
Speaker 0: The description of the book is something. I wanna read it for people. It says 1 nation under blackmail is a damning indictment of the consequences resulting from the nearly century the old relationship between both US and Israeli intelligence and the organized crime network known as the National Crime Syndicate.
Speaker 1: Yeah. Well, no. It it is real. So it was a decentralized network of, different organized crime groups operating in the United States, in the early 20th century. So, historically, organized crime in the US, most people are probably familiar with it because of Hollywood and whatnot, tend to sort of be an ethnic enclave.
So you'd have Irish organized crime, the Jewish mob, the Italian mafia, and so on. So the National Crime Syndicate, sort of broke down those silos and brought these different together, and that made them a lot more successful. So this was basically an outgrowth of something called Murder Inc. And some other things, that, the main people behind it were mayor Lansky, I guess, representing the Jewish mob there, and then Lucky Luciano of the Italian mafia. And so they basically came together.
And in World War 2, they formally teamed up with the Office of Naval Intelligence and the Office of Strategic Services or the OSS. OSS was just The precursor to the CIA, and this was justified as a necessary because it was the war. Right? So a wartime necessity justification. But then the war ends and then, you know, the intelligence apparatus of the US and these mob guys realize they have a lot in common and they work really well together.
And so that's why in the sixties In the fifties, you see a lot of, you know, a lot of the, people involved in assassination stuff for the CIA after it was made. You see a lot of mob guys around, for example.
Speaker 0: And there's
Speaker 1: a lot of other examples of them, you know, interacting on and off, you know, over the years that maybe more people are familiar with, but, you know, a lot of this, It involved, like, the realm of, shadow banking finance finance that expanded into the world of corporate power as well and just and ended up just really becoming, out of control. And also, you have, like you mentioned earlier, Israeli intelligence sort of get involved in this, developing power nexus as well As the Jewish mob side of the National Crime Syndicate, was heavily involved in the arming of the Haganah, and the precursor to the IDF and all of this. So, basically, by the time the state of Israel Created, these alliances are, you know, part of its national security state for me off.
Speaker 0: So you you documented literally the organized crime from World War 2 era coming together with our government. Yeah. Mhmm. Working working together now. And and and and to to coordinate all the them together, all the different crime families, there was a thing called the National Crime Syndicate that formed Yeah.
Speaker 1: But they fought yeah. But they fought with each other. Like, there was factionalism. And so, like, some of these guys teamed up to take out their Competition consolidate power. So I wanna say that this group, right, is the same they were back in the thirties twenties.
I mean, a lot has happened over time. But, I think I make a really good case in the book that this is where a lot of started or you could maybe argue what happened before, specifically in New York City because you had the Democratic Party, specifically in New York City become very much entwined with, organized This happened in the early 20th century as well as Tammany Hall, which was very much involved with the power, apparatus of New York that they ended up taking over the organized crime ended up taking over the leadership of a lot of unions And, later voting precincts among other things, which allowed them to consolidate a lot of power in New York, specifically in the Democratic Party at first, and of course, you know, Later the Republicans as well, but it, it that's part of what the, what led to Operation Underworld, as it's called, the formal team up between the mob and the the Navy naval intelligence and, the CIA precursor.
Speaker 0: There's a name for it.
Speaker 1: It's called Yeah. It's called Operation Underworld. It's a real thing. You can look it up. The, The US government waited 60 years to admit it was real, but they had to, eventually.
Speaker 0: And what did they do? So and what was Operation Underworld?
Speaker 1: That's where, the Office of Naval Intelligence and the precursor to the CIA, the Office of Creative Services teamed up with organized crime.
Speaker 0: So and and what specifically the what was the what was the service that organized crime could provide that the government couldn't do for themselves?
Speaker 1: Yeah. So what I mentioned earlier about the mob and the unions, What they wanted was intelligence from the dock workers, and the dock workers union was controlled by the mob. Oh. So Yeah. So that's sort of how it started, but it it advanced a lot.
Speaker 0: So getting getting info on the unions is kind of their their way to push back against the communist. Right?
Speaker 1: Well, a a lot of well, this is back in World War 2. Right? So it's all about that it was about German saboteurs. It was about the Nazis. But then you see over time that a lot of the same type of behavior, is, you know, all sorts of things, including working with organized crime or drug cartels or what have you in the in the decades later, you know, like, in the eighties, for example, it's all justified by anti, quote unquote, anti communism.
@BrianRoemmele - Brian Roemmele
One of the all time best. https://t.co/j08rqcFoTJ
Video Transcript AI Summary
Rudolph is approached by someone who wants him to walk her home. She mentions his nose and he feels self-conscious about it. However, she reassures him that she thinks his nose is handsome and unique. She believes that any doe would be lucky to be with him. Rudolph expresses his disappointment about not being lucky that day, but she encourages him to believe in his dreams because there's always tomorrow.
Full Transcript
Speaker 0: Rudolph? Rudolph? Well, what do you want? You you promised to walk me home. Aren't you gonna laugh at my nose too?
I think it's a handsome nose. Much better than that silly false one you were wearing. It's Terrible. It's different from everybody else's. But that's what makes it so grand.
Why any doe would consider herself lucky to be with you. Yeah. But I wasn't very lucky today, was I? I wish I I wish I There's always tomorrow For dreams to come true. Believe in your dreams come what may.
@Playteaux1 - Playteaux
Agenda 47 https://t.co/xBAa8F8kJ7
Video Transcript AI Summary
Trump's agenda includes energy independence, removing critical race theory from schools, celebrating the 250th anniversary of the Declaration of Independence, labeling cartels as terrorist organizations, and giving sex traffickers the death penalty. Disagreeing with these ideas solely because they come from Trump is seen as contributing to the country's decline. It is suggested that those who disagree should reevaluate their priorities.
Full Transcript
Speaker 0: So I just went through Trump's agenda 47, and some of this shit is fucking diabolical. Number 1, he wants this country to be energy independent. The fuck? Why? We need to be dependent on other countries in order for us to thrive.
Number 2, he wants to take critical race theory and gender issues out of school, and I I just don't know how we're gonna survive without them in there. Number 3, for the 250th anniversary of the declaration of independence, he pretty much wants to have a year long party and then have something called the American Fair where all 50 states participate. Sounds fucking horrible. Number 4, he wants to label all the cartels as terrorist organizations to try to stop the influx of drugs. I don't know where the fuck the benefit in that could be.
Number 5, he wants all sex traffickers to get the death penalty. What a horrible thing to say. If you heard all of those things and you still disagree with them just because they came from Trump, you are the fucking reason why this country is falling apart. And I really hope you know that down to your fucking core. I think you need to take a real fucking hard look at yourself and and get your priorities straight if you disagree with any of that.
@C3PMeme - C3PMeme
Gigglin's Island... 👀🎶🤣 https://t.co/JWMzHTdU6a
Video Transcript AI Summary
Sit back as we discuss the swing states and their impact. Carlo, let's open the door to your perspective. We all know the significance of these key areas.
Full Transcript
Speaker 0: Just sit right back as it ends and close the swing states truffle flip. Now, Carlo, the open door of your 5 windshield. We all know that big mice
@DocNetyoutube - Black Insurrectionist--I FOLLOW BACK TRUE PATRIOTS
Living In America.............................. https://t.co/iyVT0QMVAp
Video Transcript AI Summary
В Америку летим, переезжаем. Америка – самая свободная страна, страна возможностей. Пассажирам-итальянцам неприятно, что при них едят мясо. Принято придерживаться принципа демократии.
Народ мужа долгие годы терпел притеснения белых. Семья должна пересесть в носовую часть самолёта, потому что их сын попадает в поле зрения пары чайлдфри, и это вызывает у людей дискомфорт.
Translation:
Flying to America, we're moving. America is the freest country, a land of opportunity. Italian passengers are uncomfortable with meat being eaten near them. It is customary to adhere to the principle of democracy.
The husband's people have suffered oppression from whites for many years. The family must move to the front of the plane because their son is in the line of sight of a childfree couple, and this causes discomfort.
Full Transcript
Speaker 0: В Америку летите? Да, переезжаем. Америка самая свободная страна, страна возможностей. А вы сможем лететь? Да, мы вместе, Он сейчас подойдет.
А вот и мой муж. Знакомьтесь Эмили. Простите, мистер! Пассажиры позади под цветы итальянцы. Им неприятно, что при них употребляют мясо.
Мы же их не заставляем, это Простите, принято придерживаться принципа демократии. Позвольте мне это заберу. Бари, это очередь в туалет. Good you 1? Мы подождем.
Его народ долгие годы терпел притеснения белых. Мы перед всеми афроамериканцами в долгу. Простите нас, сэр. Прошу вас. Вы не могли бы пересесть в носовую часть самолёта?
Вы сиядем? Нет, Никит, вы все трое! Зачем? Там сзади пара они чайлдфри. Дело в том, что ваш сын попадает в поле их зрения и это вызывает у людей комфорт.
@MYLUNCHBREAK_ - MY LUNCH BREAK
Balboa, One Final Time? https://t.co/MdQD3DBCkB
Video Transcript AI Summary
The Old Globe Theater, built in 1935 for an expo, became a San Diego landmark but was damaged by arson in 1978. The speaker suggests a pattern of destruction and rebuilding connected to expositions and wars.
Balboa Park had two expositions, in 1915 and 1935, surrounding World War I and II. The speaker questions the mainstream narratives surrounding these buildings, citing the San Diego Aerospace Museum which moved into a building briefly before a fire in 1978 destroyed the building.
The speaker then discusses the Dennis Building in Buffalo, New York, which also has multiple names and a fire story from 1905. They claim AI generates mainstream narratives, evidenced by recurring names and fire stories.
The speaker highlights Our Lady Of Victory Basilica in Lackawanna, New York, where a fire damaged Saint Patrick's Parish Church in 1916. They suggest the basilica was built on a site with no documented evidence of a prior structure. The speaker claims the replacement of marble towers with copper is an operation to diminish the work of the old world.
Full Transcript
Speaker 0: 1978, it too was destroyed by fire.
Speaker 1: It's now has been one of the great regional theaters of the world.
Speaker 0: The old Globe Theater was built in 1935 for the California Pacific International Expo and quickly became a popular San Diego landmark. That arson fire in 1978 took the building, but not the fighting spirit of those who loved what it meant for our city.
Speaker 2: World War one was in 1914. This exposition was in 1915. People were not concentrating on the narrative and all of its lies. And even if they were, how were they gonna tell thousands of people about it? It just wasn't possible.
So what happened to this building? Well, the people of San Diego were at a crossroads. They were in a bind with what to do with such a pathetic temporary building because we're always told that these buildings were just temporary. Right? But they last forever if they just left them alone with incredible architecture.
What would they possibly use it for? Well, one year after the exposition in 1916, they built this building and now what? The military needed the space, so the building got to stick around where they used it as a barracks and a post office. And what do you know? This building was also damaged.
The money was, of course, not enough to fix it, so it continued to deteriorate. I wonder what a lot of these wars are actually used for. They wouldn't be an operation to destroy the old world, would they? Remember when we were told that they stopped allowing the public into the California Tower in 1935? Well, the mainstream history just can't put their finger on why the Farm Bureau discontinued the use of Balboa Park for its county fair in 1931, just four years before the public, was no longer allowed to go inside these buildings.
Well, I would say that we know exactly why they didn't want to hold any county fairs here anymore at Balboa Park. And this wouldn't be an operation without a exposition at the exact same location of Balboa Park. This one being held at the exact same year of 1935. It's incredible. Clearly, they have found something major that went against their narrative, and they needed to run it back a time.
So in 1914, we get World War one. One year later, 1915, we get Balboa Park exposition number one. 1935, we get Balboa Park exposition number two. One year later, 1936, we get World War two, where they now have yet another name for this building, Building 212, used now by Red Cross, while the Navy yet again modified the interior. Are you still on the fence?
Well, there wouldn't be another no way. This is so clear at this point. The San Diego Aerospace Museum moved into the building briefly in September 1961 before transferring its exhibits across the street to the Electric Building in 1963 where they stayed until a fire in 1978 destroyed the building. Now I have a lot to share, and I think we have a solid understanding at this point that the narrative surrounding Balboa Park has consistencies with what we have seen across the world.
Speaker 0: An inspiring story, the history of this building you see behind me, which was a gathering place, a popular one for people, and then it burned to the ground. But like we're seeing now in Paris, the community came together to save it. In 1978, it too was destroyed by fire. It's now has been one of the
Speaker 1: great regional theaters of the world.
Speaker 0: The old Globe Theater was built in 1935 for the California Pacific International Expo and quickly became a popular San Diego landmark. That arson fire in 1978 took the building, but not the fighting spirit of those who loved what it meant for our city. It's now my home,
Speaker 3: and we'll spill it again.
Speaker 4: Too many beautiful cities. I've seen those cities. They're so beautiful and you know, for I don't know how you can ever rebuild them the way they were. It's not possible. I don't know how you can ever rebuild them the way they were.
It's not possible.
Speaker 3: I will spill it again.
Speaker 2: It's not possible. The narrative holds multiple fire stories. There are so many destroyed buildings within such a short time frame. The same years, basically. It is incredible when you know what to look for.
So it's time to go to the East Coast Of The USA, Buffalo, New York, where we will find the Dennis Building and yet another building that holds multiple names. The Dennis Building, the Glenney Store or Crockery Store, the Glenney Building, and the Stanton Building, and yet another building that, of course, holds a fire story in nineteen o five. And not only that, but we also get the reoccurring names. Yes. It is possible for him and his sons to have the exact same name.
But when we have seen this in so many narratives about these old world buildings where both brothers marry somebody named Alice, and their mom is also Alice, and their dog, and their cat, and their hamster that they found at Alice Pet Store. And the building is also named Alice, and this has happened hundreds of times where the AI is generating these names over and over. And then it becomes so clear that these mainstream narratives surrounding these buildings are AI generated, and they are produced on a mass scale, which is why so many names are reoccurring. The fire story is in nearly every single one of them and on and on. It also shows how these narratives could be completed so fast, and this really wouldn't be that difficult to produce in such a short time frame.
You just throw in the parameters that they want covered in the narrative, and the chat GPT can do it in two seconds. We all know here that the chat GPT didn't just come out. It's not brand new. We know this. It's been here before for a very long time, and the hidden group has had it.
We have shown this in previous episodes, and it's definitely something to point out and keep in mind for the future because we have William h Glennie where he has a son with the same name William h Glennie. And like I said, it wouldn't be weird, but we have seen this so many times. Now we are told that modernization of the Ground Floor has destroyed any identifying plaques, and it is not known if the building was the product of a local manufacturer. So right here in the narrative, they are admitting that they have no idea who built this place, and they are also admitting that our civilization had destroyed the plaques that once said who constructed the building. This is incredible.
So we get a very detailed construction story here. Oh, wait. No. No. We don't.
We also get a construction team that's been shaved off the side of the building and a history that tells us that it was built in 1873. Does this mean twelve months and it's done with zero details? But we are supposed to just trust it.
Speaker 3: Right?
Speaker 2: And we also get the fire story in nineteen o five. Are you seeing the lies very clearly now? So for the bonus today, we're gonna stay in New York and go even deeper into this and just hammer it home. For anyone that's on the fence, I think this will help you get over. Our Lady Of Victory Basilica located in Lackawanna, New York, where the narrative begins with zero waiting around, with them just handing us the nod right now.
We're in 1916, a fire seriously damaged Saint Patrick's Parish Church in Lackawanna, New York, and they tell us that father Baker just needed to replace that one. The one that has zero documented evidence that it was ever even here. So in 1921, they knocked down a building that has no proof that it was ever even there. And four years later, this one that we see today is just there forever. It's very simple stuff a hundred years ago.
So we get the fire nod again. And in 1941, we, of course, get another destruction story where a violent lightning storm causes significant damage to the new building's twin towers. More twin tower stories in New York. So they had to destroy that part of the building and use the powerful lightning of 1941 as an excuse. But, of course, after 1941, they never had to worry about the lightning ever again, which is normal and acceptable.
No. And I'm gonna show you again that this building is from the old world, and they destroy it with these refurbished projects, restoration and the rest, like we have talked about a lot today. They say that Baker died and Joseph takes over. The thing that Joseph wants to do is take charge of a refurbished project where he has the marble towers replaced. What in the world is he doing taking marble towers off of this building?
That is completely backwards. You would not take marble towers off of anything. You would put marble towers on a building if you could. This is a clear operation to diminish the work of the old world and replace it with copper. And what do you know?
The copper that he put on there turns green and needs to be replaced with a new one. I love asking this because it really proves the point that these buildings are from the old world, and these narratives are ridiculous. But do any of our towns anywhere in the world have any upcoming plans or ever in your life? Have they ever had any plans to knock one of these out or anything close to it in just four years? My town did come close when they built the Dunkin' Donuts a few years ago.
And let me tell you, it was a Dunkin' Donuts built by the gods of the 20 century. It is perfect. The detail in the stonework is incredible. The architecture, it's just perfect. And it only took them five years to plan it out and get the whole thing done.
I hope you all have a great rest of your day. I'll be back very soon with much more. See you.
@MYLUNCHBREAK_ - MY LUNCH BREAK
A Castle In Chicago? https://t.co/AR7Hj6IqM8
Video Transcript AI Summary
The speaker questions the rapid obsolescence and demolition of elaborate 19th-century structures in Chicago, such as a castle built in three years and destroyed after 65, and a 55-room mansion demolished after 56 years. Construction timelines are scrutinized, particularly for the Levi Leiter mansion, alleging permits were obtained shortly before its supposed completion in 18 months.
The speaker highlights architect Theo Chandler, associated with old-world buildings that were quickly destroyed, including a courthouse in New Castle County that stood for only 40 years. This pattern suggests intentional destruction projects of pre-existing, advanced structures. The speaker believes these demolitions were concealed due to limited communication in the 1800s.
The Symphony Center in Chicago, supposedly built in seven months in 1904, is presented as another example. Architect Daniel Burnham, whose name evokes "burn," is linked to the Montauk Building, allegedly built in a year and demolished after 19. Burnham also built the Masonic Temple building, which was later demolished. The new Masonic Temple location was the site of a deadly theater fire that killed 600 people, a number that the speaker claims exceeds the death toll of the Great Chicago Fire, suggesting a cover-up.
Full Transcript
Speaker 0: Did you know Chicago had castles? And this one was supposedly constructed in just three years from 1882 to 1885 by the Cobb and Frost firm, which we have gone over. We know that they are characters as well. The castle in Chicago destroyed in 1950. The thing was only 65 years old.
I'm gonna ask you guys. Do castles go out of date in sixty five years? The last time I checked, they don't. I mean, even the houses that we build today with their vinyl siding that fall off once a year when the wind blows. These houses don't even go out of date in just sixty five years.
Yet a massive of castle thrown together in three years in the eighteen hundreds that looks like it's straight out of a Disney movie. That one goes out of style in just sixty five years. They must have looked at it with disgust in that time period. Their standards were just so high while riding around on their donkeys located in Chicago, Illinois. While they're also over there just a couple blocks down gifting old world hotels, all pinned to this potter palmer guy.
It's amazing. What a time to be alive in the eighteen hundreds. You get free hotels and castles everywhere. You know what? I was thinking about it.
Let's just go see what this Levi lighter guy was all about. He also got to live in an old world mansion. They tell us that this one was constructed in 1891. That's the only construction details that they give us on this mansion, where we have seen in previous episodes that they know all about the year negative March over two thousand three hundred years ago. They give us these ridiculous stories about construction.
But in 1891, there's nothing. The 55 room marble stairway with a great hall mansion was, of course, taken over by the US government and then demolished just fifty six years after it was built because there was nothing to see there. No. And this whole project, we are told, started in 1891 where the old world building that had white marble ceilings and elaborate fireplace carved woodwork because this was very normal stuff in the eighteen hundreds. Anybody could have done that.
They don't even care to mention who that would have been. They knocked out that hand carved woodwork that they only needed for fifty six years. They start the project in 1891 where he buys the land on June 12. We are being told that they still haven't started the construction because they finally get the permit. We already know this thing is done in 1893, so they better get going on it.
We only got eighteen months to work with now. So they get this Theo guy picked out where they give us a list of other buildings to investigate because this Saint Thomas Church is also destroyed. So we get stained glass windows, a marble stairway, hand carved woodwork, marble ceilings with zero information as to where all of this material even came from. We are told, and we are supposed to believe, that this 55 room masterpiece is done in less than eighteen months. When they tell us it was done at some point in 1893 where they decide that it's just not cutting it anymore, and they all agree to knock it down just fifty six years later in a realistic world where everybody is thinking logically.
This is a story for a baby. We don't build places today in eighteen months and then knock them down in just fifty six years, and they didn't do that in the eighteen hundreds either. This building was here much longer than are being told, and this very wealthy individual was clearly a part of a group that allowed him to occupy this old world mansion. And then this is where they give us a clue for us to dig deeper. The clue is Theo Chandler, where they tell us that he designed this castle that got destroyed after just fifty six years of use.
Well, he also had a few other things attached to his name that should open a few eyes. of all, he is off supposedly designing a brand new castle in New Castle County, and they name it the courthouse. A new castle located in a county called New Castle in The USA, where it only got to stand for forty years. At this point, alarms should be going off. A very clear pattern with these specific characters where they are pinned to these old world buildings that hold narratives of incredible construction projects that are being destroyed after such a short amount of time.
If we are advancing and times are easier now, we are better at construction now versus the eighteen hundreds. Why would they be knocking these type of structures down after just forty years? When we are clearly more advanced than the 18 in nearly every single aspect, including training processes. We have established construction teams. We have incredible equipment, tools, and resources, and we would never do this.
We would never knock this building down after just forty years. Our towns build the ugliest buildings with basic materials and basic boring 90 degree angles. They look like boxes. Yet when the eighteen hundreds supposedly build a courthouse, it's a masterpiece that they can afford to and all agree to knock down. It's completely backwards, and it isn't logical.
Something much deeper is going on, and we know here that these are destruction projects to remove buildings that were previously here built by a much more advanced civilization and not built by Theo while he's over there directing project from inside his wagon carriage behind his horse on the dirt road. So let's take a look at what's really being said here. The building stood for just forty years, which we know here that that is not true. It was here much longer than that, and I need to make that clear. But they say that this was the best known building in the city, adding to the point that nobody would ever knock this thing down.
The best known building in the city after just forty years? That's the time to blow it up? And this part of the paragraph is very interesting in my opinion, where they say, even if very few people now know what used to stand there, and this goes for the whole world, we really don't know what was knocked down before we were born. How long have they been knocking down buildings? Two hundred years?
Three hundred years? We know and we have documented many times that they are still destroying these buildings today. But in the eighteen hundreds, there was no way to communicate this to thousands and millions of people to let everybody know that this is happening in their town and so that everyone could share that it was also happening in their town at the exact same time. They didn't have Internet. I believe this was all taken away before 1776 and slowly given back to us.
From that point on, the only news that anyone had that was being shared with the population was all controlled. And it seems like our ancestors from the eighteen hundreds were all just under their spell, and nobody could see what was going on around them and what the controllers were doing. And it also seems like up until just a few years ago, this was still going on, just destroying a lot of the old world's work with nobody really realizing it. So here we have a destruction photo from 1919 where we are told and are being made to believe that only thirty nine years after its construction, the basically brand new incredible stone structure was out of date and needed to be torn down. We know that this thing was much older.
And as we've said, nobody is knocking this thing down after just thirty nine years. We are also told that the writer of this article thinks that many people who watched it get knocked down also watched it get built, which is simply not the case. And this is a demolition, a planned demolition. It was torn down. There was no fire.
Take a look at the structure, and now let's look at the Palmer House from earlier. They look exactly the same. They both look like they've been destroyed on purpose, proving my point that no fire took down these buildings. Either it was a planned bomb in all of these cities with the great fire bombs, or they were just going door to door using high velocity explosives. And this brings up something that I've been thinking a lot about.
We have all of these stories about these buildings that were knocked down, but it does make you think about how many buildings were destroyed before 1800 that we don't have any narratives or photos of, and they were just wiped out. Buildings that weren't classified as courthouses, but just regular stores to create a new timeline and new narratives. Just based on these incredible mansions, hotels, castles, and courthouses in The USA that were demolished, It makes you really think and wonder if Budapest, the way that every single building basically, looks like it's straight out of the old world. It makes you think, did nearly every single city in the world at one point before their great fire date look exactly like Budapest and the buildings that made it through the main destruction on that great fire date. These were the structures that needed to be explained away in a false narrative and fit into our timeline for a thirty nine year gap and tossed out before anyone really noticed it.
And now for the bonus today. We have the Symphony Center, a music complex located at 220 South Michigan Avenue, a building that is here for everyone to see in Chicago, Illinois, a building that holds a 2,522 seat orchestra hall, a rehearsal hall and performance space, a ballroom, an event space that overlooks Michigan Avenue, and the Art Institute of Chicago that holds a multistory rotunda. And for the best part of the story and the clear giveaway, this building, we are told, had its construction begin in May of nineteen o four and held its concert that same exact year in December of nineteen o four, over a hundred and twenty years ago. All of this getting done in seven months. That would be incredible if it was true.
And we don't get the fire narrative here, but we do get an architect with the name Daniel Burnham. Burn. Really. It's just unbelievable. The amount of times that the narrative just throws something about burning or fires or destruction into these narratives.
Burnham. Doesn't get any better than that. Well, besides the f l Ames character that we found in episode 50. Things that nobody noticed before, but they are very clear to us now, thankfully. Now with a name like that attached to this kind of building built in seven months, a hundred and twenty years ago, I think that qualifies for an investigation of mister Burnham where he is pinned as a repeated failure.
And I know I've seen this movie before when they tell us that Abe Lincoln failed at everything and then became a hero. It has been used many, many times by the narrator. They pinned this burn as the creator of the tallest building in Chicago in 1881, the Montauk Building, where in 1881, forget about sleep, forget about freezing winters, get your horses to the site, and get this building done. Built in a year from 1882 to 1883. This thing is done.
The tallest building in Chicago. And you know what they gotta do? They gotta knock it down in nineteen o two. That is literally nineteen years later. Is anybody on the fence at this point?
Well, if you are, this is gonna help you get off the fence and over to our side. Let's have some fun. The guy with fire in his name, Burnham, went on to build more of the American skyscrapers such as the Masonic Temple building in Chicago, measuring 21 stories, 302 feet. This character knocked this thing out from 1891 to 1892. This was simple stuff back then.
And knocking it down in 1939. But they could knock that one down because they had a new location and opened that one up in 1926 supposedly. And this new one holds the deadliest theater fire and the deadliest single building fire in US history. After this fire killed 600 people, so we get the fire and the destruction of lives where they say that this doubled the death toll of the Chicago great fire, which is weird because according to the National Geographic Society, the Chicago great fire destroyed 17,500 buildings. Only a 120 bodies were recovered, and three hundred people died.
Where we can all do the math and see that this does not add up for one building to hold more deaths than 17,500 buildings, and that there is a massive, massive lie just waiting for all of us to uncover it.
@DrBenTapper1 - Dr. Ben Tapper
An oldie, but a goodie. https://t.co/Kbpiu0Z9a3
Video Transcript AI Summary
A researcher claims that four children developed autism within weeks of receiving school-age shots (DPT, hepatitis, MMR) at age five. They believe the MMR vaccine at 15 months depletes the body of vitamin A, and subsequent DPT shots can cause children to disconnect.
According to the researcher, the measles antibody from the MMR vaccine cross-reacts with intermediate filaments, causing a leaky gut by disrupting cell connections in the gut wall, blood-brain barrier, and bile canaliculi.
The researcher treats these children with the lipid-soluble form of vitamin A (cod liver oil) to bypass blocked G protein pathways. After two months, they administer bethenachol to stimulate pathways in the parasympathetic system in the gut. The researcher claims that after this treatment, children regain eye contact, talk, and use vocabulary above their age.
Full Transcript
Speaker 0: This past week, I was involved in four cases of children who were perfectly normal in their development until they had their school age shots at age five, DPT, hepatitis vaccine, MMR. And within weeks, they were autistic. In my research, I've discovered that some children are protected if they have the lipid soluble form of vitamin A that's found from natural sources. However, the measles, mumps, rubella vaccine at 15 of age depletes the body of all vitamin A. When they get the DPT the same day or several months later, many of these children disconnect.
I have also discovered that the measles antibody that the body makes once they're exposed to the measles vaccine cross reacts with intermediate filaments. Intermediate filaments are the glue that hold the cells that line the gut wall together. So when they get that MMR vaccine, they develop a leaky gut. The loss of the cell to cell connection also occurs in the blood brain barrier and in the cells that surround the bile conicula where toxins are excreted from the body. What I'm treating these children with is the natural lipid soluble form of vitamin A.
I am giving them their recommended daily allowance only of vitamin A in the form of cod liver oil to bypass these blocked G protein pathways. In a few days, a lot of these children look at me, focus, they regain eye contact. After two months on this vitamin A treatment, I give them a single dose of a medicine called bethenachol, which stimulates pathways in the parasympathetic system in the gut. I give it to these children in the office sometimes, thirty to forty minutes after the initial dose. After having pathways corrected for several months of vitamin A, when I bring them in, give them this medicine, observe them, they connect in the office.
I've had children look at me, talk, act out, talk back to their mother, use vocabulary above their chronological age. This is a disconnect.
@TheLuciusSeneca - Lucius Seneca
The World is a Corporation (Network - 1976) https://t.co/oADZYRJB2w
Video Transcript AI Summary
The conversation follows Howard Beale, who declares a final revelation and that “the light is impending. I bear witness to the light.” He appears disoriented, and Speaker 1 escorts him to a conference room, noting Beale’s agitation and his own impression that Beale is mad.
Speaker 2 interrupts Beale’s crisis with a stark warning: “You have meddled with the primal forces of nature, mister Beale, and I won’t have it. Is that clear? Do you think you merely stopped a business deal? That is not the case. The Arabs have taken billions of dollars out of this country, and now they must put it back.” He frames the disruption as an ecological and economic rebalancing, insisting that “There are no nations. There are no peoples. There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems.” He lists currencies—“Petro dollars, electro dollars, multi dollars, Reichmarks, RINs, rubles, pounds, and shekels”—as the structural reality of the world’s order.
Speaker 1 expands on the idea, stating that “It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today.” He further declares that “the world is a college of corporations, inexorably determined by the immutable bylaws of business.” He argues that the world’s dynamics are driven not by nations or ideologies but by corporate power, likening the global arena to a business enterprise.
The dialogue then moves to Beale’s role and the proposition of his audience: “And you will atone.” Speaker 1 asks if he’s getting through to Beale, noting Beale’s television platform: “You get up on your little 21 inch screen and howl about America and democracy. There is no America. There is no democracy. There is only IBN and ITT and AT and T and DuPont, Dow, Union Carbide, and Exxon.” He contends that the Russians also operate with analytical tools, using “linear programming charts, statistical decision theories, minimax solutions,” to calculate prices and investments, asserting that “We no longer live in a world of nations and ideologies, mister Beale. The world is a college of corporations.”
Speaker 1 concludes with a chilling vision: “The world is a business, mister Beale. It has been since man crawled out of the slime. And our children will live, mister Beale, to see that perfect world in which there’s no war or famine, oppression or brutality. One vast and ecumenical holding company for whom all men
Full Transcript
Speaker 0: The final revelation is at hand. I have seen the shattering vulgarations of ultimate clarity. The light is impending. I bear witness to the light.
Speaker 1: Good morning, mister Beal. You're telling me you're a madman.
Speaker 2: Only dizzle to relieve.
Speaker 1: How are you now?
Speaker 0: I'm as mad as a hatter.
Speaker 1: Who is he? I'm going to take you into our conference room. Seems more seemlier setting for one. I have to say to
Speaker 0: you. I
Speaker 1: started as a salesman, mister Beale. I sold sewing machines and automobile parts, hairbrushes, and electronic equipment. They say I can sell anything. I'd like to try to sell something to you. Valhalla, mister Beale.
Please sit down.
Speaker 2: You have meddled with the primal forces of nature, mister Beale, and I won't have it. Is that clear? Do you think you merely stopped a business deal? That is not the case. The Arabs have taken billions of dollars out of this country, and now they must put it back.
It is ebb and flow, tidal gravity. It is ecological balance. You are an old man who thinks in terms of nations and peoples. There are no nations. There are no peoples.
There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems.
One vast and immane, interwoven, interacting, multivariate, multinational dominion of dollars. Petro dollars, electro dollars, multi dollars, Reichmarks, RINs, rubles, pounds, and shekels.
Speaker 1: It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today. That
Speaker 2: is the atomic and subatomic and galactic structure of things today. And you have meddled with the primal forces of nature. And you will atone.
Speaker 1: Am I getting through to you, mister Beale? You get up on your little 21 inch screen and howl about America and democracy. There is no America. There is no democracy. There is only IBN and ITT and AT and T and DuPont, Dow, Union Carbide, and Exxon.
Those are the nations of the world today. What do you think the Russians talk about in their councils of state, Karl Marx? They get out their linear programming charts, statistical decision theories, minimax solutions, and compute the price cost probabilities of their transactions and investments just like we do. We no longer live in a world of nations and ideologies, mister Beale. The world is a college of corporations, inexorably determined by the immutable bylaws of business.
The world is a business, mister Beale. It has been since man crawled out of the slime. And our children will live, mister Beale, to see that perfect world in which there's no war or famine, oppression or brutality. One vast and ecumenical holding company for whom all men will work to serve a common profit, in which all men will hold a share of stock, all necessities provided, All anxieties tranquilized. All boredom amused.
And I have chosen you, mister Beale, to preach this evangel.
Speaker 2: Why me?
Speaker 1: Because you're on television, dummy. 60,000,000 people watch you every night of the week, Monday through Friday.
Speaker 2: I have seen the face of God.
Speaker 1: You just might be right, mister Beale. That evening, Howard Beale went on the air to preach the corporate cosmology of Arthur Jensen.
Speaker 0: I'm sorry. I don't
@RealLTCRicBosi - Riccardo Bosi
Robert Welsh 1958 https://t.co/wKN83VSqdO
Video Transcript AI Summary
The plan involves inducing a gradual surrender of American sovereignty to international organizations, with the United Nations as a primary example. Aims for the United States include: expanded government spending, higher taxes, an unbalanced budget, currency inflation, and government controls on prices, wages, and materials.
Increased socialistic controls over the economy and daily life would be accompanied by a larger bureaucracy and increased government reach. Further aims include centralization of power in Washington, practical elimination of state lines, federal control over education, and constant emphasis on the horrors of war, promoting peace on communist terms. This would lead to American willingness to accept appeasement, resulting in a piecemeal surrender of the free world.
Full Transcript
Speaker 0: A part of that plan, of course, is to induce the gradual surrender of American sovereignty piece by piece and step by step to various international organizations of which the United Nations is the outstanding but far from the only example. Now here are the aims for The United States. One, greatly expanded government spending for every conceivable means of getting rid of ever larger sums of American money as wastefully as possible. Two, higher and then much higher taxes. Three.
An increasingly unbalanced budget, despite the higher taxes four. Wild inflation of our currency five. Government controls of prices, wages, and materials supposedly to combat inflation. Six, greatly increased socialistic controls over every operation of our economy and every activity of our daily lives. This is to be accompanied, naturally and automatically, by a correspondingly huge increase in the size of our bureaucracy and in both the cost and reach of our domestic Government.
Far more centralization of power in Washington and the practical elimination of our State lines. There is a many faceted drive at work to have our State lines eventually mean no more within the Nation than our County lines do now within The States. Eight, the steady advance of Federal aid to and control over our educational system, leading to complete federalization of our public education. Nine, a constant hammering into the American consciousness of the horror of modern warfare. The beauties and the absolute necessity of peace.
Peace always on communist terms, of course. And 10, the consequent willingness of the American people to allow the steps of appeasement by our government which amount to a piecemeal surrender of the rest of the free world
@occultni - sLOVen
Ted Pike, 1987 https://t.co/i6mY1esINp
Video Transcript AI Summary
Speaker 0: "Israel operates the most powerful lobby in congress" (APAC), and "through control of congress, Israel demands and gets nearly $5,000,000,000 annually." It claims "No elected official dares criticize Israel" for fear "the Jewish lobby will accuse him of antisemitism, the kiss of death for any politician," and that "the president also knows what Israel wants, Israel gets." It states "The mass media founded and controlled primarily by Jews manipulates the spigot of information out of which Heartland America drinks" and that "if you criticize Israel, you are antisemitic." "Keep your head down, or you are fair game for being knocked off by the Zionist shooting gallery."
Speaker 1: "our president and elected officials are slaves to political correctness when it comes to Jews and Israel." They "cannot seriously criticize Israel," cannot end aid to Israel, and "cannot even protest Zionist control of congress."
Full Transcript
Speaker 0: Hi, and this is my wife, Alin. Today, a foreign government, Israel, operates the most powerful lobby in congress. This is APAC, the American Israel Public Affairs Committee. Through control of congress, Israel demands and gets nearly $5,000,000,000 annually. No elected official dares criticize Israel for fear the Jewish lobby will accuse him of antisemitism, the kiss of death for any politician.
The president also knows what Israel wants, Israel gets. To act otherwise is political suicide. The mass media founded and controlled primarily by Jews manipulates the spigot of information out of which Heartland America drinks. The message of this contaminated source is, if you criticize Israel, you are antisemitic. Be safe.
Keep your head down, or you are fair game for being knocked off by the Zionist shooting gallery.
Speaker 1: As a result, our president and elected officials are slaves to political correctness when it comes to Jews and Israel. They cannot seriously criticize Israel, especially as the source of Mideast strife and terrorism. They cannot suggest an end of aid to Israel. They cannot even protest Zionist control of congress.
@MYLUNCHBREAK_ - MY LUNCH BREAK
The World Was Prepared For Us? https://t.co/qj4JO8rWG8
Video Transcript AI Summary
Today the speaker offers an alternative conclusion for why palaces are worldwide, suggesting two groups: 'one that actually cared about us, possibly created us, and set this stage for us' and 'one that does not care about us.' He argues a prior civilization with technology, here only a few hundred years ago, built these temples and palaces, now hijacked and renamed as capital buildings or banks. Saint Isaac's Cathedral in Saint Petersburg is used: 1861 photos show roads and no people, with 'the fourth consecutive church' on site. He notes 'Carl died before the construction' (1852) and questions 'painted before construction' patterns. The palace allegedly rests on 10,000 tree trunks with a basement of valuables; paintings later destroyed. He contrasts Vatican 'Michelangelo painted this in fifteen o eight to fifteen twelve' and claims WWII, 1931 museum of religion and atheism, 'Foucault pendulum,' and a blaze at Trinity Cathedral in 2006.
Full Transcript
Speaker 0: Today, I'm gonna introduce an alternative conclusion as to why these palaces are all over the world. Today, I'm going to attempt to take our thought process a little deeper, and we're also going to see a palace in Russia that we are told has a painter that died years before the construction was even close to being done because we all paint our house before it's built. No. Right here on saintpetersburg.com, we are given a panoramic shot of Saint Petersburg, Russia with perfect dirt roads where I don't see a single person. Massive buildings everywhere, yet not one person.
These photos are from 1861, only three years after they say that this was constructed. You can see this palace in the fourth shot in the panoramic view where it's becoming clearer and clearer that these cities all over the world, palaces were constructed by a massive civilization. One that was here before us. A civilization that had incredible technology and a civilization that was here only a few hundred years ago. A civilization that is clearly being hidden to us.
Yet their construction sits here looking at us straight in the face. These photos are alarming in my opinion. Everyone should be asking questions at this point. One question should be, who paved all of this dirt? Like it's all perfectly prepared for these photos.
And I'm going to suggest an alternative, much less likely idea, an idea that should just be out there for people to think about. And possibly not just an alternative idea, but something that could definitely be an addition to what we have already known, that there was a previous civilization here before us. But after doing countless hours of this research on this topic, after looking at these photos where these cities look like they were on display, on display for all of us, almost like they were prepared for us, cleaned up perfectly, and ready for us all to come into the picture in the late seventeen hundreds. An idea that I'm just gonna throw out there into the world for everyone to think about instead of being just stuck in my head is, are there two groups, one that actually cared about us, possibly created us, and set this stage for us and one that does not care about us. With the corrupt group still being here and the other group that built our incredible stage and felt that we deserve the greatest palaces to live in and use.
The group that fully understood this type of incredible construction possibly no longer here with a corrupt group that ended up wanting to control an entire population, us. Changing the narrative to all of these buildings, hijacking all of the buildings, calling them capital buildings, banks, buildings for them now and no longer for us, buildings that were always and originally meant for us, where they are now used as this group's offices to control us. Destroying the rest of the buildings with wars, great fires that weren't so great, tricking us for two hundred plus years, giving us a ridiculous story that a group of people that had a population of basically nobody that rode around on donkeys with no technology were the master builders of stone carved and marble basilicas that stand the test of time all over the world. When in reality, it was a much more powerful group that is no longer here or maybe they are and watching from a distance. A group that set the stage for all of us, built all of these incredible buildings that we have been talking about this entire time.
Temples, cathedrals, basilicas, capital buildings, houses that are white, and no, not the vinyl siding ones. Is it possible that we are so much more important, so much more powerful than we are told, and completely tricked and manipulated into thinking that we are just these lazy pawns to these corrupt individuals that stole our buildings, our land, our lives. Making us feel like we're born just to work and sleep, just to struggle over and over. When in reality, our lives are so much more important and incredibly valuable. In reality, they have stolen our buildings, taken them from us, and giving us these depressing ugly boxes in return, which are demoralizing to look at.
We know that the historical narrative that we are currently given is complete nonsense. We have proven this in my opinion. We have shown massive flaws including the population lie, where supposedly we are being told that nobody wants to have kids with anyone for thousands of years. And then in the seventeen hundreds out of nowhere conveniently, right when all the financial institutions begin, the human mind changes for the first time ever. Just a random fluke we are told.
And people finally enjoy each other's company and finally wanna have kids with each other. And this narrative was accepted for far too long. Believing this narrative, this chart is borderline insanity. What we don't know and what we all want to know is where we are. What is the truth?
Who actually built these buildings? They are incredible and nothing like the buildings that we build today. It's built by a different mindset. They're built with much more technology, much more information that we do not have. We are not taught these skills in our highest architecture classes.
Which class shows us how to knock out a palace in a year with no power tools, no light bulbs, no shipping companies, nothing? That chapter was left out of the college architecture book. We all know this. These buildings that we all see in every single one of our cities, they tell a much different story than what we've all been told by the mainstream narrative. And this narrative, this lie, it only helps one group, and the group is not us.
There was a previous civilization that was here before us. A civilization that was massive and held incredible technology. But there is a very real possibility in my mind that there are also higher powers that are possibly still here that set this current stage for us, and the game has now been corrupted. We don't advance our overall thought process by simply being quiet. Welcome to episode 66 of my lunch break.
I hope you're all having a great day. And if you're new, welcome. And I wanna thank all of our sponsors over on Patreon. Thank you flatearthdave.com. You can check out his app.
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Who maintained all of this dirt? We're being told that a civilization of no people had the capabilities to construct an entire palace city, and this city will last forever. Yet when you look at the finished product, there isn't a single person anywhere. It's empty. And here we have Saint Isaac's Cathedral located in Saint Petersburg, Russia.
And the inside just blows your mind with massive doors, incredible detail, with a height of over 330 feet. And we are told the exact same story that we've seen all over the world that this wasn't even the first structure. This one was the replacement. In fact, it was the fourth consecutive church standing at this place. The exact same location has had four churches here.
This is what we're being told. I'm shocked that this pattern, that four buildings have been on the same site. How has this pattern not been identified before? We see the exact same thing even over in Texas when they have seven courthouses on the exact same site. We've seen it all over.
It's a repeating pattern. All of these narratives all over the world are, in my opinion, created by the same source. And in my opinion, based on everything that we've seen, it's an AI, very similar to ChatGPT. This palace has bronze doors, internal columns, statues on the inside, and, of course, the interior was originally decorated with paintings that have been since painted over. And supposedly, they reproduced them.
They had to get rid of the originals because they deteriorated because of the cold and damp conditions inside. This is incredible how they get away with destroying the originals over and over. We are told that this building was constructed between 1818 and 1858. When we can easily catch this narrative in a lie. When we go to Vatican City and take a look at Sistine Chapel where Michelangelo painted this in fifteen o eight to fifteen twelve supposedly, predating this Russian painting by over three hundred years.
And it's holding up just fine unless, of course, Michelangelo had a better paint set. It's ridiculous. So the paintings should have been just fine in Russia. And this is when the story gets even weirder, When they tell us that during World War two, the dome was also painted over making it gray to avoid attention from enemy aircraft. So I hope we're all seeing very clearly at this point what these wars, seeing what their true purpose was.
Clearly destroying these buildings. Removing the inside because it was too cold. Give me a break. And they say the work was never completed. But when you take a look at the inside, it looks pretty completed to me.
It doesn't even look like they missed one spot. And they tell us that the original paintings were done by this Karl guy and other random Russian masters of the day. And of course, no need to name these Russian masters of the day, but here is Karl. It was the pose of the day. Could you imagine if we gave information the way the mainstream narrative did?
Just saying they were the flavor of the day, painted by the painters of the day, like it's some sort of special on the menu. It's incredible how this was accepted as fact for so long. It's shocking. And Carl died before the construction was done. Do we all paint our houses before the construction is done?
Or is this the last step in the process? It is the last step. You don't paint your house years before it's done. He died in 1852. We are told that the building is done in 1858.
So this guy that put the finishing touches on the palace is dead six years before the building is done. So we know we don't paint our house six years before it's done. Oh, and if we go down here at the bottom, we can see that this was his self portrait. Very nice choice, Carl. Let's take a look at the technologies of this palace, where William Handyside is the engineer.
So Handyside is the guy where they get 10,000 tree trunks and throw them into the marshy banks. So they want us to believe that there's just a bunch of tree trunks under this palace. And I know they are a bunch of liars at this point, so when we see something like this, I know to go deeper. This statement makes me think that there is something under this palace that has significant value. When we can see that this building has artwork and exhibits from a museum that were hidden away in the cathedral's basement.
So now we know that this palace has a basement with valuables in it and all chalked up to this war again. So they laid down these 10,000 tree trunks on a marshy bank and then knock out a massive basement on top of all that and then build a palace and paint it before it's done. And then get rid of those paintings because it's a little too cold. But never finish those paintings, of course. Oh.
And this is the fourth palace on the same site. It sounds like a lie. I wonder how much bigger this palace is underground like we have seen in episode 44 when we caught a tunnel on camera from the Illinois State Capitol Building while they were in the middle of destroying something and just call it a renovation project. So here's the construction photo that they give us. A photo from expresstorussia.com.
There's a big problem though with this picture. It's a drawing. And we know that they had cameras in 1816. So why give us a drawing? I've said this before, but it's so true.
For all we know, they just drew this last night. It's a drawing. It's obviously not proof of construction, not even close. Here we are told we have a view of the cathedral surrounded by wood scaffolding from another drawing drawn three years ago by a master drawer of the day as the mainstream narrative likes to say. It's incredible.
So in 1931, they turned this cathedral into a museum when under the Soviet government, the building was stripped of religious trappings. In 1931, it was turned into the museum of the history of religion and atheism. So the complete opposite of a cathedral, Going back to my suggestion that there's possibly a group that wants to take these buildings that were originally meant for us in a positive manner and turn them into the complete opposite. Removing everything that was once given to all of us, a cathedral changed to a museum of history and atheism where the original dove structure was removed and replaced by a Foucault pendulum, which we all know at this point is some weird symbol for this group. A group that's clearly addicted to symbols, where they think it's all a big secret when we know they're addicted to symbols.
And it's not a mystery anymore. Let's take a minute and thank all of our badge members, all of our patreons, and every single subscriber. You are all awesome and giving me a ton of motivation to go deeper, helping this channel grow to millions of people, and we're just getting started. Let's check this palace out now that we know that this building's narrative is forever in shreds. So here we have the Saint Isaac's Cathedral, and right over here we have another building that'll no longer be hidden in plain sight, the Marinsky Palace.
Now let's have some fun, and make sure you don't confuse it with the theater. And thank you for letting us know about this masterpiece. Is there a more entertaining topic? Finding buildings, palaces that make no sense in the fabricated timeline that we're given. Palaces that we can actually go and visit especially when we're told that this was built in a year.
And unfortunately, the original building was destroyed by a fire in 1859. Adding to our fire total, is your mind blown yet? Should we go deeper? The new one, the one that's here today, the palace opened up the very next year. So the theater's narrative is clearly a mess.
So let's go back to this palace where in 1839, they were building palaces as wedding presents. This is incredible. Built in five years from 1839 and wrapped it right up in 1844. And then, of course, taken over by the Russian government and off limits to the public. Were these buildings built for them?
It's definitely an interesting thought that these narratives are thrown together by this group as a successful attempt to steal these buildings from us and clearly getting away with it, and then create the passport so that if we wanna go visit these lands that were once all ours, you need to make sure you have your papers. I don't think this was the world that was created for all of us. I think it was the complete opposite, and it's been 100% infiltrated worldwide. And it's beginning to feel more and more like everyone's starting to realize that. And I was looking at this area and saw these two buildings in the background that clearly look out of place.
So let's check this one out first. A building that was taken over by the Russian Navy where they tell us that an earlier wooden church sat on the exact same site. And then we have the other palace that we just saw. And remember, all of these buildings, they're all right next to each other. This is the Trinity Cathedral where let's just close this episode off properly.
Let's show the world that the lie is over. It's game over for the mainstream narrative, and there is no going back. We will all never forget this. The more and more people that see the lies, the faster the truth is gonna be shown to us. Where we are told that the Trinity Cathedral was constructed in 1828 to 1835.
And in 02/2006, the blaze apparently started on scaffolding on the outside of the church, which was undergoing restoration. And we all know that restoration really means destruction.
@buckkbob - Buck
🎶🔥LONE RANGER🔥🎶 . . . Oldie never released. . . https://t.co/zSDLM10PUr
Video Transcript AI Summary
The speaker presents a world of deliberate isolation and entanglement with danger, where loyalty is unreliable and shelter is a mirage. Bloodlines go silent when the wolves come to feed, and promises of safety turn into betrayal: shelter promised, then the sea planted. The inner circle dissolves like smoke when badges flash and pressure rises, signaling a landscape where trusted faces offer drinks with a grin while their pockets hide secrets and knives. Suit-and-tie riders arrive at the gate at night, presenting papers for protection while they measure one’s fight, illustrating a coercive system that claims guardianship yet weighs every move.
There is no circle to lean on, no place to claim as own, and every outstretched hand seems to call out the speaker’s name for taking or breaking, for branding or chaining. The speaker asserts that they learned long ago that the only safe lane is to ride alone, because they were born alone and will dine alone, and will die alone. The refrain echoes: Alone Ranger, so I ride alone; they don’t even know what side I’m on. Corner boys turn to cocaine when the heat arrives, exchanging quiet knobs for a seat by the fire, signaling a descent into a life where crime and survival intertwine under pressure.
New shadows enter the town, smiling with hooded intent, offering alliances while rewriting the rules. Highriders in offices deal from the dark, selling pieces of freedom with a stamped mark, implying corruption at powerful levels that market liberty while controlling its terms. Every new stranger bears a map or a line pointing to the place where you die, suggesting that danger is ubiquitous and navigation itself is lethal.
The speakers recount sermons from high pulpits about standing as one, even as they sharpen fences and load guns, a stark juxtaposition between rhetoric of unity and the reality of threat and segmentation. They have watched too many backs vanish into the dust and too many bloodholes crumble to rust, a cumulative history of loss and disintegration. Thus, the speaker travels ghost trails where the only law is born of silent whispers—an unspoken code that nobody believes. The overall arc emphasizes solitary endurance in a world of betrayal, power, and concealed violence, where the true loyalties are invisible and the path is walked alone.
Full Transcript
Speaker 0: All alone. Know what side I'm on. Bloodlines went silent when the wolves came to feed. Promised me shelter, then planted the sea. Inner circle scattered like smoke in the breeze when badges started flashing and pressure increased.
Familiar faces offered a drink with a grin but their pockets held secrets and knives hid within. Suit and tie riders knock at the gate in the night, wave papers for protection while they measure your fight. No circle I lean on, no place I can claim. Every outstretched hand just calls out my name for the taking or breaking for branding or chain I learned long ago that's the only safe lane. See, I was born alone.
I'll dine alone, a lone ranger. So I ride alone. They don't even know what side I'm on. See, I was born alone. I'll die alone.
Alone Ranger, so I ride alone. They don't even know Corner boys turn coke when the heat hit the wide, traded quiet knobs for a seat by the fire. New shadows in town with their smiles full of hoods, offer alliance while they rewrite the books. Highriders in offices deal from the dark sell pieces of freedom with a stamp of a mark. Every new stranger carries a map or a line pointing the way to the place where you die.
They preach from high pulpits about standing as one while they sharpen the fences and load up the gun. I've watched too many backs vanish into the dust. Too many bloodholes crumble to rust. So I ride these ghost trails where the only law breeds in the silence of whispers what nobody believes.
@CultivateElevat - Matt From Cultivate Elevate
1943 zee German bells 🔔 https://t.co/4LCPoX8Ey1
Video Transcript AI Summary
Speaker 0: The discussion centers on bells, specifically the Die Glock, a giant German bell used for levitation. Nick Cook and many other scientists believe the bell discharged some sort of radiation connected to levitation. Inside the bell were cylinders that spun in the opposite direction and also contained mercury. Not just any mercury, red mercury—the kind the government tells you to stay away from. Mercury, or quicksilver, is shown here, with electricity involved. So we have mercury creating voltage, and then uranium or radium present, which would emit the radiation.
The sounds coming off the bell were described as beehive-like, and there was a bluish phosphorus glow from the bell. The text notes that this form of levitation and other inventions were similar to the Vril Society, which people should look into, along with Wotan. Also mentioned are Schauberger's work, Tesla's work, and the bell itself.
The narrative also references the United States government claiming that Germany was developing nukes, and posits that this helps explain why they were invaded.
Full Transcript
Speaker 0: So today we're gonna talk about bells, and we're gonna go through this book. You know, the Germans did the Die Glock, which was a giant bell, which was used for levitation. And it shows right here, Nick Cook and many other scientists all believe that bell discharged some sort of radiation, which is really interesting, and was connected to levitation. Now here's where it gets fascinating. There were cylinders inside the bell which spun in the opposite direction, which also contained mercury.
And not just any type of mercury, red mercury, the one the government tells you to stay away from. So check this. This is mercury right here. Right? Quicksilver.
Look at how much electricity. Wild. So we got mercury, which creates that voltage, and then you got the uranium or radium right here. Okay? And then that would emit the radiation.
What's interesting is that the sounds that came off of it were like a beehive, and there was a bluish phosphorus glow of the bell. And they say that this form of levitation and other inventions were similar to the Vril Society, which people need to look into in Wotan. Also, Schauberger's work, Tesla's work, and right there, that bell. Now what's funny is the United States government was saying that Germany was developing nukes, they had to invade them. Do you kinda see why they had to invade them now?